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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B6CC6CE it is the complementary color #849339CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B6CC6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B6CC6CE shade: #806CC1CE, #917ED4CE, #A290E7CE, #B3A2FACE and #C4B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B6CC6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B6CC6CE shade: #7B6CC6CE, #6A5AB3CE, #5948A0CE, #48368DCE and #37247ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B6CC6CE shade: #7B6CC6, #936CC6, #AB6CC6, #C46CC6 and #C66CB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B6CC6CE shade: #7B6CC6 and #6C6CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B6CC6CE shade matches the following richer shades: #7B6CC6, #705CD6, #654BE7 and #5A3BF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B6CC6CE shade: #7B6CC6, #867DB5, #918DA5, #9C9E94 and #A7AE84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B6CC6CE shade: #6C8DC6, #6C75C6, #7B6CC6, #936CC6 and #AB6CC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B6CC6CE shade: #4F3FA1, #604EBA, #7B6CC6, #968AD1 and #B0A8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B6CC6CE shade: #7B6CC6, #C66CA5 and #81C66C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B6CC6CE shade: #7B6CC6, #C67B6C and #6CC67B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B6CC6CE shade: #7B6CC6, #C66CA5, #B7C66C and #6CC68D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B6CC6CE shade: #7B6CC6, #C66C8A, #B7C66C and #6CC6A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 37 / 0 / 18

HEX #7B6CC6CE

RGBA 123 108 198 0.81

HSLA 250, 0.44%, 0.6%, 0.81

LABA 50.7, 27.3, -45.09, 0.81

 

Complementary color

CMYK 8 / 0 / 50 / 34

HEX #849339CE

RGBA 132 147 57 0.81

HSLA 70, 0.44%, 0.4%, 0.81

LABA 58.1, -18.64, 44.66, 0.81

 

CMYK 27 / 36 / 0 / 20

HEX #806CC1CE

RGBA 128 108 193 0.81

HSLA 254.12, 0.41%, 0.59%, 0.81

LABA 50.88, 27.27, -41.91, 0.81

 

CMYK 26 / 33 / 0 / 14

HEX #917ED4CE

RGBA 145 126 212 0.81

HSLA 253.26, 0.5%, 0.66%, 0.81

LABA 57.75, 26.38, -41.78, 0.81

 

CMYK 24 / 31 / 0 / 8

HEX #A290E7CE

RGBA 162 144 231 0.81

HSLA 252.41, 0.64%, 0.74%, 0.81

LABA 64.48, 25.58, -41.69, 0.81

 

CMYK 23 / 29 / 0 / 2

HEX #B3A2FACE

RGBA 179 162 250 0.81

HSLA 251.59, 0.9%, 0.81%, 0.81

LABA 71.1, 24.87, -41.64, 0.81

 

CMYK 19 / 24 / 0 / 0

HEX #C4B4FFCE

RGBA 196 180 255 0.81

HSLA 252.8, 1%, 0.85%, 0.81

LABA 77.04, 20.95, -35, 0.81

 

CMYK 31 / 37 / 0 / 18

HEX #7B6CC6CE

RGBA 123 108 198 0.81

HSLA 250, 0.44%, 0.6%, 0.81

LABA 50.7, 27.3, -45.09, 0.81

 

CMYK 33 / 40 / 0 / 24

HEX #6A5AB3CE

RGBA 106 90 179 0.81

HSLA 250.79, 0.37%, 0.53%, 0.81

LABA 43.7, 28.4, -45.32, 0.81

 

CMYK 36 / 45 / 0 / 30

HEX #5948A0CE

RGBA 89 72 160 0.81

HSLA 251.59, 0.38%, 0.45%, 0.81

LABA 36.55, 29.66, -45.59, 0.81

 

CMYK 40 / 50 / 0 / 36

HEX #48368DCE

RGBA 72 54 141 0.81

HSLA 252.41, 0.45%, 0.38%, 0.81

LABA 29.26, 31.11, -45.86, 0.81

 

CMYK 44 / 57 / 0 / 42

HEX #37247ACE

RGBA 55 36 122 0.81

HSLA 253.26, 0.54%, 0.31%, 0.81

LABA 21.87, 32.7, -46.04, 0.81

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 26 / 45 / 0 / 22

HEX #936CC6

RGB 147 108 198

HSL 266, 0.44%, 0.6%

LAB 52.96, 33.83, -41.38

 

CMYK 14 / 45 / 0 / 22

HEX #AB6CC6

RGB 171 108 198

HSL 282, 0.44%, 0.6%

LAB 55.54, 40.72, -37.13

 

CMYK 1 / 45 / 0 / 22

HEX #C46CC6

RGB 196 108 198

HSL 298.67, 0.44%, 0.6%

LAB 58.54, 48.06, -32.22

 

CMYK 0 / 45 / 11 / 22

HEX #C66CB0

RGB 198 108 176

HSL 314.67, 0.44%, 0.6%

LAB 57.91, 44.82, -20.59

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 45 / 45 / 0 / 22

HEX #6C6CC6

RGB 108 108 198

HSL 240, 0.44%, 0.6%

LAB 49.48, 23.52, -47.1

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 48 / 57 / 0 / 16

HEX #705CD6

RGB 112 92 214

HSL 249.84, 0.6%, 0.6%

LAB 46.91, 38.79, -60.36

 

CMYK 56 / 68 / 0 / 9

HEX #654BE7

RGB 101 75 231

HSL 250, 0.76%, 0.6%

LAB 43.61, 51.49, -75.45

 

CMYK 64 / 76 / 0 / 3

HEX #5A3BF7

RGB 90 59 247

HSL 249.89, 0.92%, 0.6%

LAB 41.24, 62.88, -88.39

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 26 / 31 / 0 / 29

HEX #867DB5

RGB 134 125 181

HSL 249.64, 0.27%, 0.6%

LAB 55.15, 15.84, -28.3

 

CMYK 12 / 15 / 0 / 35

HEX #918DA5

RGB 145 141 165

HSL 250, 0.12%, 0.6%

LAB 59.7, 6.4, -12.11

 

CMYK 1 / 0 / 6 / 38

HEX #9C9E94

RGB 156 158 148

HSL 72, 0.05%, 0.6%

LAB 64.69, -2.59, 4.96

 

CMYK 4 / 0 / 24 / 32

HEX #A7AE84

RGB 167 174 132

HSL 70, 0.21%, 0.6%

LAB 69.58, -9.68, 20.79

 

CMYK 45 / 29 / 0 / 22

HEX #6C8DC6

RGB 108 141 198

HSL 218, 0.44%, 0.6%

LAB 58.33, 3.76, -33.16

 

CMYK 45 / 41 / 0 / 22

HEX #6C75C6

RGB 108 117 198

HSL 234, 0.44%, 0.6%

LAB 51.82, 18.05, -43.39

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 26 / 45 / 0 / 22

HEX #936CC6

RGB 147 108 198

HSL 266, 0.44%, 0.6%

LAB 52.96, 33.83, -41.38

 

CMYK 14 / 45 / 0 / 22

HEX #AB6CC6

RGB 171 108 198

HSL 282, 0.44%, 0.6%

LAB 55.54, 40.72, -37.13

 

CMYK 51 / 61 / 0 / 37

HEX #4F3FA1

RGB 79 63 161

HSL 249.8, 0.44%, 0.44%

LAB 33.54, 33.29, -51.09

 

CMYK 48 / 58 / 0 / 27

HEX #604EBA

RGB 96 78 186

HSL 250, 0.44%, 0.52%

LAB 40.38, 35.41, -54.8

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 28 / 34 / 0 / 18

HEX #968AD1

RGB 150 138 209

HSL 250.14, 0.44%, 0.68%

LAB 61.01, 20.08, -34.94

 

CMYK 20 / 24 / 0 / 13

HEX #B0A8DD

RGB 176 168 221

HSL 249.06, 0.44%, 0.76%

LAB 71.18, 13.78, -25.71

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 0 / 45 / 17 / 22

HEX #C66CA5

RGB 198 108 165

HSL 322, 0.44%, 0.6%

LAB 57.51, 43.04, -14.86

 

CMYK 35 / 0 / 45 / 22

HEX #81C66C

RGB 129 198 108

HSL 106, 0.44%, 0.6%

LAB 73.63, -38.69, 38.24

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 0 / 38 / 45 / 22

HEX #C67B6C

RGB 198 123 108

HSL 10, 0.44%, 0.6%

LAB 59.21, 27.52, 20.51

 

CMYK 45 / 0 / 38 / 22

HEX #6CC67B

RGB 108 198 123

HSL 130, 0.44%, 0.6%

LAB 72.9, -42.92, 29.43

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 0 / 45 / 17 / 22

HEX #C66CA5

RGB 198 108 165

HSL 322, 0.44%, 0.6%

LAB 57.51, 43.04, -14.86

 

CMYK 8 / 0 / 45 / 22

HEX #B7C66C

RGB 183 198 108

HSL 70, 0.44%, 0.6%

LAB 77, -18.75, 43.17

 

CMYK 45 / 0 / 29 / 22

HEX #6CC68D

RGB 108 198 141

HSL 142, 0.44%, 0.6%

LAB 73.22, -39.71, 20.39

 

CMYK 38 / 45 / 0 / 22

HEX #7B6CC6

RGB 123 108 198

HSL 250, 0.44%, 0.6%

LAB 50.7, 27.3, -45.09

 

CMYK 0 / 45 / 30 / 22

HEX #C66C8A

RGB 198 108 138

HSL 340, 0.44%, 0.6%

LAB 56.65, 39.12, -0.45

 

CMYK 8 / 0 / 45 / 22

HEX #B7C66C

RGB 183 198 108

HSL 70, 0.44%, 0.6%

LAB 77, -18.75, 43.17

 

CMYK 45 / 0 / 15 / 22

HEX #6CC6A8

RGB 108 198 168

HSL 160, 0.44%, 0.6%

LAB 73.81, -34.1, 6.71

 

Description

Color code: HEX #7B6CC6CE | qconv.com Color code: HEX #7B6CC6CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 108 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 108 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 37 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 37% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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