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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B63B2 it is the complementary color #849C4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B63B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B63B2 shade: #8063AD, #9175C0, #A287D3, #B399E6 and #C4ABF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B63B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B63B2 shade: #7B63B2, #6A519F, #593F8C, #482D79 and #371B66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B63B2 shade: #7A61B1, #8F61B1, #A561B1, #B161A8 and #B16193

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B63B2 shade: #7A61B1, #6461B1 and #6161B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B63B2 shade matches the following richer shades: #7A61B1, #724EC4, #6B3BD7, #6328EA and #5C15FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B63B2 shade: #7A61B1, #81749E, #88878B, #909A78 and #97AD65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B63B2 shade: #6174B1, #6461B1, #7961B1, #8F61B1 and #A461B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B63B2 shade: #533F81, #654D9C, #7A61B1, #917DBF and #A899CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B63B2 shade: #7B63B2, #B16189 and #69B161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B63B2 shade: #7B63B2, #B17961 and #61B179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B63B2 shade: #7B63B2, #B16189, #99B161 and #61B189

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B63B2 shade: #7B63B2, #B16171, #99B161 and #61B1A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 44 / 0 / 30

HEX #7B63B2

RGB 123 99 178

HSL 258.23, 0.34%, 0.54%

LAB 47.43, 27.26, -38.71

 

Complementary color

CMYK 15 / 0 / 51 / 39

HEX #849C4D

RGB 132 156 77

HSL 78.23, 0.34%, 0.46%

LAB 60.97, -21.37, 38.28

 

CMYK 26 / 43 / 0 / 32

HEX #8063AD

RGB 128 99 173

HSL 263.51, 0.31%, 0.53%

LAB 47.66, 27.42, -35.39

 

CMYK 24 / 39 / 0 / 25

HEX #9175C0

RGB 145 117 192

HSL 262.4, 0.37%, 0.61%

LAB 54.6, 26.59, -35.37

 

CMYK 23 / 36 / 0 / 17

HEX #A287D3

RGB 162 135 211

HSL 261.32, 0.46%, 0.68%

LAB 61.41, 25.83, -35.38

 

CMYK 22 / 33 / 0 / 10

HEX #B399E6

RGB 179 153 230

HSL 260.26, 0.61%, 0.75%

LAB 68.08, 25.15, -35.42

 

CMYK 21 / 31 / 0 / 2

HEX #C4ABF9

RGB 196 171 249

HSL 259.23, 0.87%, 0.82%

LAB 74.64, 24.53, -35.48

 

CMYK 31 / 44 / 0 / 30

HEX #7B63B2

RGB 123 99 178

HSL 258.23, 0.34%, 0.54%

LAB 47.43, 27.26, -38.71

 

CMYK 33 / 49 / 0 / 38

HEX #6A519F

RGB 106 81 159

HSL 259.23, 0.33%, 0.47%

LAB 40.33, 28.25, -38.85

 

CMYK 36 / 55 / 0 / 45

HEX #593F8C

RGB 89 63 140

HSL 260.26, 0.38%, 0.4%

LAB 33.08, 29.37, -39.01

 

CMYK 40 / 63 / 0 / 53

HEX #482D79

RGB 72 45 121

HSL 261.32, 0.46%, 0.33%

LAB 25.67, 30.6, -39.15

 

CMYK 46 / 74 / 0 / 60

HEX #371B66

RGB 55 27 102

HSL 262.4, 0.58%, 0.25%

LAB 18.17, 31.79, -39.15

 

CMYK 31 / 45 / 0 / 31

HEX #7A61B1

RGB 122 97 177

HSL 258.75, 0.34%, 0.54%

LAB 46.79, 27.91, -39.14

 

CMYK 19 / 45 / 0 / 31

HEX #8F61B1

RGB 143 97 177

HSL 274.5, 0.34%, 0.54%

LAB 48.96, 33.98, -35.57

 

CMYK 7 / 45 / 0 / 31

HEX #A561B1

RGB 165 97 177

HSL 291, 0.34%, 0.54%

LAB 51.52, 40.56, -31.38

 

CMYK 0 / 45 / 5 / 31

HEX #B161A8

RGB 177 97 168

HSL 306.75, 0.34%, 0.54%

LAB 52.65, 42.54, -24.28

 

CMYK 0 / 45 / 17 / 31

HEX #B16193

RGB 177 97 147

HSL 322.5, 0.34%, 0.54%

LAB 51.84, 38.97, -13.18

 

CMYK 31 / 45 / 0 / 31

HEX #7A61B1

RGB 122 97 177

HSL 258.75, 0.34%, 0.54%

LAB 46.79, 27.91, -39.14

 

CMYK 44 / 45 / 0 / 31

HEX #6461B1

RGB 100 97 177

HSL 242.25, 0.34%, 0.54%

LAB 44.85, 21.99, -42.35

 

CMYK 45 / 45 / 0 / 31

HEX #6161B1

RGB 97 97 177

HSL 240, 0.34%, 0.54%

LAB 44.61, 21.23, -42.74

 

CMYK 31 / 45 / 0 / 31

HEX #7A61B1

RGB 122 97 177

HSL 258.75, 0.34%, 0.54%

LAB 46.79, 27.91, -39.14

 

CMYK 42 / 60 / 0 / 23

HEX #724EC4

RGB 114 78 196

HSL 258.31, 0.5%, 0.54%

LAB 42.78, 42.17, -56.67

 

CMYK 50 / 73 / 0 / 16

HEX #6B3BD7

RGB 107 59 215

HSL 258.46, 0.66%, 0.54%

LAB 39.85, 56.14, -72.45

 

CMYK 58 / 83 / 0 / 8

HEX #6328EA

RGB 99 40 234

HSL 258.25, 0.82%, 0.54%

LAB 38.04, 68.16, -86.31

 

CMYK 64 / 92 / 0 / 1

HEX #5C15FD

RGB 92 21 253

HSL 258.36, 0.98%, 0.54%

LAB 37.67, 77.57, -97.67

 

CMYK 31 / 45 / 0 / 31

HEX #7A61B1

RGB 122 97 177

HSL 258.75, 0.34%, 0.54%

LAB 46.79, 27.91, -39.14

 

CMYK 18 / 27 / 0 / 38

HEX #81749E

RGB 129 116 158

HSL 258.57, 0.18%, 0.54%

LAB 51.41, 13.94, -20.78

 

CMYK 2 / 3 / 0 / 45

HEX #88878B

RGB 136 135 139

HSL 255, 0.02%, 0.54%

LAB 56.51, 1.17, -2.02

 

CMYK 6 / 0 / 22 / 40

HEX #909A78

RGB 144 154 120

HSL 77.65, 0.14%, 0.54%

LAB 61.99, -9.76, 16.69

 

CMYK 13 / 0 / 42 / 32

HEX #97AD65

RGB 151 173 101

HSL 78.33, 0.31%, 0.54%

LAB 67.58, -19.62, 34.44

 

CMYK 45 / 34 / 0 / 31

HEX #6174B1

RGB 97 116 177

HSL 225.75, 0.34%, 0.54%

LAB 49.75, 9.54, -34.62

 

CMYK 44 / 45 / 0 / 31

HEX #6461B1

RGB 100 97 177

HSL 242.25, 0.34%, 0.54%

LAB 44.85, 21.99, -42.35

 

CMYK 32 / 45 / 0 / 31

HEX #7961B1

RGB 121 97 177

HSL 258, 0.34%, 0.54%

LAB 46.7, 27.63, -39.3

 

CMYK 19 / 45 / 0 / 31

HEX #8F61B1

RGB 143 97 177

HSL 274.5, 0.34%, 0.54%

LAB 48.96, 33.98, -35.57

 

CMYK 7 / 45 / 0 / 31

HEX #A461B1

RGB 164 97 177

HSL 290.25, 0.34%, 0.54%

LAB 51.4, 40.26, -31.58

 

CMYK 36 / 51 / 0 / 49

HEX #533F81

RGB 83 63 129

HSL 258.18, 0.34%, 0.38%

LAB 31.76, 24.6, -34.35

 

CMYK 35 / 51 / 0 / 39

HEX #654D9C

RGB 101 77 156

HSL 258.23, 0.34%, 0.46%

LAB 38.68, 28.5, -39.7

 

CMYK 31 / 45 / 0 / 31

HEX #7A61B1

RGB 122 97 177

HSL 258.75, 0.34%, 0.54%

LAB 46.79, 27.91, -39.14

 

CMYK 24 / 35 / 0 / 25

HEX #917DBF

RGB 145 125 191

HSL 258.18, 0.34%, 0.62%

LAB 56.53, 21.68, -31.78

 

CMYK 18 / 25 / 0 / 20

HEX #A899CC

RGB 168 153 204

HSL 257.65, 0.33%, 0.7%

LAB 66.11, 15.83, -24.15

 

CMYK 31 / 44 / 0 / 30

HEX #7B63B2

RGB 123 99 178

HSL 258.23, 0.34%, 0.54%

LAB 47.43, 27.26, -38.71

 

CMYK 0 / 45 / 23 / 31

HEX #B16189

RGB 177 97 137

HSL 330, 0.34%, 0.54%

LAB 51.5, 37.42, -7.78

 

CMYK 41 / 0 / 45 / 31

HEX #69B161

RGB 105 177 97

HSL 114, 0.34%, 0.54%

LAB 65.99, -38.67, 33.93

 

CMYK 31 / 44 / 0 / 30

HEX #7B63B2

RGB 123 99 178

HSL 258.23, 0.34%, 0.54%

LAB 47.43, 27.26, -38.71

 

CMYK 0 / 32 / 45 / 31

HEX #B17961

RGB 177 121 97

HSL 18, 0.34%, 0.54%

LAB 55.97, 18.97, 21.98

 

CMYK 45 / 0 / 32 / 31

HEX #61B179

RGB 97 177 121

HSL 138, 0.34%, 0.54%

LAB 66.03, -37.11, 21.22

 

CMYK 31 / 44 / 0 / 30

HEX #7B63B2

RGB 123 99 178

HSL 258.23, 0.34%, 0.54%

LAB 47.43, 27.26, -38.71

 

CMYK 0 / 45 / 23 / 31

HEX #B16189

RGB 177 97 137

HSL 330, 0.34%, 0.54%

LAB 51.5, 37.42, -7.78

 

CMYK 14 / 0 / 45 / 31

HEX #99B161

RGB 153 177 97

HSL 78, 0.34%, 0.54%

LAB 68.81, -21.32, 38.07

 

CMYK 45 / 0 / 23 / 31

HEX #61B189

RGB 97 177 137

HSL 150, 0.34%, 0.54%

LAB 66.36, -33.93, 12.95

 

CMYK 31 / 44 / 0 / 30

HEX #7B63B2

RGB 123 99 178

HSL 258.23, 0.34%, 0.54%

LAB 47.43, 27.26, -38.71

 

CMYK 0 / 45 / 36 / 31

HEX #B16171

RGB 177 97 113

HSL 348, 0.34%, 0.54%

LAB 50.79, 34.11, 5.45

 

CMYK 14 / 0 / 45 / 31

HEX #99B161

RGB 153 177 97

HSL 78, 0.34%, 0.54%

LAB 68.81, -21.32, 38.07

 

CMYK 45 / 0 / 9 / 31

HEX #61B1A1

RGB 97 177 161

HSL 168, 0.34%, 0.54%

LAB 66.94, -28.49, 0.55

 

Description

Color code: HEX #7B63B2 | qconv.com Color code: HEX #7B63B2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 99 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 99 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 44 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 44% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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