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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B5E2D it is the complementary color #84A1D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B5E2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B5E2D shade: #805E28, #91703B, #A2824E, #B39461 and #C4A674

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B5E2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B5E2D shade: #7B5E2D, #6A4C1A, #593A07, #482800 and #371600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B5E2D shade: #7B5E2D, #7B492D, #7B342D and #7B2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B5E2D shade: #7B5E2D, #7B732D, #6E7B2D, #597B2D and #447B2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B5E2D shade matches the following richer shades: #7B5E2D, #886220, #966512 and #A46905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B5E2D shade: #7B5E2D, #6D5B3B, #605749, #525456 and #445064

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B5E2D shade: #7B342D, #7B492D, #7B5D2D, #7B722D and #6F7B2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B5E2D shade: #3F3017, #5D4722, #7B5E2D, #997539 and #B78C44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B5E2D shade: #7B5E2D, #3C7B2D and #3E2D7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B5E2D shade: #7B5E2D, #2D7B5D and #5D2D7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B5E2D shade: #7B5E2D, #3C7B2D, #2D4B7B and #6D2D7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B5E2D shade: #7B5E2D, #2D7B36, #2D4B7B and #7B2D72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

Complementary color

CMYK 37 / 23 / 0 / 18

HEX #84A1D2

RGB 132 161 210

HSL 217.69, 0.46%, 0.67%

LAB 65.79, 2.04, -28.21

 

CMYK 0 / 27 / 69 / 50

HEX #805E28

RGB 128 94 40

HSL 36.82, 0.52%, 0.33%

LAB 42.38, 7.86, 35.48

 

CMYK 0 / 23 / 59 / 43

HEX #91703B

RGB 145 112 59

HSL 36.98, 0.42%, 0.4%

LAB 49.4, 6.6, 34.06

 

CMYK 0 / 20 / 52 / 36

HEX #A2824E

RGB 162 130 78

HSL 37.14, 0.35%, 0.47%

LAB 56.28, 5.59, 32.62

 

CMYK 0 / 17 / 46 / 30

HEX #B39461

RGB 179 148 97

HSL 37.32, 0.35%, 0.54%

LAB 63.03, 4.76, 31.25

 

CMYK 0 / 15 / 41 / 23

HEX #C4A674

RGB 196 166 116

HSL 37.5, 0.4%, 0.61%

LAB 69.66, 4.07, 29.96

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 0 / 28 / 75 / 58

HEX #6A4C1A

RGB 106 76 26

HSL 37.5, 0.61%, 0.26%

LAB 34.62, 7.29, 33.45

 

CMYK 0 / 35 / 92 / 65

HEX #593A07

RGB 89 58 7

HSL 37.32, 0.85%, 0.19%

LAB 27.2, 9.17, 34.04

 

CMYK 0 / 44 / 100 / 72

HEX #482800

RGB 72 40 0

HSL 33.33, 1%, 0.14%

LAB 19.62, 11.72, 28.42

 

CMYK 0 / 60 / 100 / 78

HEX #371600

RGB 55 22 0

HSL 24, 1%, 0.11%

LAB 11.86, 14.69, 18.03

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 0 / 41 / 63 / 52

HEX #7B492D

RGB 123 73 45

HSL 21.54, 0.46%, 0.33%

LAB 36.3, 18.41, 25.57

 

CMYK 0 / 58 / 63 / 52

HEX #7B342D

RGB 123 52 45

HSL 5.38, 0.46%, 0.33%

LAB 31.48, 30.37, 19.59

 

CMYK 0 / 63 / 63 / 52

HEX #7B2D2D

RGB 123 45 45

HSL 0, 0.46%, 0.33%

LAB 30.1, 33.98, 17.83

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 0 / 7 / 63 / 52

HEX #7B732D

RGB 123 115 45

HSL 53.85, 0.46%, 0.33%

LAB 47.83, -6.3, 38.82

 

CMYK 11 / 0 / 63 / 52

HEX #6E7B2D

RGB 110 123 45

HSL 70, 0.46%, 0.33%

LAB 49.09, -16.6, 39.87

 

CMYK 28 / 0 / 63 / 52

HEX #597B2D

RGB 89 123 45

HSL 86.15, 0.46%, 0.33%

LAB 47.6, -25.57, 37.8

 

CMYK 45 / 0 / 63 / 52

HEX #447B2D

RGB 68 123 45

HSL 102.31, 0.46%, 0.33%

LAB 46.42, -33.5, 36.17

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 0 / 28 / 76 / 47

HEX #886220

RGB 136 98 32

HSL 38.08, 0.62%, 0.33%

LAB 44.34, 8.8, 41.65

 

CMYK 0 / 33 / 88 / 41

HEX #966512

RGB 150 101 18

HSL 37.73, 0.79%, 0.33%

LAB 46.76, 13.08, 49.77

 

CMYK 0 / 36 / 97 / 36

HEX #A46905

RGB 164 105 5

HSL 37.74, 0.94%, 0.33%

LAB 49.5, 16.96, 55.76

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 0 / 17 / 46 / 57

HEX #6D5B3B

RGB 109 91 59

HSL 38.4, 0.3%, 0.33%

LAB 39.66, 2.53, 21.16

 

CMYK 0 / 9 / 24 / 62

HEX #605749

RGB 96 87 73

HSL 36.52, 0.14%, 0.33%

LAB 37.45, 1.11, 9.47

 

CMYK 5 / 2 / 0 / 66

HEX #525456

RGB 82 84 86

HSL 210, 0.02%, 0.33%

LAB 35.61, -0.36, -1.45

 

CMYK 32 / 20 / 0 / 61

HEX #445064

RGB 68 80 100

HSL 217.5, 0.19%, 0.33%

LAB 33.75, 0.54, -13.17

 

CMYK 0 / 58 / 63 / 52

HEX #7B342D

RGB 123 52 45

HSL 5.38, 0.46%, 0.33%

LAB 31.48, 30.37, 19.59

 

CMYK 0 / 41 / 63 / 52

HEX #7B492D

RGB 123 73 45

HSL 21.54, 0.46%, 0.33%

LAB 36.3, 18.41, 25.57

 

CMYK 0 / 24 / 63 / 52

HEX #7B5D2D

RGB 123 93 45

HSL 36.92, 0.46%, 0.33%

LAB 41.58, 6.47, 31.8

 

CMYK 0 / 7 / 63 / 52

HEX #7B722D

RGB 123 114 45

HSL 53.08, 0.46%, 0.33%

LAB 47.54, -5.74, 38.5

 

CMYK 10 / 0 / 63 / 52

HEX #6F7B2D

RGB 111 123 45

HSL 69.23, 0.46%, 0.33%

LAB 49.17, -16.16, 39.98

 

CMYK 0 / 24 / 63 / 75

HEX #3F3017

RGB 63 48 23

HSL 37.5, 0.47%, 0.17%

LAB 20.95, 3.2, 18.44

 

CMYK 0 / 24 / 63 / 64

HEX #5D4722

RGB 93 71 34

HSL 37.63, 0.46%, 0.25%

LAB 31.69, 4.58, 25.51

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 0 / 24 / 63 / 40

HEX #997539

RGB 153 117 57

HSL 37.5, 0.46%, 0.41%

LAB 51.6, 7.19, 37.89

 

CMYK 0 / 23 / 63 / 28

HEX #B78C44

RGB 183 140 68

HSL 37.57, 0.46%, 0.49%

LAB 60.99, 8.37, 43.94

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 51 / 0 / 63 / 52

HEX #3C7B2D

RGB 60 123 45

HSL 108.46, 0.46%, 0.33%

LAB 46.06, -36.13, 35.66

 

CMYK 50 / 63 / 0 / 52

HEX #3E2D7B

RGB 62 45 123

HSL 253.08, 0.46%, 0.33%

LAB 24.74, 28.88, -41.98

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 63 / 0 / 24 / 52

HEX #2D7B5D

RGB 45 123 93

HSL 156.92, 0.46%, 0.33%

LAB 46.33, -31.52, 9.45

 

CMYK 24 / 63 / 0 / 52

HEX #5D2D7B

RGB 93 45 123

HSL 276.92, 0.46%, 0.33%

LAB 28.47, 36.45, -35.77

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 51 / 0 / 63 / 52

HEX #3C7B2D

RGB 60 123 45

HSL 108.46, 0.46%, 0.33%

LAB 46.06, -36.13, 35.66

 

CMYK 63 / 39 / 0 / 52

HEX #2D4B7B

RGB 45 75 123

HSL 216.92, 0.46%, 0.33%

LAB 31.85, 5.04, -30.64

 

CMYK 11 / 63 / 0 / 52

HEX #6D2D7B

RGB 109 45 123

HSL 289.23, 0.46%, 0.33%

LAB 30.78, 40.69, -31.95

 

CMYK 0 / 24 / 63 / 52

HEX #7B5E2D

RGB 123 94 45

HSL 37.69, 0.46%, 0.33%

LAB 41.85, 5.88, 32.11

 

CMYK 63 / 0 / 56 / 52

HEX #2D7B36

RGB 45 123 54

HSL 126.92, 0.46%, 0.33%

LAB 45.62, -39.15, 30.48

 

CMYK 63 / 39 / 0 / 52

HEX #2D4B7B

RGB 45 75 123

HSL 216.92, 0.46%, 0.33%

LAB 31.85, 5.04, -30.64

 

CMYK 0 / 63 / 7 / 52

HEX #7B2D72

RGB 123 45 114

HSL 306.92, 0.46%, 0.33%

LAB 32.49, 42.84, -23.44

 

Description

Color code: HEX #7B5E2D | qconv.com Color code: HEX #7B5E2D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 94 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 94 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 63 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 63% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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