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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B5D0DBF it is the complementary color #84A2F2BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B5D0DBF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B5D0DBF shade: #805D08BF, #916F1BBF, #A2812EBF, #B39341BF and #C4A554BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B5D0DBF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B5D0DBF shade: #7B5D0DBF, #6A4B00BF, #593900BF, #482700BF and #371500BF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B5D0DBF shade: #7D5E0D, #7D400D, #7D220D and #7D0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B5D0DBF shade: #7D5E0D, #7D7C0D, #5F7D0D, #417D0D and #237D0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B5D0DBF shade matches the following richer shades: #7D5E0D and #886302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B5D0DBF shade: #7D5E0D, #715918, #665423, #5B4F2F and #504A3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B5D0DBF shade: #7D220D, #7D3F0D, #7D5D0D, #7D7B0D and #617D0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B5D0DBF shade: #322605, #574209, #7D5E0D, #A27A11 and #C79715

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B5D0DBF shade: #7B5D0D, #167D0D and #300D7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B5D0DBF shade: #7B5D0D, #0D7D5D and #5D0D7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B5D0DBF shade: #7B5D0D, #167D0D, #0D2D7D and #730D7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B5D0DBF shade: #7B5D0D, #0D7D25, #0D2D7D and #7D0D64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 67 / 39

HEX #7B5D0DBF

RGBA 123 93 13 0.75

HSLA 43.64, 0.81%, 0.27%, 0.75

LABA 41.33, 4.82, 45.46, 0.75

 

Complementary color

CMYK 34 / 25 / 0 / 4

HEX #84A2F2BF

RGBA 132 162 242 0.75

HSLA 223.64, 0.81%, 0.73%, 0.75

LABA 67.39, 10.37, -43.32, 0.75

 

CMYK 0 / 21 / 70 / 37

HEX #805D08BF

RGBA 128 93 8 0.75

HSLA 42.5, 0.88%, 0.27%, 0.75

LABA 41.9, 7.12, 47.48, 0.75

 

CMYK 0 / 18 / 61 / 32

HEX #916F1BBF

RGBA 145 111 27 0.75

HSLA 42.71, 0.69%, 0.34%, 0.75

LABA 48.84, 5.27, 48.31, 0.75

 

CMYK 0 / 15 / 54 / 27

HEX #A2812EBF

RGBA 162 129 46 0.75

HSLA 42.93, 0.56%, 0.41%, 0.75

LABA 55.66, 3.78, 47.83, 0.75

 

CMYK 0 / 13 / 48 / 22

HEX #B39341BF

RGBA 179 147 65 0.75

HSLA 43.16, 0.47%, 0.48%, 0.75

LABA 62.37, 2.56, 46.81, 0.75

 

CMYK 0 / 12 / 43 / 17

HEX #C4A554BF

RGBA 196 165 84 0.75

HSLA 43.39, 0.49%, 0.55%, 0.75

LABA 68.96, 1.56, 45.59, 0.75

 

CMYK 0 / 18 / 67 / 39

HEX #7B5D0DBF

RGBA 123 93 13 0.75

HSLA 43.64, 0.81%, 0.27%, 0.75

LABA 41.33, 4.82, 45.46, 0.75

 

CMYK 0 / 22 / 75 / 44

HEX #6A4B00BF

RGBA 106 75 0 0.75

HSLA 42.45, 1%, 0.21%, 0.75

LABA 34.18, 6.94, 43.07, 0.75

 

CMYK 0 / 27 / 75 / 49

HEX #593900BF

RGBA 89 57 0 0.75

HSLA 38.43, 1%, 0.17%, 0.75

LABA 26.88, 9.55, 36.61, 0.75

 

CMYK 0 / 34 / 75 / 54

HEX #482700BF

RGBA 72 39 0 0.75

HSLA 32.5, 1%, 0.14%, 0.75

LABA 19.34, 12.37, 28.1, 0.75

 

CMYK 0 / 46 / 75 / 59

HEX #371500BF

RGBA 55 21 0 0.75

HSLA 22.91, 1%, 0.11%, 0.75

LABA 11.61, 15.33, 17.69, 0.75

 

CMYK 0 / 25 / 90 / 51

HEX #7D5E0D

RGB 125 94 13

HSL 43.39, 0.81%, 0.27%

LAB 41.84, 5.2, 45.98

 

CMYK 0 / 49 / 90 / 51

HEX #7D400D

RGB 125 64 13

HSL 27.32, 0.81%, 0.27%

LAB 34.1, 22.93, 39.64

 

CMYK 0 / 73 / 90 / 51

HEX #7D220D

RGB 125 34 13

HSL 11.25, 0.81%, 0.27%

LAB 28.2, 38.23, 34.76

 

CMYK 0 / 90 / 90 / 51

HEX #7D0D0D

RGB 125 13 13

HSL 0, 0.81%, 0.27%

LAB 25.79, 44.97, 32.65

 

CMYK 0 / 25 / 90 / 51

HEX #7D5E0D

RGB 125 94 13

HSL 43.39, 0.81%, 0.27%

LAB 41.84, 5.2, 45.98

 

CMYK 0 / 1 / 90 / 51

HEX #7D7C0D

RGB 125 124 13

HSL 59.46, 0.81%, 0.27%

LAB 50.46, -11.89, 52.98

 

CMYK 24 / 0 / 90 / 51

HEX #5F7D0D

RGB 95 125 13

HSL 76.07, 0.81%, 0.27%

LAB 48.42, -25.98, 50.35

 

CMYK 48 / 0 / 90 / 51

HEX #417D0D

RGB 65 125 13

HSL 92.14, 0.81%, 0.27%

LAB 46.74, -37.68, 48.24

 

CMYK 72 / 0 / 90 / 51

HEX #237D0D

RGB 35 125 13

HSL 108.21, 0.81%, 0.27%

LAB 45.71, -45.95, 46.94

 

CMYK 0 / 25 / 90 / 51

HEX #7D5E0D

RGB 125 94 13

HSL 43.39, 0.81%, 0.27%

LAB 41.84, 5.2, 45.98

 

CMYK 0 / 27 / 99 / 47

HEX #886302

RGB 136 99 2

HSL 43.43, 0.97%, 0.27%

LAB 44.46, 7.31, 51.3

 

CMYK 0 / 25 / 90 / 51

HEX #7D5E0D

RGB 125 94 13

HSL 43.39, 0.81%, 0.27%

LAB 41.84, 5.2, 45.98

 

CMYK 0 / 21 / 79 / 56

HEX #715918

RGB 113 89 24

HSL 43.82, 0.65%, 0.27%

LAB 39.11, 2.74, 39.11

 

CMYK 0 / 18 / 66 / 60

HEX #665423

RGB 102 84 35

HSL 43.88, 0.49%, 0.27%

LAB 36.53, 1.08, 30.77

 

CMYK 0 / 13 / 48 / 64

HEX #5B4F2F

RGB 91 79 47

HSL 43.64, 0.32%, 0.27%

LAB 34.03, -0.01, 20.69

 

CMYK 0 / 7 / 28 / 69

HEX #504A3A

RGB 80 74 58

HSL 43.64, 0.16%, 0.27%

LAB 31.6, -0.48, 10.48

 

CMYK 0 / 73 / 90 / 51

HEX #7D220D

RGB 125 34 13

HSL 11.25, 0.81%, 0.27%

LAB 28.2, 38.23, 34.76

 

CMYK 0 / 50 / 90 / 51

HEX #7D3F0D

RGB 125 63 13

HSL 26.79, 0.81%, 0.27%

LAB 33.87, 23.5, 39.45

 

CMYK 0 / 26 / 90 / 51

HEX #7D5D0D

RGB 125 93 13

HSL 42.86, 0.81%, 0.27%

LAB 41.56, 5.79, 45.75

 

CMYK 0 / 2 / 90 / 51

HEX #7D7B0D

RGB 125 123 13

HSL 58.93, 0.81%, 0.27%

LAB 50.16, -11.35, 52.75

 

CMYK 22 / 0 / 90 / 51

HEX #617D0D

RGB 97 125 13

HSL 75, 0.81%, 0.27%

LAB 48.56, -25.12, 50.52

 

CMYK 0 / 24 / 90 / 80

HEX #322605

RGB 50 38 5

HSL 44, 0.82%, 0.11%

LAB 15.88, 1.46, 21.13

 

CMYK 0 / 24 / 90 / 66

HEX #574209

RGB 87 66 9

HSL 43.85, 0.81%, 0.19%

LAB 29.27, 3.17, 34.9

 

CMYK 0 / 25 / 90 / 51

HEX #7D5E0D

RGB 125 94 13

HSL 43.39, 0.81%, 0.27%

LAB 41.84, 5.2, 45.98

 

CMYK 0 / 25 / 90 / 36

HEX #A27A11

RGB 162 122 17

HSL 43.45, 0.81%, 0.35%

LAB 53.64, 6.62, 56.18

 

CMYK 0 / 24 / 89 / 22

HEX #C79715

RGB 199 151 21

HSL 43.82, 0.81%, 0.43%

LAB 65.22, 7.44, 66.09

 

CMYK 0 / 24 / 89 / 52

HEX #7B5D0D

RGB 123 93 13

HSL 43.64, 0.81%, 0.27%

LAB 41.33, 4.82, 45.46

 

CMYK 82 / 0 / 90 / 51

HEX #167D0D

RGB 22 125 13

HSL 115.18, 0.81%, 0.27%

LAB 45.45, -48.18, 46.62

 

CMYK 62 / 90 / 0 / 51

HEX #300D7D

RGB 48 13 125

HSL 258.75, 0.81%, 0.27%

LAB 17.45, 43.99, -55.26

 

CMYK 0 / 24 / 89 / 52

HEX #7B5D0D

RGB 123 93 13

HSL 43.64, 0.81%, 0.27%

LAB 41.33, 4.82, 45.46

 

CMYK 90 / 0 / 26 / 51

HEX #0D7D5D

RGB 13 125 93

HSL 162.86, 0.81%, 0.27%

LAB 46.37, -36.99, 9.41

 

CMYK 26 / 90 / 0 / 51

HEX #5D0D7D

RGB 93 13 125

HSL 282.86, 0.81%, 0.27%

LAB 23.99, 50.01, -44.28

 

CMYK 0 / 24 / 89 / 52

HEX #7B5D0D

RGB 123 93 13

HSL 43.64, 0.81%, 0.27%

LAB 41.33, 4.82, 45.46

 

CMYK 82 / 0 / 90 / 51

HEX #167D0D

RGB 22 125 13

HSL 115.18, 0.81%, 0.27%

LAB 45.45, -48.18, 46.62

 

CMYK 90 / 64 / 0 / 51

HEX #0D2D7D

RGB 13 45 125

HSL 222.86, 0.81%, 0.27%

LAB 21.74, 22.23, -48.27

 

CMYK 8 / 90 / 0 / 51

HEX #730D7D

RGB 115 13 125

HSL 294.64, 0.81%, 0.27%

LAB 27.88, 53.9, -37.79

 

CMYK 0 / 24 / 89 / 52

HEX #7B5D0D

RGB 123 93 13

HSL 43.64, 0.81%, 0.27%

LAB 41.33, 4.82, 45.46

 

CMYK 90 / 0 / 70 / 51

HEX #0D7D25

RGB 13 125 37

HSL 132.86, 0.81%, 0.27%

LAB 45.48, -47.4, 38.36

 

CMYK 90 / 64 / 0 / 51

HEX #0D2D7D

RGB 13 45 125

HSL 222.86, 0.81%, 0.27%

LAB 21.74, 22.23, -48.27

 

CMYK 0 / 90 / 20 / 51

HEX #7D0D64

RGB 125 13 100

HSL 313.39, 0.81%, 0.27%

LAB 28.3, 52.01, -20.98

 

Description

Color code: HEX #7B5D0DBF | qconv.com Color code: HEX #7B5D0DBF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 93 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 93 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 67 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 67% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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