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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B5BF5 it is the complementary color #84A40A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B5BF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7B5BF5: #805BF0, #916DFF, #A27FFF, #B391FF and #C4A3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B5BF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7B5BF5: #7B5BF5, #6A49E2, #5937CF, #4825BC and #3713A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 63 / 0 / 4

HEX #7B5BF5

RGB 123 91 245

HSL 252.47, 0.89%, 0.66%

LAB 49.84, 50.44, -73.07

 

Complementary color

CMYK 20 / 0 / 94 / 36

HEX #84A40A

RGB 132 164 10

HSL 72.47, 0.89%, 0.34%

LAB 62.91, -29.25, 63.68

 

CMYK 47 / 62 / 0 / 6

HEX #805BF0

RGB 128 91 240

HSL 254.9, 0.83%, 0.65%

LAB 49.93, 49.96, -70.11

 

CMYK 43 / 57 / 0 / 0

HEX #916DFF

RGB 145 109 255

HSL 254.79, 1%, 0.71%

LAB 56.26, 47.56, -68.13

 

CMYK 36 / 50 / 0 / 0

HEX #A27FFF

RGB 162 127 255

HSL 256.41, 1%, 0.75%

LAB 61.72, 41.36, -59.28

 

CMYK 30 / 43 / 0 / 0

HEX #B391FF

RGB 179 145 255

HSL 258.55, 1%, 0.78%

LAB 67.32, 35.6, -50.3

 

CMYK 23 / 36 / 0 / 0

HEX #C4A3FF

RGB 196 163 255

HSL 261.52, 1%, 0.82%

LAB 72.99, 30.31, -41.29

 

CMYK 50 / 63 / 0 / 4

HEX #7B5BF5

RGB 123 91 245

HSL 252.47, 0.89%, 0.66%

LAB 49.84, 50.44, -73.07

 

CMYK 53 / 68 / 0 / 11

HEX #6A49E2

RGB 106 73 226

HSL 252.94, 0.73%, 0.59%

LAB 43.24, 51.89, -73.19

 

CMYK 57 / 73 / 0 / 19

HEX #5937CF

RGB 89 55 207

HSL 253.42, 0.61%, 0.51%

LAB 36.67, 53.29, -73.12

 

CMYK 62 / 80 / 0 / 26

HEX #4825BC

RGB 72 37 188

HSL 253.91, 0.67%, 0.44%

LAB 30.23, 54.38, -72.65

 

CMYK 67 / 89 / 0 / 34

HEX #3713A9

RGB 55 19 169

HSL 254.4, 0.8%, 0.37%

LAB 24.14, 54.64, -71.44

 

CMYK 50 / 63 / 0 / 4

HEX #7B5BF5

RGB 123 91 245

HSL 252.47, 0.89%, 0.66%

LAB 49.84, 50.44, -73.07

 

CMYK 40 / 63 / 0 / 4

HEX #935BF5

RGB 147 91 245

HSL 261.82, 0.89%, 0.66%

LAB 52.15, 55.01, -69.22

 

CMYK 29 / 63 / 0 / 4

HEX #AD5BF5

RGB 173 91 245

HSL 271.95, 0.89%, 0.66%

LAB 55.03, 60.41, -64.42

 

CMYK 19 / 63 / 0 / 4

HEX #C75BF5

RGB 199 91 245

HSL 282.08, 0.89%, 0.66%

LAB 58.24, 66.12, -59.09

 

CMYK 9 / 63 / 0 / 4

HEX #E05BF5

RGB 224 91 245

HSL 291.82, 0.89%, 0.66%

LAB 61.59, 71.78, -53.56

 

CMYK 50 / 63 / 0 / 4

HEX #7B5BF5

RGB 123 91 245

HSL 252.47, 0.89%, 0.66%

LAB 49.84, 50.44, -73.07

 

CMYK 49 / 63 / 0 / 84

HEX #150F29

RGB 21 15 41

HSL 253.85, 0.46%, 0.11%

LAB 5.97, 10.3, -16.42

 

CMYK 50 / 63 / 0 / 64

HEX #2E225C

RGB 46 34 92

HSL 252.41, 0.46%, 0.25%

LAB 17.91, 22.23, -33.01

 

CMYK 50 / 63 / 0 / 44

HEX #48358F

RGB 72 53 143

HSL 252.67, 0.46%, 0.38%

LAB 29.18, 32.35, -47.23

 

CMYK 50 / 63 / 0 / 24

HEX #6148C2

RGB 97 72 194

HSL 252.3, 0.5%, 0.52%

LAB 39.7, 41.54, -60.58

 

CMYK 50 / 63 / 0 / 4

HEX #7B5BF5

RGB 123 91 245

HSL 252.47, 0.89%, 0.66%

LAB 49.84, 50.44, -73.07

 

CMYK 0 / 63 / 25 / 4

HEX #F55BB7

RGB 245 91 183

HSL 324.16, 0.89%, 0.66%

LAB 61.92, 67.6, -17.88

 

CMYK 50 / 0 / 63 / 4

HEX #7AF55B

RGB 122 245 91

HSL 107.92, 0.89%, 0.66%

LAB 87.09, -61.83, 61.82

 

CMYK 50 / 63 / 0 / 4

HEX #7B5BF5

RGB 123 91 245

HSL 252.47, 0.89%, 0.66%

LAB 49.84, 50.44, -73.07

 

CMYK 0 / 50 / 63 / 4

HEX #F57A5B

RGB 245 122 91

HSL 12.08, 0.89%, 0.66%

LAB 65.03, 44.72, 38.7

 

CMYK 63 / 0 / 50 / 4

HEX #5BF57A

RGB 91 245 122

HSL 132.08, 0.89%, 0.66%

LAB 86.47, -65.5, 47.14

 

CMYK 50 / 63 / 0 / 4

HEX #7B5BF5

RGB 123 91 245

HSL 252.47, 0.89%, 0.66%

LAB 49.84, 50.44, -73.07

 

CMYK 0 / 63 / 25 / 4

HEX #F55BB7

RGB 245 91 183

HSL 324.16, 0.89%, 0.66%

LAB 61.92, 67.6, -17.88

 

CMYK 13 / 0 / 63 / 4

HEX #D6F55B

RGB 214 245 91

HSL 72.08, 0.89%, 0.66%

LAB 91.84, -30.58, 68.36

 

CMYK 63 / 0 / 38 / 4

HEX #5BF598

RGB 91 245 152

HSL 143.77, 0.89%, 0.66%

LAB 86.9, -60.77, 33.07

 

CMYK 50 / 63 / 0 / 4

HEX #7B5BF5

RGB 123 91 245

HSL 252.47, 0.89%, 0.66%

LAB 49.84, 50.44, -73.07

 

CMYK 0 / 63 / 44 / 4

HEX #F55B89

RGB 245 91 137

HSL 342.08, 0.89%, 0.66%

LAB 60.52, 62.5, 6.61

 

CMYK 13 / 0 / 63 / 4

HEX #D6F55B

RGB 214 245 91

HSL 72.08, 0.89%, 0.66%

LAB 91.84, -30.58, 68.36

 

CMYK 63 / 0 / 19 / 4

HEX #5BF5C7

RGB 91 245 199

HSL 162.08, 0.89%, 0.66%

LAB 87.8, -51.26, 10.24

 

Description

Color code: HEX #7B5BF5 | qconv.com Color code: HEX #7B5BF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 91 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 91 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 63 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 63% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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