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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B46A8 it is the complementary color #84B957. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B46A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B46A8 shade: #8046A3, #9158B6, #A26AC9, #B37CDC and #C48EEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B46A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B46A8 shade: #7B46A8, #6A3495, #592282, #48106F and #37005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B46A8 shade: #7B46A8, #9646A8, #A846A1, #A84686 and #A8466C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B46A8 shade: #7B46A8, #6146A8, #4646A8 and #4646A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B46A8 shade matches the following richer shades: #7B46A8, #7D33BC, #7F1FCF and #800CE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B46A8 shade: #7B46A8, #7A5A95, #786D82, #77806E and #75945B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B46A8 shade: #4646A8, #6046A8, #7B46A8, #9546A8 and #A846A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B46A8 shade: #512E6E, #663A8B, #7B46A8, #905DBB and #A47AC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B46A8 shade: #7B46A8, #A84660 and #46A853

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B46A8 shade: #7B46A8, #A87B46 and #46A87B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B46A8 shade: #7B46A8, #A84660, #74A846 and #46A88E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B46A8 shade: #7B46A8, #A84946, #74A846 and #46A5A8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

Complementary color

CMYK 29 / 0 / 53 / 27

HEX #84B957

RGB 132 185 87

HSL 92.45, 0.41%, 0.53%

LAB 69.68, -34.3, 43.77

 

CMYK 21 / 57 / 0 / 36

HEX #8046A3

RGB 128 70 163

HSL 277.42, 0.4%, 0.46%

LAB 40.6, 41.6, -40.67

 

CMYK 20 / 52 / 0 / 29

HEX #9158B6

RGB 145 88 182

HSL 276.38, 0.39%, 0.53%

LAB 47.46, 40.75, -40.84

 

CMYK 19 / 47 / 0 / 21

HEX #A26AC9

RGB 162 106 201

HSL 275.37, 0.47%, 0.6%

LAB 54.25, 39.89, -40.95

 

CMYK 19 / 44 / 0 / 14

HEX #B37CDC

RGB 179 124 220

HSL 274.38, 0.58%, 0.67%

LAB 60.93, 39.06, -41.04

 

CMYK 18 / 41 / 0 / 6

HEX #C48EEF

RGB 196 142 239

HSL 273.4, 0.75%, 0.75%

LAB 67.51, 38.26, -41.13

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 29 / 65 / 0 / 42

HEX #6A3495

RGB 106 52 149

HSL 273.4, 0.48%, 0.39%

LAB 33.33, 42.3, -44

 

CMYK 32 / 74 / 0 / 49

HEX #592282

RGB 89 34 130

HSL 274.38, 0.59%, 0.32%

LAB 26.39, 42.81, -43.56

 

CMYK 35 / 86 / 0 / 56

HEX #48106F

RGB 72 16 111

HSL 275.37, 0.75%, 0.25%

LAB 19.62, 42.47, -42.55

 

CMYK 40 / 100 / 0 / 64

HEX #37005C

RGB 55 0 92

HSL 275.87, 1%, 0.18%

LAB 13.14, 40.87, -40.73

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 11 / 58 / 0 / 34

HEX #9646A8

RGB 150 70 168

HSL 288.98, 0.41%, 0.47%

LAB 43.79, 48.53, -38.39

 

CMYK 0 / 58 / 4 / 34

HEX #A846A1

RGB 168 70 161

HSL 304.29, 0.41%, 0.47%

LAB 46.01, 52.08, -30.55

 

CMYK 0 / 58 / 20 / 34

HEX #A84686

RGB 168 70 134

HSL 320.82, 0.41%, 0.47%

LAB 44.84, 47.72, -16.16

 

CMYK 0 / 58 / 36 / 34

HEX #A8466C

RGB 168 70 108

HSL 336.73, 0.41%, 0.47%

LAB 43.93, 44.18, -1.64

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 42 / 58 / 0 / 34

HEX #6146A8

RGB 97 70 168

HSL 256.53, 0.41%, 0.47%

LAB 37.39, 35.11, -48.99

 

CMYK 58 / 58 / 0 / 34

HEX #4646A8

RGB 70 70 168

HSL 240, 0.41%, 0.47%

LAB 35.02, 29.39, -52.92

 

CMYK 58 / 58 / 0 / 34

HEX #4646A8

RGB 70 70 168

HSL 240, 0.41%, 0.47%

LAB 35.02, 29.39, -52.92

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 34 / 73 / 0 / 26

HEX #7D33BC

RGB 125 51 188

HSL 272.41, 0.57%, 0.47%

LAB 38.48, 56.08, -58.91

 

CMYK 39 / 85 / 0 / 19

HEX #7F1FCF

RGB 127 31 207

HSL 272.73, 0.74%, 0.47%

LAB 37.84, 67.82, -71.04

 

CMYK 44 / 95 / 0 / 11

HEX #800CE3

RGB 128 12 227

HSL 272.37, 0.9%, 0.47%

LAB 38.55, 76, -81.37

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 18 / 40 / 0 / 42

HEX #7A5A95

RGB 122 90 149

HSL 272.54, 0.25%, 0.47%

LAB 43.68, 25.05, -27.47

 

CMYK 8 / 16 / 0 / 49

HEX #786D82

RGB 120 109 130

HSL 271.43, 0.09%, 0.47%

LAB 47.68, 8.58, -10.01

 

CMYK 7 / 0 / 14 / 50

HEX #77806E

RGB 119 128 110

HSL 90, 0.08%, 0.47%

LAB 52.38, -6.87, 8.65

 

CMYK 21 / 0 / 39 / 42

HEX #75945B

RGB 117 148 91

HSL 92.63, 0.24%, 0.47%

LAB 57.77, -21.49, 26.68

 

CMYK 58 / 58 / 0 / 34

HEX #4646A8

RGB 70 70 168

HSL 240, 0.41%, 0.47%

LAB 35.02, 29.39, -52.92

 

CMYK 43 / 58 / 0 / 34

HEX #6046A8

RGB 96 70 168

HSL 255.92, 0.41%, 0.47%

LAB 37.29, 34.88, -49.15

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 11 / 58 / 0 / 34

HEX #9546A8

RGB 149 70 168

HSL 288.37, 0.41%, 0.47%

LAB 43.65, 48.26, -38.62

 

CMYK 0 / 58 / 4 / 34

HEX #A846A2

RGB 168 70 162

HSL 303.67, 0.41%, 0.47%

LAB 46.06, 52.26, -31.07

 

CMYK 26 / 58 / 0 / 57

HEX #512E6E

RGB 81 46 110

HSL 272.81, 0.41%, 0.31%

LAB 26.24, 29.33, -31.16

 

CMYK 27 / 58 / 0 / 45

HEX #663A8B

RGB 102 58 139

HSL 272.59, 0.41%, 0.39%

LAB 33.38, 35.54, -37.82

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 23 / 50 / 0 / 27

HEX #905DBB

RGB 144 93 187

HSL 272.55, 0.41%, 0.55%

LAB 48.69, 38.86, -41.8

 

CMYK 18 / 39 / 0 / 22

HEX #A47AC7

RGB 164 122 199

HSL 272.73, 0.41%, 0.63%

LAB 57.98, 31.06, -33.95

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 0 / 58 / 43 / 34

HEX #A84660

RGB 168 70 96

HSL 344.08, 0.41%, 0.47%

LAB 43.58, 42.8, 5.25

 

CMYK 58 / 0 / 51 / 34

HEX #46A853

RGB 70 168 83

HSL 127.96, 0.41%, 0.47%

LAB 61.6, -46.85, 35.28

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 0 / 27 / 58 / 34

HEX #A87B46

RGB 168 123 70

HSL 32.45, 0.41%, 0.47%

LAB 55, 11.45, 35.5

 

CMYK 58 / 0 / 27 / 34

HEX #46A87B

RGB 70 168 123

HSL 152.45, 0.41%, 0.47%

LAB 62.29, -39.53, 14.82

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 0 / 58 / 43 / 34

HEX #A84660

RGB 168 70 96

HSL 344.08, 0.41%, 0.47%

LAB 43.58, 42.8, 5.25

 

CMYK 31 / 0 / 58 / 34

HEX #74A846

RGB 116 168 70

HSL 91.84, 0.41%, 0.47%

LAB 63.48, -34.13, 44.37

 

CMYK 58 / 0 / 15 / 34

HEX #46A88E

RGB 70 168 142

HSL 164.08, 0.41%, 0.47%

LAB 62.73, -35.11, 4.88

 

CMYK 27 / 58 / 0 / 34

HEX #7B46A8

RGB 123 70 168

HSL 272.45, 0.41%, 0.47%

LAB 40.28, 41.48, -44.19

 

CMYK 0 / 57 / 58 / 34

HEX #A84946

RGB 168 73 70

HSL 1.84, 0.41%, 0.47%

LAB 43.55, 38.88, 21.17

 

CMYK 31 / 0 / 58 / 34

HEX #74A846

RGB 116 168 70

HSL 91.84, 0.41%, 0.47%

LAB 63.48, -34.13, 44.37

 

CMYK 58 / 2 / 0 / 34

HEX #46A5A8

RGB 70 165 168

HSL 181.84, 0.41%, 0.47%

LAB 62.54, -26.74, -9.97

 

Description

Color code: HEX #7B46A8 | qconv.com Color code: HEX #7B46A8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 70 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 70 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 58 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 58% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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