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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B3B81 it is the complementary color #84C47E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B3B81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7B3B81: #803B7C, #914D8F, #A25FA2, #B371B5 and #C483C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B3B81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7B3B81: #7B3B81, #6A296E, #59175B, #480548 and #370035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 54 / 0 / 49

HEX #7B3B81

RGB 123 59 129

HSL 294.86, 0.37%, 0.37%

LAB 35.84, 38.69, -27.57

 

Complementary color

CMYK 33 / 0 / 36 / 23

HEX #84C47E

RGB 132 196 126

HSL 114.86, 0.37%, 0.63%

LAB 73.48, -34.17, 28.84

 

CMYK 0 / 54 / 3 / 50

HEX #803B7C

RGB 128 59 124

HSL 303.48, 0.37%, 0.37%

LAB 36.31, 39.22, -23.67

 

CMYK 0 / 47 / 1 / 43

HEX #914D8F

RGB 145 77 143

HSL 301.76, 0.31%, 0.44%

LAB 43.23, 38.54, -24.36

 

CMYK 0 / 41 / 0 / 36

HEX #A25FA2

RGB 162 95 162

HSL 300, 0.26%, 0.5%

LAB 50.07, 37.77, -24.9

 

CMYK 1 / 38 / 0 / 29

HEX #B371B5

RGB 179 113 181

HSL 298.24, 0.31%, 0.58%

LAB 56.81, 37, -25.35

 

CMYK 2 / 35 / 0 / 22

HEX #C483C8

RGB 196 131 200

HSL 296.52, 0.39%, 0.65%

LAB 63.46, 36.24, -25.75

 

CMYK 5 / 54 / 0 / 49

HEX #7B3B81

RGB 123 59 129

HSL 294.86, 0.37%, 0.37%

LAB 35.84, 38.69, -27.57

 

CMYK 4 / 63 / 0 / 57

HEX #6A296E

RGB 106 41 110

HSL 296.52, 0.46%, 0.3%

LAB 28.84, 39.18, -26.81

 

CMYK 2 / 75 / 0 / 64

HEX #59175B

RGB 89 23 91

HSL 298.24, 0.6%, 0.22%

LAB 21.92, 39.08, -25.58

 

CMYK 0 / 93 / 0 / 72

HEX #480548

RGB 72 5 72

HSL 300, 0.87%, 0.15%

LAB 15.24, 37.73, -23.5

 

CMYK 0 / 100 / 4 / 78

HEX #370035

RGB 55 0 53

HSL 302.18, 1%, 0.11%

LAB 9.56, 32.73, -19.27

 

CMYK 5 / 54 / 0 / 49

HEX #7B3B81

RGB 123 59 129

HSL 294.86, 0.37%, 0.37%

LAB 35.84, 38.69, -27.57

 

CMYK 0 / 54 / 4 / 49

HEX #813B7C

RGB 129 59 124

HSL 304.29, 0.37%, 0.37%

LAB 36.46, 39.53, -23.43

 

CMYK 0 / 54 / 13 / 49

HEX #813B70

RGB 129 59 112

HSL 314.57, 0.37%, 0.37%

LAB 35.92, 37.37, -16.78

 

CMYK 0 / 54 / 22 / 49

HEX #813B65

RGB 129 59 101

HSL 324, 0.37%, 0.37%

LAB 35.47, 35.55, -10.53

 

CMYK 0 / 54 / 31 / 49

HEX #813B59

RGB 129 59 89

HSL 334.29, 0.37%, 0.37%

LAB 35.04, 33.75, -3.55

 

CMYK 5 / 54 / 0 / 49

HEX #7B3B81

RGB 123 59 129

HSL 294.86, 0.37%, 0.37%

LAB 35.84, 38.69, -27.57

 

CMYK 4 / 54 / 0 / 29

HEX #AC52B4

RGB 172 82 180

HSL 295.1, 0.4%, 0.51%

LAB 49.62, 50.92, -36.04

 

CMYK 5 / 54 / 0 / 9

HEX #DC6AE7

RGB 220 106 231

HSL 294.72, 0.72%, 0.66%

LAB 62.75, 61.71, -43.97

 

CMYK 4 / 56 / 0 / 89

HEX #1A0C1B

RGB 26 12 27

HSL 296, 0.38%, 0.08%

LAB 5.07, 9.07, -6.97

 

CMYK 5 / 54 / 0 / 69

HEX #4A244E

RGB 74 36 78

HSL 294.29, 0.37%, 0.22%

LAB 21.09, 25.35, -18.35

 

CMYK 5 / 54 / 0 / 49

HEX #7B3B81

RGB 123 59 129

HSL 294.86, 0.37%, 0.37%

LAB 35.84, 38.69, -27.57

 

CMYK 0 / 49 / 54 / 49

HEX #81423B

RGB 129 66 59

HSL 6, 0.37%, 0.37%

LAB 35.75, 26.3, 16.52

 

CMYK 54 / 0 / 27 / 49

HEX #3B815E

RGB 59 129 94

HSL 150, 0.37%, 0.37%

LAB 48.81, -30.8, 12.4

 

CMYK 5 / 54 / 0 / 49

HEX #7B3B81

RGB 123 59 129

HSL 294.86, 0.37%, 0.37%

LAB 35.84, 38.69, -27.57

 

CMYK 0 / 5 / 54 / 49

HEX #817A3B

RGB 129 122 59

HSL 54, 0.37%, 0.37%

LAB 50.57, -6.33, 35.04

 

CMYK 54 / 0 / 5 / 49

HEX #3B817A

RGB 59 129 122

HSL 174, 0.37%, 0.37%

LAB 49.54, -23.78, -2.92

 

CMYK 5 / 54 / 0 / 49

HEX #7B3B81

RGB 123 59 129

HSL 294.86, 0.37%, 0.37%

LAB 35.84, 38.69, -27.57

 

CMYK 0 / 49 / 54 / 49

HEX #81423B

RGB 129 66 59

HSL 6, 0.37%, 0.37%

LAB 35.75, 26.3, 16.52

 

CMYK 49 / 0 / 54 / 49

HEX #42813B

RGB 66 129 59

HSL 114, 0.37%, 0.37%

LAB 48.48, -35.11, 31.52

 

CMYK 54 / 5 / 0 / 49

HEX #3B7A81

RGB 59 122 129

HSL 186, 0.37%, 0.37%

LAB 47.54, -18.08, -10.03

 

CMYK 5 / 54 / 0 / 49

HEX #7B3B81

RGB 123 59 129

HSL 294.86, 0.37%, 0.37%

LAB 35.84, 38.69, -27.57

 

CMYK 0 / 33 / 54 / 49

HEX #81573B

RGB 129 87 59

HSL 24, 0.37%, 0.37%

LAB 40.9, 14.02, 23.2

 

CMYK 49 / 0 / 54 / 49

HEX #42813B

RGB 66 129 59

HSL 114, 0.37%, 0.37%

LAB 48.48, -35.11, 31.52

 

CMYK 54 / 22 / 0 / 49

HEX #3B6581

RGB 59 101 129

HSL 204, 0.37%, 0.37%

LAB 40.93, -6.1, -20.09

 

Description

Color code: HEX #7B3B81 | qconv.com Color code: HEX #7B3B81 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 59 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 59 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 54 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 54% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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