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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B392000 it is the complementary color #84C6DF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B392000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B392000 shade: #80391B00, #914B2E00, #A25D4100, #B36F5400 and #C4816700

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B392000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B392000 shade: #7B392000, #6A270D00, #59150000, #48030000 and #37000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B392000 shade: #7A381F, #7A201F and #7A1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B392000 shade: #7A381F, #7A511F, #7A691F, #727A1F and #5A7A1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B392000 shade matches the following richer shades: #7A381F, #863313 and #922D07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B392000 shade: #7A381F, #6D3E2C, #614338, #554944 and #484E51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B392000 shade: #7A1F37, #7A1F1F, #7A371F, #7A501F and #7A681F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B392000 shade: #381A0E, #592917, #7A381F, #9A4728 and #BB5630

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B392000 shade: #7B3920, #507A1F and #1F2B7A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B392000 shade: #7B3920, #1F7A37 and #371F7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B392000 shade: #7B3920, #507A1F, #1F627A and #491F7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B392000 shade: #7B3920, #347A1F, #1F627A and #651F7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #7B392000

RGBA 123 57 32 0

HSLA 16.48, 0.59%, 0.3%, 0

LABA 32.35, 26.78, 28.54, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #84C6DF00

RGBA 132 198 223 0

HSLA 196.48, 0.59%, 0.7%, 0

LABA 76.45, -14.56, -19.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #80391B00

RGBA 128 57 27 0

HSLA 17.82, 0.65%, 0.3%, 0

LABA 33.12, 28.65, 32.4, 0

 

CMYK 0 / 0 / 0 / 0

HEX #914B2E00

RGBA 145 75 46 0

HSLA 17.58, 0.52%, 0.37%, 0

LABA 40, 26.94, 30.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A25D4100

RGBA 162 93 65 0

HSLA 17.32, 0.43%, 0.45%, 0

LABA 46.83, 25.42, 28.11, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B36F5400

RGBA 179 111 84 0

HSLA 17.05, 0.38%, 0.52%, 0

LABA 53.59, 24.09, 26.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C4816700

RGBA 196 129 103 0

HSLA 16.77, 0.44%, 0.59%, 0

LABA 60.26, 22.93, 24.7, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7B392000

RGBA 123 57 32 0

HSLA 16.48, 0.59%, 0.3%, 0

LABA 32.35, 26.78, 28.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6A270D00

RGBA 106 39 13 0

HSLA 16.77, 0.78%, 0.23%, 0

LABA 25.39, 28.55, 30.87, 0

 

CMYK 0 / 0 / 0 / 0

HEX #59150000

RGBA 89 21 0 0

HSLA 14.16, 1%, 0.17%, 0

LABA 18.63, 30.11, 28.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #48030000

RGBA 72 3 0 0

HSLA 2.5, 1%, 0.14%, 0

LABA 12.24, 30.93, 19.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #37000000

RGBA 55 0 0 0

HSLA 0, 1%, 0.11%, 0

LABA 7.34, 26.9, 11.59, 0

 

CMYK 0 / 54 / 75 / 52

HEX #7A381F

RGB 122 56 31

HSL 16.48, 0.59%, 0.3%

LAB 31.95, 26.86, 28.63

 

CMYK 0 / 74 / 75 / 52

HEX #7A201F

RGB 122 32 31

HSL 0.66, 0.59%, 0.3%

LAB 27.49, 38.66, 23.56

 

CMYK 0 / 75 / 75 / 52

HEX #7A1F1F

RGB 122 31 31

HSL 0, 0.59%, 0.3%

LAB 27.34, 39.06, 23.39

 

CMYK 0 / 54 / 75 / 52

HEX #7A381F

RGB 122 56 31

HSL 16.48, 0.59%, 0.3%

LAB 31.95, 26.86, 28.63

 

CMYK 0 / 34 / 75 / 52

HEX #7A511F

RGB 122 81 31

HSL 32.97, 0.59%, 0.3%

LAB 38.06, 12.23, 35.18

 

CMYK 0 / 14 / 75 / 52

HEX #7A691F

RGB 122 105 31

HSL 48.79, 0.59%, 0.3%

LAB 44.72, -1.96, 41.94

 

CMYK 7 / 0 / 75 / 52

HEX #727A1F

RGB 114 122 31

HSL 65.27, 0.59%, 0.3%

LAB 49, -15.2, 45.88

 

CMYK 26 / 0 / 75 / 52

HEX #5A7A1F

RGB 90 122 31

HSL 81.1, 0.59%, 0.3%

LAB 47.22, -25.77, 43.54

 

CMYK 0 / 54 / 75 / 52

HEX #7A381F

RGB 122 56 31

HSL 16.48, 0.59%, 0.3%

LAB 31.95, 26.86, 28.63

 

CMYK 0 / 62 / 86 / 47

HEX #863313

RGB 134 51 19

HSL 16.7, 0.75%, 0.3%

LAB 32.88, 33.94, 36.62

 

CMYK 0 / 69 / 95 / 43

HEX #922D07

RGB 146 45 7

HSL 16.4, 0.91%, 0.3%

LAB 33.99, 41.02, 43.36

 

CMYK 0 / 54 / 75 / 52

HEX #7A381F

RGB 122 56 31

HSL 16.48, 0.59%, 0.3%

LAB 31.95, 26.86, 28.63

 

CMYK 0 / 43 / 60 / 57

HEX #6D3E2C

RGB 109 62 44

HSL 16.62, 0.42%, 0.3%

LAB 31.53, 18.59, 19.82

 

CMYK 0 / 31 / 42 / 62

HEX #614338

RGB 97 67 56

HSL 16.1, 0.27%, 0.3%

LAB 31.44, 11.39, 11.85

 

CMYK 0 / 14 / 20 / 67

HEX #554944

RGB 85 73 68

HSL 17.65, 0.11%, 0.3%

LAB 32.06, 4.11, 4.85

 

CMYK 11 / 4 / 0 / 68

HEX #484E51

RGB 72 78 81

HSL 200, 0.06%, 0.3%

LAB 32.75, -1.71, -2.6

 

CMYK 0 / 75 / 55 / 52

HEX #7A1F37

RGB 122 31 55

HSL 344.18, 0.59%, 0.3%

LAB 27.83, 40.71, 8.15

 

CMYK 0 / 75 / 75 / 52

HEX #7A1F1F

RGB 122 31 31

HSL 0, 0.59%, 0.3%

LAB 27.34, 39.06, 23.39

 

CMYK 0 / 55 / 75 / 52

HEX #7A371F

RGB 122 55 31

HSL 15.82, 0.59%, 0.3%

LAB 31.74, 27.41, 28.39

 

CMYK 0 / 34 / 75 / 52

HEX #7A501F

RGB 122 80 31

HSL 32.31, 0.59%, 0.3%

LAB 37.8, 12.83, 34.91

 

CMYK 0 / 15 / 75 / 52

HEX #7A681F

RGB 122 104 31

HSL 48.13, 0.59%, 0.3%

LAB 44.43, -1.39, 41.65

 

CMYK 0 / 54 / 75 / 78

HEX #381A0E

RGB 56 26 14

HSL 17.14, 0.6%, 0.14%

LAB 13.3, 13.56, 14.11

 

CMYK 0 / 54 / 74 / 65

HEX #592917

RGB 89 41 23

HSL 16.36, 0.59%, 0.22%

LAB 22.9, 20.51, 21.7

 

CMYK 0 / 54 / 75 / 52

HEX #7A381F

RGB 122 56 31

HSL 16.48, 0.59%, 0.3%

LAB 31.95, 26.86, 28.63

 

CMYK 0 / 54 / 74 / 40

HEX #9A4728

RGB 154 71 40

HSL 16.32, 0.59%, 0.38%

LAB 40.46, 32.51, 34.41

 

CMYK 0 / 54 / 74 / 27

HEX #BB5630

RGB 187 86 48

HSL 16.4, 0.59%, 0.46%

LAB 48.8, 38.26, 40.7

 

CMYK 0 / 54 / 74 / 52

HEX #7B3920

RGB 123 57 32

HSL 16.48, 0.59%, 0.3%

LAB 32.35, 26.78, 28.54

 

CMYK 34 / 0 / 75 / 52

HEX #507A1F

RGB 80 122 31

HSL 87.69, 0.59%, 0.3%

LAB 46.61, -29.84, 42.72

 

CMYK 75 / 65 / 0 / 52

HEX #1F2B7A

RGB 31 43 122

HSL 232.09, 0.59%, 0.3%

LAB 21.67, 24.25, -46.45

 

CMYK 0 / 54 / 74 / 52

HEX #7B3920

RGB 123 57 32

HSL 16.48, 0.59%, 0.3%

LAB 32.35, 26.78, 28.54

 

CMYK 75 / 0 / 55 / 52

HEX #1F7A37

RGB 31 122 55

HSL 135.82, 0.59%, 0.3%

LAB 44.92, -41.54, 29.03

 

CMYK 55 / 75 / 0 / 52

HEX #371F7A

RGB 55 31 122

HSL 255.82, 0.59%, 0.3%

LAB 20.82, 35.61, -47.76

 

CMYK 0 / 54 / 74 / 52

HEX #7B3920

RGB 123 57 32

HSL 16.48, 0.59%, 0.3%

LAB 32.35, 26.78, 28.54

 

CMYK 34 / 0 / 75 / 52

HEX #507A1F

RGB 80 122 31

HSL 87.69, 0.59%, 0.3%

LAB 46.61, -29.84, 42.72

 

CMYK 75 / 20 / 0 / 52

HEX #1F627A

RGB 31 98 122

HSL 195.82, 0.59%, 0.3%

LAB 38.61, -12.26, -19.5

 

CMYK 40 / 75 / 0 / 52

HEX #491F7A

RGB 73 31 122

HSL 267.69, 0.59%, 0.3%

LAB 23, 38.94, -44.1

 

CMYK 0 / 54 / 74 / 52

HEX #7B3920

RGB 123 57 32

HSL 16.48, 0.59%, 0.3%

LAB 32.35, 26.78, 28.54

 

CMYK 57 / 0 / 75 / 52

HEX #347A1F

RGB 52 122 31

HSL 106.15, 0.59%, 0.3%

LAB 45.29, -39.5, 40.95

 

CMYK 75 / 20 / 0 / 52

HEX #1F627A

RGB 31 98 122

HSL 195.82, 0.59%, 0.3%

LAB 38.61, -12.26, -19.5

 

CMYK 17 / 75 / 0 / 52

HEX #651F7A

RGB 101 31 122

HSL 286.15, 0.59%, 0.3%

LAB 27.16, 44.93, -37.17

 

Description

Color code: HEX #7B392000 | qconv.com Color code: HEX #7B392000 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 57 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 57 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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