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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B390DCE it is the complementary color #84C6F2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B390DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B390DCE shade: #803908CE, #914B1BCE, #A25D2ECE, #B36F41CE and #C48154CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B390DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B390DCE shade: #7B390DCE, #6A2700CE, #591500CE, #480300CE and #370000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B390DCE shade: #7D3A0D, #7D1C0D and #7D0D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B390DCE shade: #7D3A0D, #7D580D, #7D760D, #657D0D and #477D0D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B390DCE shade matches the following richer shades: #7D3A0D and #883702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B390DCE shade: #7D3A0D, #713C18, #663E23, #5B402F and #50433A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B390DCE shade: #7D0D1C, #7D1C0D, #7D3A0D, #7D570D and #7D750D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B390DCE shade: #321705, #572809, #7D3A0D, #A24B11 and #C75C15

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B390DCE shade: #7B390D, #3A7D0D and #0D0D7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B390DCE shade: #7B390D, #0D7D3A and #3A0D7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B390DCE shade: #7B390D, #3A7D0D, #0D507D and #500D7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B390DCE shade: #7B390D, #187D0D, #0D507D and #710D7D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 72 / 42

HEX #7B390DCE

RGBA 123 57 13 0.81

HSLA 24, 0.81%, 0.27%, 0.81

LABA 32.18, 26.01, 37.93, 0.81

 

Complementary color

CMYK 37 / 15 / 0 / 4

HEX #84C6F2CE

RGBA 132 198 242 0.81

HSLA 204, 0.81%, 0.73%, 0.81

LABA 77.1, -9.5, -28.26, 0.81

 

CMYK 0 / 45 / 76 / 40

HEX #803908CE

RGBA 128 57 8 0.81

HSLA 24.5, 0.88%, 0.27%, 0.81

LABA 32.99, 28.05, 40.78, 0.81

 

CMYK 0 / 39 / 66 / 35

HEX #914B1BCE

RGBA 145 75 27 0.81

HSLA 24.41, 0.69%, 0.34%, 0.81

LABA 39.8, 25.98, 39.92, 0.81

 

CMYK 0 / 35 / 58 / 30

HEX #A25D2ECE

RGBA 162 93 46 0.81

HSLA 24.31, 0.56%, 0.41%, 0.81

LABA 46.59, 24.15, 38.26, 0.81

 

CMYK 0 / 31 / 52 / 24

HEX #B36F41CE

RGBA 179 111 65 0.81

HSLA 24.21, 0.47%, 0.48%, 0.81

LABA 53.31, 22.57, 36.48, 0.81

 

CMYK 0 / 28 / 46 / 19

HEX #C48154CE

RGBA 196 129 84 0.81

HSLA 24.11, 0.49%, 0.55%, 0.81

LABA 59.96, 21.21, 34.78, 0.81

 

CMYK 0 / 43 / 72 / 42

HEX #7B390DCE

RGBA 123 57 13 0.81

HSLA 24, 0.81%, 0.27%, 0.81

LABA 32.18, 26.01, 37.93, 0.81

 

CMYK 0 / 51 / 81 / 47

HEX #6A2700CE

RGBA 106 39 0 0.81

HSLA 22.08, 1%, 0.21%, 0.81

LABA 25.31, 28.19, 36.19, 0.81

 

CMYK 0 / 62 / 81 / 53

HEX #591500CE

RGBA 89 21 0 0.81

HSLA 14.16, 1%, 0.17%, 0.81

LABA 18.63, 30.11, 28.08, 0.81

 

CMYK 0 / 78 / 81 / 58

HEX #480300CE

RGBA 72 3 0 0.81

HSLA 2.5, 1%, 0.14%, 0.81

LABA 12.24, 30.93, 19.16, 0.81

 

CMYK 0 / 81 / 81 / 64

HEX #370000CE

RGBA 55 0 0 0.81

HSLA 0, 1%, 0.11%, 0.81

LABA 7.34, 26.9, 11.59, 0.81

 

CMYK 0 / 54 / 90 / 51

HEX #7D3A0D

RGB 125 58 13

HSL 24.11, 0.81%, 0.27%

LAB 32.73, 26.32, 38.52

 

CMYK 0 / 78 / 90 / 51

HEX #7D1C0D

RGB 125 28 13

HSL 8.04, 0.81%, 0.27%

LAB 27.35, 40.58, 34.04

 

CMYK 0 / 90 / 90 / 51

HEX #7D0D0D

RGB 125 13 13

HSL 0, 0.81%, 0.27%

LAB 25.79, 44.97, 32.65

 

CMYK 0 / 54 / 90 / 51

HEX #7D3A0D

RGB 125 58 13

HSL 24.11, 0.81%, 0.27%

LAB 32.73, 26.32, 38.52

 

CMYK 0 / 30 / 90 / 51

HEX #7D580D

RGB 125 88 13

HSL 40.18, 0.81%, 0.27%

LAB 40.19, 8.75, 44.64

 

CMYK 0 / 6 / 90 / 51

HEX #7D760D

RGB 125 118 13

HSL 56.25, 0.81%, 0.27%

LAB 48.69, -8.6, 51.55

 

CMYK 19 / 0 / 90 / 51

HEX #657D0D

RGB 101 125 13

HSL 72.86, 0.81%, 0.27%

LAB 48.84, -23.37, 50.86

 

CMYK 43 / 0 / 90 / 51

HEX #477D0D

RGB 71 125 13

HSL 88.93, 0.81%, 0.27%

LAB 47.02, -35.56, 48.6

 

CMYK 0 / 54 / 90 / 51

HEX #7D3A0D

RGB 125 58 13

HSL 24.11, 0.81%, 0.27%

LAB 32.73, 26.32, 38.52

 

CMYK 0 / 60 / 99 / 47

HEX #883702

RGB 136 55 2

HSL 23.73, 0.97%, 0.27%

LAB 33.92, 32.33, 44.35

 

CMYK 0 / 54 / 90 / 51

HEX #7D3A0D

RGB 125 58 13

HSL 24.11, 0.81%, 0.27%

LAB 32.73, 26.32, 38.52

 

CMYK 0 / 47 / 79 / 56

HEX #713C18

RGB 113 60 24

HSL 24.27, 0.65%, 0.27%

LAB 31.37, 20.22, 31.43

 

CMYK 0 / 39 / 66 / 60

HEX #663E23

RGB 102 62 35

HSL 24.18, 0.49%, 0.27%

LAB 30.38, 14.6, 23.67

 

CMYK 0 / 30 / 48 / 64

HEX #5B402F

RGB 91 64 47

HSL 23.18, 0.32%, 0.27%

LAB 29.65, 9.36, 15.03

 

CMYK 0 / 16 / 28 / 69

HEX #50433A

RGB 80 67 58

HSL 24.55, 0.16%, 0.27%

LAB 29.48, 3.94, 7.53

 

CMYK 0 / 90 / 78 / 51

HEX #7D0D1C

RGB 125 13 28

HSL 351.96, 0.81%, 0.27%

LAB 25.96, 45.44, 23.89

 

CMYK 0 / 78 / 90 / 51

HEX #7D1C0D

RGB 125 28 13

HSL 8.04, 0.81%, 0.27%

LAB 27.35, 40.58, 34.04

 

CMYK 0 / 54 / 90 / 51

HEX #7D3A0D

RGB 125 58 13

HSL 24.11, 0.81%, 0.27%

LAB 32.73, 26.32, 38.52

 

CMYK 0 / 30 / 90 / 51

HEX #7D570D

RGB 125 87 13

HSL 39.64, 0.81%, 0.27%

LAB 39.92, 9.35, 44.42

 

CMYK 0 / 6 / 90 / 51

HEX #7D750D

RGB 125 117 13

HSL 55.71, 0.81%, 0.27%

LAB 48.4, -8.04, 51.32

 

CMYK 0 / 54 / 90 / 80

HEX #321705

RGB 50 23 5

HSL 24, 0.82%, 0.11%

LAB 11.29, 11.82, 15.06

 

CMYK 0 / 54 / 90 / 66

HEX #572809

RGB 87 40 9

HSL 23.85, 0.81%, 0.19%

LAB 22.17, 19.49, 28.27

 

CMYK 0 / 54 / 90 / 51

HEX #7D3A0D

RGB 125 58 13

HSL 24.11, 0.81%, 0.27%

LAB 32.73, 26.32, 38.52

 

CMYK 0 / 54 / 90 / 36

HEX #A24B11

RGB 162 75 17

HSL 24, 0.81%, 0.35%

LAB 42.39, 32.86, 47.3

 

CMYK 0 / 54 / 89 / 22

HEX #C75C15

RGB 199 92 21

HSL 23.93, 0.81%, 0.43%

LAB 51.67, 39.09, 55.66

 

CMYK 0 / 54 / 89 / 52

HEX #7B390D

RGB 123 57 13

HSL 24, 0.81%, 0.27%

LAB 32.18, 26.01, 37.93

 

CMYK 54 / 0 / 90 / 51

HEX #3A7D0D

RGB 58 125 13

HSL 95.89, 0.81%, 0.27%

LAB 46.44, -39.97, 47.87

 

CMYK 90 / 90 / 0 / 51

HEX #0D0D7D

RGB 13 13 125

HSL 240, 0.81%, 0.27%

LAB 14.7, 41.75, -59.89

 

CMYK 0 / 54 / 89 / 52

HEX #7B390D

RGB 123 57 13

HSL 24, 0.81%, 0.27%

LAB 32.18, 26.01, 37.93

 

CMYK 90 / 0 / 54 / 51

HEX #0D7D3A

RGB 13 125 58

HSL 144.11, 0.81%, 0.27%

LAB 45.71, -44.51, 28.34

 

CMYK 54 / 90 / 0 / 51

HEX #3A0D7D

RGB 58 13 125

HSL 264.11, 0.81%, 0.27%

LAB 18.66, 45.04, -53.21

 

CMYK 0 / 54 / 89 / 52

HEX #7B390D

RGB 123 57 13

HSL 24, 0.81%, 0.27%

LAB 32.18, 26.01, 37.93

 

CMYK 54 / 0 / 90 / 51

HEX #3A7D0D

RGB 58 125 13

HSL 95.89, 0.81%, 0.27%

LAB 46.44, -39.97, 47.87

 

CMYK 90 / 36 / 0 / 51

HEX #0D507D

RGB 13 80 125

HSL 204.11, 0.81%, 0.27%

LAB 32.49, -2.08, -30.95

 

CMYK 36 / 90 / 0 / 51

HEX #500D7D

RGB 80 13 125

HSL 275.89, 0.81%, 0.27%

LAB 21.85, 47.96, -47.85

 

CMYK 0 / 54 / 89 / 52

HEX #7B390D

RGB 123 57 13

HSL 24, 0.81%, 0.27%

LAB 32.18, 26.01, 37.93

 

CMYK 81 / 0 / 90 / 51

HEX #187D0D

RGB 24 125 13

HSL 114.11, 0.81%, 0.27%

LAB 45.48, -47.89, 46.66

 

CMYK 90 / 36 / 0 / 51

HEX #0D507D

RGB 13 80 125

HSL 204.11, 0.81%, 0.27%

LAB 32.49, -2.08, -30.95

 

CMYK 10 / 90 / 0 / 51

HEX #710D7D

RGB 113 13 125

HSL 293.57, 0.81%, 0.27%

LAB 27.52, 53.52, -38.39

 

Description

Color code: HEX #7B390DCE | qconv.com Color code: HEX #7B390DCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 57 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 57 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 72 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 72% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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