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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B2EE5 it is the complementary color #84D11A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B2EE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B2EE5 shade: #802EE0, #9140F3, #A252FF, #B364FF and #C476FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B2EE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B2EE5 shade: #7B2EE5, #6A1CD2, #590ABF, #4800AC and #370099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B2EE5 shade: #7B2EE5, #AD2EE5, #DE2EE5, #E52EBB and #E52E8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B2EE5 shade: #7B2EE5, #4A2EE5 and #2E2EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B2EE5 shade matches the following richer shades: #7B2EE5 and #781BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B2EE5 shade: #7B2EE5, #7E41D2, #8154BF, #8467AC and #877A99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B2EE5 shade: #2E44E5, #4A2EE5, #7A2EE5, #AB2EE5 and #DC2EE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B2EE5 shade: #5515AC, #671AD0, #7B2EE5, #9253EA and #AA78EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B2EE5 shade: #7B2EE5, #E52E74 and #2EE531

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B2EE5 shade: #7B2EE5, #E57A2E and #2EE57A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B2EE5 shade: #7B2EE5, #E52E74, #99E52E and #2EE59F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B2EE5 shade: #7B2EE5, #E52E3D, #99E52E and #2EE5D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

Complementary color

CMYK 37 / 0 / 88 / 18

HEX #84D11A

RGB 132 209 26

HSL 85.25, 0.78%, 0.46%

LAB 76.42, -48.73, 72.14

 

CMYK 43 / 79 / 0 / 12

HEX #802EE0

RGB 128 46 224

HSL 267.64, 0.74%, 0.53%

LAB 41.1, 66.97, -75.47

 

CMYK 40 / 74 / 0 / 5

HEX #9140F3

RGB 145 64 243

HSL 267.15, 0.88%, 0.6%

LAB 47.18, 66.92, -76.19

 

CMYK 36 / 68 / 0 / 0

HEX #A252FF

RGB 162 82 255

HSL 267.75, 1%, 0.66%

LAB 52.88, 64.76, -73.52

 

CMYK 30 / 61 / 0 / 0

HEX #B364FF

RGB 179 100 255

HSL 270.58, 1%, 0.7%

LAB 57.96, 59.61, -65.22

 

CMYK 23 / 54 / 0 / 0

HEX #C476FF

RGB 196 118 255

HSL 274.16, 1%, 0.73%

LAB 63.27, 54.53, -56.61

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 50 / 87 / 0 / 18

HEX #6A1CD2

RGB 106 28 210

HSL 265.71, 0.76%, 0.47%

LAB 35.1, 66.84, -77.38

 

CMYK 53 / 95 / 0 / 25

HEX #590ABF

RGB 89 10 191

HSL 266.19, 0.9%, 0.39%

LAB 29.67, 64.87, -75.3

 

CMYK 58 / 100 / 0 / 33

HEX #4800AC

RGB 72 0 172

HSL 265.12, 1%, 0.34%

LAB 24.82, 61.04, -72.07

 

CMYK 64 / 100 / 0 / 40

HEX #370099

RGB 55 0 153

HSL 261.57, 1%, 0.3%

LAB 20.49, 55.51, -67.74

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 24 / 80 / 0 / 10

HEX #AD2EE5

RGB 173 46 229

HSL 281.64, 0.78%, 0.54%

LAB 47.62, 74.9, -67.42

 

CMYK 3 / 80 / 0 / 10

HEX #DE2EE5

RGB 222 46 229

HSL 297.7, 0.78%, 0.54%

LAB 55.22, 83.43, -54.79

 

CMYK 0 / 80 / 18 / 10

HEX #E52EBB

RGB 229 46 187

HSL 313.77, 0.78%, 0.54%

LAB 54.24, 78.87, -32.24

 

CMYK 0 / 80 / 40 / 10

HEX #E52E8A

RGB 229 46 138

HSL 329.84, 0.78%, 0.54%

LAB 52.34, 73.38, -6.25

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 68 / 80 / 0 / 10

HEX #4A2EE5

RGB 74 46 229

HSL 249.18, 0.78%, 0.54%

LAB 36.11, 62.21, -86.73

 

CMYK 80 / 80 / 0 / 10

HEX #2E2EE5

RGB 46 46 229

HSL 240, 0.78%, 0.54%

LAB 34.38, 60.33, -89.65

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 52 / 89 / 0 / 3

HEX #781BF8

RGB 120 27 248

HSL 265.25, 0.94%, 0.54%

LAB 40.5, 77.18, -90.09

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 40 / 69 / 0 / 18

HEX #7E41D2

RGB 126 65 210

HSL 265.24, 0.62%, 0.54%

LAB 42.57, 55.15, -65.05

 

CMYK 32 / 56 / 0 / 25

HEX #8154BF

RGB 129 84 191

HSL 265.23, 0.46%, 0.54%

LAB 45.32, 40.96, -49.6

 

CMYK 23 / 40 / 0 / 33

HEX #8467AC

RGB 132 103 172

HSL 265.22, 0.29%, 0.54%

LAB 48.99, 26, -32.7

 

CMYK 12 / 20 / 0 / 40

HEX #877A99

RGB 135 122 153

HSL 265.16, 0.13%, 0.54%

LAB 53.35, 11.29, -14.86

 

CMYK 80 / 70 / 0 / 10

HEX #2E44E5

RGB 46 68 229

HSL 232.79, 0.78%, 0.54%

LAB 38.5, 48.64, -82.83

 

CMYK 68 / 80 / 0 / 10

HEX #4A2EE5

RGB 74 46 229

HSL 249.18, 0.78%, 0.54%

LAB 36.11, 62.21, -86.73

 

CMYK 47 / 80 / 0 / 10

HEX #7A2EE5

RGB 122 46 229

HSL 264.92, 0.78%, 0.54%

LAB 40.81, 67.35, -78.81

 

CMYK 25 / 80 / 0 / 10

HEX #AB2EE5

RGB 171 46 229

HSL 280.98, 0.78%, 0.54%

LAB 47.33, 74.57, -67.91

 

CMYK 4 / 80 / 0 / 10

HEX #DC2EE5

RGB 220 46 229

HSL 297.05, 0.78%, 0.54%

LAB 54.89, 83.07, -55.32

 

CMYK 51 / 88 / 0 / 33

HEX #5515AC

RGB 85 21 172

HSL 265.43, 0.78%, 0.38%

LAB 27.97, 57.49, -66.8

 

CMYK 50 / 88 / 0 / 18

HEX #671AD0

RGB 103 26 208

HSL 265.38, 0.78%, 0.46%

LAB 34.35, 66.61, -77.47

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 38 / 65 / 0 / 8

HEX #9253EA

RGB 146 83 234

HSL 265.03, 0.78%, 0.62%

LAB 49.78, 56.12, -66.89

 

CMYK 29 / 50 / 0 / 7

HEX #AA78EE

RGB 170 120 238

HSL 265.42, 0.78%, 0.7%

LAB 60.03, 42.98, -52.56

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 0 / 80 / 49 / 10

HEX #E52E74

RGB 229 46 116

HSL 337.05, 0.78%, 0.54%

LAB 51.69, 71.46, 6.06

 

CMYK 80 / 0 / 79 / 10

HEX #2EE531

RGB 46 229 49

HSL 120.98, 0.78%, 0.54%

LAB 80.09, -74.89, 68.96

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 0 / 47 / 80 / 10

HEX #E57A2E

RGB 229 122 46

HSL 24.92, 0.78%, 0.54%

LAB 62.32, 36.39, 57.15

 

CMYK 80 / 0 / 47 / 10

HEX #2EE57A

RGB 46 229 122

HSL 144.92, 0.78%, 0.54%

LAB 80.75, -66.83, 39.8

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 0 / 80 / 49 / 10

HEX #E52E74

RGB 229 46 116

HSL 337.05, 0.78%, 0.54%

LAB 51.69, 71.46, 6.06

 

CMYK 33 / 0 / 80 / 10

HEX #99E52E

RGB 153 229 46

HSL 84.92, 0.78%, 0.54%

LAB 83.45, -48.87, 74.12

 

CMYK 80 / 0 / 31 / 10

HEX #2EE59F

RGB 46 229 159

HSL 157.05, 0.78%, 0.54%

LAB 81.36, -59.89, 21.87

 

CMYK 46 / 80 / 0 / 10

HEX #7B2EE5

RGB 123 46 229

HSL 265.25, 0.78%, 0.54%

LAB 40.93, 67.48, -78.61

 

CMYK 0 / 80 / 73 / 10

HEX #E52E3D

RGB 229 46 61

HSL 355.08, 0.78%, 0.54%

LAB 50.63, 68.21, 37.63

 

CMYK 33 / 0 / 80 / 10

HEX #99E52E

RGB 153 229 46

HSL 84.92, 0.78%, 0.54%

LAB 83.45, -48.87, 74.12

 

CMYK 80 / 0 / 7 / 10

HEX #2EE5D6

RGB 46 229 214

HSL 175.08, 0.78%, 0.54%

LAB 82.63, -46.48, -5.23

 

Description

Color code: HEX #7B2EE5 | qconv.com Color code: HEX #7B2EE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 46 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 46 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 80 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 80% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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