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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B223A it is the complementary color #84DDC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B223A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B223A shade: #802235, #913448, #A2465B, #B3586E and #C46A81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B223A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B223A shade: #7B223A, #6A1027, #590014, #480001 and #370000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B223A shade: #7C223A and #7C2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B223A shade: #7C223A, #7C2253, #7C226B, #75227C and #5D227C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B223A shade matches the following richer shades: #7C223A, #891534 and #96082F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B223A shade: #7C223A, #6F2F40, #633C46, #56484C and #495552

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B223A shade: #7C226C, #7C2254, #7C223C, #7C2223 and #7C3922

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B223A shade: #3B101C, #5C192B, #7C223A, #9C2B4A and #BD3459

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B223A shade: #7B223A, #7C7522 and #22607C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B223A shade: #7B223A, #3C7C22 and #223C7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B223A shade: #7B223A, #7C7522, #227C63 and #222A7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B223A shade: #7B223A, #697C22, #227C63 and #36227C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 72 / 53 / 52

HEX #7B223A

RGB 123 34 58

HSL 343.82, 0.57%, 0.31%

LAB 28.54, 40.1, 7.16

 

Complementary color

CMYK 40 / 0 / 11 / 13

HEX #84DDC5

RGB 132 221 197

HSL 163.82, 0.57%, 0.69%

LAB 82.19, -32.24, 3.4

 

CMYK 0 / 73 / 59 / 50

HEX #802235

RGB 128 34 53

HSL 347.87, 0.58%, 0.32%

LAB 29.39, 41.32, 11.82

 

CMYK 0 / 64 / 50 / 43

HEX #913448

RGB 145 52 72

HSL 347.1, 0.47%, 0.39%

LAB 35.88, 40.93, 8.88

 

CMYK 0 / 57 / 44 / 36

HEX #A2465B

RGB 162 70 91

HSL 346.3, 0.4%, 0.45%

LAB 42.49, 40.15, 6.65

 

CMYK 0 / 51 / 39 / 30

HEX #B3586E

RGB 179 88 110

HSL 345.49, 0.37%, 0.52%

LAB 49.12, 39.23, 4.88

 

CMYK 0 / 46 / 34 / 23

HEX #C46A81

RGB 196 106 129

HSL 344.67, 0.43%, 0.59%

LAB 55.71, 38.29, 3.42

 

CMYK 0 / 72 / 53 / 52

HEX #7B223A

RGB 123 34 58

HSL 343.82, 0.57%, 0.31%

LAB 28.54, 40.1, 7.16

 

CMYK 0 / 85 / 63 / 58

HEX #6A1027

RGB 106 16 39

HSL 344.67, 0.74%, 0.24%

LAB 22.24, 39.61, 10.89

 

CMYK 0 / 100 / 78 / 65

HEX #590014

RGB 89 0 20

HSL 346.52, 1%, 0.17%

LAB 16.38, 37.86, 15.97

 

CMYK 0 / 100 / 99 / 72

HEX #480001

RGB 72 0 1

HSL 359.17, 1%, 0.14%

LAB 11.82, 32.22, 18.18

 

CMYK 0 / 100 / 100 / 78

HEX #370000

RGB 55 0 0

HSL 0, 1%, 0.11%

LAB 7.34, 26.9, 11.59

 

CMYK 0 / 73 / 53 / 51

HEX #7C223A

RGB 124 34 58

HSL 344, 0.57%, 0.31%

LAB 28.73, 40.43, 7.46

 

CMYK 0 / 73 / 73 / 51

HEX #7C2222

RGB 124 34 34

HSL 0, 0.57%, 0.31%

LAB 28.23, 38.69, 22.63

 

CMYK 0 / 73 / 53 / 51

HEX #7C223A

RGB 124 34 58

HSL 344, 0.57%, 0.31%

LAB 28.73, 40.43, 7.46

 

CMYK 0 / 73 / 33 / 51

HEX #7C2253

RGB 124 34 83

HSL 327.33, 0.57%, 0.31%

LAB 29.55, 43.17, -7.95

 

CMYK 0 / 73 / 14 / 51

HEX #7C226B

RGB 124 34 107

HSL 311.33, 0.57%, 0.31%

LAB 30.62, 46.63, -21.89

 

CMYK 6 / 73 / 0 / 51

HEX #75227C

RGB 117 34 124

HSL 295.33, 0.57%, 0.31%

LAB 30.35, 47.83, -33.18

 

CMYK 25 / 73 / 0 / 51

HEX #5D227C

RGB 93 34 124

HSL 279.33, 0.57%, 0.31%

LAB 26.52, 42.25, -39.53

 

CMYK 0 / 73 / 53 / 51

HEX #7C223A

RGB 124 34 58

HSL 344, 0.57%, 0.31%

LAB 28.73, 40.43, 7.46

 

CMYK 0 / 85 / 62 / 46

HEX #891534

RGB 137 21 52

HSL 343.97, 0.73%, 0.31%

LAB 29.67, 48.31, 13.18

 

CMYK 0 / 95 / 69 / 41

HEX #96082F

RGB 150 8 47

HSL 343.52, 0.9%, 0.31%

LAB 31.49, 54.07, 19.41

 

CMYK 0 / 73 / 53 / 51

HEX #7C223A

RGB 124 34 58

HSL 344, 0.57%, 0.31%

LAB 28.73, 40.43, 7.46

 

CMYK 0 / 58 / 42 / 56

HEX #6F2F40

RGB 111 47 64

HSL 344.06, 0.41%, 0.31%

LAB 28.86, 30.22, 3.32

 

CMYK 0 / 39 / 29 / 61

HEX #633C46

RGB 99 60 70

HSL 344.62, 0.25%, 0.31%

LAB 30.22, 18.67, 1.13

 

CMYK 0 / 16 / 12 / 66

HEX #56484C

RGB 86 72 76

HSL 342.86, 0.09%, 0.31%

LAB 32.11, 6.69, -0.19

 

CMYK 14 / 0 / 4 / 67

HEX #495552

RGB 73 85 82

HSL 165, 0.08%, 0.31%

LAB 35.05, -5.4, 0.15

 

CMYK 0 / 73 / 13 / 51

HEX #7C226C

RGB 124 34 108

HSL 310.67, 0.57%, 0.31%

LAB 30.67, 46.79, -22.45

 

CMYK 0 / 73 / 32 / 51

HEX #7C2254

RGB 124 34 84

HSL 326.67, 0.57%, 0.31%

LAB 29.59, 43.3, -8.54

 

CMYK 0 / 73 / 52 / 51

HEX #7C223C

RGB 124 34 60

HSL 342.67, 0.57%, 0.31%

LAB 28.79, 40.61, 6.2

 

CMYK 0 / 73 / 72 / 51

HEX #7C2223

RGB 124 34 35

HSL 359.33, 0.57%, 0.31%

LAB 28.25, 38.74, 22.01

 

CMYK 0 / 54 / 73 / 51

HEX #7C3922

RGB 124 57 34

HSL 15.33, 0.57%, 0.31%

LAB 32.54, 27.32, 27.63

 

CMYK 0 / 73 / 53 / 77

HEX #3B101C

RGB 59 16 28

HSL 343.26, 0.57%, 0.15%

LAB 11.85, 22.41, 2.9

 

CMYK 0 / 73 / 53 / 64

HEX #5C192B

RGB 92 25 43

HSL 343.88, 0.57%, 0.23%

LAB 20.62, 31.95, 5.4

 

CMYK 0 / 73 / 53 / 51

HEX #7C223A

RGB 124 34 58

HSL 344, 0.57%, 0.31%

LAB 28.73, 40.43, 7.46

 

CMYK 0 / 72 / 53 / 39

HEX #9C2B4A

RGB 156 43 74

HSL 343.54, 0.57%, 0.39%

LAB 36.54, 48.53, 8.82

 

CMYK 0 / 72 / 53 / 26

HEX #BD3459

RGB 189 52 89

HSL 343.8, 0.57%, 0.47%

LAB 44.23, 56.51, 11.01

 

CMYK 0 / 72 / 53 / 52

HEX #7B223A

RGB 123 34 58

HSL 343.82, 0.57%, 0.31%

LAB 28.54, 40.1, 7.16

 

CMYK 0 / 6 / 73 / 51

HEX #7C7522

RGB 124 117 34

HSL 55.33, 0.57%, 0.31%

LAB 48.41, -7.68, 44.41

 

CMYK 73 / 23 / 0 / 51

HEX #22607C

RGB 34 96 124

HSL 198.67, 0.57%, 0.31%

LAB 38.13, -9.89, -21.46

 

CMYK 0 / 72 / 53 / 52

HEX #7B223A

RGB 123 34 58

HSL 343.82, 0.57%, 0.31%

LAB 28.54, 40.1, 7.16

 

CMYK 52 / 0 / 73 / 51

HEX #3C7C22

RGB 60 124 34

HSL 102.67, 0.57%, 0.31%

LAB 46.3, -37.64, 40.87

 

CMYK 73 / 52 / 0 / 51

HEX #223C7C

RGB 34 60 124

HSL 222.67, 0.57%, 0.31%

LAB 26.81, 13.59, -39.36

 

CMYK 0 / 72 / 53 / 52

HEX #7B223A

RGB 123 34 58

HSL 343.82, 0.57%, 0.31%

LAB 28.54, 40.1, 7.16

 

CMYK 0 / 6 / 73 / 51

HEX #7C7522

RGB 124 117 34

HSL 55.33, 0.57%, 0.31%

LAB 48.41, -7.68, 44.41

 

CMYK 73 / 0 / 20 / 51

HEX #227C63

RGB 34 124 99

HSL 163.33, 0.57%, 0.31%

LAB 46.52, -32.5, 6.15

 

CMYK 73 / 66 / 0 / 51

HEX #222A7C

RGB 34 42 124

HSL 234.67, 0.57%, 0.31%

LAB 21.77, 26.11, -47.55

 

CMYK 0 / 72 / 53 / 52

HEX #7B223A

RGB 123 34 58

HSL 343.82, 0.57%, 0.31%

LAB 28.54, 40.1, 7.16

 

CMYK 15 / 0 / 73 / 51

HEX #697C22

RGB 105 124 34

HSL 72.67, 0.57%, 0.31%

LAB 48.93, -20.13, 44.39

 

CMYK 73 / 0 / 20 / 51

HEX #227C63

RGB 34 124 99

HSL 163.33, 0.57%, 0.31%

LAB 46.52, -32.5, 6.15

 

CMYK 56 / 73 / 0 / 51

HEX #36227C

RGB 54 34 124

HSL 253.33, 0.57%, 0.31%

LAB 21.52, 34.35, -47.89

 

Description

Color code: HEX #7B223A | qconv.com Color code: HEX #7B223A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 34 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 34 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 72 magenta, 53 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 72% 53% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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