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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7B1276 it is the complementary color #84ED89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7B1276. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7B1276 shade: #801271, #912484, #A23697, #B348AA and #C45ABD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7B1276. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7B1276 shade: #7B1276, #6A0063, #590050, #48003D and #37002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7B1276 shade: #7C1377, #7C135B, #7C133E, #7C1322 and #7C1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7B1276 shade: #7C1377, #65137C, #48137C, #2C137C and #13137C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7B1276 shade matches the following richer shades: #7C1377 and #880782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7B1276 shade: #7C1377, #711E6D, #652A62, #5A3558 and #4E414D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7B1276 shade: #47137C, #64137C, #7C1379, #7C135D and #7C1340

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7B1276 shade: #340832, #580D55, #7C1377, #A0189A and #C41DBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7B1276 shade: #7B1276, #7C2B13 and #137C55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7B1276 shade: #7B1276, #797C13 and #13797C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7B1276 shade: #7B1276, #7C2B13, #137C16 and #13647C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7B1276 shade: #7B1276, #7C4B13, #137C16 and #13447C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 4 / 52

HEX #7B1276

RGB 123 18 118

HSL 302.86, 0.74%, 0.28%

LAB 29.29, 53.19, -31.01

 

Complementary color

CMYK 44 / 0 / 42 / 7

HEX #84ED89

RGB 132 237 137

HSL 122.86, 0.74%, 0.72%

LAB 85.65, -50.41, 39.14

 

CMYK 0 / 86 / 12 / 50

HEX #801271

RGB 128 18 113

HSL 308.18, 0.75%, 0.29%

LAB 29.95, 53.48, -26.73

 

CMYK 0 / 75 / 9 / 43

HEX #912484

RGB 145 36 132

HSL 307.16, 0.6%, 0.35%

LAB 35.88, 55.14, -29.12

 

CMYK 0 / 67 / 7 / 36

HEX #A23697

RGB 162 54 151

HSL 306.11, 0.5%, 0.42%

LAB 42.08, 55.73, -30.79

 

CMYK 0 / 60 / 5 / 30

HEX #B348AA

RGB 179 72 170

HSL 305.05, 0.43%, 0.49%

LAB 48.41, 55.7, -32.01

 

CMYK 0 / 54 / 4 / 23

HEX #C45ABD

RGB 196 90 189

HSL 303.96, 0.47%, 0.56%

LAB 54.79, 55.33, -32.93

 

CMYK 0 / 85 / 4 / 52

HEX #7B1276

RGB 123 18 118

HSL 302.86, 0.74%, 0.28%

LAB 29.29, 53.19, -31.01

 

CMYK 0 / 100 / 7 / 58

HEX #6A0063

RGB 106 0 99

HSL 303.96, 1%, 0.21%

LAB 23.56, 50.4, -28.06

 

CMYK 0 / 100 / 10 / 65

HEX #590050

RGB 89 0 80

HSL 306.07, 1%, 0.17%

LAB 18.81, 44.13, -23.1

 

CMYK 0 / 100 / 15 / 72

HEX #48003D

RGB 72 0 61

HSL 309.17, 1%, 0.14%

LAB 13.91, 37.65, -17.88

 

CMYK 0 / 100 / 24 / 78

HEX #37002A

RGB 55 0 42

HSL 314.18, 1%, 0.11%

LAB 8.82, 30.91, -12.29

 

CMYK 0 / 85 / 4 / 51

HEX #7C1377

RGB 124 19 119

HSL 302.86, 0.73%, 0.28%

LAB 29.62, 53.32, -31.11

 

CMYK 0 / 85 / 27 / 51

HEX #7C135B

RGB 124 19 91

HSL 318.86, 0.73%, 0.28%

LAB 28.13, 49.19, -15.37

 

CMYK 0 / 85 / 50 / 51

HEX #7C133E

RGB 124 19 62

HSL 335.43, 0.73%, 0.28%

LAB 27.01, 45.94, 2.33

 

CMYK 0 / 85 / 73 / 51

HEX #7C1322

RGB 124 19 34

HSL 351.43, 0.73%, 0.28%

LAB 26.35, 43.94, 20.36

 

CMYK 0 / 85 / 85 / 51

HEX #7C1313

RGB 124 19 19

HSL 0, 0.73%, 0.28%

LAB 26.15, 43.33, 29.63

 

CMYK 0 / 85 / 4 / 51

HEX #7C1377

RGB 124 19 119

HSL 302.86, 0.73%, 0.28%

LAB 29.62, 53.32, -31.11

 

CMYK 19 / 85 / 0 / 51

HEX #65137C

RGB 101 19 124

HSL 286.86, 0.73%, 0.28%

LAB 25.83, 49.6, -40.59

 

CMYK 42 / 85 / 0 / 51

HEX #48137C

RGB 72 19 124

HSL 270.29, 0.73%, 0.28%

LAB 21.2, 44.57, -48.32

 

CMYK 65 / 85 / 0 / 51

HEX #2C137C

RGB 44 19 124

HSL 254.29, 0.73%, 0.28%

LAB 17.72, 40.87, -54.18

 

CMYK 85 / 85 / 0 / 51

HEX #13137C

RGB 19 19 124

HSL 240, 0.73%, 0.28%

LAB 15.8, 38.86, -57.43

 

CMYK 0 / 85 / 4 / 51

HEX #7C1377

RGB 124 19 119

HSL 302.86, 0.73%, 0.28%

LAB 29.62, 53.32, -31.11

 

CMYK 0 / 95 / 4 / 47

HEX #880782

RGB 136 7 130

HSL 302.79, 0.9%, 0.28%

LAB 31.8, 59.63, -34.44

 

CMYK 0 / 85 / 4 / 51

HEX #7C1377

RGB 124 19 119

HSL 302.86, 0.73%, 0.28%

LAB 29.62, 53.32, -31.11

 

CMYK 0 / 73 / 4 / 56

HEX #711E6D

RGB 113 30 109

HSL 302.89, 0.58%, 0.28%

LAB 28.23, 45.67, -27.06

 

CMYK 0 / 58 / 3 / 60

HEX #652A62

RGB 101 42 98

HSL 303.05, 0.41%, 0.28%

LAB 27.59, 34.84, -21.1

 

CMYK 0 / 41 / 2 / 65

HEX #5A3558

RGB 90 53 88

HSL 303.24, 0.26%, 0.28%

LAB 27.91, 22.79, -14.22

 

CMYK 0 / 17 / 1 / 69

HEX #4E414D

RGB 78 65 77

HSL 304.62, 0.09%, 0.28%

LAB 29.25, 8.07, -5.16

 

CMYK 43 / 85 / 0 / 51

HEX #47137C

RGB 71 19 124

HSL 269.71, 0.73%, 0.28%

LAB 21.06, 44.41, -48.56

 

CMYK 19 / 85 / 0 / 51

HEX #64137C

RGB 100 19 124

HSL 286.29, 0.73%, 0.28%

LAB 25.65, 49.41, -40.88

 

CMYK 0 / 85 / 2 / 51

HEX #7C1379

RGB 124 19 121

HSL 301.71, 0.73%, 0.28%

LAB 29.74, 53.65, -32.19

 

CMYK 0 / 85 / 25 / 51

HEX #7C135D

RGB 124 19 93

HSL 317.71, 0.73%, 0.28%

LAB 28.22, 49.45, -16.53

 

CMYK 0 / 85 / 48 / 51

HEX #7C1340

RGB 124 19 64

HSL 334.29, 0.73%, 0.28%

LAB 27.08, 46.12, 1.06

 

CMYK 0 / 85 / 4 / 80

HEX #340832

RGB 52 8 50

HSL 302.73, 0.73%, 0.12%

LAB 10.06, 27.49, -16.31

 

CMYK 0 / 85 / 3 / 65

HEX #580D55

RGB 88 13 85

HSL 302.4, 0.74%, 0.2%

LAB 20.12, 41.26, -24.43

 

CMYK 0 / 85 / 4 / 51

HEX #7C1377

RGB 124 19 119

HSL 302.86, 0.73%, 0.28%

LAB 29.62, 53.32, -31.11

 

CMYK 0 / 85 / 4 / 37

HEX #A0189A

RGB 160 24 154

HSL 302.65, 0.74%, 0.36%

LAB 38.66, 65.03, -38.04

 

CMYK 0 / 85 / 4 / 23

HEX #C41DBC

RGB 196 29 188

HSL 302.87, 0.74%, 0.44%

LAB 47.29, 76.03, -44.15

 

CMYK 0 / 85 / 4 / 52

HEX #7B1276

RGB 123 18 118

HSL 302.86, 0.74%, 0.28%

LAB 29.29, 53.19, -31.01

 

CMYK 0 / 65 / 85 / 51

HEX #7C2B13

RGB 124 43 19

HSL 13.71, 0.73%, 0.28%

LAB 29.56, 33.96, 32.89

 

CMYK 85 / 0 / 31 / 51

HEX #137C55

RGB 19 124 85

HSL 157.71, 0.73%, 0.28%

LAB 45.92, -38.03, 13.47

 

CMYK 0 / 85 / 4 / 52

HEX #7B1276

RGB 123 18 118

HSL 302.86, 0.74%, 0.28%

LAB 29.29, 53.19, -31.01

 

CMYK 2 / 0 / 85 / 51

HEX #797C13

RGB 121 124 19

HSL 61.71, 0.73%, 0.28%

LAB 50.13, -13.58, 51.09

 

CMYK 85 / 2 / 0 / 51

HEX #13797C

RGB 19 121 124

HSL 181.71, 0.73%, 0.28%

LAB 46, -25.48, -9.48

 

CMYK 0 / 85 / 4 / 52

HEX #7B1276

RGB 123 18 118

HSL 302.86, 0.74%, 0.28%

LAB 29.29, 53.19, -31.01

 

CMYK 0 / 65 / 85 / 51

HEX #7C2B13

RGB 124 43 19

HSL 13.71, 0.73%, 0.28%

LAB 29.56, 33.96, 32.89

 

CMYK 85 / 0 / 82 / 51

HEX #137C16

RGB 19 124 22

HSL 121.71, 0.73%, 0.28%

LAB 45.1, -47.75, 43.76

 

CMYK 85 / 19 / 0 / 51

HEX #13647C

RGB 19 100 124

HSL 193.71, 0.73%, 0.28%

LAB 39.08, -14.15, -20.01

 

CMYK 0 / 85 / 4 / 52

HEX #7B1276

RGB 123 18 118

HSL 302.86, 0.74%, 0.28%

LAB 29.29, 53.19, -31.01

 

CMYK 0 / 40 / 85 / 51

HEX #7C4B13

RGB 124 75 19

HSL 32, 0.73%, 0.28%

LAB 36.68, 16.21, 39.44

 

CMYK 85 / 0 / 82 / 51

HEX #137C16

RGB 19 124 22

HSL 121.71, 0.73%, 0.28%

LAB 45.1, -47.75, 43.76

 

CMYK 85 / 45 / 0 / 51

HEX #13447C

RGB 19 68 124

HSL 212, 0.73%, 0.28%

LAB 28.72, 6.06, -36.33

 

Description

Color code: HEX #7B1276 | qconv.com Color code: HEX #7B1276 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 18 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 18 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 4 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 4% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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