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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AFBC3CE it is the complementary color #85043CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AFBC3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AFBC3CE shade: #7FFBBECE, #90FFD1CE, #A1FFE4CE, #B2FFF7CE and #C3FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AFBC3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AFBC3CE shade: #7AFBC3CE, #69E9B0CE, #58D79DCE, #47C58ACE and #36B377CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AFBC3CE shade: #79FBC3, #79FBA0, #79FB7D, #99FB79 and #BCFB79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AFBC3CE shade: #79FBC3, #79FBE6, #79EDFB, #79CAFB and #79A7FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AFBC3CE shade matches the following richer shades: #79FBC3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AFBC3CE shade: #79FBC3, #85F0C1, #90E5C0, #9BD9BE and #A6CEBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AFBC3CE shade: #79FB7C, #79FB9E, #79FBC1, #79FBE3 and #79F0FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AFBC3CE shade: #29F89F, #51FAB1, #79FBC3, #A1FCD5 and #C9FDE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AFBC3CE shade: #7AFBC3, #799AFB and #FB8D79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AFBC3CE shade: #7AFBC3, #C179FB and #FBC179

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AFBC3CE shade: #7AFBC3, #799AFB, #FB79B4 and #FBDB79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AFBC3CE shade: #7AFBC3, #8079FB, #FB79B4 and #F4FB79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 18 / 1

HEX #7AFBC3CE

RGBA 122 251 195 0.81

HSLA 153.95, 0.94%, 0.73%, 0.81

LABA 90.35, -48.51, 16.06, 0.81

 

Complementary color

CMYK 0 / 79 / 44 / 39

HEX #85043CCE

RGBA 133 4 60 0.81

HSLA 333.95, 0.94%, 0.27%, 0.81

LABA 27.84, 51.17, 5.13, 0.81

 

CMYK 40 / 0 / 20 / 1

HEX #7FFBBECE

RGBA 127 251 190 0.81

HSLA 150.48, 0.94%, 0.74%, 0.81

LABA 90.42, -48.37, 18.75, 0.81

 

CMYK 35 / 0 / 15 / 0

HEX #90FFD1CE

RGBA 144 255 209 0.81

HSLA 155.14, 1%, 0.78%, 0.81

LABA 92.6, -42.13, 12.14, 0.81

 

CMYK 30 / 0 / 9 / 0

HEX #A1FFE4CE

RGBA 161 255 228 0.81

HSLA 162.77, 1%, 0.82%, 0.81

LABA 93.75, -33.78, 4.1, 0.81

 

CMYK 24 / 0 / 3 / 0

HEX #B2FFF7CE

RGBA 178 255 247 0.81

HSLA 173.77, 1%, 0.85%, 0.81

LABA 95.03, -25.12, -3.73, 0.81

 

CMYK 19 / 0 / 0 / 0

HEX #C3FFFFCE

RGBA 195 255 255 0.81

HSLA 180, 1%, 0.88%, 0.81

LABA 96.14, -18.63, -6.13, 0.81

 

CMYK 42 / 0 / 18 / 1

HEX #7AFBC3CE

RGBA 122 251 195 0.81

HSLA 153.95, 0.94%, 0.73%, 0.81

LABA 90.35, -48.51, 16.06, 0.81

 

CMYK 44 / 0 / 20 / 7

HEX #69E9B0CE

RGBA 105 233 176 0.81

HSLA 153.28, 0.74%, 0.66%, 0.81

LABA 84.18, -48.57, 17.15, 0.81

 

CMYK 48 / 0 / 22 / 13

HEX #58D79DCE

RGBA 88 215 157 0.81

HSLA 152.6, 0.61%, 0.59%, 0.81

LABA 77.94, -48.55, 18.33, 0.81

 

CMYK 52 / 0 / 24 / 18

HEX #47C58ACE

RGBA 71 197 138 0.81

HSLA 151.9, 0.52%, 0.53%, 0.81

LABA 71.63, -48.4, 19.6, 0.81

 

CMYK 57 / 0 / 27 / 24

HEX #36B377CE

RGBA 54 179 119 0.81

HSLA 151.2, 0.54%, 0.46%, 0.81

LABA 65.24, -48.06, 21, 0.81

 

CMYK 52 / 0 / 22 / 2

HEX #79FBC3

RGB 121 251 195

HSL 154.15, 0.94%, 0.73%

LAB 90.32, -48.73, 16.01

 

CMYK 52 / 0 / 36 / 2

HEX #79FBA0

RGB 121 251 160

HSL 138, 0.94%, 0.73%

LAB 89.67, -55.31, 32.91

 

CMYK 52 / 0 / 50 / 2

HEX #79FB7D

RGB 121 251 125

HSL 121.85, 0.94%, 0.73%

LAB 89.18, -60.55, 49.26

 

CMYK 39 / 0 / 52 / 2

HEX #99FB79

RGB 153 251 121

HSL 105.23, 0.94%, 0.73%

LAB 90.39, -52.05, 52.87

 

CMYK 25 / 0 / 52 / 2

HEX #BCFB79

RGB 188 251 121

HSL 89.08, 0.94%, 0.73%

LAB 92.16, -40.44, 55.42

 

CMYK 52 / 0 / 22 / 2

HEX #79FBC3

RGB 121 251 195

HSL 154.15, 0.94%, 0.73%

LAB 90.32, -48.73, 16.01

 

CMYK 52 / 0 / 8 / 2

HEX #79FBE6

RGB 121 251 230

HSL 170.31, 0.94%, 0.73%

LAB 91.13, -40.95, -0.94

 

CMYK 52 / 6 / 0 / 2

HEX #79EDFB

RGB 121 237 251

HSL 186.46, 0.94%, 0.73%

LAB 87.77, -29.18, -16.87

 

CMYK 52 / 20 / 0 / 2

HEX #79CAFB

RGB 121 202 251

HSL 202.62, 0.94%, 0.73%

LAB 78.03, -11.57, -31.69

 

CMYK 52 / 33 / 0 / 2

HEX #79A7FB

RGB 121 167 251

HSL 218.77, 0.94%, 0.73%

LAB 68.51, 7.65, -46.52

 

CMYK 52 / 0 / 22 / 2

HEX #79FBC3

RGB 121 251 195

HSL 154.15, 0.94%, 0.73%

LAB 90.32, -48.73, 16.01

 

CMYK 52 / 0 / 22 / 2

HEX #79FBC3

RGB 121 251 195

HSL 154.15, 0.94%, 0.73%

LAB 90.32, -48.73, 16.01

 

CMYK 45 / 0 / 20 / 6

HEX #85F0C1

RGB 133 240 193

HSL 153.64, 0.78%, 0.73%

LAB 87.56, -41.53, 13.21

 

CMYK 37 / 0 / 16 / 10

HEX #90E5C0

RGB 144 229 192

HSL 153.88, 0.62%, 0.73%

LAB 84.88, -33.82, 9.98

 

CMYK 29 / 0 / 12 / 15

HEX #9BD9BE

RGB 155 217 190

HSL 153.87, 0.45%, 0.73%

LAB 82.01, -25.31, 7

 

CMYK 19 / 0 / 8 / 19

HEX #A6CEBD

RGB 166 206 189

HSL 154.5, 0.29%, 0.73%

LAB 79.57, -16.6, 4.1

 

CMYK 52 / 0 / 51 / 2

HEX #79FB7C

RGB 121 251 124

HSL 121.38, 0.94%, 0.73%

LAB 89.17, -60.68, 49.71

 

CMYK 52 / 0 / 37 / 2

HEX #79FB9E

RGB 121 251 158

HSL 137.08, 0.94%, 0.73%

LAB 89.64, -55.65, 33.86

 

CMYK 52 / 0 / 23 / 2

HEX #79FBC1

RGB 121 251 193

HSL 153.23, 0.94%, 0.73%

LAB 90.28, -49.14, 16.98

 

CMYK 52 / 0 / 10 / 2

HEX #79FBE3

RGB 121 251 227

HSL 168.92, 0.94%, 0.73%

LAB 91.06, -41.66, 0.51

 

CMYK 52 / 4 / 0 / 2

HEX #79F0FB

RGB 121 240 251

HSL 185.08, 0.94%, 0.73%

LAB 88.61, -30.62, -15.61

 

CMYK 83 / 0 / 36 / 3

HEX #29F89F

RGB 41 248 159

HSL 154.2, 0.94%, 0.57%

LAB 87.05, -67.19, 29.6

 

CMYK 68 / 0 / 29 / 2

HEX #51FAB1

RGB 81 250 177

HSL 154.08, 0.94%, 0.65%

LAB 88.59, -59.63, 22.66

 

CMYK 52 / 0 / 22 / 2

HEX #79FBC3

RGB 121 251 195

HSL 154.15, 0.94%, 0.73%

LAB 90.32, -48.73, 16.01

 

CMYK 36 / 0 / 15 / 1

HEX #A1FCD5

RGB 161 252 213

HSL 154.29, 0.94%, 0.81%

LAB 92.58, -35.49, 10.15

 

CMYK 21 / 0 / 9 / 1

HEX #C9FDE7

RGB 201 253 231

HSL 154.62, 0.93%, 0.89%

LAB 95.34, -20.71, 5.12

 

CMYK 51 / 0 / 22 / 2

HEX #7AFBC3

RGB 122 251 195

HSL 153.95, 0.94%, 0.73%

LAB 90.35, -48.51, 16.06

 

CMYK 52 / 39 / 0 / 2

HEX #799AFB

RGB 121 154 251

HSL 224.77, 0.94%, 0.73%

LAB 65.07, 15.14, -51.94

 

CMYK 0 / 44 / 52 / 2

HEX #FB8D79

RGB 251 141 121

HSL 9.23, 0.94%, 0.73%

LAB 70.13, 39.66, 29.03

 

CMYK 51 / 0 / 22 / 2

HEX #7AFBC3

RGB 122 251 195

HSL 153.95, 0.94%, 0.73%

LAB 90.35, -48.51, 16.06

 

CMYK 23 / 52 / 0 / 2

HEX #C179FB

RGB 193 121 251

HSL 273.23, 0.94%, 0.73%

LAB 63.32, 51.34, -54.35

 

CMYK 0 / 23 / 52 / 2

HEX #FBC179

RGB 251 193 121

HSL 33.23, 0.94%, 0.73%

LAB 81.85, 12.56, 44.01

 

CMYK 51 / 0 / 22 / 2

HEX #7AFBC3

RGB 122 251 195

HSL 153.95, 0.94%, 0.73%

LAB 90.35, -48.51, 16.06

 

CMYK 52 / 39 / 0 / 2

HEX #799AFB

RGB 121 154 251

HSL 224.77, 0.94%, 0.73%

LAB 65.07, 15.14, -51.94

 

CMYK 0 / 52 / 28 / 2

HEX #FB79B4

RGB 251 121 180

HSL 332.77, 0.94%, 0.73%

LAB 67.64, 55.8, -7.51

 

CMYK 0 / 13 / 52 / 2

HEX #FBDB79

RGB 251 219 121

HSL 45.23, 0.94%, 0.73%

LAB 88.23, -0.85, 51.81

 

CMYK 51 / 0 / 22 / 2

HEX #7AFBC3

RGB 122 251 195

HSL 153.95, 0.94%, 0.73%

LAB 90.35, -48.51, 16.06

 

CMYK 49 / 52 / 0 / 2

HEX #8079FB

RGB 128 121 251

HSL 243.23, 0.94%, 0.73%

LAB 57.3, 36.02, -64.32

 

CMYK 0 / 52 / 28 / 2

HEX #FB79B4

RGB 251 121 180

HSL 332.77, 0.94%, 0.73%

LAB 67.64, 55.8, -7.51

 

CMYK 3 / 0 / 52 / 2

HEX #F4FB79

RGB 244 251 121

HSL 63.23, 0.94%, 0.73%

LAB 95.83, -19.48, 60.66

 

Description

Color code: HEX #7AFBC3CE | qconv.com Color code: HEX #7AFBC3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 251 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 251 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 18 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 18% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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