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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AF699 it is the complementary color #850966. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AF699. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AF699 shade: #7FF694, #90FFA7, #A1FFBA, #B2FFCD and #C3FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AF699. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AF699 shade: #7AF699, #69E486, #58D273, #47C060 and #36AE4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AF699 shade: #79F699, #7CF679, #9DF679, #BFF679 and #E0F679

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AF699 shade: #79F699, #79F6BA, #79F6DC, #79EEF6 and #79CDF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AF699 shade matches the following richer shades: #79F699

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AF699 shade: #79F699, #85EA9E, #91DFA4, #9CD3AA and #A8C8B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AF699 shade: #9DF679, #7CF679, #79F699, #79F6BA and #79F6DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AF699 shade: #2CF05D, #53F37B, #79F699, #A0F8B6 and #C7FBD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AF699 shade: #7AF699, #79BEF6 and #F6798C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AF699 shade: #7AF699, #9979F6 and #F69979

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AF699 shade: #7AF699, #79BEF6, #F679D7 and #F6B179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AF699 shade: #7AF699, #7999F6, #F679D7 and #F6D779

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 38 / 4

HEX #7AF699

RGB 122 246 153

HSL 135, 0.87%, 0.72%

LAB 88.14, -54.23, 34.38

 

Complementary color

CMYK 0 / 93 / 23 / 48

HEX #850966

RGB 133 9 102

HSL 315, 0.87%, 0.28%

LAB 29.77, 54.74, -19.86

 

CMYK 48 / 0 / 40 / 4

HEX #7FF694

RGB 127 246 148

HSL 130.59, 0.87%, 0.73%

LAB 88.24, -53.77, 37.03

 

CMYK 44 / 0 / 35 / 0

HEX #90FFA7

RGB 144 255 167

HSL 132.43, 1%, 0.78%

LAB 91.79, -49.9, 32.39

 

CMYK 37 / 0 / 27 / 0

HEX #A1FFBA

RGB 161 255 186

HSL 135.96, 1%, 0.82%

LAB 92.86, -41.92, 24.38

 

CMYK 30 / 0 / 20 / 0

HEX #B2FFCD

RGB 178 255 205

HSL 141.04, 1%, 0.85%

LAB 94.05, -33.53, 16.47

 

CMYK 24 / 0 / 12 / 0

HEX #C3FFE0

RGB 195 255 224

HSL 149, 1%, 0.88%

LAB 95.37, -24.85, 8.72

 

CMYK 50 / 0 / 38 / 4

HEX #7AF699

RGB 122 246 153

HSL 135, 0.87%, 0.72%

LAB 88.14, -54.23, 34.38

 

CMYK 54 / 0 / 41 / 11

HEX #69E486

RGB 105 228 134

HSL 134.15, 0.69%, 0.65%

LAB 81.95, -54.28, 35.66

 

CMYK 58 / 0 / 45 / 18

HEX #58D273

RGB 88 210 115

HSL 133.28, 0.58%, 0.58%

LAB 75.7, -54.21, 37.02

 

CMYK 63 / 0 / 50 / 25

HEX #47C060

RGB 71 192 96

HSL 132.4, 0.49%, 0.52%

LAB 69.39, -53.96, 38.43

 

CMYK 69 / 0 / 56 / 32

HEX #36AE4D

RGB 54 174 77

HSL 131.5, 0.53%, 0.45%

LAB 63, -53.42, 39.87

 

CMYK 51 / 0 / 38 / 4

HEX #79F699

RGB 121 246 153

HSL 135.36, 0.87%, 0.72%

LAB 88.1, -54.48, 34.32

 

CMYK 50 / 0 / 51 / 4

HEX #7CF679

RGB 124 246 121

HSL 118.56, 0.87%, 0.72%

LAB 87.76, -58.38, 49.42

 

CMYK 36 / 0 / 51 / 4

HEX #9DF679

RGB 157 246 121

HSL 102.72, 0.87%, 0.72%

LAB 89.14, -48.72, 51.41

 

CMYK 22 / 0 / 51 / 4

HEX #BFF679

RGB 191 246 121

HSL 86.4, 0.87%, 0.72%

LAB 90.95, -37.14, 54.01

 

CMYK 9 / 0 / 51 / 4

HEX #E0F679

RGB 224 246 121

HSL 70.56, 0.87%, 0.72%

LAB 93.08, -24.84, 57.06

 

CMYK 51 / 0 / 38 / 4

HEX #79F699

RGB 121 246 153

HSL 135.36, 0.87%, 0.72%

LAB 88.1, -54.48, 34.32

 

CMYK 51 / 0 / 24 / 4

HEX #79F6BA

RGB 121 246 186

HSL 151.2, 0.87%, 0.72%

LAB 88.7, -48.45, 18.36

 

CMYK 51 / 0 / 11 / 4

HEX #79F6DC

RGB 121 246 220

HSL 167.52, 0.87%, 0.72%

LAB 89.46, -41.07, 1.82

 

CMYK 51 / 3 / 0 / 4

HEX #79EEF6

RGB 121 238 246

HSL 183.84, 0.87%, 0.72%

LAB 87.9, -30.97, -14.06

 

CMYK 51 / 17 / 0 / 4

HEX #79CDF6

RGB 121 205 246

HSL 199.68, 0.87%, 0.72%

LAB 78.68, -14.56, -28.03

 

CMYK 51 / 0 / 38 / 4

HEX #79F699

RGB 121 246 153

HSL 135.36, 0.87%, 0.72%

LAB 88.1, -54.48, 34.32

 

CMYK 51 / 0 / 38 / 4

HEX #79F699

RGB 121 246 153

HSL 135.36, 0.87%, 0.72%

LAB 88.1, -54.48, 34.32

 

CMYK 43 / 0 / 32 / 8

HEX #85EA9E

RGB 133 234 158

HSL 134.85, 0.71%, 0.72%

LAB 85.15, -45.52, 27.94

 

CMYK 35 / 0 / 26 / 13

HEX #91DFA4

RGB 145 223 164

HSL 134.62, 0.55%, 0.72%

LAB 82.63, -36.13, 21.49

 

CMYK 26 / 0 / 19 / 17

HEX #9CD3AA

RGB 156 211 170

HSL 135.27, 0.38%, 0.72%

LAB 79.93, -25.94, 14.66

 

CMYK 16 / 0 / 12 / 22

HEX #A8C8B0

RGB 168 200 176

HSL 135, 0.23%, 0.72%

LAB 77.74, -15.39, 8.45

 

CMYK 36 / 0 / 51 / 4

HEX #9DF679

RGB 157 246 121

HSL 102.72, 0.87%, 0.72%

LAB 89.14, -48.72, 51.41

 

CMYK 50 / 0 / 51 / 4

HEX #7CF679

RGB 124 246 121

HSL 118.56, 0.87%, 0.72%

LAB 87.76, -58.38, 49.42

 

CMYK 51 / 0 / 38 / 4

HEX #79F699

RGB 121 246 153

HSL 135.36, 0.87%, 0.72%

LAB 88.1, -54.48, 34.32

 

CMYK 51 / 0 / 24 / 4

HEX #79F6BA

RGB 121 246 186

HSL 151.2, 0.87%, 0.72%

LAB 88.7, -48.45, 18.36

 

CMYK 51 / 0 / 11 / 4

HEX #79F6DB

RGB 121 246 219

HSL 167.04, 0.87%, 0.72%

LAB 89.44, -41.3, 2.31

 

CMYK 82 / 0 / 61 / 6

HEX #2CF05D

RGB 44 240 93

HSL 135, 0.87%, 0.56%

LAB 83.78, -74.55, 56.78

 

CMYK 66 / 0 / 49 / 5

HEX #53F37B

RGB 83 243 123

HSL 135, 0.87%, 0.64%

LAB 85.69, -66.16, 45.66

 

CMYK 51 / 0 / 38 / 4

HEX #79F699

RGB 121 246 153

HSL 135.36, 0.87%, 0.72%

LAB 88.1, -54.48, 34.32

 

CMYK 35 / 0 / 27 / 3

HEX #A0F8B6

RGB 160 248 182

HSL 135, 0.86%, 0.8%

LAB 90.77, -39.8, 23.54

 

CMYK 21 / 0 / 16 / 2

HEX #C7FBD4

RGB 199 251 212

HSL 135, 0.87%, 0.88%

LAB 94.27, -23.89, 13.34

 

CMYK 50 / 0 / 38 / 4

HEX #7AF699

RGB 122 246 153

HSL 135, 0.87%, 0.72%

LAB 88.14, -54.23, 34.38

 

CMYK 51 / 23 / 0 / 4

HEX #79BEF6

RGB 121 190 246

HSL 206.88, 0.87%, 0.72%

LAB 74.54, -6.61, -34.41

 

CMYK 0 / 51 / 43 / 4

HEX #F6798C

RGB 246 121 140

HSL 350.88, 0.87%, 0.72%

LAB 65.87, 49.58, 12.5

 

CMYK 50 / 0 / 38 / 4

HEX #7AF699

RGB 122 246 153

HSL 135, 0.87%, 0.72%

LAB 88.14, -54.23, 34.38

 

CMYK 38 / 51 / 0 / 4

HEX #9979F6

RGB 153 121 246

HSL 255.36, 0.87%, 0.72%

LAB 59.07, 40.22, -58.61

 

CMYK 0 / 38 / 51 / 4

HEX #F69979

RGB 246 153 121

HSL 15.36, 0.87%, 0.72%

LAB 72.06, 31.56, 31.44

 

CMYK 50 / 0 / 38 / 4

HEX #7AF699

RGB 122 246 153

HSL 135, 0.87%, 0.72%

LAB 88.14, -54.23, 34.38

 

CMYK 51 / 23 / 0 / 4

HEX #79BEF6

RGB 121 190 246

HSL 206.88, 0.87%, 0.72%

LAB 74.54, -6.61, -34.41

 

CMYK 0 / 51 / 13 / 4

HEX #F679D7

RGB 246 121 215

HSL 314.88, 0.87%, 0.72%

LAB 68.15, 59.21, -26.41

 

CMYK 0 / 28 / 51 / 4

HEX #F6B179

RGB 246 177 121

HSL 26.88, 0.87%, 0.72%

LAB 77.53, 18.94, 38.48

 

CMYK 50 / 0 / 38 / 4

HEX #7AF699

RGB 122 246 153

HSL 135, 0.87%, 0.72%

LAB 88.14, -54.23, 34.38

 

CMYK 51 / 38 / 0 / 4

HEX #7999F6

RGB 121 153 246

HSL 224.64, 0.87%, 0.72%

LAB 64.56, 14.2, -50.01

 

CMYK 0 / 51 / 13 / 4

HEX #F679D7

RGB 246 121 215

HSL 314.88, 0.87%, 0.72%

LAB 68.15, 59.21, -26.41

 

CMYK 0 / 13 / 51 / 4

HEX #F6D779

RGB 246 215 121

HSL 45.12, 0.87%, 0.72%

LAB 86.79, -0.83, 49.96

 

Description

Color code: HEX #7AF699 | qconv.com Color code: HEX #7AF699 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 246 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 246 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 38 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 38% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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