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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AE701 it is the complementary color #8518FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AE701. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AE701 shade: #7FE700, #90F90F, #A1FF22, #B2FF35 and #C3FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AE701. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AE701 shade: #7AE701, #69D500, #58C300, #47B100 and #369F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AE701 shade: #79E401, #B6E401, #E4D501, #E49801 and #E45B01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AE701 shade: #79E401, #3BE401, #01E404, #01E441 and #01E47F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AE701 shade matches the following richer shades: #79E401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AE701 shade: #79E401, #78D214, #77BF26, #76AD39 and #759A4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AE701 shade: #E4D501, #B7E401, #7AE401, #3EE401 and #01E401

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AE701 shade: #4D9201, #63BB01, #79E401, #8EFE11 and #A1FE3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AE701 shade: #7AE701, #01E499 and #E401D5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AE701 shade: #7AE701, #017AE4 and #E4017A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AE701 shade: #7AE701, #01E499, #6B01E4 and #E4014D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AE701 shade: #7AE701, #01E4DD, #6B01E4 and #E40109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 100 / 9

HEX #7AE701

RGB 122 231 1

HSL 88.43, 0.99%, 0.45%

LAB 82.54, -60.93, 79.86

 

Complementary color

CMYK 48 / 91 / 0 / 0

HEX #8518FE

RGB 133 24 254

HSL 268.43, 0.99%, 0.55%

LAB 42.45, 80.3, -90.17

 

CMYK 45 / 0 / 100 / 9

HEX #7FE700

RGB 127 231 0

HSL 87.01, 1%, 0.45%

LAB 82.73, -59.42, 80.19

 

CMYK 42 / 0 / 94 / 2

HEX #90F90F

RGB 144 249 15

HSL 86.92, 0.95%, 0.52%

LAB 88.79, -60.64, 84.03

 

CMYK 37 / 0 / 87 / 0

HEX #A1FF22

RGB 161 255 34

HSL 85.52, 1%, 0.57%

LAB 91.33, -57, 83.8

 

CMYK 30 / 0 / 79 / 0

HEX #B2FF35

RGB 178 255 53

HSL 82.87, 1%, 0.6%

LAB 92.24, -50.49, 80.72

 

CMYK 24 / 0 / 72 / 0

HEX #C3FF48

RGB 195 255 72

HSL 79.67, 1%, 0.64%

LAB 93.27, -43.43, 76.38

 

CMYK 47 / 0 / 100 / 9

HEX #7AE701

RGB 122 231 1

HSL 88.43, 0.99%, 0.45%

LAB 82.54, -60.93, 79.86

 

CMYK 51 / 0 / 100 / 16

HEX #69D500

RGB 105 213 0

HSL 90.42, 1%, 0.42%

LAB 76.43, -59.42, 74.89

 

CMYK 55 / 0 / 100 / 24

HEX #58C300

RGB 88 195 0

HSL 92.92, 1%, 0.38%

LAB 70.25, -57.77, 69.77

 

CMYK 60 / 0 / 100 / 31

HEX #47B100

RGB 71 177 0

HSL 95.93, 1%, 0.35%

LAB 63.99, -55.94, 64.6

 

CMYK 66 / 0 / 100 / 38

HEX #369F00

RGB 54 159 0

HSL 99.62, 1%, 0.31%

LAB 57.64, -53.85, 59.36

 

CMYK 47 / 0 / 100 / 11

HEX #79E401

RGB 121 228 1

HSL 88.28, 0.99%, 0.45%

LAB 81.6, -60.14, 79.11

 

CMYK 20 / 0 / 100 / 11

HEX #B6E401

RGB 182 228 1

HSL 72.16, 0.99%, 0.45%

LAB 84.71, -38.58, 82.86

 

CMYK 0 / 7 / 100 / 11

HEX #E4D501

RGB 228 213 1

HSL 56.04, 0.99%, 0.45%

LAB 84.01, -12.42, 83.86

 

CMYK 0 / 33 / 100 / 11

HEX #E49801

RGB 228 152 1

HSL 39.91, 0.99%, 0.45%

LAB 68.72, 19.36, 73.18

 

CMYK 0 / 60 / 100 / 11

HEX #E45B01

RGB 228 91 1

HSL 23.79, 0.99%, 0.45%

LAB 56.07, 50.27, 65.41

 

CMYK 47 / 0 / 100 / 11

HEX #79E401

RGB 121 228 1

HSL 88.28, 0.99%, 0.45%

LAB 81.6, -60.14, 79.11

 

CMYK 74 / 0 / 100 / 11

HEX #3BE401

RGB 59 228 1

HSL 104.67, 0.99%, 0.45%

LAB 79.85, -74.42, 76.99

 

CMYK 100 / 0 / 98 / 11

HEX #01E404

RGB 1 228 4

HSL 120.79, 0.99%, 0.45%

LAB 79.33, -79.09, 76.08

 

CMYK 100 / 0 / 71 / 11

HEX #01E441

RGB 1 228 65

HSL 136.92, 0.99%, 0.45%

LAB 79.54, -76.34, 63.13

 

CMYK 100 / 0 / 44 / 11

HEX #01E47F

RGB 1 228 127

HSL 153.3, 0.99%, 0.45%

LAB 80.19, -68.3, 36.55

 

CMYK 47 / 0 / 100 / 11

HEX #79E401

RGB 121 228 1

HSL 88.28, 0.99%, 0.45%

LAB 81.6, -60.14, 79.11

 

CMYK 47 / 0 / 100 / 11

HEX #79E401

RGB 121 228 1

HSL 88.28, 0.99%, 0.45%

LAB 81.6, -60.14, 79.11

 

CMYK 43 / 0 / 90 / 18

HEX #78D214

RGB 120 210 20

HSL 88.42, 0.83%, 0.45%

LAB 76.15, -53.34, 72.71

 

CMYK 38 / 0 / 80 / 25

HEX #77BF26

RGB 119 191 38

HSL 88.24, 0.67%, 0.45%

LAB 70.4, -45.42, 63.8

 

CMYK 32 / 0 / 67 / 32

HEX #76AD39

RGB 118 173 57

HSL 88.45, 0.5%, 0.45%

LAB 64.99, -36.82, 51.81

 

CMYK 24 / 0 / 51 / 40

HEX #759A4B

RGB 117 154 75

HSL 88.1, 0.34%, 0.45%

LAB 59.34, -26.56, 37.09

 

CMYK 0 / 7 / 100 / 11

HEX #E4D501

RGB 228 213 1

HSL 56.04, 0.99%, 0.45%

LAB 84.01, -12.42, 83.86

 

CMYK 20 / 0 / 100 / 11

HEX #B7E401

RGB 183 228 1

HSL 71.89, 0.99%, 0.45%

LAB 84.77, -38.19, 82.94

 

CMYK 46 / 0 / 100 / 11

HEX #7AE401

RGB 122 228 1

HSL 88.02, 0.99%, 0.45%

LAB 81.63, -59.83, 79.16

 

CMYK 73 / 0 / 100 / 11

HEX #3EE401

RGB 62 228 1

HSL 103.88, 0.99%, 0.45%

LAB 79.9, -73.95, 77.06

 

CMYK 100 / 0 / 100 / 11

HEX #01E401

RGB 1 228 1

HSL 120, 0.99%, 0.45%

LAB 79.33, -79.14, 76.35

 

CMYK 47 / 0 / 99 / 43

HEX #4D9201

RGB 77 146 1

HSL 88.55, 0.99%, 0.29%

LAB 54.17, -42.6, 56.81

 

CMYK 47 / 0 / 99 / 27

HEX #63BB01

RGB 99 187 1

HSL 88.39, 0.99%, 0.37%

LAB 68.16, -51.56, 68.2

 

CMYK 47 / 0 / 100 / 11

HEX #79E401

RGB 121 228 1

HSL 88.28, 0.99%, 0.45%

LAB 81.6, -60.14, 79.11

 

CMYK 44 / 0 / 93 / 0

HEX #8EFE11

RGB 142 254 17

HSL 88.35, 0.99%, 0.53%

LAB 90.17, -63.1, 84.91

 

CMYK 37 / 0 / 77 / 0

HEX #A1FE3A

RGB 161 254 58

HSL 88.47, 0.99%, 0.61%

LAB 91.13, -55.72, 78.03

 

CMYK 47 / 0 / 100 / 9

HEX #7AE701

RGB 122 231 1

HSL 88.43, 0.99%, 0.45%

LAB 82.54, -60.93, 79.86

 

CMYK 100 / 0 / 33 / 11

HEX #01E499

RGB 1 228 153

HSL 160.18, 0.99%, 0.45%

LAB 80.62, -63.27, 23.92

 

CMYK 0 / 100 / 7 / 11

HEX #E401D5

RGB 228 1 213

HSL 303.96, 0.99%, 0.45%

LAB 53.3, 88.14, -48.7

 

CMYK 47 / 0 / 100 / 9

HEX #7AE701

RGB 122 231 1

HSL 88.43, 0.99%, 0.45%

LAB 82.54, -60.93, 79.86

 

CMYK 100 / 46 / 0 / 11

HEX #017AE4

RGB 1 122 228

HSL 208.02, 0.99%, 0.45%

LAB 51.3, 12.08, -61.43

 

CMYK 0 / 100 / 46 / 11

HEX #E4017A

RGB 228 1 122

HSL 328.02, 0.99%, 0.45%

LAB 49.4, 78.25, -0.93

 

CMYK 47 / 0 / 100 / 9

HEX #7AE701

RGB 122 231 1

HSL 88.43, 0.99%, 0.45%

LAB 82.54, -60.93, 79.86

 

CMYK 100 / 0 / 33 / 11

HEX #01E499

RGB 1 228 153

HSL 160.18, 0.99%, 0.45%

LAB 80.62, -63.27, 23.92

 

CMYK 53 / 100 / 0 / 11

HEX #6B01E4

RGB 107 1 228

HSL 268.02, 0.99%, 0.45%

LAB 35.5, 75.81, -87.08

 

CMYK 0 / 100 / 66 / 11

HEX #E4014D

RGB 228 1 77

HSL 339.91, 0.99%, 0.45%

LAB 48.32, 75.38, 25.24

 

CMYK 47 / 0 / 100 / 9

HEX #7AE701

RGB 122 231 1

HSL 88.43, 0.99%, 0.45%

LAB 82.54, -60.93, 79.86

 

CMYK 100 / 0 / 3 / 11

HEX #01E4DD

RGB 1 228 221

HSL 178.15, 0.99%, 0.45%

LAB 82.22, -46.18, -9.58

 

CMYK 53 / 100 / 0 / 11

HEX #6B01E4

RGB 107 1 228

HSL 268.02, 0.99%, 0.45%

LAB 35.5, 75.81, -87.08

 

CMYK 0 / 100 / 96 / 11

HEX #E40109

RGB 228 1 9

HSL 357.89, 0.99%, 0.45%

LAB 47.67, 73.6, 59.2

 

Description

Color code: HEX #7AE701 | qconv.com Color code: HEX #7AE701 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 231 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 231 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 100 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 100% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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