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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AE3AD it is the complementary color #851C52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AE3AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AE3AD shade: #7FE3A8, #90F5BB, #A1FFCE, #B2FFE1 and #C3FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AE3AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AE3AD shade: #7AE3AD, #69D19A, #58BF87, #47AD74 and #369B61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AE3AD shade: #78E2AC, #78E28F, #7EE278, #9BE278 and #B7E278

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AE3AD shade: #78E2AC, #78E2C8, #78E0E2, #78C3E2 and #78A7E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AE3AD shade matches the following richer shades: #78E2AC, #6BF0AC and #5EFDAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AE3AD shade: #78E2AC, #86D5AC, #93C8AD, #A0BBAD and #ADAEAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AE3AD shade: #7EE278, #78E28F, #78E2AC, #78E2C8 and #78E1E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AE3AD shade: #34D482, #56DB97, #78E2AC, #9AEAC1 and #BCF1D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AE3AD shade: #7AE3AD, #789AE2 and #E28178

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AE3AD shade: #7AE3AD, #AC78E2 and #E2AC78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AE3AD shade: #7AE3AD, #789AE2, #E278AF and #E2C178

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AE3AD shade: #7AE3AD, #787AE2, #E278AF and #E2E178

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 24 / 11

HEX #7AE3AD

RGB 122 227 173

HSL 149.14, 0.65%, 0.68%

LAB 82.96, -42.61, 17.1

 

Complementary color

CMYK 0 / 79 / 38 / 48

HEX #851C52

RGB 133 28 82

HSL 329.14, 0.65%, 0.32%

LAB 30.46, 47.82, -5.74

 

CMYK 44 / 0 / 26 / 11

HEX #7FE3A8

RGB 127 227 168

HSL 144.6, 0.64%, 0.69%

LAB 83.06, -42.29, 19.87

 

CMYK 41 / 0 / 24 / 4

HEX #90F5BB

RGB 144 245 187

HSL 145.54, 0.83%, 0.76%

LAB 89.31, -42.06, 18.83

 

CMYK 37 / 0 / 19 / 0

HEX #A1FFCE

RGB 161 255 206

HSL 148.72, 1%, 0.82%

LAB 93.26, -38.24, 14.72

 

CMYK 30 / 0 / 12 / 0

HEX #B2FFE1

RGB 178 255 225

HSL 156.62, 1%, 0.85%

LAB 94.49, -29.7, 6.82

 

CMYK 24 / 0 / 4 / 0

HEX #C3FFF4

RGB 195 255 244

HSL 169, 1%, 0.88%

LAB 95.85, -20.92, -0.88

 

CMYK 46 / 0 / 24 / 11

HEX #7AE3AD

RGB 122 227 173

HSL 149.14, 0.65%, 0.68%

LAB 82.96, -42.61, 17.1

 

CMYK 50 / 0 / 26 / 18

HEX #69D19A

RGB 105 209 154

HSL 148.27, 0.53%, 0.62%

LAB 76.64, -42.79, 18.19

 

CMYK 54 / 0 / 29 / 25

HEX #58BF87

RGB 88 191 135

HSL 147.38, 0.45%, 0.55%

LAB 70.24, -42.91, 19.37

 

CMYK 59 / 0 / 33 / 32

HEX #47AD74

RGB 71 173 116

HSL 146.47, 0.42%, 0.48%

LAB 63.74, -42.93, 20.66

 

CMYK 65 / 0 / 37 / 39

HEX #369B61

RGB 54 155 97

HSL 145.54, 0.48%, 0.41%

LAB 57.16, -42.77, 22.07

 

CMYK 47 / 0 / 24 / 11

HEX #78E2AC

RGB 120 226 172

HSL 149.43, 0.65%, 0.68%

LAB 82.57, -42.88, 17.07

 

CMYK 47 / 0 / 37 / 11

HEX #78E28F

RGB 120 226 143

HSL 133.02, 0.65%, 0.68%

LAB 82.04, -48.2, 31.33

 

CMYK 44 / 0 / 47 / 11

HEX #7EE278

RGB 126 226 120

HSL 116.6, 0.65%, 0.68%

LAB 81.94, -50, 42.71

 

CMYK 31 / 0 / 47 / 11

HEX #9BE278

RGB 155 226 120

HSL 100.19, 0.65%, 0.68%

LAB 83.29, -40.89, 44.7

 

CMYK 19 / 0 / 47 / 11

HEX #B7E278

RGB 183 226 120

HSL 84.34, 0.65%, 0.68%

LAB 84.9, -30.99, 47.04

 

CMYK 47 / 0 / 24 / 11

HEX #78E2AC

RGB 120 226 172

HSL 149.43, 0.65%, 0.68%

LAB 82.57, -42.88, 17.07

 

CMYK 47 / 0 / 12 / 11

HEX #78E2C8

RGB 120 226 200

HSL 165.28, 0.65%, 0.68%

LAB 83.21, -36.87, 3.23

 

CMYK 47 / 1 / 0 / 11

HEX #78E0E2

RGB 120 224 226

HSL 181.13, 0.65%, 0.68%

LAB 83.33, -29.64, -10.35

 

CMYK 47 / 14 / 0 / 11

HEX #78C3E2

RGB 120 195 226

HSL 197.55, 0.65%, 0.68%

LAB 75.15, -15.12, -22.68

 

CMYK 47 / 26 / 0 / 11

HEX #78A7E2

RGB 120 167 226

HSL 213.4, 0.65%, 0.68%

LAB 67.37, 0.03, -34.65

 

CMYK 47 / 0 / 24 / 11

HEX #78E2AC

RGB 120 226 172

HSL 149.43, 0.65%, 0.68%

LAB 82.57, -42.88, 17.07

 

CMYK 55 / 0 / 28 / 6

HEX #6BF0AC

RGB 107 240 172

HSL 149.32, 0.82%, 0.68%

LAB 86.22, -51.85, 22.06

 

CMYK 63 / 0 / 32 / 1

HEX #5EFDAB

RGB 94 253 171

HSL 149.06, 0.98%, 0.68%

LAB 89.66, -59.78, 27.22

 

CMYK 47 / 0 / 24 / 11

HEX #78E2AC

RGB 120 226 172

HSL 149.43, 0.65%, 0.68%

LAB 82.57, -42.88, 17.07

 

CMYK 37 / 0 / 19 / 16

HEX #86D5AC

RGB 134 213 172

HSL 148.86, 0.48%, 0.68%

LAB 79.41, -33.22, 12.7

 

CMYK 27 / 0 / 14 / 22

HEX #93C8AD

RGB 147 200 173

HSL 149.43, 0.33%, 0.68%

LAB 76.39, -22.83, 7.97

 

CMYK 14 / 0 / 7 / 27

HEX #A0BBAD

RGB 160 187 173

HSL 148.89, 0.17%, 0.68%

LAB 73.57, -11.96, 4

 

CMYK 1 / 0 / 1 / 32

HEX #ADAEAD

RGB 173 174 173

HSL 120, 0.01%, 0.68%

LAB 70.99, -0.54, 0.38

 

CMYK 44 / 0 / 47 / 11

HEX #7EE278

RGB 126 226 120

HSL 116.6, 0.65%, 0.68%

LAB 81.94, -50, 42.71

 

CMYK 47 / 0 / 37 / 11

HEX #78E28F

RGB 120 226 143

HSL 133.02, 0.65%, 0.68%

LAB 82.04, -48.2, 31.33

 

CMYK 47 / 0 / 24 / 11

HEX #78E2AC

RGB 120 226 172

HSL 149.43, 0.65%, 0.68%

LAB 82.57, -42.88, 17.07

 

CMYK 47 / 0 / 12 / 11

HEX #78E2C8

RGB 120 226 200

HSL 165.28, 0.65%, 0.68%

LAB 83.21, -36.87, 3.23

 

CMYK 47 / 0 / 0 / 11

HEX #78E1E2

RGB 120 225 226

HSL 180.57, 0.65%, 0.68%

LAB 83.62, -30.12, -9.93

 

CMYK 75 / 0 / 39 / 17

HEX #34D482

RGB 52 212 130

HSL 149.25, 0.65%, 0.52%

LAB 75.72, -58.77, 29.26

 

CMYK 61 / 0 / 31 / 14

HEX #56DB97

RGB 86 219 151

HSL 149.32, 0.65%, 0.6%

LAB 78.97, -51.81, 22.88

 

CMYK 47 / 0 / 24 / 11

HEX #78E2AC

RGB 120 226 172

HSL 149.43, 0.65%, 0.68%

LAB 82.57, -42.88, 17.07

 

CMYK 34 / 0 / 18 / 8

HEX #9AEAC1

RGB 154 234 193

HSL 149.25, 0.66%, 0.76%

LAB 86.78, -33.11, 12.23

 

CMYK 22 / 0 / 11 / 5

HEX #BCF1D6

RGB 188 241 214

HSL 149.43, 0.65%, 0.84%

LAB 90.99, -22.15, 7.54

 

CMYK 46 / 0 / 24 / 11

HEX #7AE3AD

RGB 122 227 173

HSL 149.14, 0.65%, 0.68%

LAB 82.96, -42.61, 17.1

 

CMYK 47 / 32 / 0 / 11

HEX #789AE2

RGB 120 154 226

HSL 220.75, 0.65%, 0.68%

LAB 63.83, 7.42, -40.16

 

CMYK 0 / 43 / 47 / 11

HEX #E28178

RGB 226 129 120

HSL 5.09, 0.65%, 0.68%

LAB 64.34, 36.35, 21.28

 

CMYK 46 / 0 / 24 / 11

HEX #7AE3AD

RGB 122 227 173

HSL 149.14, 0.65%, 0.68%

LAB 82.96, -42.61, 17.1

 

CMYK 24 / 47 / 0 / 11

HEX #AC78E2

RGB 172 120 226

HSL 269.43, 0.65%, 0.68%

LAB 59.61, 40.67, -46.52

 

CMYK 0 / 24 / 47 / 11

HEX #E2AC78

RGB 226 172 120

HSL 29.43, 0.65%, 0.68%

LAB 74.21, 13.46, 34.32

 

CMYK 46 / 0 / 24 / 11

HEX #7AE3AD

RGB 122 227 173

HSL 149.14, 0.65%, 0.68%

LAB 82.96, -42.61, 17.1

 

CMYK 47 / 32 / 0 / 11

HEX #789AE2

RGB 120 154 226

HSL 220.75, 0.65%, 0.68%

LAB 63.83, 7.42, -40.16

 

CMYK 0 / 47 / 23 / 11

HEX #E278AF

RGB 226 120 175

HSL 328.87, 0.65%, 0.68%

LAB 63.91, 47.59, -10.59

 

CMYK 0 / 15 / 47 / 11

HEX #E2C178

RGB 226 193 120

HSL 41.32, 0.65%, 0.68%

LAB 79.42, 2.36, 40.96

 

CMYK 46 / 0 / 24 / 11

HEX #7AE3AD

RGB 122 227 173

HSL 149.14, 0.65%, 0.68%

LAB 82.96, -42.61, 17.1

 

CMYK 47 / 46 / 0 / 11

HEX #787AE2

RGB 120 122 226

HSL 238.87, 0.65%, 0.68%

LAB 55.49, 26.27, -53.36

 

CMYK 0 / 47 / 23 / 11

HEX #E278AF

RGB 226 120 175

HSL 328.87, 0.65%, 0.68%

LAB 63.91, 47.59, -10.59

 

CMYK 0 / 0 / 47 / 11

HEX #E2E178

RGB 226 225 120

HSL 59.43, 0.65%, 0.68%

LAB 87.67, -13.96, 51.11

 

Description

Color code: HEX #7AE3AD | qconv.com Color code: HEX #7AE3AD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 227 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 227 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 24 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 24% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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