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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AE317 it is the complementary color #851CE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AE317. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AE317 shade: #7FE312, #90F525, #A1FF38, #B2FF4B and #C3FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AE317. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AE317 shade: #7AE317, #69D104, #58BF00, #47AD00 and #369B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AE317 shade: #7AE316, #B1E316, #E3DE16, #E3A716 and #E37016

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AE317 shade: #7AE316, #43E316, #16E322, #16E359 and #16E390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AE317 shade matches the following richer shades: #7AE316 and #79F802

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AE317 shade: #7AE316, #7BCF2B, #7BBB3F, #7CA753 and #7C9367

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AE317 shade: #E3DD16, #B4E316, #7DE316, #46E316 and #16E31D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AE317 shade: #52980F, #66BE13, #7AE316, #8FEB38 and #A4EF5D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AE317 shade: #7AE317, #16E3A6 and #E316CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AE317 shade: #7AE317, #167DE3 and #E3167D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AE317 shade: #7AE317, #16E3A6, #7D16E3 and #E31654

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AE317 shade: #7AE317, #16E3E3, #7D16E3 and #E31616

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 90 / 11

HEX #7AE317

RGB 122 227 23

HSL 90.88, 0.82%, 0.49%

LAB 81.37, -59.1, 76.61

 

Complementary color

CMYK 43 / 88 / 0 / 9

HEX #851CE8

RGB 133 28 232

HSL 270.88, 0.82%, 0.51%

LAB 40.64, 74.72, -80.75

 

CMYK 44 / 0 / 92 / 11

HEX #7FE312

RGB 127 227 18

HSL 88.71, 0.85%, 0.48%

LAB 81.56, -57.66, 77.55

 

CMYK 41 / 0 / 85 / 4

HEX #90F525

RGB 144 245 37

HSL 89.13, 0.91%, 0.55%

LAB 87.66, -58.61, 79.79

 

CMYK 37 / 0 / 78 / 0

HEX #A1FF38

RGB 161 255 56

HSL 88.34, 1%, 0.61%

LAB 91.41, -56.21, 78.84

 

CMYK 30 / 0 / 71 / 0

HEX #B2FF4B

RGB 178 255 75

HSL 85.67, 1%, 0.65%

LAB 92.35, -49.39, 74.14

 

CMYK 24 / 0 / 63 / 0

HEX #C3FF5E

RGB 195 255 94

HSL 82.36, 1%, 0.68%

LAB 93.42, -42.04, 68.5

 

CMYK 46 / 0 / 90 / 11

HEX #7AE317

RGB 122 227 23

HSL 90.88, 0.82%, 0.49%

LAB 81.37, -59.1, 76.61

 

CMYK 50 / 0 / 98 / 18

HEX #69D104

RGB 105 209 4

HSL 90.44, 0.96%, 0.42%

LAB 75.21, -57.91, 73.53

 

CMYK 54 / 0 / 100 / 25

HEX #58BF00

RGB 88 191 0

HSL 92.36, 1%, 0.37%

LAB 68.99, -56.34, 68.78

 

CMYK 59 / 0 / 100 / 32

HEX #47AD00

RGB 71 173 0

HSL 95.38, 1%, 0.34%

LAB 62.7, -54.54, 63.58

 

CMYK 65 / 0 / 100 / 39

HEX #369B00

RGB 54 155 0

HSL 99.1, 1%, 0.3%

LAB 56.31, -52.49, 58.31

 

CMYK 46 / 0 / 90 / 11

HEX #7AE316

RGB 122 227 22

HSL 90.73, 0.82%, 0.49%

LAB 81.37, -59.12, 76.76

 

CMYK 22 / 0 / 90 / 11

HEX #B1E316

RGB 177 227 22

HSL 74.63, 0.82%, 0.49%

LAB 84.14, -39.82, 80.18

 

CMYK 0 / 2 / 90 / 11

HEX #E3DE16

RGB 227 222 22

HSL 58.54, 0.82%, 0.49%

LAB 86.32, -17.08, 83.4

 

CMYK 0 / 26 / 90 / 11

HEX #E3A716

RGB 227 167 22

HSL 42.44, 0.82%, 0.49%

LAB 72.25, 11.17, 72.6

 

CMYK 0 / 51 / 90 / 11

HEX #E37016

RGB 227 112 22

HSL 26.34, 0.82%, 0.49%

LAB 59.87, 40.08, 63.36

 

CMYK 46 / 0 / 90 / 11

HEX #7AE316

RGB 122 227 22

HSL 90.73, 0.82%, 0.49%

LAB 81.37, -59.12, 76.76

 

CMYK 70 / 0 / 90 / 11

HEX #43E316

RGB 67 227 22

HSL 106.83, 0.82%, 0.49%

LAB 79.72, -72.43, 74.72

 

CMYK 90 / 0 / 85 / 11

HEX #16E322

RGB 22 227 34

HSL 123.51, 0.82%, 0.49%

LAB 79.17, -77.17, 71.82

 

CMYK 90 / 0 / 61 / 11

HEX #16E359

RGB 22 227 89

HSL 139.61, 0.82%, 0.49%

LAB 79.52, -72.79, 53.58

 

CMYK 90 / 0 / 37 / 11

HEX #16E390

RGB 22 227 144

HSL 155.71, 0.82%, 0.49%

LAB 80.25, -64.03, 28.06

 

CMYK 46 / 0 / 90 / 11

HEX #7AE316

RGB 122 227 22

HSL 90.73, 0.82%, 0.49%

LAB 81.37, -59.12, 76.76

 

CMYK 51 / 0 / 99 / 3

HEX #79F802

RGB 121 248 2

HSL 90.98, 0.98%, 0.49%

LAB 87.58, -67.27, 83.74

 

CMYK 46 / 0 / 90 / 11

HEX #7AE316

RGB 122 227 22

HSL 90.73, 0.82%, 0.49%

LAB 81.37, -59.12, 76.76

 

CMYK 41 / 0 / 79 / 19

HEX #7BCF2B

RGB 123 207 43

HSL 90.73, 0.66%, 0.49%

LAB 75.46, -50.35, 67.1

 

CMYK 34 / 0 / 66 / 27

HEX #7BBB3F

RGB 123 187 63

HSL 90.97, 0.5%, 0.49%

LAB 69.55, -40.73, 54.26

 

CMYK 26 / 0 / 50 / 35

HEX #7CA753

RGB 124 167 83

HSL 90.71, 0.34%, 0.49%

LAB 63.79, -29.26, 38.55

 

CMYK 16 / 0 / 30 / 42

HEX #7C9367

RGB 124 147 103

HSL 91.36, 0.18%, 0.49%

LAB 58.16, -16.46, 20.68

 

CMYK 0 / 3 / 90 / 11

HEX #E3DD16

RGB 227 221 22

HSL 58.24, 0.82%, 0.49%

LAB 86.06, -16.59, 83.2

 

CMYK 21 / 0 / 90 / 11

HEX #B4E316

RGB 180 227 22

HSL 73.76, 0.82%, 0.49%

LAB 84.33, -38.65, 80.4

 

CMYK 45 / 0 / 90 / 11

HEX #7DE316

RGB 125 227 22

HSL 89.85, 0.82%, 0.49%

LAB 81.49, -58.2, 76.91

 

CMYK 69 / 0 / 90 / 11

HEX #46E316

RGB 70 227 22

HSL 105.95, 0.82%, 0.49%

LAB 79.78, -71.9, 74.8

 

CMYK 90 / 0 / 87 / 11

HEX #16E31D

RGB 22 227 29

HSL 122.05, 0.82%, 0.49%

LAB 79.15, -77.37, 72.81

 

CMYK 46 / 0 / 90 / 40

HEX #52980F

RGB 82 152 15

HSL 90.66, 0.82%, 0.33%

LAB 56.37, -42.99, 56.36

 

CMYK 46 / 0 / 90 / 25

HEX #66BE13

RGB 102 190 19

HSL 90.88, 0.82%, 0.41%

LAB 69.25, -51.4, 66.82

 

CMYK 46 / 0 / 90 / 11

HEX #7AE316

RGB 122 227 22

HSL 90.73, 0.82%, 0.49%

LAB 81.37, -59.12, 76.76

 

CMYK 39 / 0 / 76 / 8

HEX #8FEB38

RGB 143 235 56

HSL 90.84, 0.82%, 0.57%

LAB 84.76, -54.24, 72.32

 

CMYK 31 / 0 / 61 / 6

HEX #A4EF5D

RGB 164 239 93

HSL 90.82, 0.82%, 0.65%

LAB 87.2, -46.24, 61.63

 

CMYK 46 / 0 / 90 / 11

HEX #7AE317

RGB 122 227 23

HSL 90.88, 0.82%, 0.49%

LAB 81.37, -59.1, 76.61

 

CMYK 90 / 0 / 27 / 11

HEX #16E3A6

RGB 22 227 166

HSL 162.15, 0.82%, 0.49%

LAB 80.66, -59.35, 17.22

 

CMYK 0 / 90 / 9 / 11

HEX #E316CF

RGB 227 22 207

HSL 305.85, 0.82%, 0.49%

LAB 53.4, 85.4, -45.12

 

CMYK 46 / 0 / 90 / 11

HEX #7AE317

RGB 122 227 23

HSL 90.88, 0.82%, 0.49%

LAB 81.37, -59.1, 76.61

 

CMYK 90 / 45 / 0 / 11

HEX #167DE3

RGB 22 125 227

HSL 209.85, 0.82%, 0.49%

LAB 52.27, 10.53, -59.3

 

CMYK 0 / 90 / 45 / 11

HEX #E3167D

RGB 227 22 125

HSL 329.85, 0.82%, 0.49%

LAB 49.96, 76.33, -1.96

 

CMYK 46 / 0 / 90 / 11

HEX #7AE317

RGB 122 227 23

HSL 90.88, 0.82%, 0.49%

LAB 81.37, -59.1, 76.61

 

CMYK 90 / 0 / 27 / 11

HEX #16E3A6

RGB 22 227 166

HSL 162.15, 0.82%, 0.49%

LAB 80.66, -59.35, 17.22

 

CMYK 45 / 90 / 0 / 11

HEX #7D16E3

RGB 125 22 227

HSL 270.15, 0.82%, 0.49%

LAB 38.69, 74.07, -81.15

 

CMYK 0 / 90 / 63 / 11

HEX #E31654

RGB 227 22 84

HSL 341.85, 0.82%, 0.49%

LAB 48.94, 73.51, 21.71

 

CMYK 46 / 0 / 90 / 11

HEX #7AE317

RGB 122 227 23

HSL 90.88, 0.82%, 0.49%

LAB 81.37, -59.1, 76.61

 

CMYK 90 / 0 / 0 / 11

HEX #16E3E3

RGB 22 227 227

HSL 180, 0.82%, 0.49%

LAB 82.19, -43.42, -12.8

 

CMYK 45 / 90 / 0 / 11

HEX #7D16E3

RGB 125 22 227

HSL 270.15, 0.82%, 0.49%

LAB 38.69, 74.07, -81.15

 

CMYK 0 / 90 / 90 / 11

HEX #E31616

RGB 227 22 22

HSL 0, 0.82%, 0.49%

LAB 48.21, 71.45, 55.1

 

Description

Color code: HEX #7AE317 | qconv.com Color code: HEX #7AE317 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 227 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 227 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 90 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 90% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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