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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AE29D it is the complementary color #851D62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AE29D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AE29D shade: #7FE298, #90F4AB, #A1FFBE, #B2FFD1 and #C3FFE4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AE29D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AE29D shade: #7AE29D, #69D08A, #58BE77, #47AC64 and #369A51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AE29D shade: #79E29C, #79E280, #8EE279, #ABE279 and #C7E279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AE29D shade: #79E29C, #79E2B8, #79E2D5, #79D2E2 and #79B6E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AE29D shade matches the following richer shades: #79E29C, #6CEF98 and #5FFC94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AE29D shade: #79E29C, #86D4A1, #94C7A5, #A1BAA9 and #AEADAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AE29D shade: #8EE279, #79E280, #79E29C, #79E2B8 and #79E2D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AE29D shade: #36D36A, #57DA83, #79E29C, #9BE9B5 and #BDF0CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AE29D shade: #7AE29D, #79AAE2 and #E27980

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AE29D shade: #7AE29D, #9C79E2 and #E29C79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AE29D shade: #7AE29D, #79AAE2, #E279BF and #E2B179

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AE29D shade: #7AE29D, #798BE2, #E279BF and #E2D079

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 31 / 11

HEX #7AE29D

RGB 122 226 157

HSL 140.19, 0.64%, 0.68%

LAB 82.36, -45.23, 24.59

 

Complementary color

CMYK 0 / 78 / 26 / 48

HEX #851D62

RGB 133 29 98

HSL 320.19, 0.64%, 0.32%

LAB 31.22, 49.47, -15.02

 

CMYK 44 / 0 / 33 / 11

HEX #7FE298

RGB 127 226 152

HSL 135.15, 0.63%, 0.69%

LAB 82.47, -44.77, 27.35

 

CMYK 41 / 0 / 30 / 4

HEX #90F4AB

RGB 144 244 171

HSL 136.2, 0.82%, 0.76%

LAB 88.72, -44.54, 26.22

 

CMYK 37 / 0 / 25 / 0

HEX #A1FFBE

RGB 161 255 190

HSL 138.51, 1%, 0.82%

LAB 92.93, -41.21, 22.45

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD1

RGB 178 255 209

HSL 144.16, 1%, 0.85%

LAB 94.14, -32.79, 14.54

 

CMYK 24 / 0 / 11 / 0

HEX #C3FFE4

RGB 195 255 228

HSL 153, 1%, 0.88%

LAB 95.46, -24.09, 6.8

 

CMYK 46 / 0 / 31 / 11

HEX #7AE29D

RGB 122 226 157

HSL 140.19, 0.64%, 0.68%

LAB 82.36, -45.23, 24.59

 

CMYK 50 / 0 / 34 / 18

HEX #69D08A

RGB 105 208 138

HSL 139.22, 0.52%, 0.61%

LAB 76.04, -45.41, 25.79

 

CMYK 54 / 0 / 37 / 25

HEX #58BE77

RGB 88 190 119

HSL 138.24, 0.44%, 0.55%

LAB 69.64, -45.51, 27.07

 

CMYK 59 / 0 / 42 / 33

HEX #47AC64

RGB 71 172 100

HSL 137.23, 0.42%, 0.48%

LAB 63.15, -45.5, 28.45

 

CMYK 65 / 0 / 47 / 40

HEX #369A51

RGB 54 154 81

HSL 136.2, 0.48%, 0.41%

LAB 56.57, -45.28, 29.93

 

CMYK 46 / 0 / 31 / 11

HEX #79E29C

RGB 121 226 156

HSL 140, 0.64%, 0.68%

LAB 82.3, -45.67, 25.02

 

CMYK 46 / 0 / 43 / 11

HEX #79E280

RGB 121 226 128

HSL 124, 0.64%, 0.68%

LAB 81.85, -50.28, 38.63

 

CMYK 37 / 0 / 46 / 11

HEX #8EE279

RGB 142 226 121

HSL 108, 0.64%, 0.68%

LAB 82.66, -45.02, 43.28

 

CMYK 24 / 0 / 46 / 11

HEX #ABE279

RGB 171 226 121

HSL 91.43, 0.64%, 0.68%

LAB 84.19, -35.23, 45.52

 

CMYK 12 / 0 / 46 / 11

HEX #C7E279

RGB 199 226 121

HSL 75.43, 0.64%, 0.68%

LAB 85.96, -24.87, 48.1

 

CMYK 46 / 0 / 31 / 11

HEX #79E29C

RGB 121 226 156

HSL 140, 0.64%, 0.68%

LAB 82.3, -45.67, 25.02

 

CMYK 46 / 0 / 19 / 11

HEX #79E2B8

RGB 121 226 184

HSL 156, 0.64%, 0.68%

LAB 82.87, -40.16, 11.19

 

CMYK 46 / 0 / 6 / 11

HEX #79E2D5

RGB 121 226 213

HSL 172.57, 0.64%, 0.68%

LAB 83.58, -33.58, -3.1

 

CMYK 46 / 7 / 0 / 11

HEX #79D2E2

RGB 121 210 226

HSL 189.14, 0.64%, 0.68%

LAB 79.41, -22.55, -16.22

 

CMYK 46 / 19 / 0 / 11

HEX #79B6E2

RGB 121 182 226

HSL 205.14, 0.64%, 0.68%

LAB 71.56, -7.99, -28.16

 

CMYK 46 / 0 / 31 / 11

HEX #79E29C

RGB 121 226 156

HSL 140, 0.64%, 0.68%

LAB 82.3, -45.67, 25.02

 

CMYK 55 / 0 / 36 / 6

HEX #6CEF98

RGB 108 239 152

HSL 140.15, 0.8%, 0.68%

LAB 85.6, -54.93, 31.43

 

CMYK 62 / 0 / 41 / 1

HEX #5FFC94

RGB 95 252 148

HSL 140.25, 0.96%, 0.68%

LAB 89.01, -63.31, 37.85

 

CMYK 46 / 0 / 31 / 11

HEX #79E29C

RGB 121 226 156

HSL 140, 0.64%, 0.68%

LAB 82.3, -45.67, 25.02

 

CMYK 37 / 0 / 24 / 17

HEX #86D4A1

RGB 134 212 161

HSL 140.77, 0.48%, 0.68%

LAB 78.88, -34.89, 17.79

 

CMYK 26 / 0 / 17 / 22

HEX #94C7A5

RGB 148 199 165

HSL 140, 0.31%, 0.68%

LAB 75.98, -23.58, 11.69

 

CMYK 13 / 0 / 9 / 27

HEX #A1BAA9

RGB 161 186 169

HSL 139.2, 0.15%, 0.68%

LAB 73.26, -11.87, 5.75

 

CMYK 0 / 1 / 0 / 32

HEX #AEADAE

RGB 174 173 174

HSL 300, 0.01%, 0.68%

LAB 70.83, 0.55, -0.39

 

CMYK 37 / 0 / 46 / 11

HEX #8EE279

RGB 142 226 121

HSL 108, 0.64%, 0.68%

LAB 82.66, -45.02, 43.28

 

CMYK 46 / 0 / 43 / 11

HEX #79E280

RGB 121 226 128

HSL 124, 0.64%, 0.68%

LAB 81.85, -50.28, 38.63

 

CMYK 46 / 0 / 31 / 11

HEX #79E29C

RGB 121 226 156

HSL 140, 0.64%, 0.68%

LAB 82.3, -45.67, 25.02

 

CMYK 46 / 0 / 19 / 11

HEX #79E2B8

RGB 121 226 184

HSL 156, 0.64%, 0.68%

LAB 82.87, -40.16, 11.19

 

CMYK 46 / 0 / 6 / 11

HEX #79E2D4

RGB 121 226 212

HSL 172, 0.64%, 0.68%

LAB 83.55, -33.82, -2.61

 

CMYK 74 / 0 / 50 / 17

HEX #36D36A

RGB 54 211 106

HSL 139.87, 0.64%, 0.52%

LAB 75.08, -62.24, 40.52

 

CMYK 60 / 0 / 40 / 15

HEX #57DA83

RGB 87 218 131

HSL 140.15, 0.64%, 0.6%

LAB 78.35, -54.91, 32.36

 

CMYK 46 / 0 / 31 / 11

HEX #79E29C

RGB 121 226 156

HSL 140, 0.64%, 0.68%

LAB 82.3, -45.67, 25.02

 

CMYK 33 / 0 / 22 / 9

HEX #9BE9B5

RGB 155 233 181

HSL 140, 0.64%, 0.76%

LAB 86.3, -34.64, 17.8

 

CMYK 21 / 0 / 14 / 6

HEX #BDF0CE

RGB 189 240 206

HSL 140, 0.63%, 0.84%

LAB 90.59, -22.85, 11.14

 

CMYK 46 / 0 / 31 / 11

HEX #7AE29D

RGB 122 226 157

HSL 140.19, 0.64%, 0.68%

LAB 82.36, -45.23, 24.59

 

CMYK 46 / 25 / 0 / 11

HEX #79AAE2

RGB 121 170 226

HSL 212, 0.64%, 0.68%

LAB 68.25, -1.4, -33.28

 

CMYK 0 / 46 / 43 / 11

HEX #E27980

RGB 226 121 128

HSL 356, 0.64%, 0.68%

LAB 62.85, 41.28, 14.69

 

CMYK 46 / 0 / 31 / 11

HEX #7AE29D

RGB 122 226 157

HSL 140.19, 0.64%, 0.68%

LAB 82.36, -45.23, 24.59

 

CMYK 31 / 46 / 0 / 11

HEX #9C79E2

RGB 156 121 226

HSL 260, 0.64%, 0.68%

LAB 58.26, 35.81, -48.76

 

CMYK 0 / 31 / 46 / 11

HEX #E29C79

RGB 226 156 121

HSL 20, 0.64%, 0.68%

LAB 70.4, 22.12, 28.83

 

CMYK 46 / 0 / 31 / 11

HEX #7AE29D

RGB 122 226 157

HSL 140.19, 0.64%, 0.68%

LAB 82.36, -45.23, 24.59

 

CMYK 46 / 25 / 0 / 11

HEX #79AAE2

RGB 121 170 226

HSL 212, 0.64%, 0.68%

LAB 68.25, -1.4, -33.28

 

CMYK 0 / 46 / 15 / 11

HEX #E279BF

RGB 226 121 191

HSL 320, 0.64%, 0.68%

LAB 64.65, 49.46, -18.54

 

CMYK 0 / 22 / 46 / 11

HEX #E2B179

RGB 226 177 121

HSL 32, 0.64%, 0.68%

LAB 75.45, 10.9, 35.39

 

CMYK 46 / 0 / 31 / 11

HEX #7AE29D

RGB 122 226 157

HSL 140.19, 0.64%, 0.68%

LAB 82.36, -45.23, 24.59

 

CMYK 46 / 38 / 0 / 11

HEX #798BE2

RGB 121 139 226

HSL 229.71, 0.64%, 0.68%

LAB 59.91, 16.41, -46.33

 

CMYK 0 / 46 / 15 / 11

HEX #E279BF

RGB 226 121 191

HSL 320, 0.64%, 0.68%

LAB 64.65, 49.46, -18.54

 

CMYK 0 / 8 / 46 / 11

HEX #E2D079

RGB 226 208 121

HSL 49.71, 0.64%, 0.68%

LAB 83.26, -5.3, 45.25

 

Description

Color code: HEX #7AE29D | qconv.com Color code: HEX #7AE29D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 226 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 226 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 31 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 31% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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