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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AD716 it is the complementary color #8528E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AD716. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AD716 shade: #7FD711, #90E924, #A1FB37, #B2FF4A and #C3FF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AD716. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AD716 shade: #7AD716, #69C503, #58B300, #47A100 and #368F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AD716 shade: #79D416, #ACD416, #D4C916, #D49616 and #D46316

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AD716 shade: #79D416, #46D416, #16D41A, #16D44E and #16D481

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AD716 shade matches the following richer shades: #79D416 and #79E703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AD716 shade: #79D416, #78C129, #77AE3C, #779B4F and #768862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AD716 shade: #D4C816, #AED416, #7CD416, #49D416 and #16D416

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AD716 shade: #4E8A0E, #64AF12, #79D416, #8DE92B and #A1ED50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AD716 shade: #7AD716, #16D495 and #D416C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AD716 shade: #7AD716, #167CD4 and #D4167C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AD716 shade: #7AD716, #16D495, #6F16D4 and #D41656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AD716 shade: #7AD716, #16D4CE, #6F16D4 and #D4161D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 90 / 16

HEX #7AD716

RGB 122 215 22

HSL 88.91, 0.81%, 0.46%

LAB 77.75, -54.58, 73.76

 

Complementary color

CMYK 43 / 83 / 0 / 9

HEX #8528E9

RGB 133 40 233

HSL 268.91, 0.81%, 0.54%

LAB 41.83, 71.71, -79.38

 

CMYK 41 / 0 / 92 / 16

HEX #7FD711

RGB 127 215 17

HSL 86.67, 0.85%, 0.45%

LAB 77.97, -53.06, 74.75

 

CMYK 38 / 0 / 85 / 9

HEX #90E924

RGB 144 233 36

HSL 87.11, 0.82%, 0.53%

LAB 84.14, -53.97, 76.96

 

CMYK 36 / 0 / 78 / 2

HEX #A1FB37

RGB 161 251 55

HSL 87.55, 0.96%, 0.6%

LAB 90.25, -54.66, 78.05

 

CMYK 30 / 0 / 71 / 0

HEX #B2FF4A

RGB 178 255 74

HSL 85.52, 1%, 0.65%

LAB 92.34, -49.45, 74.48

 

CMYK 24 / 0 / 64 / 0

HEX #C3FF5D

RGB 195 255 93

HSL 82.22, 1%, 0.68%

LAB 93.41, -42.11, 68.88

 

CMYK 43 / 0 / 90 / 16

HEX #7AD716

RGB 122 215 22

HSL 88.91, 0.81%, 0.46%

LAB 77.75, -54.58, 73.76

 

CMYK 47 / 0 / 98 / 23

HEX #69C503

RGB 105 197 3

HSL 88.45, 0.97%, 0.39%

LAB 71.52, -53.45, 70.71

 

CMYK 51 / 0 / 100 / 30

HEX #58B300

RGB 88 179 0

HSL 90.5, 1%, 0.35%

LAB 65.21, -51.94, 65.81

 

CMYK 56 / 0 / 100 / 37

HEX #47A100

RGB 71 161 0

HSL 93.54, 1%, 0.32%

LAB 58.82, -50.24, 60.52

 

CMYK 62 / 0 / 100 / 44

HEX #368F00

RGB 54 143 0

HSL 97.34, 1%, 0.28%

LAB 52.32, -48.3, 55.15

 

CMYK 43 / 0 / 90 / 17

HEX #79D416

RGB 121 212 22

HSL 88.74, 0.81%, 0.46%

LAB 76.81, -53.74, 72.96

 

CMYK 19 / 0 / 90 / 17

HEX #ACD416

RGB 172 212 22

HSL 72.63, 0.81%, 0.46%

LAB 79.57, -35.05, 76.35

 

CMYK 0 / 5 / 90 / 17

HEX #D4C916

RGB 212 201 22

HSL 56.53, 0.81%, 0.46%

LAB 79.52, -13.03, 77.58

 

CMYK 0 / 29 / 90 / 17

HEX #D49616

RGB 212 150 22

HSL 40.42, 0.81%, 0.46%

LAB 66.42, 13.74, 67.42

 

CMYK 0 / 53 / 90 / 17

HEX #D46316

RGB 212 99 22

HSL 24.32, 0.81%, 0.46%

LAB 55.05, 40.71, 58.78

 

CMYK 43 / 0 / 90 / 17

HEX #79D416

RGB 121 212 22

HSL 88.74, 0.81%, 0.46%

LAB 76.81, -53.74, 72.96

 

CMYK 67 / 0 / 90 / 17

HEX #46D416

RGB 70 212 22

HSL 104.84, 0.81%, 0.46%

LAB 75.11, -67.23, 70.84

 

CMYK 90 / 0 / 88 / 17

HEX #16D41A

RGB 22 212 26

HSL 121.26, 0.81%, 0.46%

LAB 74.4, -73.37, 69.25

 

CMYK 90 / 0 / 63 / 17

HEX #16D44E

RGB 22 212 78

HSL 137.68, 0.81%, 0.46%

LAB 74.7, -69.54, 52.85

 

CMYK 90 / 0 / 39 / 17

HEX #16D481

RGB 22 212 129

HSL 153.79, 0.81%, 0.46%

LAB 75.35, -61.72, 29.23

 

CMYK 43 / 0 / 90 / 17

HEX #79D416

RGB 121 212 22

HSL 88.74, 0.81%, 0.46%

LAB 76.81, -53.74, 72.96

 

CMYK 48 / 0 / 99 / 9

HEX #79E703

RGB 121 231 3

HSL 88.95, 0.97%, 0.46%

LAB 82.5, -61.21, 79.65

 

CMYK 43 / 0 / 90 / 17

HEX #79D416

RGB 121 212 22

HSL 88.74, 0.81%, 0.46%

LAB 76.81, -53.74, 72.96

 

CMYK 38 / 0 / 79 / 24

HEX #78C129

RGB 120 193 41

HSL 88.82, 0.65%, 0.46%

LAB 71.07, -45.75, 63.57

 

CMYK 32 / 0 / 66 / 32

HEX #77AE3C

RGB 119 174 60

HSL 88.95, 0.49%, 0.46%

LAB 65.37, -36.66, 50.99

 

CMYK 23 / 0 / 49 / 39

HEX #779B4F

RGB 119 155 79

HSL 88.42, 0.32%, 0.46%

LAB 59.82, -25.81, 35.66

 

CMYK 13 / 0 / 28 / 47

HEX #768862

RGB 118 136 98

HSL 88.42, 0.16%, 0.46%

LAB 54.39, -13.73, 18.31

 

CMYK 0 / 6 / 90 / 17

HEX #D4C816

RGB 212 200 22

HSL 56.21, 0.81%, 0.46%

LAB 79.25, -12.53, 77.37

 

CMYK 18 / 0 / 90 / 17

HEX #AED416

RGB 174 212 22

HSL 72, 0.81%, 0.46%

LAB 79.7, -34.25, 76.51

 

CMYK 42 / 0 / 90 / 17

HEX #7CD416

RGB 124 212 22

HSL 87.79, 0.81%, 0.46%

LAB 76.94, -52.76, 73.12

 

CMYK 66 / 0 / 90 / 17

HEX #49D416

RGB 73 212 22

HSL 103.89, 0.81%, 0.46%

LAB 75.18, -66.63, 70.93

 

CMYK 90 / 0 / 90 / 17

HEX #16D416

RGB 22 212 22

HSL 120, 0.81%, 0.46%

LAB 74.39, -73.5, 69.95

 

CMYK 43 / 0 / 90 / 46

HEX #4E8A0E

RGB 78 138 14

HSL 89.03, 0.82%, 0.3%

LAB 51.64, -38.59, 52.47

 

CMYK 43 / 0 / 90 / 31

HEX #64AF12

RGB 100 175 18

HSL 88.66, 0.81%, 0.38%

LAB 64.49, -46.16, 62.97

 

CMYK 43 / 0 / 90 / 17

HEX #79D416

RGB 121 212 22

HSL 88.74, 0.81%, 0.46%

LAB 76.81, -53.74, 72.96

 

CMYK 39 / 0 / 82 / 9

HEX #8DE92B

RGB 141 233 43

HSL 89.05, 0.81%, 0.54%

LAB 84.03, -54.71, 75.19

 

CMYK 32 / 0 / 66 / 7

HEX #A1ED50

RGB 161 237 80

HSL 89.04, 0.81%, 0.62%

LAB 86.37, -47.46, 65.91

 

CMYK 43 / 0 / 90 / 16

HEX #7AD716

RGB 122 215 22

HSL 88.91, 0.81%, 0.46%

LAB 77.75, -54.58, 73.76

 

CMYK 90 / 0 / 30 / 17

HEX #16D495

RGB 22 212 149

HSL 160.11, 0.81%, 0.46%

LAB 75.72, -57.57, 19.29

 

CMYK 0 / 90 / 6 / 17

HEX #D416C8

RGB 212 22 200

HSL 303.79, 0.81%, 0.46%

LAB 50.38, 81.77, -46.04

 

CMYK 43 / 0 / 90 / 16

HEX #7AD716

RGB 122 215 22

HSL 88.91, 0.81%, 0.46%

LAB 77.75, -54.58, 73.76

 

CMYK 90 / 42 / 0 / 17

HEX #167CD4

RGB 22 124 212

HSL 207.79, 0.81%, 0.46%

LAB 51.08, 5.36, -52.74

 

CMYK 0 / 90 / 42 / 17

HEX #D4167C

RGB 212 22 124

HSL 327.79, 0.81%, 0.46%

LAB 47.01, 72.87, -6.04

 

CMYK 43 / 0 / 90 / 16

HEX #7AD716

RGB 122 215 22

HSL 88.91, 0.81%, 0.46%

LAB 77.75, -54.58, 73.76

 

CMYK 90 / 0 / 30 / 17

HEX #16D495

RGB 22 212 149

HSL 160.11, 0.81%, 0.46%

LAB 75.72, -57.57, 19.29

 

CMYK 48 / 90 / 0 / 17

HEX #6F16D4

RGB 111 22 212

HSL 268.11, 0.81%, 0.46%

LAB 35.41, 69.33, -78

 

CMYK 0 / 90 / 59 / 17

HEX #D41656

RGB 212 22 86

HSL 339.79, 0.81%, 0.46%

LAB 45.96, 69.97, 15.97

 

CMYK 43 / 0 / 90 / 16

HEX #7AD716

RGB 122 215 22

HSL 88.91, 0.81%, 0.46%

LAB 77.75, -54.58, 73.76

 

CMYK 90 / 0 / 3 / 17

HEX #16D4CE

RGB 22 212 206

HSL 178.11, 0.81%, 0.46%

LAB 77.11, -42.9, -9.18

 

CMYK 48 / 90 / 0 / 17

HEX #6F16D4

RGB 111 22 212

HSL 268.11, 0.81%, 0.46%

LAB 35.41, 69.33, -78

 

CMYK 0 / 90 / 86 / 17

HEX #D4161D

RGB 212 22 29

HSL 357.79, 0.81%, 0.46%

LAB 45.16, 67.7, 48.35

 

Description

Color code: HEX #7AD716 | qconv.com Color code: HEX #7AD716 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 215 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 215 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 90 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 90% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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