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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AD59E it is the complementary color #852A61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AD59E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AD59E shade: #7FD599, #90E7AC, #A1F9BF, #B2FFD2 and #C3FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AD59E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AD59E shade: #7AD59E, #69C38B, #58B178, #479F65 and #368D52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AD59E shade: #7BD59F, #7BD587, #88D57B, #A0D57B and #B9D57B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AD59E shade: #7BD59F, #7BD5B7, #7BD5D0, #7BC3D5 and #7BABD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AD59E shade matches the following richer shades: #7BD59F, #6DE39C and #5FF199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AD59E shade: #7BD59F, #89C7A2, #97B9A5, #A5ABA8 and #B39DAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AD59E shade: #89D57B, #7BD586, #7BD59E, #7BD5B6 and #7BD5CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AD59E shade: #3DC171, #5CCB88, #7BD59F, #9BDFB6 and #BAE9CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AD59E shade: #7AD59E, #7BA1D5 and #D57B7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AD59E shade: #7AD59E, #9E7BD5 and #D59E7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AD59E shade: #7AD59E, #7BA1D5, #D57BB3 and #D5B07B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AD59E shade: #7AD59E, #7B86D5, #D57BB3 and #D5CB7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 26 / 16

HEX #7AD59E

RGB 122 213 158

HSL 143.74, 0.52%, 0.66%

LAB 78.58, -39.34, 18.87

 

Complementary color

CMYK 0 / 68 / 27 / 48

HEX #852A61

RGB 133 42 97

HSL 323.74, 0.52%, 0.34%

LAB 32.93, 44.43, -11.77

 

CMYK 40 / 0 / 28 / 16

HEX #7FD599

RGB 127 213 153

HSL 138.14, 0.51%, 0.67%

LAB 78.69, -38.87, 21.69

 

CMYK 38 / 0 / 26 / 9

HEX #90E7AC

RGB 144 231 172

HSL 139.31, 0.64%, 0.74%

LAB 85.03, -38.61, 20.63

 

CMYK 35 / 0 / 23 / 2

HEX #A1F9BF

RGB 161 249 191

HSL 140.45, 0.88%, 0.8%

LAB 91.28, -38.35, 19.63

 

CMYK 30 / 0 / 18 / 0

HEX #B2FFD2

RGB 178 255 210

HSL 144.94, 1%, 0.85%

LAB 94.16, -32.61, 14.06

 

CMYK 24 / 0 / 10 / 0

HEX #C3FFE5

RGB 195 255 229

HSL 154, 1%, 0.88%

LAB 95.49, -23.9, 6.31

 

CMYK 43 / 0 / 26 / 16

HEX #7AD59E

RGB 122 213 158

HSL 143.74, 0.52%, 0.66%

LAB 78.58, -39.34, 18.87

 

CMYK 46 / 0 / 29 / 24

HEX #69C38B

RGB 105 195 139

HSL 142.67, 0.43%, 0.59%

LAB 72.16, -39.56, 19.98

 

CMYK 50 / 0 / 32 / 31

HEX #58B178

RGB 88 177 120

HSL 141.57, 0.36%, 0.52%

LAB 65.65, -39.75, 21.18

 

CMYK 55 / 0 / 36 / 38

HEX #479F65

RGB 71 159 101

HSL 140.45, 0.38%, 0.45%

LAB 59.04, -39.86, 22.49

 

CMYK 62 / 0 / 42 / 45

HEX #368D52

RGB 54 141 82

HSL 139.31, 0.45%, 0.38%

LAB 52.33, -39.81, 23.93

 

CMYK 42 / 0 / 25 / 16

HEX #7BD59F

RGB 123 213 159

HSL 144, 0.52%, 0.66%

LAB 78.64, -38.87, 18.43

 

CMYK 42 / 0 / 37 / 16

HEX #7BD587

RGB 123 213 135

HSL 128, 0.52%, 0.66%

LAB 78.2, -43.14, 30.36

 

CMYK 36 / 0 / 42 / 16

HEX #88D57B

RGB 136 213 123

HSL 111.33, 0.52%, 0.66%

LAB 78.61, -41, 37.11

 

CMYK 25 / 0 / 42 / 16

HEX #A0D57B

RGB 160 213 123

HSL 95.33, 0.52%, 0.66%

LAB 79.89, -32.9, 39.01

 

CMYK 13 / 0 / 42 / 16

HEX #B9D57B

RGB 185 213 123

HSL 78.67, 0.52%, 0.66%

LAB 81.47, -23.71, 41.34

 

CMYK 42 / 0 / 25 / 16

HEX #7BD59F

RGB 123 213 159

HSL 144, 0.52%, 0.66%

LAB 78.64, -38.87, 18.43

 

CMYK 42 / 0 / 14 / 16

HEX #7BD5B7

RGB 123 213 183

HSL 160, 0.52%, 0.66%

LAB 79.17, -33.92, 6.44

 

CMYK 42 / 0 / 2 / 16

HEX #7BD5D0

RGB 123 213 208

HSL 176.67, 0.52%, 0.66%

LAB 79.81, -28.13, -5.98

 

CMYK 42 / 8 / 0 / 16

HEX #7BC3D5

RGB 123 195 213

HSL 192, 0.52%, 0.66%

LAB 74.85, -17.87, -16.08

 

CMYK 42 / 20 / 0 / 16

HEX #7BABD5

RGB 123 171 213

HSL 208, 0.52%, 0.66%

LAB 68.12, -5.11, -26.31

 

CMYK 42 / 0 / 25 / 16

HEX #7BD59F

RGB 123 213 159

HSL 144, 0.52%, 0.66%

LAB 78.64, -38.87, 18.43

 

CMYK 52 / 0 / 31 / 11

HEX #6DE39C

RGB 109 227 156

HSL 143.9, 0.68%, 0.66%

LAB 82.16, -49.1, 24.75

 

CMYK 61 / 0 / 37 / 5

HEX #5FF199

RGB 95 241 153

HSL 143.84, 0.84%, 0.66%

LAB 85.83, -58.3, 31.16

 

CMYK 42 / 0 / 25 / 16

HEX #7BD59F

RGB 123 213 159

HSL 144, 0.52%, 0.66%

LAB 78.64, -38.87, 18.43

 

CMYK 31 / 0 / 19 / 22

HEX #89C7A2

RGB 137 199 162

HSL 144.19, 0.36%, 0.66%

LAB 75.31, -27.64, 12.27

 

CMYK 18 / 0 / 11 / 27

HEX #97B9A5

RGB 151 185 165

HSL 144.71, 0.2%, 0.66%

LAB 72.22, -15.51, 6.36

 

CMYK 4 / 0 / 2 / 33

HEX #A5ABA8

RGB 165 171 168

HSL 150, 0.03%, 0.66%

LAB 69.44, -2.69, 0.8

 

CMYK 0 / 12 / 4 / 30

HEX #B39DAB

RGB 179 157 171

HSL 321.82, 0.13%, 0.66%

LAB 67, 10.56, -4.3

 

CMYK 36 / 0 / 42 / 16

HEX #89D57B

RGB 137 213 123

HSL 110.67, 0.52%, 0.66%

LAB 78.66, -40.68, 37.18

 

CMYK 42 / 0 / 37 / 16

HEX #7BD586

RGB 123 213 134

HSL 127.33, 0.52%, 0.66%

LAB 78.18, -43.3, 30.85

 

CMYK 42 / 0 / 26 / 16

HEX #7BD59E

RGB 123 213 158

HSL 143.33, 0.52%, 0.66%

LAB 78.62, -39.06, 18.93

 

CMYK 42 / 0 / 15 / 16

HEX #7BD5B6

RGB 123 213 182

HSL 159.33, 0.52%, 0.66%

LAB 79.14, -34.14, 6.93

 

CMYK 42 / 0 / 3 / 16

HEX #7BD5CE

RGB 123 213 206

HSL 175.33, 0.52%, 0.66%

LAB 79.76, -28.61, -4.99

 

CMYK 68 / 0 / 41 / 24

HEX #3DC171

RGB 61 193 113

HSL 143.64, 0.52%, 0.5%

LAB 69.7, -53.48, 30.15

 

CMYK 55 / 0 / 33 / 20

HEX #5CCB88

RGB 92 203 136

HSL 143.78, 0.52%, 0.58%

LAB 74.04, -46.86, 24.06

 

CMYK 42 / 0 / 25 / 16

HEX #7BD59F

RGB 123 213 159

HSL 144, 0.52%, 0.66%

LAB 78.64, -38.87, 18.43

 

CMYK 30 / 0 / 18 / 13

HEX #9BDFB6

RGB 155 223 182

HSL 143.82, 0.52%, 0.74%

LAB 83.51, -29.77, 13.36

 

CMYK 20 / 0 / 12 / 9

HEX #BAE9CD

RGB 186 233 205

HSL 144.26, 0.52%, 0.82%

LAB 88.51, -20.57, 8.66

 

CMYK 43 / 0 / 26 / 16

HEX #7AD59E

RGB 122 213 158

HSL 143.74, 0.52%, 0.66%

LAB 78.58, -39.34, 18.87

 

CMYK 42 / 24 / 0 / 16

HEX #7BA1D5

RGB 123 161 213

HSL 214.67, 0.52%, 0.66%

LAB 65.36, 0.45, -30.57

 

CMYK 0 / 42 / 41 / 16

HEX #D57B7D

RGB 213 123 125

HSL 358.67, 0.52%, 0.66%

LAB 61.47, 35.12, 14.23

 

CMYK 43 / 0 / 26 / 16

HEX #7AD59E

RGB 122 213 158

HSL 143.74, 0.52%, 0.66%

LAB 78.58, -39.34, 18.87

 

CMYK 26 / 42 / 0 / 16

HEX #9E7BD5

RGB 158 123 213

HSL 263.33, 0.52%, 0.66%

LAB 58.26, 32.01, -41.45

 

CMYK 0 / 26 / 42 / 16

HEX #D59E7B

RGB 213 158 123

HSL 23.33, 0.52%, 0.66%

LAB 69.49, 16.06, 26.27

 

CMYK 43 / 0 / 26 / 16

HEX #7AD59E

RGB 122 213 158

HSL 143.74, 0.52%, 0.66%

LAB 78.58, -39.34, 18.87

 

CMYK 42 / 24 / 0 / 16

HEX #7BA1D5

RGB 123 161 213

HSL 214.67, 0.52%, 0.66%

LAB 65.36, 0.45, -30.57

 

CMYK 0 / 42 / 16 / 16

HEX #D57BB3

RGB 213 123 179

HSL 322.67, 0.52%, 0.66%

LAB 62.98, 42.38, -14.43

 

CMYK 0 / 17 / 42 / 16

HEX #D5B07B

RGB 213 176 123

HSL 35.33, 0.52%, 0.66%

LAB 73.95, 6.38, 32.15

 

CMYK 43 / 0 / 26 / 16

HEX #7AD59E

RGB 122 213 158

HSL 143.74, 0.52%, 0.66%

LAB 78.58, -39.34, 18.87

 

CMYK 42 / 37 / 0 / 16

HEX #7B86D5

RGB 123 134 213

HSL 232.67, 0.52%, 0.66%

LAB 58.1, 16.06, -41.9

 

CMYK 0 / 42 / 16 / 16

HEX #D57BB3

RGB 213 123 179

HSL 322.67, 0.52%, 0.66%

LAB 62.98, 42.38, -14.43

 

CMYK 0 / 5 / 42 / 16

HEX #D5CB7B

RGB 213 203 123

HSL 53.33, 0.52%, 0.66%

LAB 80.9, -7.76, 41.06

 

Description

Color code: HEX #7AD59E | qconv.com Color code: HEX #7AD59E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 213 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 213 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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