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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AD478 it is the complementary color #852B87. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AD478. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AD478 shade: #7FD473, #90E686, #A1F899, #B2FFAC and #C3FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AD478. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AD478 shade: #7AD478, #69C265, #58B052, #479E3F and #368C2C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AD478 shade: #79D477, #92D477, #ABD477, #C4D477 and #D4CB77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AD478 shade: #79D477, #77D48E, #77D4A7, #77D4C0 and #77CFD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AD478 shade matches the following richer shades: #79D477, #6CE369 and #5EF15A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AD478 shade: #79D477, #87C686, #95B794, #A3A9A3 and #B19AB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AD478 shade: #ACD477, #93D477, #7AD477, #77D48D and #77D4A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AD478 shade: #3FBD3C, #5ACA58, #79D477, #98DE97 and #B7E8B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AD478 shade: #7AD478, #77C5D4 and #D477A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AD478 shade: #7AD478, #777AD4 and #D4777A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AD478 shade: #7AD478, #77C5D4, #D177D4 and #D48777

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AD478 shade: #7AD478, #77A9D4, #D177D4 and #D4A377

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 43 / 17

HEX #7AD478

RGB 122 212 120

HSL 118.7, 0.52%, 0.65%

LAB 77.63, -45.32, 37.23

 

Complementary color

CMYK 1 / 68 / 0 / 47

HEX #852B87

RGB 133 43 135

HSL 298.7, 0.52%, 0.35%

LAB 34.93, 50.13, -32.61

 

CMYK 40 / 0 / 46 / 17

HEX #7FD473

RGB 127 212 115

HSL 112.58, 0.53%, 0.64%

LAB 77.78, -44.51, 39.95

 

CMYK 37 / 0 / 42 / 10

HEX #90E686

RGB 144 230 134

HSL 113.75, 0.66%, 0.71%

LAB 84.09, -44.35, 38.73

 

CMYK 35 / 0 / 38 / 3

HEX #A1F899

RGB 161 248 153

HSL 114.95, 0.87%, 0.79%

LAB 90.33, -44.15, 37.56

 

CMYK 30 / 0 / 33 / 0

HEX #B2FFAC

RGB 178 255 172

HSL 115.66, 1%, 0.84%

LAB 93.43, -39.08, 32.36

 

CMYK 24 / 0 / 25 / 0

HEX #C3FFBF

RGB 195 255 191

HSL 116.25, 1%, 0.87%

LAB 94.69, -30.64, 24.63

 

CMYK 42 / 0 / 43 / 17

HEX #7AD478

RGB 122 212 120

HSL 118.7, 0.52%, 0.65%

LAB 77.63, -45.32, 37.23

 

CMYK 46 / 0 / 48 / 24

HEX #69C265

RGB 105 194 101

HSL 117.42, 0.43%, 0.58%

LAB 71.23, -45.44, 38.5

 

CMYK 50 / 0 / 53 / 31

HEX #58B052

RGB 88 176 82

HSL 116.17, 0.37%, 0.51%

LAB 64.75, -45.45, 39.79

 

CMYK 55 / 0 / 60 / 38

HEX #479E3F

RGB 71 158 63

HSL 114.95, 0.43%, 0.43%

LAB 58.18, -45.27, 41.03

 

CMYK 61 / 0 / 69 / 45

HEX #368C2C

RGB 54 140 44

HSL 113.75, 0.52%, 0.36%

LAB 51.52, -44.79, 42.08

 

CMYK 43 / 0 / 44 / 17

HEX #79D477

RGB 121 212 119

HSL 118.71, 0.52%, 0.65%

LAB 77.57, -45.76, 37.64

 

CMYK 31 / 0 / 44 / 17

HEX #92D477

RGB 146 212 119

HSL 102.58, 0.52%, 0.65%

LAB 78.77, -37.81, 39.42

 

CMYK 19 / 0 / 44 / 17

HEX #ABD477

RGB 171 212 119

HSL 86.45, 0.52%, 0.65%

LAB 80.22, -28.94, 41.55

 

CMYK 8 / 0 / 44 / 17

HEX #C4D477

RGB 196 212 119

HSL 70.32, 0.52%, 0.65%

LAB 81.92, -19.43, 44.04

 

CMYK 0 / 4 / 44 / 17

HEX #D4CB77

RGB 212 203 119

HSL 54.19, 0.52%, 0.65%

LAB 80.76, -8.56, 42.87

 

CMYK 43 / 0 / 44 / 17

HEX #79D477

RGB 121 212 119

HSL 118.71, 0.52%, 0.65%

LAB 77.57, -45.76, 37.64

 

CMYK 44 / 0 / 33 / 17

HEX #77D48E

RGB 119 212 142

HSL 134.84, 0.52%, 0.65%

LAB 77.85, -42.66, 26.24

 

CMYK 44 / 0 / 21 / 17

HEX #77D4A7

RGB 119 212 167

HSL 150.97, 0.52%, 0.65%

LAB 78.34, -37.91, 13.76

 

CMYK 44 / 0 / 9 / 17

HEX #77D4C0

RGB 119 212 192

HSL 167.1, 0.52%, 0.65%

LAB 78.93, -32.44, 1.27

 

CMYK 44 / 2 / 0 / 17

HEX #77CFD4

RGB 119 207 212

HSL 183.23, 0.52%, 0.65%

LAB 78.05, -25.15, -10.76

 

CMYK 43 / 0 / 44 / 17

HEX #79D477

RGB 121 212 119

HSL 118.71, 0.52%, 0.65%

LAB 77.57, -45.76, 37.64

 

CMYK 52 / 0 / 54 / 11

HEX #6CE369

RGB 108 227 105

HSL 118.52, 0.69%, 0.65%

LAB 81.37, -57.26, 48.99

 

CMYK 61 / 0 / 63 / 5

HEX #5EF15A

RGB 94 241 90

HSL 118.41, 0.84%, 0.65%

LAB 85.01, -67.32, 59.68

 

CMYK 43 / 0 / 44 / 17

HEX #79D477

RGB 121 212 119

HSL 118.71, 0.52%, 0.65%

LAB 77.57, -45.76, 37.64

 

CMYK 32 / 0 / 32 / 22

HEX #87C686

RGB 135 198 134

HSL 119.06, 0.36%, 0.65%

LAB 74.36, -32.84, 25.85

 

CMYK 19 / 0 / 19 / 28

HEX #95B794

RGB 149 183 148

HSL 118.29, 0.2%, 0.65%

LAB 71.14, -18.35, 14.07

 

CMYK 4 / 0 / 4 / 34

HEX #A3A9A3

RGB 163 169 163

HSL 120, 0.03%, 0.65%

LAB 68.61, -3.26, 2.35

 

CMYK 0 / 13 / 0 / 31

HEX #B19AB1

RGB 177 154 177

HSL 300, 0.13%, 0.65%

LAB 66.24, 12.64, -8.81

 

CMYK 19 / 0 / 44 / 17

HEX #ACD477

RGB 172 212 119

HSL 85.81, 0.52%, 0.65%

LAB 80.29, -28.57, 41.65

 

CMYK 31 / 0 / 44 / 17

HEX #93D477

RGB 147 212 119

HSL 101.94, 0.52%, 0.65%

LAB 78.82, -37.47, 39.5

 

CMYK 42 / 0 / 44 / 17

HEX #7AD477

RGB 122 212 119

HSL 118.06, 0.52%, 0.65%

LAB 77.61, -45.46, 37.71

 

CMYK 44 / 0 / 33 / 17

HEX #77D48D

RGB 119 212 141

HSL 134.19, 0.52%, 0.65%

LAB 77.83, -42.83, 26.74

 

CMYK 44 / 0 / 22 / 17

HEX #77D4A6

RGB 119 212 166

HSL 150.32, 0.52%, 0.65%

LAB 78.32, -38.11, 14.26

 

CMYK 67 / 0 / 68 / 26

HEX #3FBD3C

RGB 63 189 60

HSL 118.6, 0.52%, 0.49%

LAB 67.86, -58.88, 52.99

 

CMYK 55 / 0 / 56 / 21

HEX #5ACA58

RGB 90 202 88

HSL 118.95, 0.52%, 0.57%

LAB 72.97, -54.41, 46.74

 

CMYK 43 / 0 / 44 / 17

HEX #79D477

RGB 121 212 119

HSL 118.71, 0.52%, 0.65%

LAB 77.57, -45.76, 37.64

 

CMYK 32 / 0 / 32 / 13

HEX #98DE97

RGB 152 222 151

HSL 119.15, 0.52%, 0.73%

LAB 82.46, -35.7, 28.05

 

CMYK 21 / 0 / 22 / 9

HEX #B7E8B6

RGB 183 232 182

HSL 118.8, 0.52%, 0.81%

LAB 87.56, -25.16, 19.28

 

CMYK 42 / 0 / 43 / 17

HEX #7AD478

RGB 122 212 120

HSL 118.7, 0.52%, 0.65%

LAB 77.63, -45.32, 37.23

 

CMYK 44 / 7 / 0 / 17

HEX #77C5D4

RGB 119 197 212

HSL 189.68, 0.52%, 0.65%

LAB 75.21, -20.14, -15.02

 

CMYK 0 / 44 / 25 / 17

HEX #D477A0

RGB 212 119 160

HSL 333.55, 0.52%, 0.65%

LAB 61.42, 41.28, -5.94

 

CMYK 42 / 0 / 43 / 17

HEX #7AD478

RGB 122 212 120

HSL 118.7, 0.52%, 0.65%

LAB 77.63, -45.32, 37.23

 

CMYK 44 / 42 / 0 / 17

HEX #777AD4

RGB 119 122 212

HSL 238.06, 0.52%, 0.65%

LAB 54.65, 21.91, -46.81

 

CMYK 0 / 44 / 42 / 17

HEX #D4777A

RGB 212 119 122

HSL 358.06, 0.52%, 0.65%

LAB 60.42, 36.53, 14.46

 

CMYK 42 / 0 / 43 / 17

HEX #7AD478

RGB 122 212 120

HSL 118.7, 0.52%, 0.65%

LAB 77.63, -45.32, 37.23

 

CMYK 44 / 7 / 0 / 17

HEX #77C5D4

RGB 119 197 212

HSL 189.68, 0.52%, 0.65%

LAB 75.21, -20.14, -15.02

 

CMYK 1 / 44 / 0 / 17

HEX #D177D4

RGB 209 119 212

HSL 298.06, 0.52%, 0.65%

LAB 62.93, 48.83, -33.18

 

CMYK 0 / 36 / 44 / 17

HEX #D48777

RGB 212 135 119

HSL 10.32, 0.52%, 0.65%

LAB 63.88, 27.69, 20.92

 

CMYK 42 / 0 / 43 / 17

HEX #7AD478

RGB 122 212 120

HSL 118.7, 0.52%, 0.65%

LAB 77.63, -45.32, 37.23

 

CMYK 44 / 20 / 0 / 17

HEX #77A9D4

RGB 119 169 212

HSL 207.74, 0.52%, 0.65%

LAB 67.32, -5.3, -27.02

 

CMYK 1 / 44 / 0 / 17

HEX #D177D4

RGB 209 119 212

HSL 298.06, 0.52%, 0.65%

LAB 62.93, 48.83, -33.18

 

CMYK 0 / 23 / 44 / 17

HEX #D4A377

RGB 212 163 119

HSL 28.39, 0.52%, 0.65%

LAB 70.54, 12.53, 29.8

 

Description

Color code: HEX #7AD478 | qconv.com Color code: HEX #7AD478 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 212 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 212 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 43 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 43% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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