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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ACD4D it is the complementary color #8532B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ACD4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ACD4D shade: #7FCD48, #90DF5B, #A1F16E, #B2FF81 and #C3FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ACD4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ACD4D shade: #7ACD4D, #69BB3A, #58A927, #479714 and #368501

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ACD4D shade: #79CD4C, #9CCD4C, #BECD4C, #CDB84C and #CD954C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ACD4D shade: #79CD4C, #57CD4C, #4CCD64, #4CCD87 and #4CCDA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ACD4D shade matches the following richer shades: #79CD4C, #74DF39 and #6EF227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ACD4D shade: #79CD4C, #7FBA5F, #84A771, #8A9584 and #8F8296

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ACD4D shade: #C0CD4C, #9DCD4C, #7BCD4C, #59CD4C and #4CCD61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ACD4D shade: #539A2C, #64BB35, #79CD4C, #91D66C and #A9DF8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ACD4D shade: #7ACD4D, #4CCDB7 and #CD4CAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ACD4D shade: #7ACD4D, #4C7BCD and #CD4C7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ACD4D shade: #7ACD4D, #4CCDB7, #9D4CCD and #CD4C61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ACD4D shade: #7ACD4D, #4CBBCD, #9D4CCD and #CD5D4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 62 / 20

HEX #7ACD4D

RGB 122 205 77

HSL 98.91, 0.56%, 0.55%

LAB 75.04, -47.5, 54.34

 

Complementary color

CMYK 25 / 72 / 0 / 30

HEX #8532B2

RGB 133 50 178

HSL 278.91, 0.56%, 0.45%

LAB 38.69, 55.83, -52.6

 

CMYK 38 / 0 / 65 / 20

HEX #7FCD48

RGB 127 205 72

HSL 95.19, 0.57%, 0.54%

LAB 75.23, -46.29, 56.72

 

CMYK 35 / 0 / 59 / 13

HEX #90DF5B

RGB 144 223 91

HSL 95.91, 0.67%, 0.62%

LAB 81.54, -46.45, 55.87

 

CMYK 33 / 0 / 54 / 5

HEX #A1F16E

RGB 161 241 110

HSL 96.64, 0.82%, 0.69%

LAB 87.78, -46.51, 54.86

 

CMYK 30 / 0 / 49 / 0

HEX #B2FF81

RGB 178 255 129

HSL 96.67, 1%, 0.75%

LAB 92.83, -44.78, 52.42

 

CMYK 24 / 0 / 42 / 0

HEX #C3FF94

RGB 195 255 148

HSL 93.64, 1%, 0.79%

LAB 94, -36.76, 45.08

 

CMYK 40 / 0 / 62 / 20

HEX #7ACD4D

RGB 122 205 77

HSL 98.91, 0.56%, 0.55%

LAB 75.04, -47.5, 54.34

 

CMYK 44 / 0 / 69 / 27

HEX #69BB3A

RGB 105 187 58

HSL 98.14, 0.53%, 0.48%

LAB 68.64, -47.24, 55.05

 

CMYK 48 / 0 / 77 / 34

HEX #58A927

RGB 88 169 39

HSL 97.38, 0.63%, 0.41%

LAB 62.17, -46.75, 55.24

 

CMYK 53 / 0 / 87 / 41

HEX #479714

RGB 71 151 20

HSL 96.64, 0.77%, 0.34%

LAB 55.61, -45.91, 54.44

 

CMYK 59 / 0 / 99 / 48

HEX #368501

RGB 54 133 1

HSL 95.91, 0.99%, 0.26%

LAB 48.96, -44.63, 52.3

 

CMYK 41 / 0 / 63 / 20

HEX #79CD4C

RGB 121 205 76

HSL 99.07, 0.56%, 0.55%

LAB 74.98, -47.91, 54.7

 

CMYK 24 / 0 / 63 / 20

HEX #9CCD4C

RGB 156 205 76

HSL 82.79, 0.56%, 0.55%

LAB 76.83, -35.56, 57.25

 

CMYK 7 / 0 / 63 / 20

HEX #BECD4C

RGB 190 205 76

HSL 66.98, 0.56%, 0.55%

LAB 79.12, -22.11, 60.38

 

CMYK 0 / 10 / 63 / 20

HEX #CDB84C

RGB 205 184 76

HSL 50.23, 0.56%, 0.55%

LAB 74.69, -5.21, 55.99

 

CMYK 0 / 27 / 63 / 20

HEX #CD954C

RGB 205 149 76

HSL 33.95, 0.56%, 0.55%

LAB 65.75, 13.48, 46.05

 

CMYK 41 / 0 / 63 / 20

HEX #79CD4C

RGB 121 205 76

HSL 99.07, 0.56%, 0.55%

LAB 74.98, -47.91, 54.7

 

CMYK 58 / 0 / 63 / 20

HEX #57CD4C

RGB 87 205 76

HSL 114.88, 0.56%, 0.55%

LAB 73.68, -57.61, 52.89

 

CMYK 63 / 0 / 51 / 20

HEX #4CCD64

RGB 76 205 100

HSL 131.16, 0.56%, 0.55%

LAB 73.62, -57.17, 41.73

 

CMYK 63 / 0 / 34 / 20

HEX #4CCD87

RGB 76 205 135

HSL 147.44, 0.56%, 0.55%

LAB 74.16, -51.29, 24.66

 

CMYK 63 / 0 / 18 / 20

HEX #4CCDA9

RGB 76 205 169

HSL 163.26, 0.56%, 0.55%

LAB 74.87, -43.92, 7.55

 

CMYK 41 / 0 / 63 / 20

HEX #79CD4C

RGB 121 205 76

HSL 99.07, 0.56%, 0.55%

LAB 74.98, -47.91, 54.7

 

CMYK 48 / 0 / 74 / 13

HEX #74DF39

RGB 116 223 57

HSL 98.67, 0.72%, 0.55%

LAB 80.06, -57.97, 67.08

 

CMYK 55 / 0 / 84 / 5

HEX #6EF227

RGB 110 242 39

HSL 99.01, 0.89%, 0.55%

LAB 85.49, -67.34, 76.97

 

CMYK 41 / 0 / 63 / 20

HEX #79CD4C

RGB 121 205 76

HSL 99.07, 0.56%, 0.55%

LAB 74.98, -47.91, 54.7

 

CMYK 32 / 0 / 49 / 27

HEX #7FBA5F

RGB 127 186 95

HSL 98.9, 0.4%, 0.55%

LAB 69.79, -35.62, 39.93

 

CMYK 21 / 0 / 32 / 35

HEX #84A771

RGB 132 167 113

HSL 98.89, 0.23%, 0.55%

LAB 64.75, -22.19, 24.14

 

CMYK 7 / 0 / 11 / 42

HEX #8A9584

RGB 138 149 132

HSL 98.82, 0.07%, 0.55%

LAB 60.39, -7.26, 7.63

 

CMYK 5 / 13 / 0 / 41

HEX #8F8296

RGB 143 130 150

HSL 279, 0.09%, 0.55%

LAB 56.09, 8.82, -8.92

 

CMYK 6 / 0 / 63 / 20

HEX #C0CD4C

RGB 192 205 76

HSL 66.05, 0.56%, 0.55%

LAB 79.27, -21.29, 60.58

 

CMYK 23 / 0 / 63 / 20

HEX #9DCD4C

RGB 157 205 76

HSL 82.33, 0.56%, 0.55%

LAB 76.89, -35.18, 57.33

 

CMYK 40 / 0 / 63 / 20

HEX #7BCD4C

RGB 123 205 76

HSL 98.14, 0.56%, 0.55%

LAB 75.07, -47.26, 54.82

 

CMYK 57 / 0 / 63 / 20

HEX #59CD4C

RGB 89 205 76

HSL 113.95, 0.56%, 0.55%

LAB 73.75, -57.11, 52.98

 

CMYK 63 / 0 / 53 / 20

HEX #4CCD61

RGB 76 205 97

HSL 129.77, 0.56%, 0.55%

LAB 73.59, -57.59, 43.13

 

CMYK 46 / 0 / 71 / 40

HEX #539A2C

RGB 83 154 44

HSL 98.73, 0.56%, 0.39%

LAB 57.2, -41.91, 48.4

 

CMYK 47 / 0 / 72 / 27

HEX #64BB35

RGB 100 187 53

HSL 98.96, 0.56%, 0.47%

LAB 68.39, -49.19, 56.63

 

CMYK 41 / 0 / 63 / 20

HEX #79CD4C

RGB 121 205 76

HSL 99.07, 0.56%, 0.55%

LAB 74.98, -47.91, 54.7

 

CMYK 32 / 0 / 50 / 16

HEX #91D66C

RGB 145 214 108

HSL 99.06, 0.56%, 0.63%

LAB 79.15, -40.42, 45.27

 

CMYK 24 / 0 / 37 / 13

HEX #A9DF8C

RGB 169 223 140

HSL 99.04, 0.56%, 0.71%

LAB 83.5, -32.13, 35.21

 

CMYK 40 / 0 / 62 / 20

HEX #7ACD4D

RGB 122 205 77

HSL 98.91, 0.56%, 0.55%

LAB 75.04, -47.5, 54.34

 

CMYK 63 / 0 / 11 / 20

HEX #4CCDB7

RGB 76 205 183

HSL 169.77, 0.56%, 0.55%

LAB 75.21, -40.47, 0.51

 

CMYK 0 / 63 / 15 / 20

HEX #CD4CAF

RGB 205 76 175

HSL 313.95, 0.56%, 0.55%

LAB 53.21, 61.74, -27.16

 

CMYK 40 / 0 / 62 / 20

HEX #7ACD4D

RGB 122 205 77

HSL 98.91, 0.56%, 0.55%

LAB 75.04, -47.5, 54.34

 

CMYK 63 / 40 / 0 / 20

HEX #4C7BCD

RGB 76 123 205

HSL 218.14, 0.56%, 0.55%

LAB 51.96, 9.73, -47.27

 

CMYK 0 / 63 / 40 / 20

HEX #CD4C7B

RGB 205 76 123

HSL 338.14, 0.56%, 0.55%

LAB 51.36, 55.08, 0.82

 

CMYK 40 / 0 / 62 / 20

HEX #7ACD4D

RGB 122 205 77

HSL 98.91, 0.56%, 0.55%

LAB 75.04, -47.5, 54.34

 

CMYK 63 / 0 / 11 / 20

HEX #4CCDB7

RGB 76 205 183

HSL 169.77, 0.56%, 0.55%

LAB 75.21, -40.47, 0.51

 

CMYK 23 / 63 / 0 / 20

HEX #9D4CCD

RGB 157 76 205

HSL 277.67, 0.56%, 0.55%

LAB 47.94, 55.14, -53.31

 

CMYK 0 / 63 / 53 / 20

HEX #CD4C61

RGB 205 76 97

HSL 350.23, 0.56%, 0.55%

LAB 50.7, 52.62, 15.51

 

CMYK 40 / 0 / 62 / 20

HEX #7ACD4D

RGB 122 205 77

HSL 98.91, 0.56%, 0.55%

LAB 75.04, -47.5, 54.34

 

CMYK 63 / 9 / 0 / 20

HEX #4CBBCD

RGB 76 187 205

HSL 188.37, 0.56%, 0.55%

LAB 70.51, -25.91, -18.45

 

CMYK 23 / 63 / 0 / 20

HEX #9D4CCD

RGB 157 76 205

HSL 277.67, 0.56%, 0.55%

LAB 47.94, 55.14, -53.31

 

CMYK 0 / 55 / 63 / 20

HEX #CD5D4C

RGB 205 93 76

HSL 7.91, 0.56%, 0.55%

LAB 53.31, 43.18, 31.25

 

Description

Color code: HEX #7ACD4D | qconv.com Color code: HEX #7ACD4D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 205 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 205 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 62 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 62% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

85% - Uživo Radio: Radio S...
Link: http://www.uzivoradio.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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