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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7ACA3E it is the complementary color #8535C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7ACA3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7ACA3E shade: #7FCA39, #90DC4C, #A1EE5F, #B2FF72 and #C3FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7ACA3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7ACA3E shade: #7ACA3E, #69B82B, #58A618, #479405 and #368200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7ACA3E shade: #7ACA3E, #A0CA3E, #C5CA3E, #CAA93E and #CA833E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7ACA3E shade: #7ACA3E, #54CA3E, #3ECA4E, #3ECA73 and #3ECA99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7ACA3E shade matches the following richer shades: #7ACA3E, #77DE2B and #74F117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7ACA3E shade: #7ACA3E, #7DB652, #80A266, #838E7A and #857B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7ACA3E shade: #C5CA3E, #A0CA3E, #7BCA3E, #56CA3E and #3ECA4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7ACA3E shade: #538F27, #66AF30, #7ACA3E, #90D35F and #A7DC7F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7ACA3E shade: #7ACA3E, #3ECAA9 and #CA3EB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7ACA3E shade: #7ACA3E, #3E7BCA and #CA3E7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7ACA3E shade: #7ACA3E, #3ECAA9, #8D3ECA and #CA3E5F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7ACA3E shade: #7ACA3E, #3EC1CA, #8D3ECA and #CA483E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

Complementary color

CMYK 31 / 73 / 0 / 24

HEX #8535C1

RGB 133 53 193

HSL 274.29, 0.57%, 0.48%

LAB 40.22, 57.88, -58.97

 

CMYK 37 / 0 / 72 / 21

HEX #7FCA39

RGB 127 202 57

HSL 91.03, 0.58%, 0.51%

LAB 74.22, -46.15, 61.46

 

CMYK 35 / 0 / 65 / 14

HEX #90DC4C

RGB 144 220 76

HSL 91.67, 0.67%, 0.58%

LAB 80.54, -46.48, 61.04

 

CMYK 32 / 0 / 60 / 7

HEX #A1EE5F

RGB 161 238 95

HSL 92.31, 0.81%, 0.65%

LAB 86.78, -46.67, 60.28

 

CMYK 30 / 0 / 55 / 0

HEX #B2FF72

RGB 178 255 114

HSL 92.77, 1%, 0.72%

LAB 92.66, -46.34, 59.01

 

CMYK 24 / 0 / 48 / 0

HEX #C3FF85

RGB 195 255 133

HSL 89.51, 1%, 0.76%

LAB 93.8, -38.5, 51.96

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 43 / 0 / 77 / 28

HEX #69B82B

RGB 105 184 43

HSL 93.62, 0.62%, 0.45%

LAB 67.62, -47.05, 59.43

 

CMYK 47 / 0 / 86 / 35

HEX #58A618

RGB 88 166 24

HSL 92.96, 0.75%, 0.37%

LAB 61.14, -46.32, 58.62

 

CMYK 52 / 0 / 97 / 42

HEX #479405

RGB 71 148 5

HSL 92.31, 0.93%, 0.3%

LAB 54.59, -45.21, 56.36

 

CMYK 58 / 0 / 100 / 49

HEX #368200

RGB 54 130 0

HSL 95.08, 1%, 0.25%

LAB 47.94, -43.54, 51.69

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 21 / 0 / 69 / 21

HEX #A0CA3E

RGB 160 202 62

HSL 78, 0.57%, 0.52%

LAB 76.11, -33.63, 62.13

 

CMYK 2 / 0 / 69 / 21

HEX #C5CA3E

RGB 197 202 62

HSL 62.14, 0.57%, 0.52%

LAB 78.73, -18.57, 65.62

 

CMYK 0 / 16 / 69 / 21

HEX #CAA93E

RGB 202 169 62

HSL 45.86, 0.57%, 0.52%

LAB 70.37, 0.57, 57.35

 

CMYK 0 / 35 / 69 / 21

HEX #CA833E

RGB 202 131 62

HSL 29.57, 0.57%, 0.52%

LAB 60.9, 21.16, 47.37

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 58 / 0 / 69 / 21

HEX #54CA3E

RGB 84 202 62

HSL 110.57, 0.57%, 0.52%

LAB 72.54, -58.56, 57.34

 

CMYK 69 / 0 / 61 / 21

HEX #3ECA4E

RGB 62 202 78

HSL 126.86, 0.57%, 0.52%

LAB 72.1, -61.63, 50.07

 

CMYK 69 / 0 / 43 / 21

HEX #3ECA73

RGB 62 202 115

HSL 142.71, 0.57%, 0.52%

LAB 72.56, -56.33, 32.85

 

CMYK 69 / 0 / 24 / 21

HEX #3ECA99

RGB 62 202 153

HSL 159, 0.57%, 0.52%

LAB 73.26, -48.7, 13.82

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 46 / 0 / 81 / 13

HEX #77DE2B

RGB 119 222 43

HSL 94.53, 0.73%, 0.52%

LAB 79.81, -57.45, 71.03

 

CMYK 52 / 0 / 90 / 5

HEX #74F117

RGB 116 241 23

HSL 94.4, 0.89%, 0.52%

LAB 85.34, -65.88, 79.82

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 31 / 0 / 55 / 29

HEX #7DB652

RGB 125 182 82

HSL 94.2, 0.41%, 0.52%

LAB 68.33, -36.01, 44.48

 

CMYK 21 / 0 / 37 / 36

HEX #80A266

RGB 128 162 102

HSL 94, 0.24%, 0.52%

LAB 62.83, -22.81, 27.49

 

CMYK 8 / 0 / 14 / 44

HEX #838E7A

RGB 131 142 122

HSL 93, 0.08%, 0.52%

LAB 57.63, -7.87, 9.31

 

CMYK 6 / 13 / 0 / 44

HEX #857B8E

RGB 133 123 142

HSL 271.58, 0.08%, 0.52%

LAB 53.06, 7.61, -8.9

 

CMYK 2 / 0 / 69 / 21

HEX #C5CA3E

RGB 197 202 62

HSL 62.14, 0.57%, 0.52%

LAB 78.73, -18.57, 65.62

 

CMYK 21 / 0 / 69 / 21

HEX #A0CA3E

RGB 160 202 62

HSL 78, 0.57%, 0.52%

LAB 76.11, -33.63, 62.13

 

CMYK 39 / 0 / 69 / 21

HEX #7BCA3E

RGB 123 202 62

HSL 93.86, 0.57%, 0.52%

LAB 74.06, -47.17, 59.39

 

CMYK 57 / 0 / 69 / 21

HEX #56CA3E

RGB 86 202 62

HSL 109.71, 0.57%, 0.52%

LAB 72.61, -58.07, 57.42

 

CMYK 69 / 0 / 62 / 21

HEX #3ECA4C

RGB 62 202 76

HSL 126, 0.57%, 0.52%

LAB 72.09, -61.85, 50.92

 

CMYK 42 / 0 / 73 / 44

HEX #538F27

RGB 83 143 39

HSL 94.62, 0.57%, 0.36%

LAB 53.63, -37.63, 46.71

 

CMYK 42 / 0 / 73 / 31

HEX #66AF30

RGB 102 175 48

HSL 94.49, 0.57%, 0.44%

LAB 64.72, -44.03, 54.8

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 32 / 0 / 55 / 17

HEX #90D35F

RGB 144 211 95

HSL 94.66, 0.57%, 0.6%

LAB 78.08, -40.88, 50.09

 

CMYK 24 / 0 / 42 / 14

HEX #A7DC7F

RGB 167 220 127

HSL 94.19, 0.57%, 0.68%

LAB 82.34, -33.16, 40.22

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 69 / 0 / 16 / 21

HEX #3ECAA9

RGB 62 202 169

HSL 165.86, 0.57%, 0.52%

LAB 73.63, -44.89, 5.73

 

CMYK 0 / 69 / 11 / 21

HEX #CA3EB3

RGB 202 62 179

HSL 309.86, 0.57%, 0.52%

LAB 50.99, 66.96, -33

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 69 / 39 / 0 / 21

HEX #3E7BCA

RGB 62 123 202

HSL 213.86, 0.57%, 0.52%

LAB 51.21, 6.33, -46.79

 

CMYK 0 / 69 / 39 / 21

HEX #CA3E7B

RGB 202 62 123

HSL 333.86, 0.57%, 0.52%

LAB 48.8, 59.81, -2.98

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 69 / 0 / 16 / 21

HEX #3ECAA9

RGB 62 202 169

HSL 165.86, 0.57%, 0.52%

LAB 73.63, -44.89, 5.73

 

CMYK 30 / 69 / 0 / 21

HEX #8D3ECA

RGB 141 62 202

HSL 273.86, 0.57%, 0.52%

LAB 43.32, 57.55, -59.13

 

CMYK 0 / 69 / 53 / 21

HEX #CA3E5F

RGB 202 62 95

HSL 345.86, 0.57%, 0.52%

LAB 48.04, 57.22, 12.98

 

CMYK 40 / 0 / 69 / 21

HEX #7ACA3E

RGB 122 202 62

HSL 94.29, 0.57%, 0.52%

LAB 74.01, -47.5, 59.32

 

CMYK 69 / 4 / 0 / 21

HEX #3EC1CA

RGB 62 193 202

HSL 183.86, 0.57%, 0.52%

LAB 71.84, -31.83, -14.84

 

CMYK 30 / 69 / 0 / 21

HEX #8D3ECA

RGB 141 62 202

HSL 273.86, 0.57%, 0.52%

LAB 43.32, 57.55, -59.13

 

CMYK 0 / 64 / 69 / 21

HEX #CA483E

RGB 202 72 62

HSL 4.29, 0.57%, 0.52%

LAB 48.93, 51, 33.82

 

Description

Color code: HEX #7ACA3E | qconv.com Color code: HEX #7ACA3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 202 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 202 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 69 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 69% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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