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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AC41A it is the complementary color #853BE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AC41A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AC41A shade: #7FC415, #90D628, #A1E83B, #B2FA4E and #C3FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AC41A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AC41A shade: #7AC41A, #69B207, #58A000, #478E00 and #367C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AC41A shade: #7BC71A, #AAC71A, #C7B51A, #C7861A and #C7571A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AC41A shade: #7BC71A, #4DC71A, #1EC71A, #1AC744 and #1AC773

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AC41A shade matches the following richer shades: #7BC71A and #7ED908

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AC41A shade: #7BC71A, #79B42C, #77A23E, #749050 and #727E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AC41A shade: #C7B51A, #AAC71A, #7CC71A, #4EC71A and #20C71A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AC41A shade: #4E7E10, #65A215, #7BC71A, #91E327 and #A4E84B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AC41A shade: #7AC41A, #1AC787 and #C71AC1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AC41A shade: #7AC41A, #1A7CC7 and #C71A7C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AC41A shade: #7AC41A, #1AC787, #651AC7 and #C71A59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AC41A shade: #7AC41A, #1AC7BB, #651AC7 and #C71A25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 87 / 23

HEX #7AC41A

RGB 122 196 26

HSL 86.12, 0.77%, 0.44%

LAB 72.02, -46.9, 68.21

 

Complementary color

CMYK 42 / 74 / 0 / 10

HEX #853BE5

RGB 133 59 229

HSL 266.12, 0.77%, 0.56%

LAB 43.9, 63.77, -73.7

 

CMYK 35 / 0 / 89 / 23

HEX #7FC415

RGB 127 196 21

HSL 83.66, 0.81%, 0.43%

LAB 72.26, -45.27, 69.46

 

CMYK 33 / 0 / 81 / 16

HEX #90D628

RGB 144 214 40

HSL 84.14, 0.69%, 0.5%

LAB 78.56, -46.07, 71.12

 

CMYK 31 / 0 / 75 / 9

HEX #A1E83B

RGB 161 232 59

HSL 84.62, 0.79%, 0.57%

LAB 84.8, -46.67, 71.74

 

CMYK 29 / 0 / 69 / 2

HEX #B2FA4E

RGB 178 250 78

HSL 85.12, 0.95%, 0.64%

LAB 90.96, -47.1, 71.68

 

CMYK 24 / 0 / 62 / 0

HEX #C3FF61

RGB 195 255 97

HSL 82.78, 1%, 0.69%

LAB 93.44, -41.82, 67.32

 

CMYK 38 / 0 / 87 / 23

HEX #7AC41A

RGB 122 196 26

HSL 86.12, 0.77%, 0.44%

LAB 72.02, -46.9, 68.21

 

CMYK 41 / 0 / 96 / 30

HEX #69B207

RGB 105 178 7

HSL 85.61, 0.92%, 0.36%

LAB 65.64, -45.9, 65.59

 

CMYK 45 / 0 / 100 / 37

HEX #58A000

RGB 88 160 0

HSL 87, 1%, 0.31%

LAB 59.17, -44.57, 61.09

 

CMYK 50 / 0 / 100 / 44

HEX #478E00

RGB 71 142 0

HSL 90, 1%, 0.28%

LAB 52.6, -42.99, 55.64

 

CMYK 56 / 0 / 100 / 51

HEX #367C00

RGB 54 124 0

HSL 93.87, 1%, 0.24%

LAB 45.91, -41.25, 50.09

 

CMYK 38 / 0 / 87 / 22

HEX #7BC71A

RGB 123 199 26

HSL 86.36, 0.77%, 0.44%

LAB 72.98, -47.78, 69.05

 

CMYK 15 / 0 / 87 / 22

HEX #AAC71A

RGB 170 199 26

HSL 70.06, 0.77%, 0.44%

LAB 75.74, -29.74, 72.48

 

CMYK 0 / 9 / 87 / 22

HEX #C7B51A

RGB 199 181 26

HSL 53.76, 0.77%, 0.44%

LAB 73.07, -8.39, 71.24

 

CMYK 0 / 33 / 87 / 22

HEX #C7861A

RGB 199 134 26

HSL 37.46, 0.77%, 0.44%

LAB 61.02, 16.82, 61.52

 

CMYK 0 / 56 / 87 / 22

HEX #C7571A

RGB 199 87 26

HSL 21.16, 0.77%, 0.44%

LAB 50.73, 41.67, 53.2

 

CMYK 38 / 0 / 87 / 22

HEX #7BC71A

RGB 123 199 26

HSL 86.36, 0.77%, 0.44%

LAB 72.98, -47.78, 69.05

 

CMYK 61 / 0 / 87 / 22

HEX #4DC71A

RGB 77 199 26

HSL 102.31, 0.77%, 0.44%

LAB 71.21, -61.35, 66.84

 

CMYK 85 / 0 / 87 / 22

HEX #1EC71A

RGB 30 199 26

HSL 118.61, 0.77%, 0.44%

LAB 70.31, -69.08, 65.7

 

CMYK 87 / 0 / 66 / 22

HEX #1AC744

RGB 26 199 68

HSL 134.57, 0.77%, 0.44%

LAB 70.51, -66.41, 52.42

 

CMYK 87 / 0 / 42 / 22

HEX #1AC773

RGB 26 199 115

HSL 150.87, 0.77%, 0.44%

LAB 71.08, -59.56, 30.81

 

CMYK 38 / 0 / 87 / 22

HEX #7BC71A

RGB 123 199 26

HSL 86.36, 0.77%, 0.44%

LAB 72.98, -47.78, 69.05

 

CMYK 42 / 0 / 96 / 15

HEX #7ED908

RGB 126 217 8

HSL 86.12, 0.93%, 0.44%

LAB 78.51, -54.31, 76.13

 

CMYK 38 / 0 / 87 / 22

HEX #7BC71A

RGB 123 199 26

HSL 86.36, 0.77%, 0.44%

LAB 72.98, -47.78, 69.05

 

CMYK 33 / 0 / 76 / 29

HEX #79B42C

RGB 121 180 44

HSL 86.03, 0.61%, 0.44%

LAB 67.19, -39.69, 58.97

 

CMYK 27 / 0 / 62 / 36

HEX #77A23E

RGB 119 162 62

HSL 85.8, 0.45%, 0.44%

LAB 61.75, -30.96, 46.16

 

CMYK 19 / 0 / 44 / 44

HEX #749050

RGB 116 144 80

HSL 86.25, 0.29%, 0.44%

LAB 56.33, -21.34, 30.75

 

CMYK 10 / 0 / 22 / 51

HEX #727E62

RGB 114 126 98

HSL 85.71, 0.13%, 0.44%

LAB 51.13, -9.84, 13.79

 

CMYK 0 / 9 / 87 / 22

HEX #C7B51A

RGB 199 181 26

HSL 53.76, 0.77%, 0.44%

LAB 73.07, -8.39, 71.24

 

CMYK 15 / 0 / 87 / 22

HEX #AAC71A

RGB 170 199 26

HSL 70.06, 0.77%, 0.44%

LAB 75.74, -29.74, 72.48

 

CMYK 38 / 0 / 87 / 22

HEX #7CC71A

RGB 124 199 26

HSL 86.01, 0.77%, 0.44%

LAB 73.03, -47.43, 69.11

 

CMYK 61 / 0 / 87 / 22

HEX #4EC71A

RGB 78 199 26

HSL 101.97, 0.77%, 0.44%

LAB 71.24, -61.11, 66.87

 

CMYK 84 / 0 / 87 / 22

HEX #20C71A

RGB 32 199 26

HSL 117.92, 0.77%, 0.44%

LAB 70.34, -68.88, 65.73

 

CMYK 38 / 0 / 87 / 51

HEX #4E7E10

RGB 78 126 16

HSL 86.18, 0.77%, 0.28%

LAB 47.72, -33.28, 48.63

 

CMYK 38 / 0 / 87 / 36

HEX #65A215

RGB 101 162 21

HSL 85.96, 0.77%, 0.36%

LAB 60.48, -40.3, 58.98

 

CMYK 38 / 0 / 87 / 22

HEX #7BC71A

RGB 123 199 26

HSL 86.36, 0.77%, 0.44%

LAB 72.98, -47.78, 69.05

 

CMYK 36 / 0 / 83 / 11

HEX #91E327

RGB 145 227 39

HSL 86.17, 0.77%, 0.52%

LAB 82.43, -51.12, 74.82

 

CMYK 29 / 0 / 68 / 9

HEX #A4E84B

RGB 164 232 75

HSL 85.99, 0.77%, 0.6%

LAB 85.05, -44.63, 66.49

 

CMYK 38 / 0 / 87 / 23

HEX #7AC41A

RGB 122 196 26

HSL 86.12, 0.77%, 0.44%

LAB 72.02, -46.9, 68.21

 

CMYK 87 / 0 / 32 / 22

HEX #1AC787

RGB 26 199 135

HSL 157.8, 0.77%, 0.44%

LAB 71.43, -55.55, 20.81

 

CMYK 0 / 87 / 3 / 22

HEX #C71AC1

RGB 199 26 193

HSL 302.08, 0.77%, 0.44%

LAB 47.92, 77.84, -46.04

 

CMYK 38 / 0 / 87 / 23

HEX #7AC41A

RGB 122 196 26

HSL 86.12, 0.77%, 0.44%

LAB 72.02, -46.9, 68.21

 

CMYK 87 / 38 / 0 / 22

HEX #1A7CC7

RGB 26 124 199

HSL 206.01, 0.77%, 0.44%

LAB 50.4, 0.6, -46.42

 

CMYK 0 / 87 / 38 / 22

HEX #C71A7C

RGB 199 26 124

HSL 326.01, 0.77%, 0.44%

LAB 44.71, 69.26, -9.74

 

CMYK 38 / 0 / 87 / 23

HEX #7AC41A

RGB 122 196 26

HSL 86.12, 0.77%, 0.44%

LAB 72.02, -46.9, 68.21

 

CMYK 87 / 0 / 32 / 22

HEX #1AC787

RGB 26 199 135

HSL 157.8, 0.77%, 0.44%

LAB 71.43, -55.55, 20.81

 

CMYK 49 / 87 / 0 / 22

HEX #651AC7

RGB 101 26 199

HSL 266.01, 0.77%, 0.44%

LAB 33.2, 64.28, -74.13

 

CMYK 0 / 87 / 55 / 22

HEX #C71A59

RGB 199 26 89

HSL 338.15, 0.77%, 0.44%

LAB 43.66, 66.29, 10.5

 

CMYK 38 / 0 / 87 / 23

HEX #7AC41A

RGB 122 196 26

HSL 86.12, 0.77%, 0.44%

LAB 72.02, -46.9, 68.21

 

CMYK 87 / 0 / 6 / 22

HEX #1AC7BB

RGB 26 199 187

HSL 175.84, 0.77%, 0.44%

LAB 72.66, -42.42, -5.5

 

CMYK 49 / 87 / 0 / 22

HEX #651AC7

RGB 101 26 199

HSL 266.01, 0.77%, 0.44%

LAB 33.2, 64.28, -74.13

 

CMYK 0 / 87 / 81 / 22

HEX #C71A25

RGB 199 26 37

HSL 356.18, 0.77%, 0.44%

LAB 42.79, 63.77, 41.06

 

Description

Color code: HEX #7AC41A | qconv.com Color code: HEX #7AC41A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 196 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 196 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 87 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 87% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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