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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AC3E2 it is the complementary color #853C1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AC3E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AC3E2 shade: #7FC3DD, #90D5F0, #A1E7FF, #B2F9FF and #C3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AC3E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AC3E2 shade: #7AC3E2, #69B1CF, #589FBC, #478DA9 and #367B96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AC3E2 shade: #79C2E2, #79A6E2, #798AE2, #8479E2 and #A179E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AC3E2 shade: #79C2E2, #79A6E2, #798AE2 and #7979E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AC3E2 shade matches the following richer shades: #79C2E2, #6CC8EF and #5FCDFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AC3E2 shade: #79C2E2, #86BDD4, #94B8C7, #A1B2BA and #AEADAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AC3E2 shade: #79E2C8, #79E0E2, #79C4E2, #79A8E2 and #798CE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AC3E2 shade: #36A4D3, #57B3DA, #79C2E2, #9BD2E9 and #BDE1F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AC3E2 shade: #7AC3E2, #AC79E2 and #E2D579

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AC3E2 shade: #7AC3E2, #E279C4 and #C4E279

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AC3E2 shade: #7AC3E2, #AC79E2, #E29779 and #AFE279

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AC3E2 shade: #7AC3E2, #CB79E2, #E29779 and #90E279

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 14 / 0 / 11

HEX #7AC3E2

RGB 122 195 226

HSL 197.88, 0.64%, 0.68%

LAB 75.24, -14.66, -22.54

 

Complementary color

CMYK 0 / 55 / 78 / 48

HEX #853C1D

RGB 133 60 29

HSL 17.88, 0.64%, 0.32%

LAB 34.61, 29.21, 33.13

 

CMYK 43 / 12 / 0 / 13

HEX #7FC3DD

RGB 127 195 221

HSL 196.6, 0.58%, 0.68%

LAB 75.3, -14.78, -19.71

 

CMYK 40 / 11 / 0 / 6

HEX #90D5F0

RGB 144 213 240

HSL 196.88, 0.76%, 0.75%

LAB 81.73, -14.9, -20.08

 

CMYK 37 / 9 / 0 / 0

HEX #A1E7FF

RGB 161 231 255

HSL 195.32, 1%, 0.82%

LAB 87.94, -15.98, -18.54

 

CMYK 30 / 2 / 0 / 0

HEX #B2F9FF

RGB 178 249 255

HSL 184.68, 1%, 0.85%

LAB 93.64, -20.44, -9.93

 

CMYK 24 / 0 / 0 / 0

HEX #C3FFFF

RGB 195 255 255

HSL 180, 1%, 0.88%

LAB 96.14, -18.63, -6.13

 

CMYK 46 / 14 / 0 / 11

HEX #7AC3E2

RGB 122 195 226

HSL 197.88, 0.64%, 0.68%

LAB 75.24, -14.66, -22.54

 

CMYK 49 / 14 / 0 / 19

HEX #69B1CF

RGB 105 177 207

HSL 197.65, 0.52%, 0.61%

LAB 68.72, -14.41, -22.18

 

CMYK 53 / 15 / 0 / 26

HEX #589FBC

RGB 88 159 188

HSL 197.4, 0.43%, 0.54%

LAB 62.08, -14.09, -21.82

 

CMYK 58 / 17 / 0 / 34

HEX #478DA9

RGB 71 141 169

HSL 197.14, 0.41%, 0.47%

LAB 55.33, -13.66, -21.45

 

CMYK 64 / 18 / 0 / 41

HEX #367B96

RGB 54 123 150

HSL 196.88, 0.47%, 0.4%

LAB 48.45, -13.06, -21.04

 

CMYK 46 / 14 / 0 / 11

HEX #79C2E2

RGB 121 194 226

HSL 198.29, 0.64%, 0.68%

LAB 74.91, -14.37, -23.04

 

CMYK 46 / 27 / 0 / 11

HEX #79A6E2

RGB 121 166 226

HSL 214.29, 0.64%, 0.68%

LAB 67.15, 0.83, -34.98

 

CMYK 46 / 39 / 0 / 11

HEX #798AE2

RGB 121 138 226

HSL 230.29, 0.64%, 0.68%

LAB 59.65, 17, -46.74

 

CMYK 42 / 46 / 0 / 11

HEX #8479E2

RGB 132 121 226

HSL 246.29, 0.64%, 0.68%

LAB 56.16, 29.71, -52.23

 

CMYK 29 / 46 / 0 / 11

HEX #A179E2

RGB 161 121 226

HSL 262.86, 0.64%, 0.68%

LAB 58.74, 37.14, -47.98

 

CMYK 46 / 14 / 0 / 11

HEX #79C2E2

RGB 121 194 226

HSL 198.29, 0.64%, 0.68%

LAB 74.91, -14.37, -23.04

 

CMYK 46 / 27 / 0 / 11

HEX #79A6E2

RGB 121 166 226

HSL 214.29, 0.64%, 0.68%

LAB 67.15, 0.83, -34.98

 

CMYK 46 / 39 / 0 / 11

HEX #798AE2

RGB 121 138 226

HSL 230.29, 0.64%, 0.68%

LAB 59.65, 17, -46.74

 

CMYK 46 / 46 / 0 / 11

HEX #7979E2

RGB 121 121 226

HSL 240, 0.64%, 0.68%

LAB 55.31, 27.1, -53.63

 

CMYK 46 / 14 / 0 / 11

HEX #79C2E2

RGB 121 194 226

HSL 198.29, 0.64%, 0.68%

LAB 74.91, -14.37, -23.04

 

CMYK 55 / 16 / 0 / 6

HEX #6CC8EF

RGB 108 200 239

HSL 197.86, 0.8%, 0.68%

LAB 76.51, -16.67, -27.64

 

CMYK 62 / 19 / 0 / 1

HEX #5FCDFC

RGB 95 205 252

HSL 197.96, 0.96%, 0.68%

LAB 77.95, -17.8, -32.44

 

CMYK 46 / 14 / 0 / 11

HEX #79C2E2

RGB 121 194 226

HSL 198.29, 0.64%, 0.68%

LAB 74.91, -14.37, -23.04

 

CMYK 37 / 11 / 0 / 17

HEX #86BDD4

RGB 134 189 212

HSL 197.69, 0.48%, 0.68%

LAB 73.69, -12.16, -17.24

 

CMYK 26 / 8 / 0 / 22

HEX #94B8C7

RGB 148 184 199

HSL 197.65, 0.31%, 0.68%

LAB 72.69, -8.67, -11.57

 

CMYK 13 / 4 / 0 / 27

HEX #A1B2BA

RGB 161 178 186

HSL 199.2, 0.15%, 0.68%

LAB 71.53, -4.22, -6.08

 

CMYK 0 / 1 / 1 / 32

HEX #AEADAD

RGB 174 173 173

HSL 0, 0.01%, 0.68%

LAB 70.8, 0.36, 0.12

 

CMYK 46 / 0 / 12 / 11

HEX #79E2C8

RGB 121 226 200

HSL 165.14, 0.64%, 0.68%

LAB 83.25, -36.63, 3.29

 

CMYK 46 / 1 / 0 / 11

HEX #79E0E2

RGB 121 224 226

HSL 181.14, 0.64%, 0.68%

LAB 83.37, -29.42, -10.29

 

CMYK 46 / 13 / 0 / 11

HEX #79C4E2

RGB 121 196 226

HSL 197.14, 0.64%, 0.68%

LAB 75.47, -15.41, -22.18

 

CMYK 46 / 26 / 0 / 11

HEX #79A8E2

RGB 121 168 226

HSL 213.14, 0.64%, 0.68%

LAB 67.7, -0.29, -34.13

 

CMYK 46 / 38 / 0 / 11

HEX #798CE2

RGB 121 140 226

HSL 229.14, 0.64%, 0.68%

LAB 60.17, 15.82, -45.92

 

CMYK 74 / 22 / 0 / 17

HEX #36A4D3

RGB 54 164 211

HSL 197.96, 0.64%, 0.52%

LAB 63.37, -15.26, -32.76

 

CMYK 60 / 18 / 0 / 15

HEX #57B3DA

RGB 87 179 218

HSL 197.86, 0.64%, 0.6%

LAB 68.99, -15.96, -27.87

 

CMYK 46 / 14 / 0 / 11

HEX #79C2E2

RGB 121 194 226

HSL 198.29, 0.64%, 0.68%

LAB 74.91, -14.37, -23.04

 

CMYK 33 / 10 / 0 / 9

HEX #9BD2E9

RGB 155 210 233

HSL 197.69, 0.64%, 0.76%

LAB 81.26, -12.21, -17.01

 

CMYK 21 / 6 / 0 / 6

HEX #BDE1F0

RGB 189 225 240

HSL 197.65, 0.63%, 0.84%

LAB 87.47, -8.55, -11.22

 

CMYK 46 / 14 / 0 / 11

HEX #7AC3E2

RGB 122 195 226

HSL 197.88, 0.64%, 0.68%

LAB 75.24, -14.66, -22.54

 

CMYK 24 / 46 / 0 / 11

HEX #AC79E2

RGB 172 121 226

HSL 269.14, 0.64%, 0.68%

LAB 59.83, 40.12, -46.17

 

CMYK 0 / 6 / 46 / 11

HEX #E2D579

RGB 226 213 121

HSL 52.57, 0.64%, 0.68%

LAB 84.55, -7.85, 46.84

 

CMYK 46 / 14 / 0 / 11

HEX #7AC3E2

RGB 122 195 226

HSL 197.88, 0.64%, 0.68%

LAB 75.24, -14.66, -22.54

 

CMYK 0 / 46 / 13 / 11

HEX #E279C4

RGB 226 121 196

HSL 317.14, 0.64%, 0.68%

LAB 64.83, 50.24, -21.09

 

CMYK 13 / 0 / 46 / 11

HEX #C4E279

RGB 196 226 121

HSL 77.14, 0.64%, 0.68%

LAB 85.76, -26.01, 47.81

 

CMYK 46 / 14 / 0 / 11

HEX #7AC3E2

RGB 122 195 226

HSL 197.88, 0.64%, 0.68%

LAB 75.24, -14.66, -22.54

 

CMYK 24 / 46 / 0 / 11

HEX #AC79E2

RGB 172 121 226

HSL 269.14, 0.64%, 0.68%

LAB 59.83, 40.12, -46.17

 

CMYK 0 / 33 / 46 / 11

HEX #E29779

RGB 226 151 121

HSL 17.14, 0.64%, 0.68%

LAB 69.24, 24.8, 27.29

 

CMYK 23 / 0 / 46 / 11

HEX #AFE279

RGB 175 226 121

HSL 89.14, 0.64%, 0.68%

LAB 84.43, -33.8, 45.86

 

CMYK 46 / 14 / 0 / 11

HEX #7AC3E2

RGB 122 195 226

HSL 197.88, 0.64%, 0.68%

LAB 75.24, -14.66, -22.54

 

CMYK 10 / 46 / 0 / 11

HEX #CB79E2

RGB 203 121 226

HSL 286.86, 0.64%, 0.68%

LAB 63.23, 48.75, -40.59

 

CMYK 0 / 33 / 46 / 11

HEX #E29779

RGB 226 151 121

HSL 17.14, 0.64%, 0.68%

LAB 69.24, 24.8, 27.29

 

CMYK 36 / 0 / 46 / 11

HEX #90E279

RGB 144 226 121

HSL 106.86, 0.64%, 0.68%

LAB 82.75, -44.38, 43.42

 

Description

Color code: HEX #7AC3E2 | qconv.com Color code: HEX #7AC3E2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 195 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 195 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 14 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 14% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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