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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AC204 it is the complementary color #853DFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AC204. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AC204 shade: #7FC200, #90D412, #A1E625, #B2F838 and #C3FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AC204. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AC204 shade: #7AC204, #69B000, #589E00, #478C00 and #367A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AC204 shade: #7BC304, #AEC304, #C3A404, #C37104 and #C33D04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AC204 shade: #7BC304, #47C304, #14C304, #04C328 and #04C35B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AC204 shade matches the following richer shades: #7BC304

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AC204 shade: #7BC304, #77B314, #73A324, #6F9334 and #6B8344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AC204 shade: #C3A304, #B0C304, #7DC304, #4AC304 and #17C304

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AC204 shade: #487202, #619A03, #7BC304, #94EB05 and #A7FA1F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AC204 shade: #7AC204, #04C370 and #BD04C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AC204 shade: #7AC204, #047DC3 and #C3047D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AC204 shade: #7AC204, #04C370, #4A04C3 and #C30457

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AC204 shade: #7AC204, #04C3A9, #4A04C3 and #C3041D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 98 / 24

HEX #7AC204

RGB 122 194 4

HSL 82.74, 0.96%, 0.39%

LAB 71.37, -46.54, 70.82

 

Complementary color

CMYK 47 / 76 / 0 / 2

HEX #853DFB

RGB 133 61 251

HSL 262.74, 0.96%, 0.61%

LAB 46.03, 68.29, -82.61

 

CMYK 35 / 0 / 100 / 24

HEX #7FC200

RGB 127 194 0

HSL 80.72, 1%, 0.38%

LAB 71.62, -44.8, 71.56

 

CMYK 32 / 0 / 92 / 17

HEX #90D412

RGB 144 212 18

HSL 81.03, 0.84%, 0.45%

LAB 77.91, -45.88, 74.92

 

CMYK 30 / 0 / 84 / 10

HEX #A1E625

RGB 161 230 37

HSL 81.45, 0.79%, 0.52%

LAB 84.12, -46.76, 77.06

 

CMYK 28 / 0 / 77 / 3

HEX #B2F838

RGB 178 248 56

HSL 81.88, 0.93%, 0.6%

LAB 90.27, -47.44, 78.11

 

CMYK 24 / 0 / 71 / 0

HEX #C3FF4B

RGB 195 255 75

HSL 80, 1%, 0.65%

LAB 93.29, -43.27, 75.39

 

CMYK 37 / 0 / 98 / 24

HEX #7AC204

RGB 122 194 4

HSL 82.74, 0.96%, 0.39%

LAB 71.37, -46.54, 70.82

 

CMYK 40 / 0 / 100 / 31

HEX #69B000

RGB 105 176 0

HSL 84.2, 1%, 0.35%

LAB 65.01, -45.21, 65.97

 

CMYK 44 / 0 / 100 / 38

HEX #589E00

RGB 88 158 0

HSL 86.58, 1%, 0.31%

LAB 58.54, -43.76, 60.59

 

CMYK 49 / 0 / 100 / 45

HEX #478C00

RGB 71 140 0

HSL 89.57, 1%, 0.27%

LAB 51.95, -42.2, 55.12

 

CMYK 56 / 0 / 100 / 52

HEX #367A00

RGB 54 122 0

HSL 93.44, 1%, 0.24%

LAB 45.23, -40.47, 49.55

 

CMYK 37 / 0 / 98 / 24

HEX #7BC304

RGB 123 195 4

HSL 82.62, 0.96%, 0.39%

LAB 71.72, -46.6, 71.12

 

CMYK 11 / 0 / 98 / 24

HEX #AEC304

RGB 174 195 4

HSL 66.6, 0.96%, 0.39%

LAB 74.85, -26.53, 74.88

 

CMYK 0 / 16 / 98 / 24

HEX #C3A404

RGB 195 164 4

HSL 50.26, 0.96%, 0.39%

LAB 68.14, -1.57, 70.72

 

CMYK 0 / 42 / 98 / 24

HEX #C37104

RGB 195 113 4

HSL 34.24, 0.96%, 0.39%

LAB 55.5, 26.19, 61.97

 

CMYK 0 / 69 / 98 / 24

HEX #C33D04

RGB 195 61 4

HSL 17.91, 0.96%, 0.39%

LAB 45.56, 51.53, 55.91

 

CMYK 37 / 0 / 98 / 24

HEX #7BC304

RGB 123 195 4

HSL 82.62, 0.96%, 0.39%

LAB 71.72, -46.6, 71.12

 

CMYK 64 / 0 / 98 / 24

HEX #47C304

RGB 71 195 4

HSL 98.95, 0.96%, 0.39%

LAB 69.74, -61.94, 68.7

 

CMYK 90 / 0 / 98 / 24

HEX #14C304

RGB 20 195 4

HSL 114.97, 0.96%, 0.39%

LAB 68.89, -69.36, 67.66

 

CMYK 98 / 0 / 79 / 24

HEX #04C328

RGB 4 195 40

HSL 131.31, 0.96%, 0.39%

LAB 68.9, -68.82, 60.83

 

CMYK 98 / 0 / 53 / 24

HEX #04C35B

RGB 4 195 91

HSL 147.33, 0.96%, 0.39%

LAB 69.33, -63.39, 40.61

 

CMYK 37 / 0 / 98 / 24

HEX #7BC304

RGB 123 195 4

HSL 82.62, 0.96%, 0.39%

LAB 71.72, -46.6, 71.12

 

CMYK 37 / 0 / 98 / 24

HEX #7BC304

RGB 123 195 4

HSL 82.62, 0.96%, 0.39%

LAB 71.72, -46.6, 71.12

 

CMYK 34 / 0 / 89 / 30

HEX #77B314

RGB 119 179 20

HSL 82.64, 0.8%, 0.39%

LAB 66.68, -41, 64.82

 

CMYK 29 / 0 / 78 / 36

HEX #73A324

RGB 115 163 36

HSL 82.68, 0.64%, 0.39%

LAB 61.63, -34.81, 56.18

 

CMYK 24 / 0 / 65 / 42

HEX #6F9334

RGB 111 147 52

HSL 82.74, 0.48%, 0.39%

LAB 56.58, -27.81, 44.83

 

CMYK 18 / 0 / 48 / 49

HEX #6B8344

RGB 107 131 68

HSL 82.86, 0.32%, 0.39%

LAB 51.58, -19.77, 31.1

 

CMYK 0 / 16 / 98 / 24

HEX #C3A304

RGB 195 163 4

HSL 49.95, 0.96%, 0.39%

LAB 67.88, -1.04, 70.53

 

CMYK 10 / 0 / 98 / 24

HEX #B0C304

RGB 176 195 4

HSL 65.97, 0.96%, 0.39%

LAB 74.99, -25.69, 75.05

 

CMYK 36 / 0 / 98 / 24

HEX #7DC304

RGB 125 195 4

HSL 81.99, 0.96%, 0.39%

LAB 71.82, -45.88, 71.24

 

CMYK 62 / 0 / 98 / 24

HEX #4AC304

RGB 74 195 4

HSL 98.01, 0.96%, 0.39%

LAB 69.82, -61.25, 68.8

 

CMYK 88 / 0 / 98 / 24

HEX #17C304

RGB 23 195 4

HSL 114.03, 0.96%, 0.39%

LAB 68.91, -69.15, 67.69

 

CMYK 37 / 0 / 98 / 55

HEX #487202

RGB 72 114 2

HSL 82.5, 0.97%, 0.23%

LAB 43.38, -30.63, 48.01

 

CMYK 37 / 0 / 98 / 40

HEX #619A03

RGB 97 154 3

HSL 82.65, 0.96%, 0.31%

LAB 57.71, -38.79, 59.68

 

CMYK 37 / 0 / 98 / 24

HEX #7BC304

RGB 123 195 4

HSL 82.62, 0.96%, 0.39%

LAB 71.72, -46.6, 71.12

 

CMYK 37 / 0 / 98 / 8

HEX #94EB05

RGB 148 235 5

HSL 82.7, 0.96%, 0.47%

LAB 84.86, -54.04, 81.83

 

CMYK 33 / 0 / 88 / 2

HEX #A7FA1F

RGB 167 250 31

HSL 82.74, 0.96%, 0.55%

LAB 90.18, -53.04, 83.47

 

CMYK 37 / 0 / 98 / 24

HEX #7AC204

RGB 122 194 4

HSL 82.74, 0.96%, 0.39%

LAB 71.37, -46.54, 70.82

 

CMYK 98 / 0 / 43 / 24

HEX #04C370

RGB 4 195 112

HSL 153.93, 0.96%, 0.39%

LAB 69.63, -59.84, 30.44

 

CMYK 3 / 98 / 0 / 24

HEX #BD04C3

RGB 189 4 195

HSL 298.12, 0.96%, 0.39%

LAB 45.42, 78.98, -51.3

 

CMYK 37 / 0 / 98 / 24

HEX #7AC204

RGB 122 194 4

HSL 82.74, 0.96%, 0.39%

LAB 71.37, -46.54, 70.82

 

CMYK 98 / 36 / 0 / 24

HEX #047DC3

RGB 4 125 195

HSL 201.99, 0.96%, 0.39%

LAB 50.26, -2.58, -44.39

 

CMYK 0 / 98 / 36 / 24

HEX #C3047D

RGB 195 4 125

HSL 321.99, 0.96%, 0.39%

LAB 43.02, 71.23, -12.99

 

CMYK 37 / 0 / 98 / 24

HEX #7AC204

RGB 122 194 4

HSL 82.74, 0.96%, 0.39%

LAB 71.37, -46.54, 70.82

 

CMYK 98 / 0 / 43 / 24

HEX #04C370

RGB 4 195 112

HSL 153.93, 0.96%, 0.39%

LAB 69.63, -59.84, 30.44

 

CMYK 62 / 98 / 0 / 24

HEX #4A04C3

RGB 74 4 195

HSL 261.99, 0.96%, 0.39%

LAB 28.07, 65.79, -80.37

 

CMYK 0 / 98 / 55 / 24

HEX #C30457

RGB 195 4 87

HSL 333.93, 0.96%, 0.39%

LAB 41.81, 68.03, 9.06

 

CMYK 37 / 0 / 98 / 24

HEX #7AC204

RGB 122 194 4

HSL 82.74, 0.96%, 0.39%

LAB 71.37, -46.54, 70.82

 

CMYK 98 / 0 / 13 / 24

HEX #04C3A9

RGB 4 195 169

HSL 171.83, 0.96%, 0.39%

LAB 70.82, -46.64, 1.57

 

CMYK 62 / 98 / 0 / 24

HEX #4A04C3

RGB 74 4 195

HSL 261.99, 0.96%, 0.39%

LAB 28.07, 65.79, -80.37

 

CMYK 0 / 98 / 85 / 24

HEX #C3041D

RGB 195 4 29

HSL 352.15, 0.96%, 0.39%

LAB 40.86, 65.45, 43.27

 

Description

Color code: HEX #7AC204 | qconv.com Color code: HEX #7AC204 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 194 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 194 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 98 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 98% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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