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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7AB4ECCE it is the complementary color #854B13CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7AB4ECCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7AB4ECCE shade: #7FB4E7CE, #90C6FACE, #A1D8FFCE, #B2EAFFCE and #C3FCFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7AB4ECCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7AB4ECCE shade: #7AB4ECCE, #69A2D9CE, #5890C6CE, #477EB3CE and #366CA0CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7AB4ECCE shade: #79B4EC, #7995EC, #7D79EC, #9C79EC and #BB79EC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7AB4ECCE shade: #79B4EC, #7995EC and #7979EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7AB4ECCE shade matches the following richer shades: #79B4EC and #6DB4F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7AB4ECCE shade: #79B4EC, #86B3DF, #92B3D3, #9EB3C7 and #ABB3BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7AB4ECCE shade: #79ECE6, #79D3EC, #79B4EC, #7996EC and #7B79EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7AB4ECCE shade: #318BE2, #559FE7, #79B4EC, #9DC8F1 and #C1DCF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7AB4ECCE shade: #7AB4EC, #C879EC and #E2EC79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7AB4ECCE shade: #7AB4EC, #EC79B4 and #B4EC79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7AB4ECCE shade: #7AB4EC, #C879EC, #ECB179 and #9DEC79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7AB4ECCE shade: #7AB4EC, #EA79EC, #ECB179 and #7BEC79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 19 / 0 / 6

HEX #7AB4ECCE

RGBA 122 180 236 0.81

HSLA 209.47, 0.75%, 0.7%, 0.81

LABA 71.44, -3.82, -33.78, 0.81

 

Complementary color

CMYK 0 / 35 / 69 / 39

HEX #854B13CE

RGBA 133 75 19 0.81

HSLA 29.47, 0.75%, 0.3%, 0.81

LABA 37.96, 20.36, 41.07, 0.81

 

CMYK 36 / 18 / 0 / 8

HEX #7FB4E7CE

RGBA 127 180 231 0.81

HSLA 209.42, 0.68%, 0.7%, 0.81

LABA 71.5, -4.05, -30.95, 0.81

 

CMYK 34 / 17 / 0 / 2

HEX #90C6FACE

RGBA 144 198 250 0.81

HSLA 209.43, 0.91%, 0.77%, 0.81

LABA 78, -4.41, -31.11, 0.81

 

CMYK 30 / 12 / 0 / 0

HEX #A1D8FFCE

RGBA 161 216 255 0.81

HSLA 204.89, 1%, 0.82%, 0.81

LABA 83.92, -8.29, -24.64, 0.81

 

CMYK 24 / 7 / 0 / 0

HEX #B2EAFFCE

RGBA 178 234 255 0.81

HSLA 196.36, 1%, 0.85%, 0.81

LABA 89.64, -12.96, -15.9, 0.81

 

CMYK 19 / 1 / 0 / 0

HEX #C3FCFFCE

RGBA 195 252 255 0.81

HSLA 183, 1%, 0.88%, 0.81

LABA 95.35, -17.16, -7.3, 0.81

 

CMYK 39 / 19 / 0 / 6

HEX #7AB4ECCE

RGBA 122 180 236 0.81

HSLA 209.47, 0.75%, 0.7%, 0.81

LABA 71.44, -3.82, -33.78, 0.81

 

CMYK 42 / 21 / 0 / 12

HEX #69A2D9CE

RGBA 105 162 217 0.81

HSLA 209.46, 0.6%, 0.63%, 0.81

LABA 64.85, -3.3, -33.66, 0.81

 

CMYK 45 / 22 / 0 / 18

HEX #5890C6CE

RGBA 88 144 198 0.81

HSLA 209.45, 0.49%, 0.56%, 0.81

LABA 58.13, -2.66, -33.56, 0.81

 

CMYK 49 / 24 / 0 / 24

HEX #477EB3CE

RGBA 71 126 179 0.81

HSLA 209.44, 0.43%, 0.49%, 0.81

LABA 51.29, -1.85, -33.47, 0.81

 

CMYK 54 / 26 / 0 / 30

HEX #366CA0CE

RGBA 54 108 160 0.81

HSLA 209.43, 0.5%, 0.42%, 0.81

LABA 44.3, -0.8, -33.39, 0.81

 

CMYK 49 / 24 / 0 / 7

HEX #79B4EC

RGB 121 180 236

HSL 209.22, 0.75%, 0.7%

LAB 71.39, -4.06, -33.86

 

CMYK 49 / 37 / 0 / 7

HEX #7995EC

RGB 121 149 236

HSL 225.39, 0.75%, 0.7%

LAB 63.02, 13.52, -46.95

 

CMYK 47 / 49 / 0 / 7

HEX #7D79EC

RGB 125 121 236

HSL 242.09, 0.75%, 0.7%

LAB 56.18, 30.96, -57.81

 

CMYK 34 / 49 / 0 / 7

HEX #9C79EC

RGB 156 121 236

HSL 258.26, 0.75%, 0.7%

LAB 58.79, 38.35, -53.5

 

CMYK 21 / 49 / 0 / 7

HEX #BB79EC

RGB 187 121 236

HSL 274.43, 0.75%, 0.7%

LAB 61.91, 46.44, -48.35

 

CMYK 49 / 24 / 0 / 7

HEX #79B4EC

RGB 121 180 236

HSL 209.22, 0.75%, 0.7%

LAB 71.39, -4.06, -33.86

 

CMYK 49 / 37 / 0 / 7

HEX #7995EC

RGB 121 149 236

HSL 225.39, 0.75%, 0.7%

LAB 63.02, 13.52, -46.95

 

CMYK 49 / 49 / 0 / 7

HEX #7979EC

RGB 121 121 236

HSL 240, 0.75%, 0.7%

LAB 55.88, 30.07, -58.3

 

CMYK 49 / 24 / 0 / 7

HEX #79B4EC

RGB 121 180 236

HSL 209.22, 0.75%, 0.7%

LAB 71.39, -4.06, -33.86

 

CMYK 56 / 27 / 0 / 3

HEX #6DB4F8

RGB 109 180 248

HSL 209.35, 0.91%, 0.7%

LAB 71.33, -3.08, -40.51

 

CMYK 49 / 24 / 0 / 7

HEX #79B4EC

RGB 121 180 236

HSL 209.22, 0.75%, 0.7%

LAB 71.39, -4.06, -33.86

 

CMYK 40 / 20 / 0 / 13

HEX #86B3DF

RGB 134 179 223

HSL 209.66, 0.58%, 0.7%

LAB 71.31, -3.92, -26.86

 

CMYK 31 / 15 / 0 / 17

HEX #92B3D3

RGB 146 179 211

HSL 209.54, 0.42%, 0.7%

LAB 71.59, -3.7, -19.8

 

CMYK 21 / 10 / 0 / 22

HEX #9EB3C7

RGB 158 179 199

HSL 209.27, 0.27%, 0.7%

LAB 71.98, -2.89, -12.56

 

CMYK 8 / 4 / 0 / 27

HEX #ABB3BA

RGB 171 179 186

HSL 208, 0.1%, 0.7%

LAB 72.52, -1.4, -4.53

 

CMYK 49 / 0 / 3 / 7

HEX #79ECE6

RGB 121 236 230

HSL 176.87, 0.75%, 0.7%

LAB 86.88, -34.1, -7.19

 

CMYK 49 / 11 / 0 / 7

HEX #79D3EC

RGB 121 211 236

HSL 193.04, 0.75%, 0.7%

LAB 80.02, -20.39, -20.65

 

CMYK 49 / 24 / 0 / 7

HEX #79B4EC

RGB 121 180 236

HSL 209.22, 0.75%, 0.7%

LAB 71.39, -4.06, -33.86

 

CMYK 49 / 36 / 0 / 7

HEX #7996EC

RGB 121 150 236

HSL 224.87, 0.75%, 0.7%

LAB 63.29, 12.94, -46.53

 

CMYK 48 / 49 / 0 / 7

HEX #7B79EC

RGB 123 121 236

HSL 241.04, 0.75%, 0.7%

LAB 56.03, 30.51, -58.06

 

CMYK 78 / 38 / 0 / 11

HEX #318BE2

RGB 49 139 226

HSL 209.49, 0.75%, 0.54%

LAB 56.69, 3.69, -51.63

 

CMYK 63 / 31 / 0 / 9

HEX #559FE7

RGB 85 159 231

HSL 209.59, 0.75%, 0.62%

LAB 63.75, -1.19, -43.17

 

CMYK 49 / 24 / 0 / 7

HEX #79B4EC

RGB 121 180 236

HSL 209.22, 0.75%, 0.7%

LAB 71.39, -4.06, -33.86

 

CMYK 35 / 17 / 0 / 5

HEX #9DC8F1

RGB 157 200 241

HSL 209.29, 0.75%, 0.78%

LAB 78.94, -4.43, -24.8

 

CMYK 22 / 11 / 0 / 4

HEX #C1DCF6

RGB 193 220 246

HSL 209.43, 0.75%, 0.86%

LAB 86.59, -3.46, -15.66

 

CMYK 48 / 24 / 0 / 7

HEX #7AB4EC

RGB 122 180 236

HSL 209.47, 0.75%, 0.7%

LAB 71.44, -3.82, -33.78

 

CMYK 15 / 49 / 0 / 7

HEX #C879EC

RGB 200 121 236

HSL 281.22, 0.75%, 0.7%

LAB 63.35, 49.95, -45.98

 

CMYK 4 / 0 / 49 / 7

HEX #E2EC79

RGB 226 236 121

HSL 65.22, 0.75%, 0.7%

LAB 90.57, -19.26, 54.12

 

CMYK 48 / 24 / 0 / 7

HEX #7AB4EC

RGB 122 180 236

HSL 209.47, 0.75%, 0.7%

LAB 71.44, -3.82, -33.78

 

CMYK 0 / 49 / 24 / 7

HEX #EC79B4

RGB 236 121 180

HSL 329.22, 0.75%, 0.7%

LAB 65.59, 51.03, -10.77

 

CMYK 24 / 0 / 49 / 7

HEX #B4EC79

RGB 180 236 121

HSL 89.22, 0.75%, 0.7%

LAB 87.52, -36.57, 49.73

 

CMYK 48 / 24 / 0 / 7

HEX #7AB4EC

RGB 122 180 236

HSL 209.47, 0.75%, 0.7%

LAB 71.44, -3.82, -33.78

 

CMYK 15 / 49 / 0 / 7

HEX #C879EC

RGB 200 121 236

HSL 281.22, 0.75%, 0.7%

LAB 63.35, 49.95, -45.98

 

CMYK 0 / 25 / 49 / 7

HEX #ECB179

RGB 236 177 121

HSL 29.22, 0.75%, 0.7%

LAB 76.47, 14.93, 36.91

 

CMYK 33 / 0 / 49 / 7

HEX #9DEC79

RGB 157 236 121

HSL 101.22, 0.75%, 0.7%

LAB 86.28, -44.47, 47.92

 

CMYK 48 / 24 / 0 / 7

HEX #7AB4EC

RGB 122 180 236

HSL 209.47, 0.75%, 0.7%

LAB 71.44, -3.82, -33.78

 

CMYK 1 / 49 / 0 / 7

HEX #EA79EC

RGB 234 121 236

HSL 298.96, 0.75%, 0.7%

LAB 67.44, 59.27, -39.27

 

CMYK 0 / 25 / 49 / 7

HEX #ECB179

RGB 236 177 121

HSL 29.22, 0.75%, 0.7%

LAB 76.47, 14.93, 36.91

 

CMYK 48 / 0 / 49 / 7

HEX #7BEC79

RGB 123 236 121

HSL 118.96, 0.75%, 0.7%

LAB 84.78, -54.74, 45.75

 

Description

Color code: HEX #7AB4ECCE | qconv.com Color code: HEX #7AB4ECCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 180 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 180 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 19 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 19% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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