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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A8FA3 it is the complementary color #85705C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A8FA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A8FA3 shade: #7F8F9E, #90A1B1, #A1B3C4, #B2C5D7 and #C3D7EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A8FA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A8FA3 shade: #7A8FA3, #697D90, #586B7D, #47596A and #364757

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A8FA3 shade: #7A8FA2, #7A84A2, #7B7AA2, #867AA2 and #917AA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A8FA3 shade: #7A8FA2, #7A84A2 and #7A7AA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A8FA3 shade matches the following richer shades: #7A8FA2, #688FB5, #5690C7, #4490D9 and #3191EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A8FA3 shade: #7A8FA2, #8C8E90, #9E8E7E, #B18D6C and #C38D5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A8FA3 shade: #7AA2A0, #7A9AA2, #7A8FA2, #7A84A2 and #7B7AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A8FA3 shade: #536577, #647A90, #7A8FA2, #92A3B3 and #ABB8C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A8FA3 shade: #7A8FA3, #967AA2 and #9FA27A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A8FA3 shade: #7A8FA3, #A27A8F and #8FA27A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A8FA3 shade: #7A8FA3, #967AA2, #A28E7A and #87A27A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A8FA3 shade: #7A8FA3, #A27AA2, #A28E7A and #7BA27A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 12 / 0 / 36

HEX #7A8FA3

RGB 122 143 163

HSL 209.27, 0.18%, 0.56%

LAB 58.44, -2.83, -13.04

 

Complementary color

CMYK 0 / 16 / 31 / 48

HEX #85705C

RGB 133 112 92

HSL 29.27, 0.18%, 0.44%

LAB 48.7, 5.04, 14.19

 

CMYK 20 / 9 / 0 / 38

HEX #7F8F9E

RGB 127 143 158

HSL 209.03, 0.14%, 0.56%

LAB 58.63, -2.39, -9.86

 

CMYK 19 / 9 / 0 / 31

HEX #90A1B1

RGB 144 161 177

HSL 209.09, 0.17%, 0.63%

LAB 65.43, -2.5, -10.3

 

CMYK 18 / 9 / 0 / 23

HEX #A1B3C4

RGB 161 179 196

HSL 209.14, 0.23%, 0.7%

LAB 72.1, -2.61, -10.73

 

CMYK 17 / 8 / 0 / 16

HEX #B2C5D7

RGB 178 197 215

HSL 209.19, 0.32%, 0.77%

LAB 78.64, -2.71, -11.16

 

CMYK 17 / 8 / 0 / 8

HEX #C3D7EA

RGB 195 215 234

HSL 209.23, 0.48%, 0.84%

LAB 85.07, -2.81, -11.59

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA3

RGB 122 143 163

HSL 209.27, 0.18%, 0.56%

LAB 58.44, -2.83, -13.04

 

CMYK 27 / 13 / 0 / 44

HEX #697D90

RGB 105 125 144

HSL 209.23, 0.16%, 0.49%

LAB 51.48, -2.7, -12.67

 

CMYK 30 / 14 / 0 / 51

HEX #586B7D

RGB 88 107 125

HSL 209.19, 0.17%, 0.42%

LAB 44.33, -2.55, -12.32

 

CMYK 33 / 16 / 0 / 58

HEX #47596A

RGB 71 89 106

HSL 209.14, 0.2%, 0.35%

LAB 36.98, -2.39, -11.98

 

CMYK 38 / 18 / 0 / 66

HEX #364757

RGB 54 71 87

HSL 209.09, 0.23%, 0.28%

LAB 29.36, -2.18, -11.67

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA2

RGB 122 143 162

HSL 208.5, 0.18%, 0.56%

LAB 58.41, -3.07, -12.51

 

CMYK 25 / 19 / 0 / 36

HEX #7A84A2

RGB 122 132 162

HSL 225, 0.18%, 0.56%

LAB 55.33, 3.22, -17.17

 

CMYK 24 / 25 / 0 / 36

HEX #7B7AA2

RGB 123 122 162

HSL 241.5, 0.18%, 0.56%

LAB 52.66, 9.4, -21.24

 

CMYK 17 / 25 / 0 / 36

HEX #867AA2

RGB 134 122 162

HSL 258, 0.18%, 0.56%

LAB 53.6, 13, -19.73

 

CMYK 10 / 25 / 0 / 36

HEX #917AA2

RGB 145 122 162

HSL 274.5, 0.18%, 0.56%

LAB 54.6, 16.71, -18.1

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA2

RGB 122 143 162

HSL 208.5, 0.18%, 0.56%

LAB 58.41, -3.07, -12.51

 

CMYK 25 / 19 / 0 / 36

HEX #7A84A2

RGB 122 132 162

HSL 225, 0.18%, 0.56%

LAB 55.33, 3.22, -17.17

 

CMYK 25 / 25 / 0 / 36

HEX #7A7AA2

RGB 122 122 162

HSL 240, 0.18%, 0.56%

LAB 52.58, 9.08, -21.37

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA2

RGB 122 143 162

HSL 208.5, 0.18%, 0.56%

LAB 58.41, -3.07, -12.51

 

CMYK 43 / 21 / 0 / 29

HEX #688FB5

RGB 104 143 181

HSL 209.61, 0.34%, 0.56%

LAB 57.97, -3.35, -24.12

 

CMYK 57 / 28 / 0 / 22

HEX #5690C7

RGB 86 144 199

HSL 209.2, 0.5%, 0.56%

LAB 58.08, -2.77, -34.2

 

CMYK 69 / 34 / 0 / 15

HEX #4490D9

RGB 68 144 217

HSL 209.4, 0.66%, 0.56%

LAB 58.21, -0.03, -44.16

 

CMYK 79 / 38 / 0 / 8

HEX #3191EB

RGB 49 145 235

HSL 209.03, 0.82%, 0.56%

LAB 58.88, 3.41, -53.15

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA2

RGB 122 143 162

HSL 208.5, 0.18%, 0.56%

LAB 58.41, -3.07, -12.51

 

CMYK 3 / 1 / 0 / 44

HEX #8C8E90

RGB 140 142 144

HSL 210, 0.02%, 0.56%

LAB 58.91, -0.33, -1.32

 

CMYK 0 / 10 / 20 / 38

HEX #9E8E7E

RGB 158 142 126

HSL 30, 0.14%, 0.56%

LAB 60, 3.28, 10.7

 

CMYK 0 / 20 / 39 / 31

HEX #B18D6C

RGB 177 141 108

HSL 28.7, 0.31%, 0.56%

LAB 61.2, 9.03, 22.78

 

CMYK 0 / 28 / 54 / 24

HEX #C38D5A

RGB 195 141 90

HSL 29.14, 0.47%, 0.56%

LAB 62.84, 14.7, 35.11

 

CMYK 25 / 0 / 1 / 36

HEX #7AA2A0

RGB 122 162 160

HSL 177, 0.18%, 0.56%

LAB 63.77, -13.96, -3.4

 

CMYK 25 / 5 / 0 / 36

HEX #7A9AA2

RGB 122 154 162

HSL 192, 0.18%, 0.56%

LAB 61.53, -9.18, -7.84

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA2

RGB 122 143 162

HSL 208.5, 0.18%, 0.56%

LAB 58.41, -3.07, -12.51

 

CMYK 25 / 19 / 0 / 36

HEX #7A84A2

RGB 122 132 162

HSL 225, 0.18%, 0.56%

LAB 55.33, 3.22, -17.17

 

CMYK 24 / 25 / 0 / 36

HEX #7B7AA2

RGB 123 122 162

HSL 241.5, 0.18%, 0.56%

LAB 52.66, 9.4, -21.24

 

CMYK 30 / 15 / 0 / 53

HEX #536577

RGB 83 101 119

HSL 210, 0.18%, 0.4%

LAB 41.97, -2.19, -12.31

 

CMYK 31 / 15 / 0 / 44

HEX #647A90

RGB 100 122 144

HSL 210, 0.18%, 0.48%

LAB 50.27, -2.55, -14.54

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA2

RGB 122 143 162

HSL 208.5, 0.18%, 0.56%

LAB 58.41, -3.07, -12.51

 

CMYK 18 / 9 / 0 / 30

HEX #92A3B3

RGB 146 163 179

HSL 209.09, 0.18%, 0.64%

LAB 66.18, -2.5, -10.28

 

CMYK 13 / 6 / 0 / 23

HEX #ABB8C4

RGB 171 184 196

HSL 208.8, 0.17%, 0.72%

LAB 74.14, -2.05, -7.61

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA3

RGB 122 143 163

HSL 209.27, 0.18%, 0.56%

LAB 58.44, -2.83, -13.04

 

CMYK 7 / 25 / 0 / 36

HEX #967AA2

RGB 150 122 162

HSL 282, 0.18%, 0.56%

LAB 55.08, 18.42, -17.32

 

CMYK 2 / 0 / 25 / 36

HEX #9FA27A

RGB 159 162 122

HSL 64.5, 0.18%, 0.56%

LAB 65.45, -7.9, 20.51

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA3

RGB 122 143 163

HSL 209.27, 0.18%, 0.56%

LAB 58.44, -2.83, -13.04

 

CMYK 0 / 25 / 12 / 36

HEX #A27A8F

RGB 162 122 143

HSL 328.5, 0.18%, 0.56%

LAB 55.67, 19.03, -5.3

 

CMYK 12 / 0 / 25 / 36

HEX #8FA27A

RGB 143 162 122

HSL 88.5, 0.18%, 0.56%

LAB 64.23, -14.08, 18.64

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA3

RGB 122 143 163

HSL 209.27, 0.18%, 0.56%

LAB 58.44, -2.83, -13.04

 

CMYK 7 / 25 / 0 / 36

HEX #967AA2

RGB 150 122 162

HSL 282, 0.18%, 0.56%

LAB 55.08, 18.42, -17.32

 

CMYK 0 / 12 / 25 / 36

HEX #A28E7A

RGB 162 142 122

HSL 30, 0.18%, 0.56%

LAB 60.28, 4.25, 13.41

 

CMYK 17 / 0 / 25 / 36

HEX #87A27A

RGB 135 162 122

HSL 100.5, 0.18%, 0.56%

LAB 63.67, -17.07, 17.78

 

CMYK 25 / 12 / 0 / 36

HEX #7A8FA3

RGB 122 143 163

HSL 209.27, 0.18%, 0.56%

LAB 58.44, -2.83, -13.04

 

CMYK 0 / 25 / 0 / 36

HEX #A27AA2

RGB 162 122 162

HSL 300, 0.18%, 0.56%

LAB 56.3, 22.57, -15.37

 

CMYK 0 / 12 / 25 / 36

HEX #A28E7A

RGB 162 142 122

HSL 30, 0.18%, 0.56%

LAB 60.28, 4.25, 13.41

 

CMYK 24 / 0 / 25 / 36

HEX #7BA27A

RGB 123 162 122

HSL 118.5, 0.18%, 0.56%

LAB 62.89, -21.4, 16.59

 

Description

Color code: HEX #7A8FA3 | qconv.com Color code: HEX #7A8FA3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 143 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 143 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 12 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 12% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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