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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A8DB3 it is the complementary color #85724C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A8DB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A8DB3 shade: #7F8DAE, #909FC1, #A1B1D4, #B2C3E7 and #C3D5FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A8DB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A8DB3 shade: #7A8DB3, #697BA0, #58698D, #47577A and #364567

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A8DB3 shade: #7A8DB3, #7A7EB3, #867AB3, #957AB3 and #A47AB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A8DB3 shade: #7A8DB3, #7A7EB3 and #7A7AB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A8DB3 shade matches the following richer shades: #7A8DB3, #6987C4, #5882D5, #477CE5 and #3776F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A8DB3 shade: #7A8DB3, #8B93A2, #9C9891, #AD9E80 and #BEA46F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A8DB3 shade: #7AABB3, #7A9CB3, #7A8DB3, #7A7EB3 and #867AB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A8DB3 shade: #50638B, #6077A4, #7A8DB3, #94A4C2 and #AFBAD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A8DB3 shade: #7A8DB3, #AB7AB3 and #A4B37A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A8DB3 shade: #7A8DB3, #B37A8D and #8DB37A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A8DB3 shade: #7A8DB3, #AB7AB3, #B3A07A and #82B37A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A8DB3 shade: #7A8DB3, #B37AA9, #B3A07A and #7AB384

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

Complementary color

CMYK 0 / 14 / 43 / 48

HEX #85724C

RGB 133 114 76

HSL 40, 0.27%, 0.41%

LAB 48.94, 1.78, 23.79

 

CMYK 27 / 19 / 0 / 32

HEX #7F8DAE

RGB 127 141 174

HSL 222.13, 0.22%, 0.59%

LAB 58.62, 2.6, -19

 

CMYK 25 / 18 / 0 / 24

HEX #909FC1

RGB 144 159 193

HSL 221.63, 0.28%, 0.66%

LAB 65.42, 2.34, -19.25

 

CMYK 24 / 17 / 0 / 17

HEX #A1B1D4

RGB 161 177 212

HSL 221.18, 0.37%, 0.73%

LAB 72.08, 2.11, -19.52

 

CMYK 23 / 16 / 0 / 9

HEX #B2C3E7

RGB 178 195 231

HSL 220.75, 0.52%, 0.8%

LAB 78.62, 1.89, -19.8

 

CMYK 22 / 15 / 0 / 2

HEX #C3D5FA

RGB 195 213 250

HSL 220.36, 0.85%, 0.87%

LAB 85.04, 1.69, -20.1

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 34 / 23 / 0 / 37

HEX #697BA0

RGB 105 123 160

HSL 220.36, 0.22%, 0.52%

LAB 51.5, 2.68, -21.97

 

CMYK 38 / 26 / 0 / 45

HEX #58698D

RGB 88 105 141

HSL 220.75, 0.23%, 0.45%

LAB 44.38, 3.08, -21.84

 

CMYK 42 / 29 / 0 / 52

HEX #47577A

RGB 71 87 122

HSL 221.18, 0.26%, 0.38%

LAB 37.04, 3.57, -21.77

 

CMYK 48 / 33 / 0 / 60

HEX #364567

RGB 54 69 103

HSL 221.63, 0.31%, 0.31%

LAB 29.46, 4.2, -21.77

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 32 / 30 / 0 / 30

HEX #7A7EB3

RGB 122 126 179

HSL 235.79, 0.27%, 0.59%

LAB 54.36, 11.1, -28.45

 

CMYK 25 / 32 / 0 / 30

HEX #867AB3

RGB 134 122 179

HSL 252.63, 0.27%, 0.59%

LAB 54.28, 17.11, -28.49

 

CMYK 17 / 32 / 0 / 30

HEX #957AB3

RGB 149 122 179

HSL 268.42, 0.27%, 0.59%

LAB 55.65, 21.84, -26.26

 

CMYK 8 / 32 / 0 / 30

HEX #A47AB3

RGB 164 122 179

HSL 284.21, 0.27%, 0.59%

LAB 57.14, 26.7, -23.84

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 32 / 30 / 0 / 30

HEX #7A7EB3

RGB 122 126 179

HSL 235.79, 0.27%, 0.59%

LAB 54.36, 11.1, -28.45

 

CMYK 32 / 32 / 0 / 30

HEX #7A7AB3

RGB 122 122 179

HSL 240, 0.27%, 0.59%

LAB 53.29, 13.47, -30.11

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 46 / 31 / 0 / 23

HEX #6987C4

RGB 105 135 196

HSL 220.22, 0.44%, 0.59%

LAB 56.4, 5.92, -35.05

 

CMYK 59 / 39 / 0 / 16

HEX #5882D5

RGB 88 130 213

HSL 219.84, 0.6%, 0.59%

LAB 54.91, 10.45, -47.08

 

CMYK 69 / 46 / 0 / 10

HEX #477CE5

RGB 71 124 229

HSL 219.87, 0.75%, 0.59%

LAB 53.4, 16.68, -58.53

 

CMYK 78 / 52 / 0 / 4

HEX #3776F6

RGB 55 118 246

HSL 220.21, 0.91%, 0.59%

LAB 52.31, 24.57, -69.8

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 14 / 9 / 0 / 36

HEX #8B93A2

RGB 139 147 162

HSL 219.13, 0.11%, 0.59%

LAB 60.75, 0.29, -8.87

 

CMYK 0 / 3 / 7 / 39

HEX #9C9891

RGB 156 152 145

HSL 38.18, 0.05%, 0.59%

LAB 62.98, 0.17, 4.19

 

CMYK 0 / 9 / 26 / 32

HEX #AD9E80

RGB 173 158 128

HSL 40, 0.22%, 0.59%

LAB 65.67, 0.67, 17.69

 

CMYK 0 / 14 / 42 / 25

HEX #BEA46F

RGB 190 164 111

HSL 40.25, 0.38%, 0.59%

LAB 68.49, 2.13, 31

 

CMYK 32 / 4 / 0 / 30

HEX #7AABB3

RGB 122 171 179

HSL 188.42, 0.27%, 0.59%

LAB 66.91, -14.23, -9.34

 

CMYK 32 / 13 / 0 / 30

HEX #7A9CB3

RGB 122 156 179

HSL 204.21, 0.27%, 0.59%

LAB 62.65, -6.11, -15.75

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 32 / 30 / 0 / 30

HEX #7A7EB3

RGB 122 126 179

HSL 235.79, 0.27%, 0.59%

LAB 54.36, 11.1, -28.45

 

CMYK 25 / 32 / 0 / 30

HEX #867AB3

RGB 134 122 179

HSL 252.63, 0.27%, 0.59%

LAB 54.28, 17.11, -28.49

 

CMYK 42 / 29 / 0 / 45

HEX #50638B

RGB 80 99 139

HSL 220.68, 0.27%, 0.43%

LAB 41.99, 3.84, -24.39

 

CMYK 41 / 27 / 0 / 36

HEX #6077A4

RGB 96 119 164

HSL 219.71, 0.27%, 0.51%

LAB 49.93, 3.59, -26.78

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 24 / 15 / 0 / 24

HEX #94A4C2

RGB 148 164 194

HSL 219.13, 0.27%, 0.67%

LAB 67.08, 1.04, -17.26

 

CMYK 16 / 11 / 0 / 18

HEX #AFBAD1

RGB 175 186 209

HSL 220.59, 0.27%, 0.75%

LAB 75.35, 0.93, -12.85

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 4 / 32 / 0 / 30

HEX #AB7AB3

RGB 171 122 179

HSL 291.58, 0.27%, 0.59%

LAB 57.88, 29, -22.65

 

CMYK 8 / 0 / 32 / 30

HEX #A4B37A

RGB 164 179 122

HSL 75.79, 0.27%, 0.59%

LAB 70.55, -14.88, 27.43

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 0 / 32 / 21 / 30

HEX #B37A8D

RGB 179 122 141

HSL 340, 0.27%, 0.59%

LAB 57.49, 25.02, -1.24

 

CMYK 21 / 0 / 32 / 30

HEX #8DB37A

RGB 141 179 122

HSL 100, 0.27%, 0.59%

LAB 68.97, -23.51, 25.05

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 4 / 32 / 0 / 30

HEX #AB7AB3

RGB 171 122 179

HSL 291.58, 0.27%, 0.59%

LAB 57.88, 29, -22.65

 

CMYK 0 / 11 / 32 / 30

HEX #B3A07A

RGB 179 160 122

HSL 40, 0.27%, 0.59%

LAB 66.62, 1.15, 22.38

 

CMYK 27 / 0 / 32 / 30

HEX #82B37A

RGB 130 179 122

HSL 111.58, 0.27%, 0.59%

LAB 68.31, -27.41, 24.04

 

CMYK 32 / 21 / 0 / 30

HEX #7A8DB3

RGB 122 141 179

HSL 220, 0.27%, 0.59%

LAB 58.45, 2.35, -22.13

 

CMYK 0 / 32 / 6 / 30

HEX #B37AA9

RGB 179 122 169

HSL 310.53, 0.27%, 0.59%

LAB 58.38, 29.77, -16.06

 

CMYK 0 / 11 / 32 / 30

HEX #B3A07A

RGB 179 160 122

HSL 40, 0.27%, 0.59%

LAB 66.62, 1.15, 22.38

 

CMYK 32 / 0 / 26 / 30

HEX #7AB384

RGB 122 179 132

HSL 130.53, 0.27%, 0.59%

LAB 68.05, -28.38, 18.22

 

Description

Color code: HEX #7A8DB3 | qconv.com Color code: HEX #7A8DB3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 141 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 141 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 21 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 21% 0% 30% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Blogmamialamoda
Link: http://BLOGMAMIALAMODA.COM

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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