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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A8DA3 it is the complementary color #85725C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A8DA3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A8DA3 shade: #7F8D9E, #909FB1, #A1B1C4, #B2C3D7 and #C3D5EA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A8DA3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A8DA3 shade: #7A8DA3, #697B90, #58697D, #47576A and #364557

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A8DA3 shade: #7A8DA2, #7A82A2, #7D7AA2, #887AA2 and #937AA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A8DA3 shade: #7A8DA2, #7A82A2 and #7A7AA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A8DA3 shade matches the following richer shades: #7A8DA2, #688BB5, #568AC7, #4489D9 and #3187EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A8DA3 shade: #7A8DA2, #8C8E90, #9E8F7E, #B1916C and #C3925A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A8DA3 shade: #7AA2A2, #7A98A2, #7A8DA2, #7A82A2 and #7D7AA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A8DA3 shade: #536477, #647890, #7A8DA2, #92A2B3 and #ABB7C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A8DA3 shade: #7A8DA3, #987AA2 and #9DA27A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A8DA3 shade: #7A8DA3, #A27A8D and #8DA27A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A8DA3 shade: #7A8DA3, #987AA2, #A2907A and #85A27A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A8DA3 shade: #7A8DA3, #A27AA1, #A2907A and #7AA27B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 13 / 0 / 36

HEX #7A8DA3

RGB 122 141 163

HSL 212.2, 0.18%, 0.56%

LAB 57.88, -1.7, -13.88

 

Complementary color

CMYK 0 / 14 / 31 / 48

HEX #85725C

RGB 133 114 92

HSL 32.2, 0.18%, 0.44%

LAB 49.25, 3.88, 14.95

 

CMYK 20 / 11 / 0 / 38

HEX #7F8D9E

RGB 127 141 158

HSL 212.9, 0.14%, 0.56%

LAB 58.07, -1.26, -10.7

 

CMYK 19 / 10 / 0 / 31

HEX #909FB1

RGB 144 159 177

HSL 212.73, 0.17%, 0.63%

LAB 64.88, -1.4, -11.12

 

CMYK 18 / 10 / 0 / 23

HEX #A1B1C4

RGB 161 177 196

HSL 212.57, 0.23%, 0.7%

LAB 71.56, -1.52, -11.53

 

CMYK 17 / 9 / 0 / 16

HEX #B2C3D7

RGB 178 195 215

HSL 212.43, 0.32%, 0.77%

LAB 78.11, -1.65, -11.94

 

CMYK 17 / 9 / 0 / 8

HEX #C3D5EA

RGB 195 213 234

HSL 212.31, 0.48%, 0.84%

LAB 84.55, -1.77, -12.36

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA3

RGB 122 141 163

HSL 212.2, 0.18%, 0.56%

LAB 57.88, -1.7, -13.88

 

CMYK 27 / 15 / 0 / 44

HEX #697B90

RGB 105 123 144

HSL 212.31, 0.16%, 0.49%

LAB 50.9, -1.54, -13.54

 

CMYK 30 / 16 / 0 / 51

HEX #58697D

RGB 88 105 125

HSL 212.43, 0.17%, 0.42%

LAB 43.74, -1.36, -13.22

 

CMYK 33 / 18 / 0 / 58

HEX #47576A

RGB 71 87 106

HSL 212.57, 0.2%, 0.35%

LAB 36.36, -1.15, -12.92

 

CMYK 38 / 21 / 0 / 66

HEX #364557

RGB 54 69 87

HSL 212.73, 0.23%, 0.28%

LAB 28.72, -0.89, -12.65

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA2

RGB 122 141 162

HSL 211.5, 0.18%, 0.56%

LAB 57.84, -1.94, -13.36

 

CMYK 25 / 20 / 0 / 36

HEX #7A82A2

RGB 122 130 162

HSL 228, 0.18%, 0.56%

LAB 54.77, 4.38, -18.02

 

CMYK 23 / 25 / 0 / 36

HEX #7D7AA2

RGB 125 122 162

HSL 244.5, 0.18%, 0.56%

LAB 52.83, 10.04, -20.97

 

CMYK 16 / 25 / 0 / 36

HEX #887AA2

RGB 136 122 162

HSL 261, 0.18%, 0.56%

LAB 53.77, 13.67, -19.44

 

CMYK 9 / 25 / 0 / 36

HEX #937AA2

RGB 147 122 162

HSL 277.5, 0.18%, 0.56%

LAB 54.79, 17.39, -17.79

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA2

RGB 122 141 162

HSL 211.5, 0.18%, 0.56%

LAB 57.84, -1.94, -13.36

 

CMYK 25 / 20 / 0 / 36

HEX #7A82A2

RGB 122 130 162

HSL 228, 0.18%, 0.56%

LAB 54.77, 4.38, -18.02

 

CMYK 25 / 25 / 0 / 36

HEX #7A7AA2

RGB 122 122 162

HSL 240, 0.18%, 0.56%

LAB 52.58, 9.08, -21.37

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA2

RGB 122 141 162

HSL 211.5, 0.18%, 0.56%

LAB 57.84, -1.94, -13.36

 

CMYK 43 / 23 / 0 / 29

HEX #688BB5

RGB 104 139 181

HSL 212.73, 0.34%, 0.56%

LAB 56.83, -1.06, -25.87

 

CMYK 57 / 31 / 0 / 22

HEX #568AC7

RGB 86 138 199

HSL 212.39, 0.5%, 0.56%

LAB 56.37, 0.71, -36.88

 

CMYK 69 / 37 / 0 / 15

HEX #4489D9

RGB 68 137 217

HSL 212.21, 0.66%, 0.56%

LAB 56.22, 4.1, -47.31

 

CMYK 79 / 43 / 0 / 8

HEX #3187EB

RGB 49 135 235

HSL 212.26, 0.82%, 0.56%

LAB 56.07, 9.41, -57.64

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA2

RGB 122 141 162

HSL 211.5, 0.18%, 0.56%

LAB 57.84, -1.94, -13.36

 

CMYK 3 / 1 / 0 / 44

HEX #8C8E90

RGB 140 142 144

HSL 210, 0.02%, 0.56%

LAB 58.91, -0.33, -1.32

 

CMYK 0 / 9 / 20 / 38

HEX #9E8F7E

RGB 158 143 126

HSL 31.88, 0.14%, 0.56%

LAB 60.27, 2.72, 11.08

 

CMYK 0 / 18 / 39 / 31

HEX #B1916C

RGB 177 145 108

HSL 32.17, 0.31%, 0.56%

LAB 62.24, 6.81, 24.16

 

CMYK 0 / 25 / 54 / 24

HEX #C3925A

RGB 195 146 90

HSL 32, 0.47%, 0.56%

LAB 64.08, 11.95, 36.65

 

CMYK 25 / 0 / 0 / 36

HEX #7AA2A2

RGB 122 162 162

HSL 180, 0.18%, 0.56%

LAB 63.82, -13.5, -4.44

 

CMYK 25 / 6 / 0 / 36

HEX #7A98A2

RGB 122 152 162

HSL 195, 0.18%, 0.56%

LAB 60.96, -8.08, -8.69

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA2

RGB 122 141 162

HSL 211.5, 0.18%, 0.56%

LAB 57.84, -1.94, -13.36

 

CMYK 25 / 20 / 0 / 36

HEX #7A82A2

RGB 122 130 162

HSL 228, 0.18%, 0.56%

LAB 54.77, 4.38, -18.02

 

CMYK 23 / 25 / 0 / 36

HEX #7D7AA2

RGB 125 122 162

HSL 244.5, 0.18%, 0.56%

LAB 52.83, 10.04, -20.97

 

CMYK 30 / 16 / 0 / 53

HEX #536477

RGB 83 100 119

HSL 211.67, 0.18%, 0.4%

LAB 41.67, -1.59, -12.77

 

CMYK 31 / 17 / 0 / 44

HEX #647890

RGB 100 120 144

HSL 212.73, 0.18%, 0.48%

LAB 49.68, -1.38, -15.42

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA2

RGB 122 141 162

HSL 211.5, 0.18%, 0.56%

LAB 57.84, -1.94, -13.36

 

CMYK 18 / 9 / 0 / 30

HEX #92A2B3

RGB 146 162 179

HSL 210.91, 0.18%, 0.64%

LAB 65.91, -1.95, -10.68

 

CMYK 13 / 7 / 0 / 23

HEX #ABB7C4

RGB 171 183 196

HSL 211.2, 0.17%, 0.72%

LAB 73.88, -1.51, -8

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA3

RGB 122 141 163

HSL 212.2, 0.18%, 0.56%

LAB 57.88, -1.7, -13.88

 

CMYK 6 / 25 / 0 / 36

HEX #987AA2

RGB 152 122 162

HSL 285, 0.18%, 0.56%

LAB 55.28, 19.11, -17

 

CMYK 3 / 0 / 25 / 36

HEX #9DA27A

RGB 157 162 122

HSL 67.5, 0.18%, 0.56%

LAB 65.29, -8.68, 20.26

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA3

RGB 122 141 163

HSL 212.2, 0.18%, 0.56%

LAB 57.88, -1.7, -13.88

 

CMYK 0 / 25 / 13 / 36

HEX #A27A8D

RGB 162 122 141

HSL 331.5, 0.18%, 0.56%

LAB 55.61, 18.68, -4.23

 

CMYK 13 / 0 / 25 / 36

HEX #8DA27A

RGB 141 162 122

HSL 91.5, 0.18%, 0.56%

LAB 64.09, -14.83, 18.42

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA3

RGB 122 141 163

HSL 212.2, 0.18%, 0.56%

LAB 57.88, -1.7, -13.88

 

CMYK 6 / 25 / 0 / 36

HEX #987AA2

RGB 152 122 162

HSL 285, 0.18%, 0.56%

LAB 55.28, 19.11, -17

 

CMYK 0 / 11 / 25 / 36

HEX #A2907A

RGB 162 144 122

HSL 33, 0.18%, 0.56%

LAB 60.81, 3.14, 14.16

 

CMYK 18 / 0 / 25 / 36

HEX #85A27A

RGB 133 162 122

HSL 103.5, 0.18%, 0.56%

LAB 63.53, -17.81, 17.57

 

CMYK 25 / 13 / 0 / 36

HEX #7A8DA3

RGB 122 141 163

HSL 212.2, 0.18%, 0.56%

LAB 57.88, -1.7, -13.88

 

CMYK 0 / 25 / 1 / 36

HEX #A27AA1

RGB 162 122 161

HSL 301.5, 0.18%, 0.56%

LAB 56.26, 22.38, -14.84

 

CMYK 0 / 11 / 25 / 36

HEX #A2907A

RGB 162 144 122

HSL 33, 0.18%, 0.56%

LAB 60.81, 3.14, 14.16

 

CMYK 25 / 0 / 24 / 36

HEX #7AA27B

RGB 122 162 123

HSL 121.5, 0.18%, 0.56%

LAB 62.85, -21.57, 15.97

 

Description

Color code: HEX #7A8DA3 | qconv.com Color code: HEX #7A8DA3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 141 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 141 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 13 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 13% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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