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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A8CAB it is the complementary color #857354. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A8CAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A8CAB shade: #7F8CA6, #909EB9, #A1B0CC, #B2C2DF and #C3D4F2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A8CAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A8CAB shade: #7A8CAB, #697A98, #586885, #475672 and #36445F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A8CAB shade: #788AAA, #787DAA, #8078AA, #8E78AA and #9C78AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A8CAB shade: #788AAA, #787DAA and #7878AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A8CAB shade matches the following richer shades: #788AAA, #6685BC, #5481CE, #427CDF and #3177F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A8CAB shade: #788AAA, #898F98, #9B9487, #AD9875 and #BF9D63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A8CAB shade: #78A6AA, #7898AA, #788BAA, #787EAA and #7F78AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A8CAB shade: #506180, #607599, #788AAA, #91A0BA and #AAB6CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A8CAB shade: #7A8CAB, #A178AA and #9FAA78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A8CAB shade: #7A8CAB, #AA788B and #8BAA78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A8CAB shade: #7A8CAB, #A178AA, #AA9778 and #81AA78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A8CAB shade: #7A8CAB, #AA78A4, #AA9778 and #78AA7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 18 / 0 / 33

HEX #7A8CAB

RGB 122 140 171

HSL 217.96, 0.23%, 0.57%

LAB 57.88, 0.86, -18.45

 

Complementary color

CMYK 0 / 14 / 37 / 48

HEX #857354

RGB 133 115 84

HSL 37.96, 0.23%, 0.43%

LAB 49.36, 2.2, 19.76

 

CMYK 23 / 16 / 0 / 35

HEX #7F8CA6

RGB 127 140 166

HSL 220, 0.18%, 0.57%

LAB 58.06, 1.2, -15.29

 

CMYK 22 / 15 / 0 / 27

HEX #909EB9

RGB 144 158 185

HSL 219.51, 0.23%, 0.65%

LAB 64.87, 1, -15.61

 

CMYK 21 / 14 / 0 / 20

HEX #A1B0CC

RGB 161 176 204

HSL 219.07, 0.3%, 0.72%

LAB 71.55, 0.81, -15.94

 

CMYK 20 / 13 / 0 / 13

HEX #B2C2DF

RGB 178 194 223

HSL 218.67, 0.41%, 0.79%

LAB 78.1, 0.63, -16.28

 

CMYK 19 / 12 / 0 / 5

HEX #C3D4F2

RGB 195 212 242

HSL 218.3, 0.64%, 0.86%

LAB 84.54, 0.47, -16.63

 

CMYK 29 / 18 / 0 / 33

HEX #7A8CAB

RGB 122 140 171

HSL 217.96, 0.23%, 0.57%

LAB 57.88, 0.86, -18.45

 

CMYK 31 / 20 / 0 / 40

HEX #697A98

RGB 105 122 152

HSL 218.3, 0.19%, 0.5%

LAB 50.91, 1.12, -18.22

 

CMYK 34 / 22 / 0 / 48

HEX #586885

RGB 88 104 133

HSL 218.67, 0.2%, 0.43%

LAB 43.75, 1.42, -18.01

 

CMYK 38 / 25 / 0 / 55

HEX #475672

RGB 71 86 114

HSL 219.07, 0.23%, 0.36%

LAB 36.39, 1.79, -17.85

 

CMYK 43 / 28 / 0 / 63

HEX #36445F

RGB 54 68 95

HSL 219.51, 0.28%, 0.29%

LAB 28.76, 2.26, -17.74

 

CMYK 29 / 19 / 0 / 33

HEX #788AAA

RGB 120 138 170

HSL 218.4, 0.23%, 0.57%

LAB 57.15, 1.14, -19.01

 

CMYK 29 / 26 / 0 / 33

HEX #787DAA

RGB 120 125 170

HSL 234, 0.23%, 0.57%

LAB 53.56, 8.72, -24.51

 

CMYK 25 / 29 / 0 / 33

HEX #8078AA

RGB 128 120 170

HSL 249.6, 0.23%, 0.57%

LAB 52.87, 14.17, -25.53

 

CMYK 16 / 29 / 0 / 33

HEX #8E78AA

RGB 142 120 170

HSL 266.4, 0.23%, 0.57%

LAB 54.12, 18.67, -23.49

 

CMYK 8 / 29 / 0 / 33

HEX #9C78AA

RGB 156 120 170

HSL 283.2, 0.23%, 0.57%

LAB 55.49, 23.3, -21.28

 

CMYK 29 / 19 / 0 / 33

HEX #788AAA

RGB 120 138 170

HSL 218.4, 0.23%, 0.57%

LAB 57.15, 1.14, -19.01

 

CMYK 29 / 26 / 0 / 33

HEX #787DAA

RGB 120 125 170

HSL 234, 0.23%, 0.57%

LAB 53.56, 8.72, -24.51

 

CMYK 29 / 29 / 0 / 33

HEX #7878AA

RGB 120 120 170

HSL 240, 0.23%, 0.57%

LAB 52.21, 11.68, -26.6

 

CMYK 29 / 19 / 0 / 33

HEX #788AAA

RGB 120 138 170

HSL 218.4, 0.23%, 0.57%

LAB 57.15, 1.14, -19.01

 

CMYK 46 / 29 / 0 / 26

HEX #6685BC

RGB 102 133 188

HSL 218.37, 0.39%, 0.57%

LAB 55.31, 3.96, -32.22

 

CMYK 59 / 37 / 0 / 19

HEX #5481CE

RGB 84 129 206

HSL 217.87, 0.55%, 0.57%

LAB 54.07, 7.95, -44.47

 

CMYK 70 / 44 / 0 / 13

HEX #427CDF

RGB 66 124 223

HSL 217.83, 0.71%, 0.57%

LAB 52.84, 13.82, -56.07

 

CMYK 80 / 51 / 0 / 5

HEX #3177F1

RGB 49 119 241

HSL 218.13, 0.87%, 0.57%

LAB 52.06, 21.53, -67.43

 

CMYK 29 / 19 / 0 / 33

HEX #788AAA

RGB 120 138 170

HSL 218.4, 0.23%, 0.57%

LAB 57.15, 1.14, -19.01

 

CMYK 10 / 6 / 0 / 40

HEX #898F98

RGB 137 143 152

HSL 216, 0.07%, 0.57%

LAB 59.19, -0.31, -5.52

 

CMYK 0 / 5 / 13 / 39

HEX #9B9487

RGB 155 148 135

HSL 39, 0.09%, 0.57%

LAB 61.57, 0.25, 7.79

 

CMYK 0 / 12 / 32 / 32

HEX #AD9875

RGB 173 152 117

HSL 37.5, 0.25%, 0.57%

LAB 63.86, 2.44, 21.3

 

CMYK 0 / 18 / 48 / 25

HEX #BF9D63

RGB 191 157 99

HSL 37.83, 0.42%, 0.57%

LAB 66.59, 5.09, 34.95

 

CMYK 29 / 2 / 0 / 33

HEX #78A6AA

RGB 120 166 170

HSL 184.8, 0.23%, 0.57%

LAB 65.1, -14.35, -7.05

 

CMYK 29 / 11 / 0 / 33

HEX #7898AA

RGB 120 152 170

HSL 201.6, 0.23%, 0.57%

LAB 61.09, -6.76, -13.03

 

CMYK 29 / 18 / 0 / 33

HEX #788BAA

RGB 120 139 170

HSL 217.2, 0.23%, 0.57%

LAB 57.43, 0.57, -18.59

 

CMYK 29 / 26 / 0 / 33

HEX #787EAA

RGB 120 126 170

HSL 232.8, 0.23%, 0.57%

LAB 53.83, 8.13, -24.09

 

CMYK 25 / 29 / 0 / 33

HEX #7F78AA

RGB 127 120 170

HSL 248.4, 0.23%, 0.57%

LAB 52.78, 13.86, -25.67

 

CMYK 38 / 24 / 0 / 50

HEX #506180

RGB 80 97 128

HSL 218.75, 0.23%, 0.41%

LAB 40.92, 1.81, -19.4

 

CMYK 37 / 24 / 0 / 40

HEX #607599

RGB 96 117 153

HSL 217.89, 0.23%, 0.49%

LAB 48.9, 1.63, -21.94

 

CMYK 29 / 19 / 0 / 33

HEX #788AAA

RGB 120 138 170

HSL 218.4, 0.23%, 0.57%

LAB 57.15, 1.14, -19.01

 

CMYK 22 / 14 / 0 / 27

HEX #91A0BA

RGB 145 160 186

HSL 218.05, 0.23%, 0.65%

LAB 65.52, 0.44, -15.18

 

CMYK 16 / 10 / 0 / 21

HEX #AAB6CA

RGB 170 182 202

HSL 217.5, 0.23%, 0.73%

LAB 73.72, -0.02, -11.52

 

CMYK 29 / 18 / 0 / 33

HEX #7A8CAB

RGB 122 140 171

HSL 217.96, 0.23%, 0.57%

LAB 57.88, 0.86, -18.45

 

CMYK 5 / 29 / 0 / 33

HEX #A178AA

RGB 161 120 170

HSL 289.2, 0.23%, 0.57%

LAB 56, 24.98, -20.44

 

CMYK 6 / 0 / 29 / 33

HEX #9FAA78

RGB 159 170 120

HSL 73.2, 0.23%, 0.57%

LAB 67.63, -12.42, 24.55

 

CMYK 29 / 18 / 0 / 33

HEX #7A8CAB

RGB 122 140 171

HSL 217.96, 0.23%, 0.57%

LAB 57.88, 0.86, -18.45

 

CMYK 0 / 29 / 18 / 33

HEX #AA788B

RGB 170 120 139

HSL 337.2, 0.23%, 0.57%

LAB 55.93, 22.47, -2.49

 

CMYK 18 / 0 / 29 / 33

HEX #8BAA78

RGB 139 170 120

HSL 97.2, 0.23%, 0.57%

LAB 66.21, -20.03, 22.38

 

CMYK 29 / 18 / 0 / 33

HEX #7A8CAB

RGB 122 140 171

HSL 217.96, 0.23%, 0.57%

LAB 57.88, 0.86, -18.45

 

CMYK 5 / 29 / 0 / 33

HEX #A178AA

RGB 161 120 170

HSL 289.2, 0.23%, 0.57%

LAB 56, 24.98, -20.44

 

CMYK 0 / 11 / 29 / 33

HEX #AA9778

RGB 170 151 120

HSL 37.2, 0.23%, 0.57%

LAB 63.37, 2.18, 18.93

 

CMYK 24 / 0 / 29 / 33

HEX #81AA78

RGB 129 170 120

HSL 109.2, 0.23%, 0.57%

LAB 65.57, -23.66, 21.41

 

CMYK 29 / 18 / 0 / 33

HEX #7A8CAB

RGB 122 140 171

HSL 217.96, 0.23%, 0.57%

LAB 57.88, 0.86, -18.45

 

CMYK 0 / 29 / 4 / 33

HEX #AA78A4

RGB 170 120 164

HSL 307.2, 0.23%, 0.57%

LAB 56.74, 26.87, -15.76

 

CMYK 0 / 11 / 29 / 33

HEX #AA9778

RGB 170 151 120

HSL 37.2, 0.23%, 0.57%

LAB 63.37, 2.18, 18.93

 

CMYK 29 / 0 / 26 / 33

HEX #78AA7E

RGB 120 170 126

HSL 127.2, 0.23%, 0.57%

LAB 65.16, -25.72, 17.49

 

Description

Color code: HEX #7A8CAB | qconv.com Color code: HEX #7A8CAB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 140 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 140 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 18 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 18% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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