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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A8596 it is the complementary color #857A69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A8596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A8596 shade: #7F8591, #9097A4, #A1A9B7, #B2BBCA and #C3CDDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A8596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A8596 shade: #7A8596, #697383, #586170, #474F5D and #363D4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A8596 shade: #798496, #797C96, #7D7996, #857996 and #8C7996

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A8596 shade: #798496, #797C96 and #797996

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A8596 shade matches the following richer shades: #798496, #6580A9, #527CBC, #3F78D0 and #2B73E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A8596 shade: #798496, #8C8882, #A08C6F, #B3915B and #C69548

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A8596 shade: #799496, #798C96, #798496, #797D96 and #7D7996

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A8596 shade: #535B69, #657080, #798496, #9099A8 and #A7AEBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A8596 shade: #7A8596, #907996 and #909679

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A8596 shade: #7A8596, #967984 and #849679

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A8596 shade: #7A8596, #907996, #968A79 and #7F9679

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A8596 shade: #7A8596, #967993, #968A79 and #79967C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 11 / 0 / 41

HEX #7A8596

RGB 122 133 150

HSL 216.43, 0.12%, 0.53%

LAB 55.19, -0.24, -10.45

 

Complementary color

CMYK 0 / 8 / 21 / 48

HEX #857A69

RGB 133 122 105

HSL 36.43, 0.12%, 0.47%

LAB 51.75, 1.25, 10.84

 

CMYK 12 / 8 / 0 / 43

HEX #7F8591

RGB 127 133 145

HSL 220, 0.08%, 0.53%

LAB 55.41, 0.35, -7.19

 

CMYK 12 / 8 / 0 / 36

HEX #9097A4

RGB 144 151 164

HSL 219, 0.1%, 0.6%

LAB 62.29, 0.19, -7.67

 

CMYK 12 / 8 / 0 / 28

HEX #A1A9B7

RGB 161 169 183

HSL 218.18, 0.13%, 0.67%

LAB 69.02, 0.04, -8.15

 

CMYK 12 / 7 / 0 / 21

HEX #B2BBCA

RGB 178 187 202

HSL 217.5, 0.18%, 0.75%

LAB 75.62, -0.11, -8.62

 

CMYK 12 / 7 / 0 / 13

HEX #C3CDDD

RGB 195 205 221

HSL 216.92, 0.28%, 0.82%

LAB 82.1, -0.25, -9.09

 

CMYK 19 / 11 / 0 / 41

HEX #7A8596

RGB 122 133 150

HSL 216.43, 0.12%, 0.53%

LAB 55.19, -0.24, -10.45

 

CMYK 20 / 12 / 0 / 49

HEX #697383

RGB 105 115 131

HSL 216.92, 0.11%, 0.46%

LAB 48.14, -0.07, -10.04

 

CMYK 21 / 13 / 0 / 56

HEX #586170

RGB 88 97 112

HSL 217.5, 0.12%, 0.39%

LAB 40.89, 0.1, -9.64

 

CMYK 24 / 15 / 0 / 64

HEX #474F5D

RGB 71 79 93

HSL 218.18, 0.13%, 0.32%

LAB 33.4, 0.3, -9.26

 

CMYK 27 / 18 / 0 / 71

HEX #363D4A

RGB 54 61 74

HSL 219, 0.16%, 0.25%

LAB 25.61, 0.52, -8.89

 

CMYK 19 / 12 / 0 / 41

HEX #798496

RGB 121 132 150

HSL 217.24, 0.12%, 0.53%

LAB 54.83, -0, -10.99

 

CMYK 19 / 17 / 0 / 41

HEX #797C96

RGB 121 124 150

HSL 233.79, 0.12%, 0.53%

LAB 52.6, 4.64, -14.36

 

CMYK 17 / 19 / 0 / 41

HEX #7D7996

RGB 125 121 150

HSL 248.28, 0.12%, 0.53%

LAB 52.1, 7.76, -15.08

 

CMYK 11 / 19 / 0 / 41

HEX #857996

RGB 133 121 150

HSL 264.83, 0.12%, 0.53%

LAB 52.8, 10.52, -13.96

 

CMYK 7 / 19 / 0 / 41

HEX #8C7996

RGB 140 121 150

HSL 279.31, 0.12%, 0.53%

LAB 53.44, 12.97, -12.93

 

CMYK 19 / 12 / 0 / 41

HEX #798496

RGB 121 132 150

HSL 217.24, 0.12%, 0.53%

LAB 54.83, -0, -10.99

 

CMYK 19 / 17 / 0 / 41

HEX #797C96

RGB 121 124 150

HSL 233.79, 0.12%, 0.53%

LAB 52.6, 4.64, -14.36

 

CMYK 19 / 19 / 0 / 41

HEX #797996

RGB 121 121 150

HSL 240, 0.12%, 0.53%

LAB 51.77, 6.4, -15.62

 

CMYK 19 / 12 / 0 / 41

HEX #798496

RGB 121 132 150

HSL 217.24, 0.12%, 0.53%

LAB 54.83, -0, -10.99

 

CMYK 40 / 24 / 0 / 34

HEX #6580A9

RGB 101 128 169

HSL 216.18, 0.28%, 0.53%

LAB 53.03, 1.09, -24.87

 

CMYK 56 / 34 / 0 / 26

HEX #527CBC

RGB 82 124 188

HSL 216.23, 0.44%, 0.53%

LAB 51.66, 4.6, -38.03

 

CMYK 70 / 42 / 0 / 18

HEX #3F78D0

RGB 63 120 208

HSL 216.41, 0.61%, 0.53%

LAB 50.74, 10.48, -50.96

 

CMYK 81 / 49 / 0 / 11

HEX #2B73E3

RGB 43 115 227

HSL 216.52, 0.77%, 0.53%

LAB 49.88, 18.25, -63.12

 

CMYK 19 / 12 / 0 / 41

HEX #798496

RGB 121 132 150

HSL 217.24, 0.12%, 0.53%

LAB 54.83, -0, -10.99

 

CMYK 0 / 3 / 7 / 45

HEX #8C8882

RGB 140 136 130

HSL 36, 0.04%, 0.53%

LAB 56.88, 0.36, 3.74

 

CMYK 0 / 13 / 31 / 37

HEX #A08C6F

RGB 160 140 111

HSL 35.51, 0.21%, 0.53%

LAB 59.32, 2.98, 18.27

 

CMYK 0 / 19 / 49 / 30

HEX #B3915B

RGB 179 145 91

HSL 36.82, 0.37%, 0.53%

LAB 62.16, 5.81, 33.36

 

CMYK 0 / 25 / 64 / 22

HEX #C69548

RGB 198 149 72

HSL 36.67, 0.53%, 0.53%

LAB 64.94, 10.21, 46.88

 

CMYK 19 / 1 / 0 / 41

HEX #799496

RGB 121 148 150

HSL 184.14, 0.12%, 0.53%

LAB 59.39, -9, -4.22

 

CMYK 19 / 7 / 0 / 41

HEX #798C96

RGB 121 140 150

HSL 200.69, 0.12%, 0.53%

LAB 57.1, -4.55, -7.61

 

CMYK 19 / 12 / 0 / 41

HEX #798496

RGB 121 132 150

HSL 217.24, 0.12%, 0.53%

LAB 54.83, -0, -10.99

 

CMYK 19 / 17 / 0 / 41

HEX #797D96

RGB 121 125 150

HSL 231.72, 0.12%, 0.53%

LAB 52.88, 4.05, -13.94

 

CMYK 17 / 19 / 0 / 41

HEX #7D7996

RGB 125 121 150

HSL 248.28, 0.12%, 0.53%

LAB 52.1, 7.76, -15.08

 

CMYK 21 / 13 / 0 / 59

HEX #535B69

RGB 83 91 105

HSL 218.18, 0.12%, 0.37%

LAB 38.45, 0.23, -9.05

 

CMYK 21 / 13 / 0 / 50

HEX #657080

RGB 101 112 128

HSL 215.56, 0.12%, 0.45%

LAB 46.86, -0.41, -10.21

 

CMYK 19 / 12 / 0 / 41

HEX #798496

RGB 121 132 150

HSL 217.24, 0.12%, 0.53%

LAB 54.83, -0, -10.99

 

CMYK 14 / 9 / 0 / 34

HEX #9099A8

RGB 144 153 168

HSL 217.5, 0.12%, 0.61%

LAB 62.96, -0.06, -8.93

 

CMYK 10 / 6 / 0 / 27

HEX #A7AEBA

RGB 167 174 186

HSL 217.89, 0.12%, 0.69%

LAB 70.89, -0.05, -6.98

 

CMYK 19 / 11 / 0 / 41

HEX #7A8596

RGB 122 133 150

HSL 216.43, 0.12%, 0.53%

LAB 55.19, -0.24, -10.45

 

CMYK 4 / 19 / 0 / 41

HEX #907996

RGB 144 121 150

HSL 287.59, 0.12%, 0.53%

LAB 53.82, 14.39, -12.32

 

CMYK 4 / 0 / 19 / 41

HEX #909679

RGB 144 150 121

HSL 72.41, 0.12%, 0.53%

LAB 60.89, -7.43, 14.59

 

CMYK 19 / 11 / 0 / 41

HEX #7A8596

RGB 122 133 150

HSL 216.43, 0.12%, 0.53%

LAB 55.19, -0.24, -10.45

 

CMYK 0 / 19 / 12 / 41

HEX #967984

RGB 150 121 132

HSL 337.24, 0.12%, 0.53%

LAB 53.84, 13.14, -1.73

 

CMYK 12 / 0 / 19 / 41

HEX #849679

RGB 132 150 121

HSL 97.24, 0.12%, 0.53%

LAB 59.98, -12.02, 13.19

 

CMYK 19 / 11 / 0 / 41

HEX #7A8596

RGB 122 133 150

HSL 216.43, 0.12%, 0.53%

LAB 55.19, -0.24, -10.45

 

CMYK 4 / 19 / 0 / 41

HEX #907996

RGB 144 121 150

HSL 287.59, 0.12%, 0.53%

LAB 53.82, 14.39, -12.32

 

CMYK 0 / 8 / 19 / 41

HEX #968A79

RGB 150 138 121

HSL 35.17, 0.12%, 0.53%

LAB 58.08, 1.56, 10.73

 

CMYK 15 / 0 / 19 / 41

HEX #7F9679

RGB 127 150 121

HSL 107.59, 0.12%, 0.53%

LAB 59.62, -13.88, 12.63

 

CMYK 19 / 11 / 0 / 41

HEX #7A8596

RGB 122 133 150

HSL 216.43, 0.12%, 0.53%

LAB 55.19, -0.24, -10.45

 

CMYK 0 / 19 / 2 / 41

HEX #967993

RGB 150 121 147

HSL 306.21, 0.12%, 0.53%

LAB 54.31, 15.94, -9.78

 

CMYK 0 / 8 / 19 / 41

HEX #968A79

RGB 150 138 121

HSL 35.17, 0.12%, 0.53%

LAB 58.08, 1.56, 10.73

 

CMYK 19 / 0 / 17 / 41

HEX #79967C

RGB 121 150 124

HSL 126.21, 0.12%, 0.53%

LAB 59.28, -15.51, 10.4

 

Description

Color code: HEX #7A8596 | qconv.com Color code: HEX #7A8596 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 133 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 133 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 11 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 11% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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