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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A75CD3F it is the complementary color #858A323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A75CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A75CD3F shade: #7F75C83F, #9087DB3F, #A199EE3F, #B2ABFF3F and #C3BDFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A75CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A75CD3F shade: #7A75CD3F, #6963BA3F, #5851A73F, #473F943F and #362D813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A75CD3F shade: #7974CD, #9174CD, #A974CD, #C174CD and #CD74C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A75CD3F shade: #7974CD and #7474CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A75CD3F shade matches the following richer shades: #7974CD, #6C65DC, #5E56EC and #5147FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A75CD3F shade: #7974CD, #8784BE, #9493AE, #A2A29F and #AFB190

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A75CD3F shade: #749FCD, #7488CD, #7974CD, #9074CD and #A874CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A75CD3F shade: #463FB0, #5C56C2, #7974CD, #9793D8 and #B4B1E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A75CD3F shade: #7A75CD, #CD74B7 and #93CD74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A75CD3F shade: #7A75CD, #CD7974 and #74CD79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A75CD3F shade: #7A75CD, #CD74B7, #C9CD74 and #74CD8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A75CD3F shade: #7A75CD, #CD749C, #C9CD74 and #74CDA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 11 / 0 / 5

HEX #7A75CD3F

RGBA 122 117 205 0.25

HSLA 243.41, 0.47%, 0.63%, 0.25

LABA 53.24, 23.63, -45.06, 0.25

 

Complementary color

CMYK 1 / 0 / 16 / 11

HEX #858A323F

RGBA 133 138 50 0.25

HSLA 63.41, 0.47%, 0.37%, 0.25

LABA 55.48, -14.01, 45.01, 0.25

 

CMYK 9 / 10 / 0 / 5

HEX #7F75C83F

RGBA 127 117 200 0.25

HSLA 247.23, 0.43%, 0.62%, 0.25

LABA 53.39, 23.55, -41.95, 0.25

 

CMYK 9 / 10 / 0 / 4

HEX #9087DB3F

RGBA 144 135 219 0.25

HSLA 246.43, 0.54%, 0.69%, 0.25

LABA 60.22, 22.7, -41.82, 0.25

 

CMYK 8 / 9 / 0 / 2

HEX #A199EE3F

RGBA 161 153 238 0.25

HSLA 245.65, 0.71%, 0.77%, 0.25

LABA 66.92, 21.95, -41.72, 0.25

 

CMYK 8 / 8 / 0 / 0

HEX #B2ABFF3F

RGBA 178 171 255 0.25

HSLA 245, 1%, 0.84%, 0.25

LABA 73.42, 20.79, -40.72, 0.25

 

CMYK 6 / 6 / 0 / 0

HEX #C3BDFF3F

RGBA 195 189 255 0.25

HSLA 245.45, 1%, 0.87%, 0.25

LABA 79.17, 15.73, -31.72, 0.25

 

CMYK 10 / 11 / 0 / 5

HEX #7A75CD3F

RGBA 122 117 205 0.25

HSLA 243.41, 0.47%, 0.63%, 0.25

LABA 53.24, 23.63, -45.06, 0.25

 

CMYK 11 / 12 / 0 / 7

HEX #6963BA3F

RGBA 105 99 186 0.25

HSLA 244.14, 0.39%, 0.56%, 0.25

LABA 46.27, 24.7, -45.3, 0.25

 

CMYK 12 / 13 / 0 / 9

HEX #5851A73F

RGBA 88 81 167 0.25

HSLA 244.88, 0.35%, 0.49%, 0.25

LABA 39.16, 25.95, -45.59, 0.25

 

CMYK 13 / 14 / 0 / 10

HEX #473F943F

RGBA 71 63 148 0.25

HSLA 245.65, 0.4%, 0.41%, 0.25

LABA 31.88, 27.44, -45.92, 0.25

 

CMYK 15 / 16 / 0 / 12

HEX #362D813F

RGBA 54 45 129 0.25

HSLA 246.43, 0.48%, 0.34%, 0.25

LABA 24.47, 29.22, -46.24, 0.25

 

CMYK 41 / 43 / 0 / 20

HEX #7974CD

RGB 121 116 205

HSL 243.37, 0.47%, 0.63%

LAB 52.91, 23.97, -45.59

 

CMYK 29 / 43 / 0 / 20

HEX #9174CD

RGB 145 116 205

HSL 259.55, 0.47%, 0.63%

LAB 54.99, 30.4, -42.17

 

CMYK 18 / 43 / 0 / 20

HEX #A974CD

RGB 169 116 205

HSL 275.73, 0.47%, 0.63%

LAB 57.4, 37.26, -38.21

 

CMYK 6 / 43 / 0 / 20

HEX #C174CD

RGB 193 116 205

HSL 291.91, 0.47%, 0.63%

LAB 60.1, 44.34, -33.79

 

CMYK 0 / 43 / 6 / 20

HEX #CD74C1

RGB 205 116 193

HSL 308.09, 0.47%, 0.63%

LAB 61.06, 45.77, -25.39

 

CMYK 41 / 43 / 0 / 20

HEX #7974CD

RGB 121 116 205

HSL 243.37, 0.47%, 0.63%

LAB 52.91, 23.97, -45.59

 

CMYK 43 / 43 / 0 / 20

HEX #7474CD

RGB 116 116 205

HSL 240, 0.47%, 0.63%

LAB 52.52, 22.72, -46.23

 

CMYK 41 / 43 / 0 / 20

HEX #7974CD

RGB 121 116 205

HSL 243.37, 0.47%, 0.63%

LAB 52.91, 23.97, -45.59

 

CMYK 51 / 54 / 0 / 14

HEX #6C65DC

RGB 108 101 220

HSL 243.53, 0.63%, 0.63%

LAB 49.08, 34.42, -60.29

 

CMYK 60 / 64 / 0 / 7

HEX #5E56EC

RGB 94 86 236

HSL 243.2, 0.8%, 0.63%

LAB 45.76, 45.75, -74.78

 

CMYK 68 / 72 / 0 / 2

HEX #5147FB

RGB 81 71 251

HSL 243.33, 0.96%, 0.63%

LAB 43.09, 57.13, -87.6

 

CMYK 41 / 43 / 0 / 20

HEX #7974CD

RGB 121 116 205

HSL 243.37, 0.47%, 0.63%

LAB 52.91, 23.97, -45.59

 

CMYK 29 / 31 / 0 / 25

HEX #8784BE

RGB 135 132 190

HSL 243.1, 0.31%, 0.63%

LAB 57.44, 14.32, -29.88

 

CMYK 15 / 16 / 0 / 32

HEX #9493AE

RGB 148 147 174

HSL 242.22, 0.14%, 0.63%

LAB 61.84, 5.98, -13.97

 

CMYK 0 / 0 / 2 / 36

HEX #A2A29F

RGB 162 162 159

HSL 60, 0.02%, 0.63%

LAB 66.54, -0.56, 1.55

 

CMYK 1 / 0 / 19 / 31

HEX #AFB190

RGB 175 177 144

HSL 63.64, 0.17%, 0.63%

LAB 71.26, -6.39, 16.69

 

CMYK 43 / 22 / 0 / 20

HEX #749FCD

RGB 116 159 205

HSL 211.01, 0.47%, 0.63%

LAB 64.09, -2.47, -28.12

 

CMYK 43 / 34 / 0 / 20

HEX #7488CD

RGB 116 136 205

HSL 226.52, 0.47%, 0.63%

LAB 57.78, 10.78, -37.94

 

CMYK 41 / 43 / 0 / 20

HEX #7974CD

RGB 121 116 205

HSL 243.37, 0.47%, 0.63%

LAB 52.91, 23.97, -45.59

 

CMYK 30 / 43 / 0 / 20

HEX #9074CD

RGB 144 116 205

HSL 258.88, 0.47%, 0.63%

LAB 54.89, 30.12, -42.32

 

CMYK 18 / 43 / 0 / 20

HEX #A874CD

RGB 168 116 205

HSL 275.06, 0.47%, 0.63%

LAB 57.29, 36.97, -38.39

 

CMYK 60 / 64 / 0 / 31

HEX #463FB0

RGB 70 63 176

HSL 243.72, 0.47%, 0.47%

LAB 33.97, 36.43, -59.41

 

CMYK 53 / 56 / 0 / 24

HEX #5C56C2

RGB 92 86 194

HSL 243.33, 0.47%, 0.55%

LAB 42.5, 32.18, -56.06

 

CMYK 41 / 43 / 0 / 20

HEX #7974CD

RGB 121 116 205

HSL 243.37, 0.47%, 0.63%

LAB 52.91, 23.97, -45.59

 

CMYK 30 / 32 / 0 / 15

HEX #9793D8

RGB 151 147 216

HSL 243.48, 0.47%, 0.71%

LAB 63.68, 16.96, -34.7

 

CMYK 21 / 22 / 0 / 11

HEX #B4B1E3

RGB 180 177 227

HSL 243.6, 0.47%, 0.79%

LAB 73.99, 11.4, -24.66

 

CMYK 40 / 43 / 0 / 20

HEX #7A75CD

RGB 122 117 205

HSL 243.41, 0.47%, 0.63%

LAB 53.24, 23.63, -45.06

 

CMYK 0 / 43 / 11 / 20

HEX #CD74B7

RGB 205 116 183

HSL 314.83, 0.47%, 0.63%

LAB 60.68, 44.07, -20.29

 

CMYK 28 / 0 / 43 / 20

HEX #93CD74

RGB 147 205 116

HSL 99.1, 0.47%, 0.63%

LAB 76.76, -34.67, 38.38

 

CMYK 40 / 43 / 0 / 20

HEX #7A75CD

RGB 122 117 205

HSL 243.41, 0.47%, 0.63%

LAB 53.24, 23.63, -45.06

 

CMYK 0 / 41 / 43 / 20

HEX #CD7974

RGB 205 121 116

HSL 3.37, 0.47%, 0.63%

LAB 59.81, 32.18, 16.91

 

CMYK 43 / 0 / 41 / 20

HEX #74CD79

RGB 116 205 121

HSL 123.37, 0.47%, 0.63%

LAB 75.3, -43.95, 33.67

 

CMYK 40 / 43 / 0 / 20

HEX #7A75CD

RGB 122 117 205

HSL 243.41, 0.47%, 0.63%

LAB 53.24, 23.63, -45.06

 

CMYK 0 / 43 / 11 / 20

HEX #CD74B7

RGB 205 116 183

HSL 314.83, 0.47%, 0.63%

LAB 60.68, 44.07, -20.29

 

CMYK 2 / 0 / 43 / 20

HEX #C9CD74

RGB 201 205 116

HSL 62.7, 0.47%, 0.63%

LAB 80.37, -14.28, 43.68

 

CMYK 43 / 0 / 33 / 20

HEX #74CD8A

RGB 116 205 138

HSL 134.83, 0.47%, 0.63%

LAB 75.58, -41.14, 25.25

 

CMYK 40 / 43 / 0 / 20

HEX #7A75CD

RGB 122 117 205

HSL 243.41, 0.47%, 0.63%

LAB 53.24, 23.63, -45.06

 

CMYK 0 / 43 / 24 / 20

HEX #CD749C

RGB 205 116 156

HSL 333.03, 0.47%, 0.63%

LAB 59.77, 39.87, -6.18

 

CMYK 2 / 0 / 43 / 20

HEX #C9CD74

RGB 201 205 116

HSL 62.7, 0.47%, 0.63%

LAB 80.37, -14.28, 43.68

 

CMYK 43 / 0 / 20 / 20

HEX #74CDA5

RGB 116 205 165

HSL 153.03, 0.47%, 0.63%

LAB 76.13, -35.92, 11.67

 

Description

Color code: HEX #7A75CD3F | qconv.com Color code: HEX #7A75CD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 117 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 117 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 11 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 11% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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