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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A69B2 it is the complementary color #85964D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A69B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A69B2 shade: #7F69AD, #907BC0, #A18DD3, #B29FE6 and #C3B1F9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A69B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A69B2 shade: #7A69B2, #69579F, #58458C, #473379 and #362166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A69B2 shade: #7968B1, #8C68B1, #A068B1, #B168AE and #B1689A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A69B2 shade: #7968B1 and #6868B1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A69B2 shade matches the following richer shades: #7968B1, #6F55C4, #6542D6, #5B30E9 and #511DFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A69B2 shade: #7968B1, #837A9E, #8C8D8C, #969F79 and #A0B267

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A69B2 shade: #687FB1, #686BB1, #7768B1, #8B68B1 and #9F68B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A69B2 shade: #524383, #63519E, #7968B1, #9183BF and #A99ECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A69B2 shade: #7A69B2, #B16892 and #75B168

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A69B2 shade: #7A69B2, #B17768 and #68B177

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A69B2 shade: #7A69B2, #B16892, #A1B168 and #68B186

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A69B2 shade: #7A69B2, #B1687C, #A1B168 and #68B19C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 41 / 0 / 30

HEX #7A69B2

RGB 122 105 178

HSL 253.97, 0.32%, 0.55%

LAB 48.83, 23.38, -36.51

 

Complementary color

CMYK 11 / 0 / 49 / 41

HEX #85964D

RGB 133 150 77

HSL 73.97, 0.32%, 0.45%

LAB 59.28, -17.88, 36.25

 

CMYK 27 / 39 / 0 / 32

HEX #7F69AD

RGB 127 105 173

HSL 259.41, 0.29%, 0.55%

LAB 49.05, 23.55, -33.22

 

CMYK 25 / 36 / 0 / 25

HEX #907BC0

RGB 144 123 192

HSL 258.26, 0.35%, 0.62%

LAB 55.99, 22.79, -33.21

 

CMYK 24 / 33 / 0 / 17

HEX #A18DD3

RGB 161 141 211

HSL 257.14, 0.44%, 0.69%

LAB 62.79, 22.11, -33.24

 

CMYK 23 / 31 / 0 / 10

HEX #B29FE6

RGB 178 159 230

HSL 256.06, 0.59%, 0.76%

LAB 69.45, 21.49, -33.29

 

CMYK 22 / 29 / 0 / 2

HEX #C3B1F9

RGB 195 177 249

HSL 255, 0.86%, 0.84%

LAB 76, 20.93, -33.38

 

CMYK 31 / 41 / 0 / 30

HEX #7A69B2

RGB 122 105 178

HSL 253.97, 0.32%, 0.55%

LAB 48.83, 23.38, -36.51

 

CMYK 34 / 45 / 0 / 38

HEX #69579F

RGB 105 87 159

HSL 255, 0.29%, 0.48%

LAB 41.72, 24.31, -36.64

 

CMYK 37 / 51 / 0 / 45

HEX #58458C

RGB 88 69 140

HSL 256.06, 0.34%, 0.41%

LAB 34.45, 25.38, -36.82

 

CMYK 41 / 58 / 0 / 53

HEX #473379

RGB 71 51 121

HSL 257.14, 0.41%, 0.34%

LAB 26.98, 26.62, -37.04

 

CMYK 47 / 68 / 0 / 60

HEX #362166

RGB 54 33 102

HSL 258.26, 0.51%, 0.26%

LAB 19.36, 28, -37.23

 

CMYK 32 / 41 / 0 / 31

HEX #7968B1

RGB 121 104 177

HSL 253.97, 0.32%, 0.55%

LAB 48.44, 23.43, -36.55

 

CMYK 21 / 41 / 0 / 31

HEX #8C68B1

RGB 140 104 177

HSL 269.59, 0.32%, 0.55%

LAB 50.28, 29.04, -33.53

 

CMYK 10 / 41 / 0 / 31

HEX #A068B1

RGB 160 104 177

HSL 286.03, 0.32%, 0.55%

LAB 52.45, 35.18, -29.98

 

CMYK 0 / 41 / 2 / 31

HEX #B168AE

RGB 177 104 174

HSL 302.47, 0.32%, 0.55%

LAB 54.35, 39.92, -25.14

 

CMYK 0 / 41 / 13 / 31

HEX #B1689A

RGB 177 104 154

HSL 318.9, 0.32%, 0.55%

LAB 53.58, 36.36, -14.67

 

CMYK 32 / 41 / 0 / 31

HEX #7968B1

RGB 121 104 177

HSL 253.97, 0.32%, 0.55%

LAB 48.44, 23.43, -36.55

 

CMYK 41 / 41 / 0 / 31

HEX #6868B1

RGB 104 104 177

HSL 240, 0.32%, 0.55%

LAB 47, 18.72, -38.92

 

CMYK 32 / 41 / 0 / 31

HEX #7968B1

RGB 121 104 177

HSL 253.97, 0.32%, 0.55%

LAB 48.44, 23.43, -36.55

 

CMYK 43 / 57 / 0 / 23

HEX #6F55C4

RGB 111 85 196

HSL 254.05, 0.48%, 0.55%

LAB 44.03, 37.47, -54.66

 

CMYK 53 / 69 / 0 / 16

HEX #6542D6

RGB 101 66 214

HSL 254.19, 0.64%, 0.55%

LAB 40.44, 51.38, -70.93

 

CMYK 61 / 79 / 0 / 9

HEX #5B30E9

RGB 91 48 233

HSL 253.95, 0.81%, 0.55%

LAB 38.24, 64.01, -85.45

 

CMYK 68 / 88 / 0 / 2

HEX #511DFB

RGB 81 29 251

HSL 254.05, 0.97%, 0.55%

LAB 37.1, 74.56, -97.52

 

CMYK 32 / 41 / 0 / 31

HEX #7968B1

RGB 121 104 177

HSL 253.97, 0.32%, 0.55%

LAB 48.44, 23.43, -36.55

 

CMYK 17 / 23 / 0 / 38

HEX #837A9E

RGB 131 122 158

HSL 255, 0.16%, 0.55%

LAB 53.18, 11.07, -18.06

 

CMYK 1 / 0 / 1 / 45

HEX #8C8D8C

RGB 140 141 140

HSL 120, 0%, 0.55%

LAB 58.53, -0.56, 0.4

 

CMYK 6 / 0 / 24 / 38

HEX #969F79

RGB 150 159 121

HSL 74.21, 0.17%, 0.55%

LAB 63.89, -9.96, 18.8

 

CMYK 10 / 0 / 42 / 30

HEX #A0B267

RGB 160 178 103

HSL 74.4, 0.33%, 0.55%

LAB 69.68, -18.36, 36.2

 

CMYK 41 / 28 / 0 / 31

HEX #687FB1

RGB 104 127 177

HSL 221.1, 0.32%, 0.55%

LAB 53.27, 4.8, -29.08

 

CMYK 41 / 40 / 0 / 31

HEX #686BB1

RGB 104 107 177

HSL 237.53, 0.32%, 0.55%

LAB 47.79, 16.88, -37.66

 

CMYK 33 / 41 / 0 / 31

HEX #7768B1

RGB 119 104 177

HSL 252.33, 0.32%, 0.55%

LAB 48.26, 22.86, -36.85

 

CMYK 21 / 41 / 0 / 31

HEX #8B68B1

RGB 139 104 177

HSL 268.77, 0.32%, 0.55%

LAB 50.17, 28.74, -33.7

 

CMYK 10 / 41 / 0 / 31

HEX #9F68B1

RGB 159 104 177

HSL 285.21, 0.32%, 0.55%

LAB 52.34, 34.87, -30.16

 

CMYK 37 / 49 / 0 / 49

HEX #524383

RGB 82 67 131

HSL 254.06, 0.32%, 0.39%

LAB 32.8, 22.36, -33.93

 

CMYK 37 / 49 / 0 / 38

HEX #63519E

RGB 99 81 158

HSL 254.03, 0.32%, 0.47%

LAB 39.59, 26.06, -39.47

 

CMYK 32 / 41 / 0 / 31

HEX #7968B1

RGB 121 104 177

HSL 253.97, 0.32%, 0.55%

LAB 48.44, 23.43, -36.55

 

CMYK 24 / 31 / 0 / 25

HEX #9183BF

RGB 145 131 191

HSL 254, 0.32%, 0.63%

LAB 58.05, 18.19, -29.43

 

CMYK 18 / 23 / 0 / 20

HEX #A99ECD

RGB 169 158 205

HSL 254.04, 0.32%, 0.71%

LAB 67.5, 13.56, -22.58

 

CMYK 31 / 41 / 0 / 30

HEX #7A69B2

RGB 122 105 178

HSL 253.97, 0.32%, 0.55%

LAB 48.83, 23.38, -36.51

 

CMYK 0 / 41 / 18 / 31

HEX #B16892

RGB 177 104 146

HSL 325.48, 0.32%, 0.55%

LAB 53.3, 35.05, -10.4

 

CMYK 34 / 0 / 41 / 31

HEX #75B168

RGB 117 177 104

HSL 109.32, 0.32%, 0.55%

LAB 66.69, -33.71, 31.32

 

CMYK 31 / 41 / 0 / 30

HEX #7A69B2

RGB 122 105 178

HSL 253.97, 0.32%, 0.55%

LAB 48.83, 23.38, -36.51

 

CMYK 0 / 33 / 41 / 31

HEX #B17768

RGB 177 119 104

HSL 12.33, 0.32%, 0.55%

LAB 55.62, 20.88, 17.5

 

CMYK 41 / 0 / 33 / 31

HEX #68B177

RGB 104 177 119

HSL 132.33, 0.32%, 0.55%

LAB 66.3, -35.43, 22.72

 

CMYK 31 / 41 / 0 / 30

HEX #7A69B2

RGB 122 105 178

HSL 253.97, 0.32%, 0.55%

LAB 48.83, 23.38, -36.51

 

CMYK 0 / 41 / 18 / 31

HEX #B16892

RGB 177 104 146

HSL 325.48, 0.32%, 0.55%

LAB 53.3, 35.05, -10.4

 

CMYK 9 / 0 / 41 / 31

HEX #A1B168

RGB 161 177 104

HSL 73.15, 0.32%, 0.55%

LAB 69.48, -17.33, 35.46

 

CMYK 41 / 0 / 24 / 31

HEX #68B186

RGB 104 177 134

HSL 144.66, 0.32%, 0.55%

LAB 66.6, -32.58, 14.98

 

CMYK 31 / 41 / 0 / 30

HEX #7A69B2

RGB 122 105 178

HSL 253.97, 0.32%, 0.55%

LAB 48.83, 23.38, -36.51

 

CMYK 0 / 41 / 30 / 31

HEX #B1687C

RGB 177 104 124

HSL 343.56, 0.32%, 0.55%

LAB 52.62, 31.75, 1.57

 

CMYK 9 / 0 / 41 / 31

HEX #A1B168

RGB 161 177 104

HSL 73.15, 0.32%, 0.55%

LAB 69.48, -17.33, 35.46

 

CMYK 41 / 0 / 12 / 31

HEX #68B19C

RGB 104 177 156

HSL 162.74, 0.32%, 0.55%

LAB 67.12, -27.84, 3.61

 

Description

Color code: HEX #7A69B2 | qconv.com Color code: HEX #7A69B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 105 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 105 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 41 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 41% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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