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Color name
HEX #7A68CD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A68CD it is the complementary color #859732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A68CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A68CD shade: #7F68C8, #907ADB, #A18CEE, #B29EFF and #C3B0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A68CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A68CD shade: #7A68CD, #6956BA, #5844A7, #473294 and #362081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A68CD shade: #7C6ACD, #966ACD, #B16ACD, #CC6ACD and #CD6AB4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A68CD shade: #7C6ACD and #6A6ACD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A68CD shade matches the following richer shades: #7C6ACD, #715ADD, #674AED and #5C3AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A68CD shade: #7C6ACD, #867ABD, #908AAD, #9B9A9D and #A5AA8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A68CD shade: #6A8ECD, #6A74CD, #7A6ACD, #956ACD and #AF6ACD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A68CD shade: #4E39AB, #604BC3, #7C6ACD, #9789D8 and #B2A8E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A68CD shade: #7A68CD, #CD6AA9 and #81CD6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A68CD shade: #7A68CD, #CD7A6A and #6ACD7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A68CD shade: #7A68CD, #CD6AA9, #BDCD6A and #6ACD8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A68CD shade: #7A68CD, #CD6A8B, #BDCD6A and #6ACDAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 49 / 0 / 20

HEX #7A68CD

RGB 122 104 205

HSL 250.69, 0.5%, 0.61%

LAB 50.03, 31.39, -50.17

 

Complementary color

CMYK 12 / 0 / 67 / 41

HEX #859732

RGB 133 151 50

HSL 70.69, 0.5%, 0.39%

LAB 59.3, -20.78, 49.05

 

CMYK 37 / 48 / 0 / 22

HEX #7F68C8

RGB 127 104 200

HSL 254.38, 0.47%, 0.6%

LAB 50.2, 31.27, -47.02

 

CMYK 34 / 44 / 0 / 14

HEX #907ADB

RGB 144 122 219

HSL 253.61, 0.57%, 0.67%

LAB 57.04, 30.26, -46.84

 

CMYK 32 / 41 / 0 / 7

HEX #A18CEE

RGB 161 140 238

HSL 252.86, 0.74%, 0.74%

LAB 63.76, 29.36, -46.7

 

CMYK 30 / 38 / 0 / 0

HEX #B29EFF

RGB 178 158 255

HSL 252.37, 1%, 0.81%

LAB 70.27, 28.06, -45.65

 

CMYK 24 / 31 / 0 / 0

HEX #C3B0FF

RGB 195 176 255

HSL 254.43, 1%, 0.85%

LAB 75.99, 22.86, -36.63

 

CMYK 40 / 49 / 0 / 20

HEX #7A68CD

RGB 122 104 205

HSL 250.69, 0.5%, 0.61%

LAB 50.03, 31.39, -50.17

 

CMYK 44 / 54 / 0 / 27

HEX #6956BA

RGB 105 86 186

HSL 251.4, 0.42%, 0.53%

LAB 43.07, 32.61, -50.43

 

CMYK 47 / 59 / 0 / 35

HEX #5844A7

RGB 88 68 167

HSL 252.12, 0.42%, 0.46%

LAB 35.98, 33.99, -50.7

 

CMYK 52 / 66 / 0 / 42

HEX #473294

RGB 71 50 148

HSL 252.86, 0.49%, 0.39%

LAB 28.8, 35.52, -50.93

 

CMYK 58 / 75 / 0 / 49

HEX #362081

RGB 54 32 129

HSL 253.61, 0.6%, 0.32%

LAB 21.59, 37.07, -50.95

 

CMYK 40 / 48 / 0 / 20

HEX #7C6ACD

RGB 124 106 205

HSL 250.91, 0.5%, 0.61%

LAB 50.69, 30.7, -49.11

 

CMYK 27 / 48 / 0 / 20

HEX #966ACD

RGB 150 106 205

HSL 266.67, 0.5%, 0.61%

LAB 53.17, 37.51, -45.02

 

CMYK 14 / 48 / 0 / 20

HEX #B16ACD

RGB 177 106 205

HSL 283.03, 0.5%, 0.61%

LAB 56.15, 45, -40.11

 

CMYK 0 / 48 / 0 / 20

HEX #CC6ACD

RGB 204 106 205

HSL 299.39, 0.5%, 0.61%

LAB 59.48, 52.66, -34.65

 

CMYK 0 / 48 / 12 / 20

HEX #CD6AB4

RGB 205 106 180

HSL 315.15, 0.5%, 0.61%

LAB 58.59, 48.68, -21.78

 

CMYK 40 / 48 / 0 / 20

HEX #7C6ACD

RGB 124 106 205

HSL 250.91, 0.5%, 0.61%

LAB 50.69, 30.7, -49.11

 

CMYK 48 / 48 / 0 / 20

HEX #6A6ACD

RGB 106 106 205

HSL 240, 0.5%, 0.61%

LAB 49.23, 26.38, -51.53

 

CMYK 40 / 48 / 0 / 20

HEX #7C6ACD

RGB 124 106 205

HSL 250.91, 0.5%, 0.61%

LAB 50.69, 30.7, -49.11

 

CMYK 49 / 59 / 0 / 13

HEX #715ADD

RGB 113 90 221

HSL 250.53, 0.66%, 0.61%

LAB 47.03, 42.21, -64.16

 

CMYK 57 / 69 / 0 / 7

HEX #674AED

RGB 103 74 237

HSL 250.67, 0.82%, 0.61%

LAB 44.08, 54.08, -78.06

 

CMYK 64 / 77 / 0 / 0

HEX #5C3AFE

RGB 92 58 254

HSL 250.41, 0.99%, 0.61%

LAB 41.93, 65.51, -91.17

 

CMYK 40 / 48 / 0 / 20

HEX #7C6ACD

RGB 124 106 205

HSL 250.91, 0.5%, 0.61%

LAB 50.69, 30.7, -49.11

 

CMYK 29 / 35 / 0 / 26

HEX #867ABD

RGB 134 122 189

HSL 250.75, 0.34%, 0.61%

LAB 54.72, 19.64, -33.54

 

CMYK 17 / 20 / 0 / 32

HEX #908AAD

RGB 144 138 173

HSL 250.29, 0.18%, 0.61%

LAB 59.09, 9.56, -17.6

 

CMYK 1 / 2 / 0 / 38

HEX #9B9A9D

RGB 155 154 157

HSL 260, 0.02%, 0.61%

LAB 63.77, 0.94, -1.45

 

CMYK 3 / 0 / 17 / 33

HEX #A5AA8D

RGB 165 170 141

HSL 70.34, 0.15%, 0.61%

LAB 68.51, -6.93, 14.37

 

CMYK 48 / 31 / 0 / 20

HEX #6A8ECD

RGB 106 142 205

HSL 218.18, 0.5%, 0.61%

LAB 58.81, 4.76, -36.38

 

CMYK 48 / 43 / 0 / 20

HEX #6A74CD

RGB 106 116 205

HSL 233.94, 0.5%, 0.61%

LAB 51.8, 20.3, -47.43

 

CMYK 40 / 48 / 0 / 20

HEX #7A6ACD

RGB 122 106 205

HSL 249.7, 0.5%, 0.61%

LAB 50.52, 30.2, -49.4

 

CMYK 27 / 48 / 0 / 20

HEX #956ACD

RGB 149 106 205

HSL 266.06, 0.5%, 0.61%

LAB 53.06, 37.23, -45.19

 

CMYK 15 / 48 / 0 / 20

HEX #AF6ACD

RGB 175 106 205

HSL 281.82, 0.5%, 0.61%

LAB 55.92, 44.44, -40.49

 

CMYK 54 / 67 / 0 / 33

HEX #4E39AB

RGB 78 57 171

HSL 251.05, 0.5%, 0.45%

LAB 32.89, 39.79, -58.16

 

CMYK 51 / 62 / 0 / 24

HEX #604BC3

RGB 96 75 195

HSL 250.5, 0.5%, 0.53%

LAB 40.34, 39.9, -60.12

 

CMYK 40 / 48 / 0 / 20

HEX #7C6ACD

RGB 124 106 205

HSL 250.91, 0.5%, 0.61%

LAB 50.69, 30.7, -49.11

 

CMYK 30 / 37 / 0 / 15

HEX #9789D8

RGB 151 137 216

HSL 250.63, 0.5%, 0.69%

LAB 61.16, 22.72, -38.63

 

CMYK 21 / 26 / 0 / 11

HEX #B2A8E2

RGB 178 168 226

HSL 250.34, 0.5%, 0.77%

LAB 71.53, 15.54, -27.9

 

CMYK 40 / 49 / 0 / 20

HEX #7A68CD

RGB 122 104 205

HSL 250.69, 0.5%, 0.61%

LAB 50.03, 31.39, -50.17

 

CMYK 0 / 48 / 18 / 20

HEX #CD6AA9

RGB 205 106 169

HSL 321.82, 0.5%, 0.61%

LAB 58.18, 46.95, -16.06

 

CMYK 37 / 0 / 48 / 20

HEX #81CD6A

RGB 129 205 106

HSL 106.06, 0.5%, 0.61%

LAB 75.68, -42.04, 41.79

 

CMYK 40 / 49 / 0 / 20

HEX #7A68CD

RGB 122 104 205

HSL 250.69, 0.5%, 0.61%

LAB 50.03, 31.39, -50.17

 

CMYK 0 / 40 / 48 / 20

HEX #CD7A6A

RGB 205 122 106

HSL 9.7, 0.5%, 0.61%

LAB 59.83, 30.62, 22.64

 

CMYK 48 / 0 / 40 / 20

HEX #6ACD7A

RGB 106 205 122

HSL 129.7, 0.5%, 0.61%

LAB 74.91, -46.61, 32.57

 

CMYK 40 / 49 / 0 / 20

HEX #7A68CD

RGB 122 104 205

HSL 250.69, 0.5%, 0.61%

LAB 50.03, 31.39, -50.17

 

CMYK 0 / 48 / 18 / 20

HEX #CD6AA9

RGB 205 106 169

HSL 321.82, 0.5%, 0.61%

LAB 58.18, 46.95, -16.06

 

CMYK 8 / 0 / 48 / 20

HEX #BDCD6A

RGB 189 205 106

HSL 69.7, 0.5%, 0.61%

LAB 79.34, -20.05, 47.1

 

CMYK 48 / 0 / 31 / 20

HEX #6ACD8E

RGB 106 205 142

HSL 141.82, 0.5%, 0.61%

LAB 75.25, -43.12, 22.63

 

CMYK 40 / 49 / 0 / 20

HEX #7A68CD

RGB 122 104 205

HSL 250.69, 0.5%, 0.61%

LAB 50.03, 31.39, -50.17

 

CMYK 0 / 48 / 32 / 20

HEX #CD6A8B

RGB 205 106 139

HSL 340, 0.5%, 0.61%

LAB 57.22, 42.74, -0.08

 

CMYK 8 / 0 / 48 / 20

HEX #BDCD6A

RGB 189 205 106

HSL 69.7, 0.5%, 0.61%

LAB 79.34, -20.05, 47.1

 

CMYK 48 / 0 / 16 / 20

HEX #6ACDAC

RGB 106 205 172

HSL 160, 0.5%, 0.61%

LAB 75.89, -36.93, 7.53

 

Description

Color code: HEX #7A68CD | qconv.com Color code: HEX #7A68CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 104 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 104 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 49 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 49% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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