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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A117D it is the complementary color #85EE82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A117D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A117D shade: #7F1178, #90238B, #A1359E, #B247B1 and #C359C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A117D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A117D shade: #7A117D, #69006A, #580057, #470044 and #360031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A117D shade: #7B117E, #7E1163, #7E1146, #7E1129 and #7E1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A117D shade: #7B117E, #5D117E, #40117E, #23117E and #11117E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A117D shade matches the following richer shades: #7B117E and #860689

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A117D shade: #7B117E, #701D72, #652867, #5A345B and #4F3F4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A117D shade: #40117E, #5D117E, #7A117E, #7E1164 and #7E1147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A117D shade: #340735, #570C59, #7B117E, #9E16A2 and #C21BC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A117D shade: #7A117D, #7E2311 and #117E4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A117D shade: #7A117D, #7E7A11 and #117E7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A117D shade: #7A117D, #7E2311, #157E11 and #116C7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A117D shade: #7A117D, #7E4411, #157E11 and #114B7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 86 / 0 / 51

HEX #7A117D

RGB 122 17 125

HSL 298.33, 0.76%, 0.28%

LAB 29.46, 54.38, -35.19

 

Complementary color

CMYK 44 / 0 / 45 / 7

HEX #85EE82

RGB 133 238 130

HSL 118.33, 0.76%, 0.72%

LAB 85.88, -51.54, 42.87

 

CMYK 0 / 87 / 6 / 50

HEX #7F1178

RGB 127 17 120

HSL 303.82, 0.76%, 0.28%

LAB 30.08, 54.57, -30.98

 

CMYK 0 / 76 / 3 / 44

HEX #90238B

RGB 144 35 139

HSL 302.75, 0.61%, 0.35%

LAB 35.98, 56.36, -33.31

 

CMYK 0 / 67 / 2 / 37

HEX #A1359E

RGB 161 53 158

HSL 301.67, 0.5%, 0.42%

LAB 42.14, 57.05, -34.92

 

CMYK 0 / 60 / 1 / 30

HEX #B247B1

RGB 178 71 177

HSL 300.56, 0.43%, 0.49%

LAB 48.44, 57.08, -36.08

 

CMYK 1 / 55 / 0 / 23

HEX #C359C4

RGB 195 89 196

HSL 299.44, 0.48%, 0.56%

LAB 54.8, 56.75, -36.94

 

CMYK 2 / 86 / 0 / 51

HEX #7A117D

RGB 122 17 125

HSL 298.33, 0.76%, 0.28%

LAB 29.46, 54.38, -35.19

 

CMYK 1 / 100 / 0 / 58

HEX #69006A

RGB 105 0 106

HSL 299.43, 1%, 0.21%

LAB 23.82, 51.34, -32.23

 

CMYK 0 / 100 / 1 / 65

HEX #580057

RGB 88 0 87

HSL 300.68, 1%, 0.17%

LAB 19.07, 45.07, -27.45

 

CMYK 0 / 100 / 4 / 72

HEX #470044

RGB 71 0 68

HSL 302.54, 1%, 0.14%

LAB 14.16, 38.58, -22.45

 

CMYK 0 / 100 / 9 / 79

HEX #360031

RGB 54 0 49

HSL 305.56, 1%, 0.11%

LAB 9.04, 31.82, -17.17

 

CMYK 2 / 87 / 0 / 51

HEX #7B117E

RGB 123 17 126

HSL 298.35, 0.76%, 0.28%

LAB 29.71, 54.75, -35.41

 

CMYK 0 / 87 / 21 / 51

HEX #7E1163

RGB 126 17 99

HSL 314.86, 0.76%, 0.28%

LAB 28.74, 51.24, -19.62

 

CMYK 0 / 87 / 44 / 51

HEX #7E1146

RGB 126 17 70

HSL 330.83, 0.76%, 0.28%

LAB 27.51, 47.77, -2.29

 

CMYK 0 / 87 / 67 / 51

HEX #7E1129

RGB 126 17 41

HSL 346.79, 0.76%, 0.28%

LAB 26.73, 45.45, 16.24

 

CMYK 0 / 87 / 87 / 51

HEX #7E1111

RGB 126 17 17

HSL 0, 0.76%, 0.28%

LAB 26.38, 44.42, 31.16

 

CMYK 2 / 87 / 0 / 51

HEX #7B117E

RGB 123 17 126

HSL 298.35, 0.76%, 0.28%

LAB 29.71, 54.75, -35.41

 

CMYK 26 / 87 / 0 / 51

HEX #5D117E

RGB 93 17 126

HSL 281.83, 0.76%, 0.28%

LAB 24.43, 49.15, -44.19

 

CMYK 49 / 87 / 0 / 51

HEX #40117E

RGB 64 17 126

HSL 265.87, 0.76%, 0.28%

LAB 20.03, 44.66, -51.56

 

CMYK 72 / 87 / 0 / 51

HEX #23117E

RGB 35 17 126

HSL 249.91, 0.76%, 0.28%

LAB 16.82, 41.53, -56.97

 

CMYK 87 / 87 / 0 / 51

HEX #11117E

RGB 17 17 126

HSL 240, 0.76%, 0.28%

LAB 15.63, 40.42, -58.99

 

CMYK 2 / 87 / 0 / 51

HEX #7B117E

RGB 123 17 126

HSL 298.35, 0.76%, 0.28%

LAB 29.71, 54.75, -35.41

 

CMYK 2 / 96 / 0 / 46

HEX #860689

RGB 134 6 137

HSL 298.63, 0.92%, 0.28%

LAB 31.82, 60.51, -38.8

 

CMYK 2 / 87 / 0 / 51

HEX #7B117E

RGB 123 17 126

HSL 298.35, 0.76%, 0.28%

LAB 29.71, 54.75, -35.41

 

CMYK 2 / 75 / 0 / 55

HEX #701D72

RGB 112 29 114

HSL 298.59, 0.59%, 0.28%

LAB 28.22, 46.7, -30.29

 

CMYK 2 / 61 / 0 / 60

HEX #652867

RGB 101 40 103

HSL 298.1, 0.44%, 0.28%

LAB 27.47, 36.86, -24.52

 

CMYK 1 / 43 / 0 / 64

HEX #5A345B

RGB 90 52 91

HSL 298.46, 0.27%, 0.28%

LAB 27.8, 24.04, -16.34

 

CMYK 0 / 20 / 0 / 69

HEX #4F3F4F

RGB 79 63 79

HSL 300, 0.11%, 0.28%

LAB 28.86, 10.21, -7.04

 

CMYK 49 / 87 / 0 / 51

HEX #40117E

RGB 64 17 126

HSL 265.87, 0.76%, 0.28%

LAB 20.03, 44.66, -51.56

 

CMYK 26 / 87 / 0 / 51

HEX #5D117E

RGB 93 17 126

HSL 281.83, 0.76%, 0.28%

LAB 24.43, 49.15, -44.19

 

CMYK 3 / 87 / 0 / 51

HEX #7A117E

RGB 122 17 126

HSL 297.8, 0.76%, 0.28%

LAB 29.53, 54.55, -35.71

 

CMYK 0 / 87 / 21 / 51

HEX #7E1164

RGB 126 17 100

HSL 314.31, 0.76%, 0.28%

LAB 28.79, 51.37, -20.19

 

CMYK 0 / 87 / 44 / 51

HEX #7E1147

RGB 126 17 71

HSL 330.28, 0.76%, 0.28%

LAB 27.55, 47.87, -2.91

 

CMYK 2 / 87 / 0 / 79

HEX #340735

RGB 52 7 53

HSL 298.7, 0.77%, 0.12%

LAB 10.1, 28.57, -18.44

 

CMYK 2 / 87 / 0 / 65

HEX #570C59

RGB 87 12 89

HSL 298.44, 0.76%, 0.2%

LAB 20.09, 42.04, -27.18

 

CMYK 2 / 87 / 0 / 51

HEX #7B117E

RGB 123 17 126

HSL 298.35, 0.76%, 0.28%

LAB 29.71, 54.75, -35.41

 

CMYK 2 / 86 / 0 / 36

HEX #9E16A2

RGB 158 22 162

HSL 298.29, 0.76%, 0.36%

LAB 38.64, 66.31, -42.92

 

CMYK 2 / 86 / 0 / 22

HEX #C21BC6

RGB 194 27 198

HSL 298.6, 0.76%, 0.44%

LAB 47.41, 77.53, -49.81

 

CMYK 2 / 86 / 0 / 51

HEX #7A117D

RGB 122 17 125

HSL 298.33, 0.76%, 0.28%

LAB 29.46, 54.38, -35.19

 

CMYK 0 / 72 / 87 / 51

HEX #7E2311

RGB 126 35 17

HSL 9.91, 0.76%, 0.28%

LAB 28.59, 38.28, 33.17

 

CMYK 87 / 0 / 37 / 51

HEX #117E4F

RGB 17 126 79

HSL 154.13, 0.76%, 0.28%

LAB 46.45, -40.43, 17.65

 

CMYK 2 / 86 / 0 / 51

HEX #7A117D

RGB 122 17 125

HSL 298.33, 0.76%, 0.28%

LAB 29.46, 54.38, -35.19

 

CMYK 0 / 3 / 87 / 51

HEX #7E7A11

RGB 126 122 17

HSL 57.8, 0.76%, 0.28%

LAB 49.97, -10.23, 51.67

 

CMYK 87 / 0 / 3 / 51

HEX #117E7A

RGB 17 126 122

HSL 177.8, 0.76%, 0.28%

LAB 47.55, -28.78, -5.97

 

CMYK 2 / 86 / 0 / 51

HEX #7A117D

RGB 122 17 125

HSL 298.33, 0.76%, 0.28%

LAB 29.46, 54.38, -35.19

 

CMYK 0 / 72 / 87 / 51

HEX #7E2311

RGB 126 35 17

HSL 9.91, 0.76%, 0.28%

LAB 28.59, 38.28, 33.17

 

CMYK 83 / 0 / 87 / 51

HEX #157E11

RGB 21 126 17

HSL 117.8, 0.76%, 0.28%

LAB 45.8, -48.44, 45.92

 

CMYK 87 / 14 / 0 / 51

HEX #116C7E

RGB 17 108 126

HSL 189.91, 0.76%, 0.28%

LAB 41.77, -18.11, -17.1

 

CMYK 2 / 86 / 0 / 51

HEX #7A117D

RGB 122 17 125

HSL 298.33, 0.76%, 0.28%

LAB 29.46, 54.38, -35.19

 

CMYK 0 / 46 / 87 / 51

HEX #7E4411

RGB 126 68 17

HSL 28.07, 0.76%, 0.28%

LAB 35.22, 21.18, 39.08

 

CMYK 83 / 0 / 87 / 51

HEX #157E11

RGB 21 126 17

HSL 117.8, 0.76%, 0.28%

LAB 45.8, -48.44, 45.92

 

CMYK 87 / 40 / 0 / 51

HEX #114B7E

RGB 17 75 126

HSL 208.07, 0.76%, 0.28%

LAB 31.01, 1.96, -33.9

 

Description

Color code: HEX #7A117D | qconv.com Color code: HEX #7A117D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 17 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 17 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 86 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 86% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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