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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7A0094 it is the complementary color #85FF6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7A0094. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7A0094 shade: #7F008F, #9012A2, #A124B5, #B236C8 and #C348DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7A0094. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7A0094 shade: #7A0094, #690081, #58006E, #47005B and #360048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7A0094 shade: #790093, #930085, #93005E, #930036 and #93000E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7A0094 shade: #790093, #520093, #2A0093, #020093 and #000093

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7A0094 shade matches the following richer shades: #790093

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7A0094 shade: #790093, #720B87, #6A177B, #622370 and #5A2F64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7A0094 shade: #290093, #510093, #780093, #930087 and #930060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7A0094 shade: #350041, #57006A, #790093, #9B00BD and #BD00E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7A0094 shade: #7A0094, #930200 and #00933D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7A0094 shade: #7A0094, #937800 and #009378

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7A0094 shade: #7A0094, #930200, #1B9300 and #009193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7A0094 shade: #7A0094, #932E00, #1B9300 and #006593

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 100 / 0 / 42

HEX #7A0094

RGB 122 0 148

HSL 289.46, 1%, 0.29%

LAB 30.1, 61.35, -48.49

 

Complementary color

CMYK 48 / 0 / 58 / 0

HEX #85FF6B

RGB 133 255 107

HSL 109.46, 1%, 0.71%

LAB 90.58, -61, 59.13

 

CMYK 11 / 100 / 0 / 44

HEX #7F008F

RGB 127 0 143

HSL 293.29, 1%, 0.28%

LAB 30.63, 61.24, -44.5

 

CMYK 11 / 89 / 0 / 36

HEX #9012A2

RGB 144 18 162

HSL 292.5, 0.8%, 0.35%

LAB 35.93, 64.57, -47.41

 

CMYK 11 / 80 / 0 / 29

HEX #A124B5

RGB 161 36 181

HSL 291.72, 0.67%, 0.43%

LAB 41.49, 66.76, -49.65

 

CMYK 11 / 73 / 0 / 22

HEX #B236C8

RGB 178 54 200

HSL 290.96, 0.57%, 0.5%

LAB 47.33, 67.85, -51.24

 

CMYK 11 / 67 / 0 / 14

HEX #C348DB

RGB 195 72 219

HSL 290.2, 0.67%, 0.57%

LAB 53.33, 68.23, -52.38

 

CMYK 18 / 100 / 0 / 42

HEX #7A0094

RGB 122 0 148

HSL 289.46, 1%, 0.29%

LAB 30.1, 61.35, -48.49

 

CMYK 19 / 100 / 0 / 49

HEX #690081

RGB 105 0 129

HSL 288.84, 1%, 0.25%

LAB 25.53, 55.36, -44.21

 

CMYK 20 / 100 / 0 / 57

HEX #58006E

RGB 88 0 110

HSL 288, 1%, 0.22%

LAB 20.83, 49.22, -39.82

 

CMYK 22 / 100 / 0 / 64

HEX #47005B

RGB 71 0 91

HSL 286.81, 1%, 0.18%

LAB 15.98, 42.87, -35.3

 

CMYK 25 / 100 / 0 / 72

HEX #360048

RGB 54 0 72

HSL 285, 1%, 0.14%

LAB 10.94, 36.29, -30.63

 

CMYK 18 / 100 / 0 / 42

HEX #790093

RGB 121 0 147

HSL 289.39, 1%, 0.29%

LAB 29.84, 61.02, -48.3

 

CMYK 0 / 100 / 10 / 42

HEX #930085

RGB 147 0 133

HSL 305.71, 1%, 0.29%

LAB 33.77, 63.09, -33.06

 

CMYK 0 / 100 / 36 / 42

HEX #93005E

RGB 147 0 94

HSL 321.63, 1%, 0.29%

LAB 31.83, 58.22, -11.25

 

CMYK 0 / 100 / 63 / 42

HEX #930036

RGB 147 0 54

HSL 337.96, 1%, 0.29%

LAB 30.57, 54.89, 13.42

 

CMYK 0 / 100 / 90 / 42

HEX #93000E

RGB 147 0 14

HSL 354.29, 1%, 0.29%

LAB 30, 53.35, 37.7

 

CMYK 18 / 100 / 0 / 42

HEX #790093

RGB 121 0 147

HSL 289.39, 1%, 0.29%

LAB 29.84, 61.02, -48.3

 

CMYK 44 / 100 / 0 / 42

HEX #520093

RGB 82 0 147

HSL 273.47, 1%, 0.29%

LAB 23.34, 56.17, -59.2

 

CMYK 71 / 100 / 0 / 42

HEX #2A0093

RGB 42 0 147

HSL 257.14, 1%, 0.29%

LAB 18.36, 53.4, -67.6

 

CMYK 99 / 100 / 0 / 42

HEX #020093

RGB 2 0 147

HSL 240.82, 1%, 0.29%

LAB 16.1, 52.55, -71.43

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 18 / 100 / 0 / 42

HEX #790093

RGB 121 0 147

HSL 289.39, 1%, 0.29%

LAB 29.84, 61.02, -48.3

 

CMYK 18 / 100 / 0 / 42

HEX #790093

RGB 121 0 147

HSL 289.39, 1%, 0.29%

LAB 29.84, 61.02, -48.3

 

CMYK 16 / 92 / 0 / 47

HEX #720B87

RGB 114 11 135

HSL 289.84, 0.85%, 0.29%

LAB 28.29, 55.91, -43.42

 

CMYK 14 / 81 / 0 / 52

HEX #6A177B

RGB 106 23 123

HSL 289.8, 0.68%, 0.29%

LAB 27.04, 49.15, -37.96

 

CMYK 13 / 69 / 0 / 56

HEX #622370

RGB 98 35 112

HSL 289.09, 0.52%, 0.29%

LAB 26.65, 40.33, -31.65

 

CMYK 10 / 53 / 0 / 61

HEX #5A2F64

RGB 90 47 100

HSL 288.68, 0.36%, 0.29%

LAB 27.09, 29.03, -23.29

 

CMYK 72 / 100 / 0 / 42

HEX #290093

RGB 41 0 147

HSL 256.73, 1%, 0.29%

LAB 18.27, 53.36, -67.76

 

CMYK 45 / 100 / 0 / 42

HEX #510093

RGB 81 0 147

HSL 273.06, 1%, 0.29%

LAB 23.19, 56.07, -59.45

 

CMYK 18 / 100 / 0 / 42

HEX #780093

RGB 120 0 147

HSL 288.98, 1%, 0.29%

LAB 29.66, 60.87, -48.6

 

CMYK 0 / 100 / 8 / 42

HEX #930087

RGB 147 0 135

HSL 304.9, 1%, 0.29%

LAB 33.88, 63.38, -34.12

 

CMYK 0 / 100 / 35 / 42

HEX #930060

RGB 147 0 96

HSL 320.82, 1%, 0.29%

LAB 31.91, 58.43, -12.42

 

CMYK 18 / 100 / 0 / 75

HEX #350041

RGB 53 0 65

HSL 288.92, 1%, 0.13%

LAB 10.1, 34.66, -27.07

 

CMYK 18 / 100 / 0 / 58

HEX #57006A

RGB 87 0 106

HSL 289.25, 1%, 0.21%

LAB 20.31, 48.3, -38.06

 

CMYK 18 / 100 / 0 / 42

HEX #790093

RGB 121 0 147

HSL 289.39, 1%, 0.29%

LAB 29.84, 61.02, -48.3

 

CMYK 18 / 100 / 0 / 26

HEX #9B00BD

RGB 155 0 189

HSL 289.21, 1%, 0.37%

LAB 38.97, 73.28, -58.49

 

CMYK 18 / 100 / 0 / 10

HEX #BD00E6

RGB 189 0 230

HSL 289.3, 1%, 0.45%

LAB 47.66, 84.88, -67.8

 

CMYK 18 / 100 / 0 / 42

HEX #7A0094

RGB 122 0 148

HSL 289.46, 1%, 0.29%

LAB 30.1, 61.35, -48.49

 

CMYK 0 / 99 / 100 / 42

HEX #930200

RGB 147 2 0

HSL 0.82, 1%, 0.29%

LAB 30.03, 52.82, 43.61

 

CMYK 100 / 0 / 59 / 42

HEX #00933D

RGB 0 147 61

HSL 144.9, 1%, 0.29%

LAB 53.17, -52.47, 35.8

 

CMYK 18 / 100 / 0 / 42

HEX #7A0094

RGB 122 0 148

HSL 289.46, 1%, 0.29%

LAB 30.1, 61.35, -48.49

 

CMYK 0 / 18 / 100 / 42

HEX #937800

RGB 147 120 0

HSL 48.98, 1%, 0.29%

LAB 51.42, 0.44, 57.2

 

CMYK 100 / 0 / 18 / 42

HEX #009378

RGB 0 147 120

HSL 168.98, 1%, 0.29%

LAB 54.26, -39.91, 4.99

 

CMYK 18 / 100 / 0 / 42

HEX #7A0094

RGB 122 0 148

HSL 289.46, 1%, 0.29%

LAB 30.1, 61.35, -48.49

 

CMYK 0 / 99 / 100 / 42

HEX #930200

RGB 147 2 0

HSL 0.82, 1%, 0.29%

LAB 30.03, 52.82, 43.61

 

CMYK 82 / 0 / 100 / 42

HEX #1B9300

RGB 27 147 0

HSL 108.98, 1%, 0.29%

LAB 53.06, -54.85, 55.48

 

CMYK 100 / 1 / 0 / 42

HEX #009193

RGB 0 145 147

HSL 180.82, 1%, 0.29%

LAB 54.4, -30.93, -10.34

 

CMYK 18 / 100 / 0 / 42

HEX #7A0094

RGB 122 0 148

HSL 289.46, 1%, 0.29%

LAB 30.1, 61.35, -48.49

 

CMYK 0 / 69 / 100 / 42

HEX #932E00

RGB 147 46 0

HSL 18.78, 1%, 0.29%

LAB 34.31, 40.83, 46.44

 

CMYK 82 / 0 / 100 / 42

HEX #1B9300

RGB 27 147 0

HSL 108.98, 1%, 0.29%

LAB 53.06, -54.85, 55.48

 

CMYK 100 / 31 / 0 / 42

HEX #006593

RGB 0 101 147

HSL 198.78, 1%, 0.29%

LAB 40.27, -7.13, -32.08

 

Description

Color code: HEX #7A0094 | qconv.com Color code: HEX #7A0094 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, none green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 0 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 100 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 100% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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