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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79FC9E it is the complementary color #860361. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79FC9E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79FC9E shade: #7EFC99, #8FFFAC, #A0FFBF, #B1FFD2 and #C2FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79FC9E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79FC9E shade: #79FC9E, #68EA8B, #57D878, #46C665 and #35B452

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79FC9E shade: #78FC9D, #78FC7A, #9AFC78, #BEFC78 and #E1FC78

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79FC9E shade: #78FC9D, #78FCC1, #78FCE5, #78F0FC and #78CDFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79FC9E shade matches the following richer shades: #78FC9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79FC9E shade: #78FC9D, #83F1A2, #8EE6A7, #99DBAC and #A5D0B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79FC9E shade: #9BFC78, #78FC78, #78FC9B, #78FCBF and #78FCE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79FC9E shade: #27FB63, #50FB80, #78FC9D, #A0FDBB and #C9FED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79FC9E shade: #79FC9E, #78BFFC and #FC788A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79FC9E shade: #79FC9E, #9B78FC and #FC9B78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79FC9E shade: #79FC9E, #78BFFC, #FC78D9 and #FCB678

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79FC9E shade: #79FC9E, #7897FC, #FC78D9 and #FCDD78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 37 / 1

HEX #79FC9E

RGB 121 252 158

HSL 136.95, 0.96%, 0.73%

LAB 89.93, -56.04, 34.25

 

Complementary color

CMYK 0 / 98 / 28 / 47

HEX #860361

RGB 134 3 97

HSL 316.95, 0.96%, 0.27%

LAB 29.4, 55.28, -17.16

 

CMYK 50 / 0 / 39 / 1

HEX #7EFC99

RGB 126 252 153

HSL 132.86, 0.95%, 0.74%

LAB 90.02, -55.64, 36.89

 

CMYK 44 / 0 / 33 / 0

HEX #8FFFAC

RGB 143 255 172

HSL 135.54, 1%, 0.78%

LAB 91.84, -49.34, 29.93

 

CMYK 37 / 0 / 25 / 0

HEX #A0FFBF

RGB 160 255 191

HSL 139.58, 1%, 0.81%

LAB 92.91, -41.32, 21.89

 

CMYK 31 / 0 / 18 / 0

HEX #B1FFD2

RGB 177 255 210

HSL 145.38, 1%, 0.85%

LAB 94.11, -32.9, 13.98

 

CMYK 24 / 0 / 10 / 0

HEX #C2FFE5

RGB 194 255 229

HSL 154.43, 1%, 0.88%

LAB 95.43, -24.2, 6.23

 

CMYK 52 / 0 / 37 / 1

HEX #79FC9E

RGB 121 252 158

HSL 136.95, 0.96%, 0.73%

LAB 89.93, -56.04, 34.25

 

CMYK 56 / 0 / 41 / 8

HEX #68EA8B

RGB 104 234 139

HSL 136.15, 0.76%, 0.66%

LAB 83.78, -56.06, 35.54

 

CMYK 60 / 0 / 44 / 15

HEX #57D878

RGB 87 216 120

HSL 135.35, 0.62%, 0.59%

LAB 77.58, -55.95, 36.91

 

CMYK 65 / 0 / 49 / 22

HEX #46C665

RGB 70 198 101

HSL 134.53, 0.53%, 0.53%

LAB 71.3, -55.65, 38.33

 

CMYK 71 / 0 / 54 / 29

HEX #35B452

RGB 53 180 82

HSL 133.7, 0.55%, 0.46%

LAB 64.97, -55.06, 39.8

 

CMYK 52 / 0 / 38 / 1

HEX #78FC9D

RGB 120 252 157

HSL 136.82, 0.96%, 0.73%

LAB 89.88, -56.45, 34.68

 

CMYK 52 / 0 / 52 / 1

HEX #78FC7A

RGB 120 252 122

HSL 120.91, 0.96%, 0.73%

LAB 89.4, -61.56, 50.92

 

CMYK 39 / 0 / 52 / 1

HEX #9AFC78

RGB 154 252 120

HSL 104.55, 0.96%, 0.73%

LAB 90.71, -52.26, 53.73

 

CMYK 25 / 0 / 52 / 1

HEX #BEFC78

RGB 190 252 120

HSL 88.18, 0.96%, 0.73%

LAB 92.54, -40.28, 56.35

 

CMYK 11 / 0 / 52 / 1

HEX #E1FC78

RGB 225 252 120

HSL 72.27, 0.96%, 0.73%

LAB 94.73, -27.37, 59.47

 

CMYK 52 / 0 / 38 / 1

HEX #78FC9D

RGB 120 252 157

HSL 136.82, 0.96%, 0.73%

LAB 89.88, -56.45, 34.68

 

CMYK 52 / 0 / 23 / 1

HEX #78FCC1

RGB 120 252 193

HSL 153.18, 0.96%, 0.73%

LAB 90.53, -49.79, 17.33

 

CMYK 52 / 0 / 9 / 1

HEX #78FCE5

RGB 120 252 229

HSL 169.55, 0.96%, 0.73%

LAB 91.36, -41.84, -0.09

 

CMYK 52 / 5 / 0 / 1

HEX #78F0FC

RGB 120 240 252

HSL 185.45, 0.96%, 0.73%

LAB 88.61, -30.55, -16.14

 

CMYK 52 / 19 / 0 / 1

HEX #78CDFC

RGB 120 205 252

HSL 201.36, 0.96%, 0.73%

LAB 78.86, -13.07, -30.96

 

CMYK 52 / 0 / 38 / 1

HEX #78FC9D

RGB 120 252 157

HSL 136.82, 0.96%, 0.73%

LAB 89.88, -56.45, 34.68

 

CMYK 52 / 0 / 38 / 1

HEX #78FC9D

RGB 120 252 157

HSL 136.82, 0.96%, 0.73%

LAB 89.88, -56.45, 34.68

 

CMYK 46 / 0 / 33 / 5

HEX #83F1A2

RGB 131 241 162

HSL 136.91, 0.8%, 0.73%

LAB 87.17, -48.35, 28.6

 

CMYK 38 / 0 / 27 / 10

HEX #8EE6A7

RGB 142 230 167

HSL 137.05, 0.64%, 0.73%

LAB 84.55, -39.64, 22.56

 

CMYK 30 / 0 / 21 / 14

HEX #99DBAC

RGB 153 219 172

HSL 137.27, 0.48%, 0.73%

LAB 82.06, -30.36, 16.57

 

CMYK 21 / 0 / 15 / 18

HEX #A5D0B1

RGB 165 208 177

HSL 136.74, 0.31%, 0.73%

LAB 79.78, -20.24, 10.8

 

CMYK 38 / 0 / 52 / 1

HEX #9BFC78

RGB 155 252 120

HSL 104.09, 0.96%, 0.73%

LAB 90.75, -51.95, 53.79

 

CMYK 52 / 0 / 52 / 1

HEX #78FC78

RGB 120 252 120

HSL 120, 0.96%, 0.73%

LAB 89.38, -61.81, 51.81

 

CMYK 52 / 0 / 38 / 1

HEX #78FC9B

RGB 120 252 155

HSL 135.91, 0.96%, 0.73%

LAB 89.85, -56.78, 35.63

 

CMYK 52 / 0 / 24 / 1

HEX #78FCBF

RGB 120 252 191

HSL 152.27, 0.96%, 0.73%

LAB 90.49, -50.19, 18.3

 

CMYK 52 / 0 / 10 / 1

HEX #78FCE2

RGB 120 252 226

HSL 168.18, 0.96%, 0.73%

LAB 91.28, -42.55, 1.35

 

CMYK 84 / 0 / 61 / 2

HEX #27FB63

RGB 39 251 99

HSL 136.98, 0.96%, 0.57%

LAB 87.16, -77.64, 58.06

 

CMYK 68 / 0 / 49 / 2

HEX #50FB80

RGB 80 251 128

HSL 136.84, 0.96%, 0.65%

LAB 88.09, -68.74, 46.26

 

CMYK 52 / 0 / 38 / 1

HEX #78FC9D

RGB 120 252 157

HSL 136.82, 0.96%, 0.73%

LAB 89.88, -56.45, 34.68

 

CMYK 37 / 0 / 26 / 1

HEX #A0FDBB

RGB 160 253 187

HSL 137.42, 0.96%, 0.81%

LAB 92.27, -41.15, 23.05

 

CMYK 21 / 0 / 15 / 0

HEX #C9FED8

RGB 201 254 216

HSL 136.98, 0.96%, 0.89%

LAB 95.27, -23.98, 12.73

 

CMYK 52 / 0 / 37 / 1

HEX #79FC9E

RGB 121 252 158

HSL 136.95, 0.96%, 0.73%

LAB 89.93, -56.04, 34.25

 

CMYK 52 / 24 / 0 / 1

HEX #78BFFC

RGB 120 191 252

HSL 207.73, 0.96%, 0.73%

LAB 75, -5.62, -36.92

 

CMYK 0 / 52 / 45 / 1

HEX #FC788A

RGB 252 120 138

HSL 351.82, 0.96%, 0.73%

LAB 66.49, 51.92, 14.63

 

CMYK 52 / 0 / 37 / 1

HEX #79FC9E

RGB 121 252 158

HSL 136.95, 0.96%, 0.73%

LAB 89.93, -56.04, 34.25

 

CMYK 38 / 52 / 0 / 1

HEX #9B78FC

RGB 155 120 252

HSL 255.91, 0.96%, 0.73%

LAB 59.37, 42.84, -61.43

 

CMYK 0 / 38 / 52 / 1

HEX #FC9B78

RGB 252 155 120

HSL 15.91, 0.96%, 0.73%

LAB 73.22, 32.75, 33.62

 

CMYK 52 / 0 / 37 / 1

HEX #79FC9E

RGB 121 252 158

HSL 136.95, 0.96%, 0.73%

LAB 89.93, -56.04, 34.25

 

CMYK 52 / 24 / 0 / 1

HEX #78BFFC

RGB 120 191 252

HSL 207.73, 0.96%, 0.73%

LAB 75, -5.62, -36.92

 

CMYK 0 / 52 / 14 / 1

HEX #FC78D9

RGB 252 120 217

HSL 315.91, 0.96%, 0.73%

LAB 68.85, 61.71, -26.38

 

CMYK 0 / 28 / 52 / 1

HEX #FCB678

RGB 252 182 120

HSL 28.18, 0.96%, 0.73%

LAB 79.33, 18.63, 41.4

 

CMYK 52 / 0 / 37 / 1

HEX #79FC9E

RGB 121 252 158

HSL 136.95, 0.96%, 0.73%

LAB 89.93, -56.04, 34.25

 

CMYK 52 / 40 / 0 / 1

HEX #7897FC

RGB 120 151 252

HSL 225.91, 0.96%, 0.73%

LAB 64.29, 16.98, -53.74

 

CMYK 0 / 52 / 14 / 1

HEX #FC78D9

RGB 252 120 217

HSL 315.91, 0.96%, 0.73%

LAB 68.85, 61.71, -26.38

 

CMYK 0 / 12 / 52 / 1

HEX #FCDD78

RGB 252 221 120

HSL 45.91, 0.96%, 0.73%

LAB 88.81, -1.55, 53

 

Description

Color code: HEX #79FC9E | qconv.com Color code: HEX #79FC9E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 252 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 252 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 37 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 37% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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