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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79EB63 it is the complementary color #86149C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79EB63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79EB63 shade: #7EEB5E, #8FFD71, #A0FF84, #B1FF97 and #C2FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79EB63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79EB63 shade: #79EB63, #68D950, #57C73D, #46B52A and #35A317

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79EB63 shade: #77EA61, #9CEA61, #C1EA61, #E6EA61 and #EAC961

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79EB63 shade: #77EA61, #61EA70, #61EA95, #61EABA and #61EADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79EB63 shade matches the following richer shades: #77EA61 and #6EF953

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79EB63 shade: #77EA61, #81DC6F, #8BCE7E, #95BF8C and #9EB19B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79EB63 shade: #C1EA61, #9DEA61, #78EA61, #61EA6F and #61EA93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79EB63 shade: #3CDC1D, #58E63D, #77EA61, #97EF86 and #B6F4AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79EB63 shade: #79EB63, #61E6EA and #EA61AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79EB63 shade: #79EB63, #6178EA and #EA6178

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79EB63 shade: #79EB63, #61E6EA, #D461EA and #EA6661

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79EB63 shade: #79EB63, #61BDEA, #D461EA and #EA8F61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 58 / 8

HEX #79EB63

RGB 121 235 99

HSL 110.29, 0.77%, 0.65%

LAB 84.16, -57.53, 55.11

 

Complementary color

CMYK 14 / 87 / 0 / 39

HEX #86149C

RGB 134 20 156

HSL 290.29, 0.77%, 0.35%

LAB 33.92, 61.39, -47.1

 

CMYK 46 / 0 / 60 / 8

HEX #7EEB5E

RGB 126 235 94

HSL 106.38, 0.78%, 0.65%

LAB 84.31, -56.63, 57.49

 

CMYK 43 / 0 / 55 / 1

HEX #8FFD71

RGB 143 253 113

HSL 107.14, 0.97%, 0.72%

LAB 90.45, -56.75, 56.45

 

CMYK 37 / 0 / 48 / 0

HEX #A0FF84

RGB 160 255 132

HSL 106.34, 1%, 0.76%

LAB 91.98, -50.24, 49.78

 

CMYK 31 / 0 / 41 / 0

HEX #B1FF97

RGB 177 255 151

HSL 105, 1%, 0.8%

LAB 93.06, -42.41, 42.23

 

CMYK 24 / 0 / 33 / 0

HEX #C2FFAA

RGB 194 255 170

HSL 103.06, 1%, 0.83%

LAB 94.27, -34.17, 34.62

 

CMYK 49 / 0 / 58 / 8

HEX #79EB63

RGB 121 235 99

HSL 110.29, 0.77%, 0.65%

LAB 84.16, -57.53, 55.11

 

CMYK 52 / 0 / 63 / 15

HEX #68D950

RGB 104 217 80

HSL 109.49, 0.64%, 0.58%

LAB 77.96, -57.28, 56.11

 

CMYK 56 / 0 / 69 / 22

HEX #57C73D

RGB 87 199 61

HSL 108.7, 0.55%, 0.51%

LAB 71.7, -56.81, 56.86

 

CMYK 61 / 0 / 77 / 29

HEX #46B52A

RGB 70 181 42

HSL 107.91, 0.62%, 0.44%

LAB 65.37, -56, 57.14

 

CMYK 67 / 0 / 86 / 36

HEX #35A317

RGB 53 163 23

HSL 107.14, 0.75%, 0.36%

LAB 58.99, -54.71, 56.5

 

CMYK 49 / 0 / 59 / 8

HEX #77EA61

RGB 119 234 97

HSL 110.36, 0.77%, 0.65%

LAB 83.77, -57.91, 55.51

 

CMYK 33 / 0 / 59 / 8

HEX #9CEA61

RGB 156 234 97

HSL 94.16, 0.77%, 0.65%

LAB 85.39, -46.49, 57.79

 

CMYK 18 / 0 / 59 / 8

HEX #C1EA61

RGB 193 234 97

HSL 77.96, 0.77%, 0.65%

LAB 87.51, -33.13, 60.75

 

CMYK 2 / 0 / 59 / 8

HEX #E6EA61

RGB 230 234 97

HSL 61.75, 0.77%, 0.65%

LAB 90.11, -18.62, 64.36

 

CMYK 0 / 14 / 59 / 8

HEX #EAC961

RGB 234 201 97

HSL 45.55, 0.77%, 0.65%

LAB 81.91, -0.43, 55.28

 

CMYK 49 / 0 / 59 / 8

HEX #77EA61

RGB 119 234 97

HSL 110.36, 0.77%, 0.65%

LAB 83.77, -57.91, 55.51

 

CMYK 59 / 0 / 52 / 8

HEX #61EA70

RGB 97 234 112

HSL 126.57, 0.77%, 0.65%

LAB 83.21, -61.63, 47.87

 

CMYK 59 / 0 / 36 / 8

HEX #61EA95

RGB 97 234 149

HSL 142.77, 0.77%, 0.65%

LAB 83.73, -55.89, 30.4

 

CMYK 59 / 0 / 21 / 8

HEX #61EABA

RGB 97 234 186

HSL 158.98, 0.77%, 0.65%

LAB 84.45, -48.49, 12.27

 

CMYK 59 / 0 / 5 / 8

HEX #61EADF

RGB 97 234 223

HSL 175.18, 0.77%, 0.65%

LAB 85.36, -39.63, -5.85

 

CMYK 49 / 0 / 59 / 8

HEX #77EA61

RGB 119 234 97

HSL 110.36, 0.77%, 0.65%

LAB 83.77, -57.91, 55.51

 

CMYK 56 / 0 / 67 / 2

HEX #6EF953

RGB 110 249 83

HSL 110.24, 0.93%, 0.65%

LAB 87.82, -67.06, 65.66

 

CMYK 49 / 0 / 59 / 8

HEX #77EA61

RGB 119 234 97

HSL 110.36, 0.77%, 0.65%

LAB 83.77, -57.91, 55.51

 

CMYK 41 / 0 / 50 / 14

HEX #81DC6F

RGB 129 220 111

HSL 110.09, 0.61%, 0.65%

LAB 80.18, -47.8, 44.91

 

CMYK 33 / 0 / 39 / 19

HEX #8BCE7E

RGB 139 206 126

HSL 110.25, 0.45%, 0.65%

LAB 76.76, -36.46, 33.23

 

CMYK 22 / 0 / 27 / 25

HEX #95BF8C

RGB 149 191 140

HSL 109.41, 0.28%, 0.65%

LAB 73.25, -23.74, 21.3

 

CMYK 11 / 0 / 12 / 31

HEX #9EB19B

RGB 158 177 155

HSL 111.82, 0.12%, 0.65%

LAB 70.23, -10.8, 9.04

 

CMYK 18 / 0 / 59 / 8

HEX #C1EA61

RGB 193 234 97

HSL 77.96, 0.77%, 0.65%

LAB 87.51, -33.13, 60.75

 

CMYK 33 / 0 / 59 / 8

HEX #9DEA61

RGB 157 234 97

HSL 93.72, 0.77%, 0.65%

LAB 85.44, -46.16, 57.86

 

CMYK 49 / 0 / 59 / 8

HEX #78EA61

RGB 120 234 97

HSL 109.93, 0.77%, 0.65%

LAB 83.81, -57.64, 55.57

 

CMYK 59 / 0 / 53 / 8

HEX #61EA6F

RGB 97 234 111

HSL 126.13, 0.77%, 0.65%

LAB 83.2, -61.76, 48.32

 

CMYK 59 / 0 / 37 / 8

HEX #61EA93

RGB 97 234 147

HSL 141.9, 0.77%, 0.65%

LAB 83.7, -56.25, 31.37

 

CMYK 73 / 0 / 87 / 14

HEX #3CDC1D

RGB 60 220 29

HSL 110.26, 0.77%, 0.49%

LAB 77.42, -71.27, 71.48

 

CMYK 62 / 0 / 73 / 10

HEX #58E63D

RGB 88 230 61

HSL 110.41, 0.77%, 0.57%

LAB 81.29, -67.37, 66.67

 

CMYK 49 / 0 / 59 / 8

HEX #77EA61

RGB 119 234 97

HSL 110.36, 0.77%, 0.65%

LAB 83.77, -57.91, 55.51

 

CMYK 37 / 0 / 44 / 6

HEX #97EF86

RGB 151 239 134

HSL 110.29, 0.77%, 0.73%

LAB 87.01, -46.04, 42.53

 

CMYK 25 / 0 / 30 / 4

HEX #B6F4AA

RGB 182 244 170

HSL 110.27, 0.77%, 0.81%

LAB 90.57, -33.09, 29.56

 

CMYK 49 / 0 / 58 / 8

HEX #79EB63

RGB 121 235 99

HSL 110.29, 0.77%, 0.65%

LAB 84.16, -57.53, 55.11

 

CMYK 59 / 2 / 0 / 8

HEX #61E6EA

RGB 97 230 234

HSL 181.75, 0.77%, 0.65%

LAB 84.52, -34.9, -12.89

 

CMYK 0 / 59 / 25 / 8

HEX #EA61AF

RGB 234 97 175

HSL 325.84, 0.77%, 0.65%

LAB 60.9, 60.93, -15

 

CMYK 49 / 0 / 58 / 8

HEX #79EB63

RGB 121 235 99

HSL 110.29, 0.77%, 0.65%

LAB 84.16, -57.53, 55.11

 

CMYK 59 / 49 / 0 / 8

HEX #6178EA

RGB 97 120 234

HSL 229.93, 0.77%, 0.65%

LAB 53.94, 25.18, -60.4

 

CMYK 0 / 59 / 49 / 8

HEX #EA6178

RGB 234 97 120

HSL 349.93, 0.77%, 0.65%

LAB 59.34, 54.87, 14.59

 

CMYK 49 / 0 / 58 / 8

HEX #79EB63

RGB 121 235 99

HSL 110.29, 0.77%, 0.65%

LAB 84.16, -57.53, 55.11

 

CMYK 59 / 2 / 0 / 8

HEX #61E6EA

RGB 97 230 234

HSL 181.75, 0.77%, 0.65%

LAB 84.52, -34.9, -12.89

 

CMYK 9 / 59 / 0 / 8

HEX #D461EA

RGB 212 97 234

HSL 290.36, 0.77%, 0.65%

LAB 60.33, 64.36, -49.55

 

CMYK 0 / 56 / 59 / 8

HEX #EA6661

RGB 234 102 97

HSL 2.19, 0.77%, 0.65%

LAB 59.76, 50.75, 28.41

 

CMYK 49 / 0 / 58 / 8

HEX #79EB63

RGB 121 235 99

HSL 110.29, 0.77%, 0.65%

LAB 84.16, -57.53, 55.11

 

CMYK 59 / 19 / 0 / 8

HEX #61BDEA

RGB 97 189 234

HSL 199.71, 0.77%, 0.65%

LAB 72.81, -14.53, -30.67

 

CMYK 9 / 59 / 0 / 8

HEX #D461EA

RGB 212 97 234

HSL 290.36, 0.77%, 0.65%

LAB 60.33, 64.36, -49.55

 

CMYK 0 / 39 / 59 / 8

HEX #EA8F61

RGB 234 143 97

HSL 20.15, 0.77%, 0.65%

LAB 68.02, 30.15, 38.83

 

Description

Color code: HEX #79EB63 | qconv.com Color code: HEX #79EB63 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 235 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 235 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 58 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 58% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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