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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79EA59 it is the complementary color #8615A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79EA59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79EA59 shade: #7EEA54, #8FFC67, #A0FF7A, #B1FF8D and #C2FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79EA59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79EA59 shade: #79EA59, #68D846, #57C633, #46B420 and #35A20D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79EA59 shade: #78EA57, #9FEA57, #C7EA57, #EAE657 and #EABE57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79EA59 shade: #78EA57, #57EA5E, #57EA86, #57EAAE and #57EAD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79EA59 shade matches the following richer shades: #78EA57 and #6FFA48

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79EA59 shade: #78EA57, #80DB66, #89CC76, #91BC85 and #9AAD94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79EA59 shade: #C8EA57, #A1EA57, #79EA57, #57EA5C and #57EA83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79EA59 shade: #43D51A, #5AE632, #78EA57, #95EF7C and #B3F3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79EA59 shade: #79EA59, #57EAE5 and #EA57B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79EA59 shade: #79EA59, #5779EA and #EA5779

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79EA59 shade: #79EA59, #57EAE5, #C857EA and #EA575C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79EA59 shade: #79EA59, #57C3EA, #C857EA and #EA7E57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 62 / 8

HEX #79EA59

RGB 121 234 89

HSL 106.76, 0.78%, 0.63%

LAB 83.77, -58.16, 58.96

 

Complementary color

CMYK 19 / 87 / 0 / 35

HEX #8615A6

RGB 134 21 166

HSL 286.76, 0.78%, 0.37%

LAB 34.72, 63.01, -51.86

 

CMYK 46 / 0 / 64 / 8

HEX #7EEA54

RGB 126 234 84

HSL 103.2, 0.78%, 0.62%

LAB 83.92, -57.18, 61.24

 

CMYK 43 / 0 / 59 / 1

HEX #8FFC67

RGB 143 252 103

HSL 103.89, 0.96%, 0.7%

LAB 90.06, -57.38, 60.36

 

CMYK 37 / 0 / 52 / 0

HEX #A0FF7A

RGB 160 255 122

HSL 102.86, 1%, 0.74%

LAB 91.86, -51.4, 54.26

 

CMYK 31 / 0 / 45 / 0

HEX #B1FF8D

RGB 177 255 141

HSL 101.05, 1%, 0.78%

LAB 92.92, -43.7, 46.88

 

CMYK 24 / 0 / 37 / 0

HEX #C2FFA0

RGB 194 255 160

HSL 98.53, 1%, 0.81%

LAB 94.11, -35.56, 39.37

 

CMYK 48 / 0 / 62 / 8

HEX #79EA59

RGB 121 234 89

HSL 106.76, 0.78%, 0.63%

LAB 83.77, -58.16, 58.96

 

CMYK 52 / 0 / 68 / 15

HEX #68D846

RGB 104 216 70

HSL 106.03, 0.65%, 0.56%

LAB 77.58, -57.81, 59.74

 

CMYK 56 / 0 / 74 / 22

HEX #57C633

RGB 87 198 51

HSL 105.31, 0.59%, 0.49%

LAB 71.32, -57.21, 60.13

 

CMYK 61 / 0 / 82 / 29

HEX #46B420

RGB 70 180 32

HSL 104.59, 0.7%, 0.42%

LAB 65, -56.24, 59.8

 

CMYK 67 / 0 / 92 / 36

HEX #35A20D

RGB 53 162 13

HSL 103.89, 0.85%, 0.34%

LAB 58.63, -54.74, 58.22

 

CMYK 49 / 0 / 63 / 8

HEX #78EA57

RGB 120 234 87

HSL 106.53, 0.78%, 0.63%

LAB 83.72, -58.63, 59.72

 

CMYK 32 / 0 / 63 / 8

HEX #9FEA57

RGB 159 234 87

HSL 90.61, 0.78%, 0.63%

LAB 85.46, -46.34, 62.12

 

CMYK 15 / 0 / 63 / 8

HEX #C7EA57

RGB 199 234 87

HSL 74.29, 0.78%, 0.63%

LAB 87.81, -31.58, 65.36

 

CMYK 0 / 2 / 63 / 8

HEX #EAE657

RGB 234 230 87

HSL 58.37, 0.78%, 0.63%

LAB 89.29, -15.7, 67.69

 

CMYK 0 / 19 / 63 / 8

HEX #EABE57

RGB 234 190 87

HSL 42.04, 0.78%, 0.63%

LAB 79.05, 4.6, 56.63

 

CMYK 49 / 0 / 63 / 8

HEX #78EA57

RGB 120 234 87

HSL 106.53, 0.78%, 0.63%

LAB 83.72, -58.63, 59.72

 

CMYK 63 / 0 / 60 / 8

HEX #57EA5E

RGB 87 234 94

HSL 122.86, 0.78%, 0.63%

LAB 82.74, -65.96, 55.37

 

CMYK 63 / 0 / 43 / 8

HEX #57EA86

RGB 87 234 134

HSL 139.18, 0.78%, 0.63%

LAB 83.23, -60.48, 37.21

 

CMYK 63 / 0 / 26 / 8

HEX #57EAAE

RGB 87 234 174

HSL 155.51, 0.78%, 0.63%

LAB 83.93, -52.95, 17.76

 

CMYK 63 / 0 / 9 / 8

HEX #57EAD5

RGB 87 234 213

HSL 171.43, 0.78%, 0.63%

LAB 84.83, -43.87, -1.39

 

CMYK 49 / 0 / 63 / 8

HEX #78EA57

RGB 120 234 87

HSL 106.53, 0.78%, 0.63%

LAB 83.72, -58.63, 59.72

 

CMYK 56 / 0 / 71 / 2

HEX #6FFA48

RGB 111 250 72

HSL 106.85, 0.95%, 0.63%

LAB 88.07, -68.03, 69.95

 

CMYK 49 / 0 / 63 / 8

HEX #78EA57

RGB 120 234 87

HSL 106.53, 0.78%, 0.63%

LAB 83.72, -58.63, 59.72

 

CMYK 42 / 0 / 53 / 14

HEX #80DB66

RGB 128 219 102

HSL 106.67, 0.62%, 0.63%

LAB 79.73, -48.78, 48.61

 

CMYK 33 / 0 / 42 / 20

HEX #89CC76

RGB 137 204 118

HSL 106.74, 0.46%, 0.63%

LAB 75.95, -37.36, 36.24

 

CMYK 23 / 0 / 29 / 26

HEX #91BC85

RGB 145 188 133

HSL 106.91, 0.29%, 0.63%

LAB 72.01, -24.8, 23.31

 

CMYK 11 / 0 / 14 / 32

HEX #9AAD94

RGB 154 173 148

HSL 105.6, 0.13%, 0.63%

LAB 68.68, -11.39, 10.64

 

CMYK 15 / 0 / 63 / 8

HEX #C8EA57

RGB 200 234 87

HSL 73.88, 0.78%, 0.63%

LAB 87.88, -31.19, 65.45

 

CMYK 31 / 0 / 63 / 8

HEX #A1EA57

RGB 161 234 87

HSL 89.8, 0.78%, 0.63%

LAB 85.56, -45.65, 62.26

 

CMYK 48 / 0 / 63 / 8

HEX #79EA57

RGB 121 234 87

HSL 106.12, 0.78%, 0.63%

LAB 83.76, -58.35, 59.77

 

CMYK 63 / 0 / 61 / 8

HEX #57EA5C

RGB 87 234 92

HSL 122.04, 0.78%, 0.63%

LAB 82.72, -66.18, 56.21

 

CMYK 63 / 0 / 44 / 8

HEX #57EA83

RGB 87 234 131

HSL 137.96, 0.78%, 0.63%

LAB 83.18, -60.96, 38.64

 

CMYK 69 / 0 / 88 / 16

HEX #43D51A

RGB 67 213 26

HSL 106.84, 0.78%, 0.47%

LAB 75.36, -68, 70.33

 

CMYK 61 / 0 / 78 / 10

HEX #5AE632

RGB 90 230 50

HSL 106.67, 0.78%, 0.55%

LAB 81.29, -67.62, 70.12

 

CMYK 49 / 0 / 63 / 8

HEX #78EA57

RGB 120 234 87

HSL 106.53, 0.78%, 0.63%

LAB 83.72, -58.63, 59.72

 

CMYK 38 / 0 / 48 / 6

HEX #95EF7C

RGB 149 239 124

HSL 106.96, 0.78%, 0.71%

LAB 86.79, -47.95, 47.04

 

CMYK 26 / 0 / 34 / 5

HEX #B3F3A0

RGB 179 243 160

HSL 106.27, 0.78%, 0.79%

LAB 89.96, -35.12, 33.76

 

CMYK 48 / 0 / 62 / 8

HEX #79EA59

RGB 121 234 89

HSL 106.76, 0.78%, 0.63%

LAB 83.77, -58.16, 58.96

 

CMYK 63 / 0 / 2 / 8

HEX #57EAE5

RGB 87 234 229

HSL 177.96, 0.78%, 0.63%

LAB 85.27, -39.72, -9.17

 

CMYK 0 / 63 / 23 / 8

HEX #EA57B4

RGB 234 87 180

HSL 322.04, 0.78%, 0.63%

LAB 59.53, 65.8, -19.96

 

CMYK 48 / 0 / 62 / 8

HEX #79EA59

RGB 121 234 89

HSL 106.76, 0.78%, 0.63%

LAB 83.77, -58.16, 58.96

 

CMYK 63 / 48 / 0 / 8

HEX #5779EA

RGB 87 121 234

HSL 226.12, 0.78%, 0.63%

LAB 53.64, 22.79, -60.9

 

CMYK 0 / 63 / 48 / 8

HEX #EA5779

RGB 234 87 121

HSL 346.12, 0.78%, 0.63%

LAB 57.74, 59.3, 11.77

 

CMYK 48 / 0 / 62 / 8

HEX #79EA59

RGB 121 234 89

HSL 106.76, 0.78%, 0.63%

LAB 83.77, -58.16, 58.96

 

CMYK 63 / 0 / 2 / 8

HEX #57EAE5

RGB 87 234 229

HSL 177.96, 0.78%, 0.63%

LAB 85.27, -39.72, -9.17

 

CMYK 15 / 63 / 0 / 8

HEX #C857EA

RGB 200 87 234

HSL 286.12, 0.78%, 0.63%

LAB 57.11, 65.94, -54.76

 

CMYK 0 / 63 / 61 / 8

HEX #EA575C

RGB 234 87 92

HSL 357.96, 0.78%, 0.63%

LAB 57.15, 57.08, 27.91

 

CMYK 48 / 0 / 62 / 8

HEX #79EA59

RGB 121 234 89

HSL 106.76, 0.78%, 0.63%

LAB 83.77, -58.16, 58.96

 

CMYK 63 / 17 / 0 / 8

HEX #57C3EA

RGB 87 195 234

HSL 195.92, 0.78%, 0.63%

LAB 74.19, -19.44, -28.58

 

CMYK 15 / 63 / 0 / 8

HEX #C857EA

RGB 200 87 234

HSL 286.12, 0.78%, 0.63%

LAB 57.11, 65.94, -54.76

 

CMYK 0 / 46 / 63 / 8

HEX #EA7E57

RGB 234 126 87

HSL 15.92, 0.78%, 0.63%

LAB 64.24, 38.29, 39.53

 

Description

Color code: HEX #79EA59 | qconv.com Color code: HEX #79EA59 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 234 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 234 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 62 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 62% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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