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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79E660 it is the complementary color #86199F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79E660. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79E660 shade: #7EE65B, #8FF86E, #A0FF81, #B1FF94 and #C2FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79E660. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79E660 shade: #79E660, #68D44D, #57C23A, #46B027 and #359E14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79E660 shade: #79E660, #9DE660, #C1E660, #E6E660 and #E6C360

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79E660 shade: #79E660, #60E66B, #60E68F, #60E6B4 and #60E6D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79E660 shade matches the following richer shades: #79E660 and #70F551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79E660 shade: #79E660, #82D76F, #8CC97E, #95BA8D and #9EAB9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79E660 shade: #C2E660, #9FE660, #7BE660, #60E669 and #60E68D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79E660 shade: #42D321, #5BE13C, #79E660, #97EC84 and #B5F1A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79E660 shade: #79E660, #60E6E6 and #E660B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79E660 shade: #79E660, #607BE6 and #E6607B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79E660 shade: #79E660, #60E6E6, #CB60E6 and #E66060

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79E660 shade: #79E660, #60BEE6, #CB60E6 and #E68860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

Complementary color

CMYK 16 / 84 / 0 / 38

HEX #86199F

RGB 134 25 159

HSL 288.81, 0.73%, 0.36%

LAB 34.53, 60.76, -47.93

 

CMYK 45 / 0 / 60 / 10

HEX #7EE65B

RGB 126 230 91

HSL 104.89, 0.74%, 0.63%

LAB 82.8, -54.98, 57.07

 

CMYK 42 / 0 / 56 / 3

HEX #8FF86E

RGB 143 248 110

HSL 105.65, 0.91%, 0.7%

LAB 88.97, -55.09, 56.05

 

CMYK 37 / 0 / 49 / 0

HEX #A0FF81

RGB 160 255 129

HSL 105.24, 1%, 0.75%

LAB 91.94, -50.6, 51.14

 

CMYK 31 / 0 / 42 / 0

HEX #B1FF94

RGB 177 255 148

HSL 103.74, 1%, 0.79%

LAB 93.02, -42.81, 43.63

 

CMYK 24 / 0 / 35 / 0

HEX #C2FFA7

RGB 194 255 167

HSL 101.59, 1%, 0.83%

LAB 94.22, -34.6, 36.05

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 51 / 0 / 64 / 17

HEX #68D44D

RGB 104 212 77

HSL 108, 0.61%, 0.57%

LAB 76.42, -55.68, 55.66

 

CMYK 55 / 0 / 70 / 24

HEX #57C23A

RGB 87 194 58

HSL 107.21, 0.54%, 0.49%

LAB 70.12, -55.22, 56.37

 

CMYK 60 / 0 / 78 / 31

HEX #46B027

RGB 70 176 39

HSL 106.42, 0.64%, 0.42%

LAB 63.75, -54.43, 56.55

 

CMYK 66 / 0 / 87 / 38

HEX #359E14

RGB 53 158 20

HSL 105.65, 0.78%, 0.35%

LAB 57.33, -53.14, 55.73

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 32 / 0 / 58 / 10

HEX #9DE660

RGB 157 230 96

HSL 92.69, 0.73%, 0.64%

LAB 84.28, -44.54, 56.98

 

CMYK 16 / 0 / 58 / 10

HEX #C1E660

RGB 193 230 96

HSL 76.57, 0.73%, 0.64%

LAB 86.39, -31.36, 59.93

 

CMYK 0 / 0 / 58 / 10

HEX #E6E660

RGB 230 230 96

HSL 60, 0.73%, 0.64%

LAB 89.05, -16.74, 63.62

 

CMYK 0 / 15 / 58 / 10

HEX #E6C360

RGB 230 195 96

HSL 44.33, 0.73%, 0.64%

LAB 80.01, 0.95, 53.48

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 58 / 0 / 53 / 10

HEX #60E66B

RGB 96 230 107

HSL 124.93, 0.73%, 0.64%

LAB 81.92, -61.04, 48.63

 

CMYK 58 / 0 / 38 / 10

HEX #60E68F

RGB 96 230 143

HSL 141.04, 0.73%, 0.64%

LAB 82.41, -55.6, 31.68

 

CMYK 58 / 0 / 22 / 10

HEX #60E6B4

RGB 96 230 180

HSL 157.61, 0.73%, 0.64%

LAB 83.11, -48.32, 13.52

 

CMYK 58 / 0 / 6 / 10

HEX #60E6D8

RGB 96 230 216

HSL 173.73, 0.73%, 0.64%

LAB 83.99, -39.79, -4.18

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 54 / 0 / 67 / 4

HEX #70F551

RGB 112 245 81

HSL 108.66, 0.89%, 0.64%

LAB 86.67, -65.32, 65.23

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 40 / 0 / 48 / 16

HEX #82D76F

RGB 130 215 111

HSL 109.04, 0.57%, 0.64%

LAB 78.75, -45.38, 43.15

 

CMYK 30 / 0 / 37 / 21

HEX #8CC97E

RGB 140 201 126

HSL 108.8, 0.41%, 0.64%

LAB 75.36, -33.83, 31.41

 

CMYK 20 / 0 / 24 / 27

HEX #95BA8D

RGB 149 186 141

HSL 109.33, 0.25%, 0.64%

LAB 71.85, -21.08, 18.83

 

CMYK 8 / 0 / 9 / 33

HEX #9EAB9C

RGB 158 171 156

HSL 112, 0.08%, 0.64%

LAB 68.6, -7.43, 6.16

 

CMYK 16 / 0 / 58 / 10

HEX #C2E660

RGB 194 230 96

HSL 76.12, 0.73%, 0.64%

LAB 86.46, -30.98, 60.02

 

CMYK 31 / 0 / 58 / 10

HEX #9FE660

RGB 159 230 96

HSL 91.79, 0.73%, 0.64%

LAB 84.39, -43.85, 57.12

 

CMYK 47 / 0 / 58 / 10

HEX #7BE660

RGB 123 230 96

HSL 107.91, 0.73%, 0.64%

LAB 82.73, -55.35, 54.79

 

CMYK 58 / 0 / 54 / 10

HEX #60E669

RGB 96 230 105

HSL 124.03, 0.73%, 0.64%

LAB 81.89, -61.29, 49.52

 

CMYK 58 / 0 / 39 / 10

HEX #60E68D

RGB 96 230 141

HSL 140.15, 0.73%, 0.64%

LAB 82.38, -55.94, 32.65

 

CMYK 69 / 0 / 84 / 17

HEX #42D321

RGB 66 211 33

HSL 108.88, 0.73%, 0.48%

LAB 74.73, -67.29, 68.31

 

CMYK 60 / 0 / 73 / 12

HEX #5BE13C

RGB 91 225 60

HSL 108.73, 0.73%, 0.56%

LAB 79.84, -65.07, 65.58

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 36 / 0 / 44 / 7

HEX #97EC84

RGB 151 236 132

HSL 109.04, 0.73%, 0.72%

LAB 86.12, -45.02, 42.38

 

CMYK 25 / 0 / 30 / 5

HEX #B5F1A8

RGB 181 241 168

HSL 109.32, 0.72%, 0.8%

LAB 89.66, -32.34, 29.32

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 58 / 0 / 0 / 10

HEX #60E6E6

RGB 96 230 230

HSL 180, 0.73%, 0.64%

LAB 84.38, -36.14, -11

 

CMYK 0 / 58 / 23 / 10

HEX #E660B1

RGB 230 96 177

HSL 323.73, 0.73%, 0.64%

LAB 60.22, 60.47, -17.25

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 58 / 47 / 0 / 10

HEX #607BE6

RGB 96 123 230

HSL 227.91, 0.73%, 0.64%

LAB 54.41, 21.86, -57.4

 

CMYK 0 / 58 / 47 / 10

HEX #E6607B

RGB 230 96 123

HSL 347.91, 0.73%, 0.64%

LAB 58.62, 54.27, 11.75

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 58 / 0 / 0 / 10

HEX #60E6E6

RGB 96 230 230

HSL 180, 0.73%, 0.64%

LAB 84.38, -36.14, -11

 

CMYK 12 / 58 / 0 / 10

HEX #CB60E6

RGB 203 96 230

HSL 287.91, 0.73%, 0.64%

LAB 58.77, 61.85, -49.86

 

CMYK 0 / 58 / 58 / 10

HEX #E66060

RGB 230 96 96

HSL 0, 0.73%, 0.64%

LAB 58.07, 52.05, 26.66

 

CMYK 47 / 0 / 58 / 10

HEX #79E660

RGB 121 230 96

HSL 108.81, 0.73%, 0.64%

LAB 82.65, -55.92, 54.68

 

CMYK 58 / 17 / 0 / 10

HEX #60BEE6

RGB 96 190 230

HSL 197.91, 0.73%, 0.64%

LAB 72.91, -16.45, -28.36

 

CMYK 12 / 58 / 0 / 10

HEX #CB60E6

RGB 203 96 230

HSL 287.91, 0.73%, 0.64%

LAB 58.77, 61.85, -49.86

 

CMYK 0 / 41 / 58 / 10

HEX #E68860

RGB 230 136 96

HSL 17.91, 0.73%, 0.64%

LAB 65.96, 32.17, 36.71

 

Description

Color code: HEX #79E660 | qconv.com Color code: HEX #79E660 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 230 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 230 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 58 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 58% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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