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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79E602 it is the complementary color #8619FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79E602. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79E602 shade: #7EE600, #8FF810, #A0FF23, #B1FF36 and #C2FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79E602. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79E602 shade: #79E602, #68D400, #57C200, #46B000 and #359E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79E602 shade: #78E302, #B4E302, #E3D502, #E39902 and #E35C02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79E602 shade: #78E302, #3BE302, #02E306, #02E343 and #02E37F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79E602 shade matches the following richer shades: #78E302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79E602 shade: #78E302, #77D115, #76BE27, #75AC3A and #74994D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79E602 shade: #E3D402, #B6E302, #7AE302, #3EE302 and #02E302

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79E602 shade: #4D9201, #62BA02, #78E302, #8DFD12 and #A0FD3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79E602 shade: #79E602, #02E398 and #E302D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79E602 shade: #79E602, #027AE3 and #E3027A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79E602 shade: #79E602, #02E398, #6B02E3 and #E3024D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79E602 shade: #79E602, #02E3DC, #6B02E3 and #E3020A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 99 / 10

HEX #79E602

RGB 121 230 2

HSL 88.68, 0.98%, 0.45%

LAB 82.2, -60.86, 79.5

 

Complementary color

CMYK 47 / 90 / 0 / 1

HEX #8619FD

RGB 134 25 253

HSL 268.68, 0.98%, 0.55%

LAB 42.54, 79.98, -89.46

 

CMYK 45 / 0 / 100 / 10

HEX #7EE600

RGB 126 230 0

HSL 87.13, 1%, 0.45%

LAB 82.39, -59.36, 79.91

 

CMYK 42 / 0 / 94 / 3

HEX #8FF810

RGB 143 248 16

HSL 87.16, 0.94%, 0.52%

LAB 88.45, -60.57, 83.64

 

CMYK 37 / 0 / 86 / 0

HEX #A0FF23

RGB 160 255 35

HSL 85.91, 1%, 0.57%

LAB 91.29, -57.31, 83.56

 

CMYK 31 / 0 / 79 / 0

HEX #B1FF36

RGB 177 255 54

HSL 83.28, 1%, 0.61%

LAB 92.19, -50.81, 80.4

 

CMYK 24 / 0 / 71 / 0

HEX #C2FF49

RGB 194 255 73

HSL 80.11, 1%, 0.64%

LAB 93.22, -43.75, 75.97

 

CMYK 47 / 0 / 99 / 10

HEX #79E602

RGB 121 230 2

HSL 88.68, 0.98%, 0.45%

LAB 82.2, -60.86, 79.5

 

CMYK 51 / 0 / 100 / 17

HEX #68D400

RGB 104 212 0

HSL 90.57, 1%, 0.42%

LAB 76.09, -59.35, 74.61

 

CMYK 55 / 0 / 100 / 24

HEX #57C200

RGB 87 194 0

HSL 93.09, 1%, 0.38%

LAB 69.9, -57.69, 69.48

 

CMYK 60 / 0 / 100 / 31

HEX #46B000

RGB 70 176 0

HSL 96.14, 1%, 0.35%

LAB 63.63, -55.84, 64.31

 

CMYK 66 / 0 / 100 / 38

HEX #359E00

RGB 53 158 0

HSL 99.87, 1%, 0.31%

LAB 57.28, -53.74, 59.07

 

CMYK 47 / 0 / 99 / 11

HEX #78E302

RGB 120 227 2

HSL 88.53, 0.98%, 0.45%

LAB 81.26, -60.06, 78.74

 

CMYK 21 / 0 / 99 / 11

HEX #B4E302

RGB 180 227 2

HSL 72.53, 0.98%, 0.45%

LAB 84.3, -38.91, 82.41

 

CMYK 0 / 6 / 99 / 11

HEX #E3D502

RGB 227 213 2

HSL 56.27, 0.98%, 0.45%

LAB 83.93, -12.84, 83.67

 

CMYK 0 / 33 / 99 / 11

HEX #E39902

RGB 227 153 2

HSL 40.27, 0.98%, 0.45%

LAB 68.84, 18.4, 73.07

 

CMYK 0 / 59 / 99 / 11

HEX #E35C02

RGB 227 92 2

HSL 24, 0.98%, 0.45%

LAB 56.08, 49.46, 65.13

 

CMYK 47 / 0 / 99 / 11

HEX #78E302

RGB 120 227 2

HSL 88.53, 0.98%, 0.45%

LAB 81.26, -60.06, 78.74

 

CMYK 74 / 0 / 99 / 11

HEX #3BE302

RGB 59 227 2

HSL 104.8, 0.98%, 0.45%

LAB 79.54, -74.11, 76.65

 

CMYK 99 / 0 / 97 / 11

HEX #02E306

RGB 2 227 6

HSL 121.07, 0.98%, 0.45%

LAB 79.02, -78.76, 75.65

 

CMYK 99 / 0 / 70 / 11

HEX #02E343

RGB 2 227 67

HSL 137.33, 0.98%, 0.45%

LAB 79.25, -75.85, 62.1

 

CMYK 99 / 0 / 44 / 11

HEX #02E37F

RGB 2 227 127

HSL 153.33, 0.98%, 0.45%

LAB 79.89, -67.94, 36.16

 

CMYK 47 / 0 / 99 / 11

HEX #78E302

RGB 120 227 2

HSL 88.53, 0.98%, 0.45%

LAB 81.26, -60.06, 78.74

 

CMYK 47 / 0 / 99 / 11

HEX #78E302

RGB 120 227 2

HSL 88.53, 0.98%, 0.45%

LAB 81.26, -60.06, 78.74

 

CMYK 43 / 0 / 90 / 18

HEX #77D115

RGB 119 209 21

HSL 88.72, 0.82%, 0.45%

LAB 75.81, -53.25, 72.25

 

CMYK 38 / 0 / 79 / 25

HEX #76BE27

RGB 118 190 39

HSL 88.61, 0.66%, 0.45%

LAB 70.05, -45.3, 63.17

 

CMYK 32 / 0 / 66 / 33

HEX #75AC3A

RGB 117 172 58

HSL 88.95, 0.5%, 0.45%

LAB 64.64, -36.67, 51.01

 

CMYK 24 / 0 / 50 / 40

HEX #74994D

RGB 116 153 77

HSL 89.21, 0.33%, 0.45%

LAB 59, -26.23, 35.64

 

CMYK 0 / 7 / 99 / 11

HEX #E3D402

RGB 227 212 2

HSL 56, 0.98%, 0.45%

LAB 83.66, -12.34, 83.48

 

CMYK 20 / 0 / 99 / 11

HEX #B6E302

RGB 182 227 2

HSL 72, 0.98%, 0.45%

LAB 84.43, -38.12, 82.56

 

CMYK 46 / 0 / 99 / 11

HEX #7AE302

RGB 122 227 2

HSL 88, 0.98%, 0.45%

LAB 81.34, -59.45, 78.84

 

CMYK 73 / 0 / 99 / 11

HEX #3EE302

RGB 62 227 2

HSL 104, 0.98%, 0.45%

LAB 79.59, -73.64, 76.72

 

CMYK 99 / 0 / 99 / 11

HEX #02E302

RGB 2 227 2

HSL 120, 0.98%, 0.45%

LAB 79.02, -78.83, 76.01

 

CMYK 47 / 0 / 99 / 43

HEX #4D9201

RGB 77 146 1

HSL 88.55, 0.99%, 0.29%

LAB 54.17, -42.6, 56.81

 

CMYK 47 / 0 / 99 / 27

HEX #62BA02

RGB 98 186 2

HSL 88.7, 0.98%, 0.37%

LAB 67.81, -51.47, 67.78

 

CMYK 47 / 0 / 99 / 11

HEX #78E302

RGB 120 227 2

HSL 88.53, 0.98%, 0.45%

LAB 81.26, -60.06, 78.74

 

CMYK 44 / 0 / 93 / 1

HEX #8DFD12

RGB 141 253 18

HSL 88.6, 0.98%, 0.53%

LAB 89.84, -63.02, 84.51

 

CMYK 37 / 0 / 77 / 1

HEX #A0FD3B

RGB 160 253 59

HSL 88.76, 0.98%, 0.61%

LAB 90.8, -55.6, 77.41

 

CMYK 47 / 0 / 99 / 10

HEX #79E602

RGB 121 230 2

HSL 88.68, 0.98%, 0.45%

LAB 82.2, -60.86, 79.5

 

CMYK 99 / 0 / 33 / 11

HEX #02E398

RGB 2 227 152

HSL 160, 0.98%, 0.45%

LAB 80.3, -63.1, 24

 

CMYK 0 / 99 / 7 / 11

HEX #E302D4

RGB 227 2 212

HSL 304, 0.98%, 0.45%

LAB 53.09, 87.77, -48.47

 

CMYK 47 / 0 / 99 / 10

HEX #79E602

RGB 121 230 2

HSL 88.68, 0.98%, 0.45%

LAB 82.2, -60.86, 79.5

 

CMYK 99 / 46 / 0 / 11

HEX #027AE3

RGB 2 122 227

HSL 208, 0.98%, 0.45%

LAB 51.24, 11.71, -60.96

 

CMYK 0 / 99 / 46 / 11

HEX #E3027A

RGB 227 2 122

HSL 328, 0.98%, 0.45%

LAB 49.23, 77.96, -1.21

 

CMYK 47 / 0 / 99 / 10

HEX #79E602

RGB 121 230 2

HSL 88.68, 0.98%, 0.45%

LAB 82.2, -60.86, 79.5

 

CMYK 99 / 0 / 33 / 11

HEX #02E398

RGB 2 227 152

HSL 160, 0.98%, 0.45%

LAB 80.3, -63.1, 24

 

CMYK 53 / 99 / 0 / 11

HEX #6B02E3

RGB 107 2 227

HSL 268, 0.98%, 0.45%

LAB 35.43, 75.47, -86.62

 

CMYK 0 / 99 / 66 / 11

HEX #E3024D

RGB 227 2 77

HSL 340, 0.98%, 0.45%

LAB 48.15, 75.07, 24.97

 

CMYK 47 / 0 / 99 / 10

HEX #79E602

RGB 121 230 2

HSL 88.68, 0.98%, 0.45%

LAB 82.2, -60.86, 79.5

 

CMYK 99 / 0 / 3 / 11

HEX #02E3DC

RGB 2 227 220

HSL 178.13, 0.98%, 0.45%

LAB 81.9, -46.02, -9.53

 

CMYK 53 / 99 / 0 / 11

HEX #6B02E3

RGB 107 2 227

HSL 268, 0.98%, 0.45%

LAB 35.43, 75.47, -86.62

 

CMYK 0 / 99 / 96 / 11

HEX #E3020A

RGB 227 2 10

HSL 357.87, 0.98%, 0.45%

LAB 47.49, 73.28, 58.72

 

Description

Color code: HEX #79E602 | qconv.com Color code: HEX #79E602 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 230 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 230 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 99 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 99% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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