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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79E45D it is the complementary color #861BA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79E45D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79E45D shade: #7EE458, #8FF66B, #A0FF7E, #B1FF91 and #C2FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79E45D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79E45D shade: #79E45D, #68D24A, #57C037, #46AE24 and #359C11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79E45D shade: #79E45E, #9EE45E, #C2E45E, #E4E15E and #E4BD5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79E45D shade: #79E45E, #5EE466, #5EE48A, #5EE4AE and #5EE4D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79E45D shade matches the following richer shades: #79E45E and #71F34E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79E45D shade: #79E45E, #82D46D, #8BC57C, #94B68B and #9DA79B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79E45D shade: #C2E45E, #9EE45E, #7BE45E, #5EE464 and #5EE488

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79E45D shade: #46CC23, #5CDE3A, #79E45E, #97EA81 and #B4F0A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79E45D shade: #79E45D, #5EE4E1 and #E45EB0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79E45D shade: #79E45D, #5E7BE4 and #E45E7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79E45D shade: #79E45D, #5EE4E1, #C75EE4 and #E45E60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79E45D shade: #79E45D, #5EBEE4, #C75EE4 and #E4845E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 59 / 11

HEX #79E45D

RGB 121 228 93

HSL 107.56, 0.71%, 0.63%

LAB 82.02, -55.46, 55.28

 

Complementary color

CMYK 17 / 83 / 0 / 36

HEX #861BA2

RGB 134 27 162

HSL 287.56, 0.71%, 0.37%

LAB 34.92, 60.79, -49.11

 

CMYK 45 / 0 / 61 / 11

HEX #7EE458

RGB 126 228 88

HSL 103.71, 0.72%, 0.62%

LAB 82.18, -54.49, 57.66

 

CMYK 42 / 0 / 57 / 4

HEX #8FF66B

RGB 143 246 107

HSL 104.46, 0.89%, 0.69%

LAB 88.36, -54.61, 56.66

 

CMYK 37 / 0 / 51 / 0

HEX #A0FF7E

RGB 160 255 126

HSL 104.19, 1%, 0.75%

LAB 91.91, -50.95, 52.49

 

CMYK 31 / 0 / 43 / 0

HEX #B1FF91

RGB 177 255 145

HSL 102.55, 1%, 0.78%

LAB 92.98, -43.2, 45.03

 

CMYK 24 / 0 / 36 / 0

HEX #C2FFA4

RGB 194 255 164

HSL 100.22, 1%, 0.82%

LAB 94.17, -35.02, 37.47

 

CMYK 47 / 0 / 59 / 11

HEX #79E45D

RGB 121 228 93

HSL 107.56, 0.71%, 0.63%

LAB 82.02, -55.46, 55.28

 

CMYK 50 / 0 / 65 / 18

HEX #68D24A

RGB 104 210 74

HSL 106.76, 0.6%, 0.56%

LAB 75.78, -55.2, 56.21

 

CMYK 55 / 0 / 71 / 25

HEX #57C037

RGB 87 192 55

HSL 105.99, 0.55%, 0.48%

LAB 69.47, -54.72, 56.83

 

CMYK 60 / 0 / 79 / 32

HEX #46AE24

RGB 70 174 36

HSL 105.22, 0.66%, 0.41%

LAB 63.1, -53.9, 56.86

 

CMYK 66 / 0 / 89 / 39

HEX #359C11

RGB 53 156 17

HSL 104.46, 0.8%, 0.34%

LAB 56.66, -52.58, 55.8

 

CMYK 47 / 0 / 59 / 11

HEX #79E45E

RGB 121 228 94

HSL 107.91, 0.71%, 0.63%

LAB 82.03, -55.35, 54.85

 

CMYK 31 / 0 / 59 / 11

HEX #9EE45E

RGB 158 228 94

HSL 91.34, 0.71%, 0.63%

LAB 83.74, -43.51, 57.25

 

CMYK 15 / 0 / 59 / 11

HEX #C2E45E

RGB 194 228 94

HSL 75.22, 0.71%, 0.63%

LAB 85.89, -30.2, 60.25

 

CMYK 0 / 1 / 59 / 11

HEX #E4E15E

RGB 228 225 94

HSL 58.66, 0.71%, 0.63%

LAB 87.56, -15.23, 62.79

 

CMYK 0 / 17 / 59 / 11

HEX #E4BD5E

RGB 228 189 94

HSL 42.54, 0.71%, 0.63%

LAB 78.28, 3.1, 52.38

 

CMYK 47 / 0 / 59 / 11

HEX #79E45E

RGB 121 228 94

HSL 107.91, 0.71%, 0.63%

LAB 82.03, -55.35, 54.85

 

CMYK 59 / 0 / 55 / 11

HEX #5EE466

RGB 94 228 102

HSL 123.58, 0.71%, 0.63%

LAB 81.2, -61.39, 50.05

 

CMYK 59 / 0 / 39 / 11

HEX #5EE48A

RGB 94 228 138

HSL 139.7, 0.71%, 0.63%

LAB 81.68, -56.11, 33.23

 

CMYK 59 / 0 / 24 / 11

HEX #5EE4AE

RGB 94 228 174

HSL 155.82, 0.71%, 0.63%

LAB 82.34, -49.17, 15.56

 

CMYK 59 / 0 / 8 / 11

HEX #5EE4D2

RGB 94 228 210

HSL 171.94, 0.71%, 0.63%

LAB 83.19, -40.77, -2.19

 

CMYK 47 / 0 / 59 / 11

HEX #79E45E

RGB 121 228 94

HSL 107.91, 0.71%, 0.63%

LAB 82.03, -55.35, 54.85

 

CMYK 53 / 0 / 68 / 5

HEX #71F34E

RGB 113 243 78

HSL 107.27, 0.87%, 0.63%

LAB 86.09, -64.6, 65.75

 

CMYK 47 / 0 / 59 / 11

HEX #79E45E

RGB 121 228 94

HSL 107.91, 0.71%, 0.63%

LAB 82.03, -55.35, 54.85

 

CMYK 39 / 0 / 49 / 17

HEX #82D46D

RGB 130 212 109

HSL 107.77, 0.54%, 0.63%

LAB 77.84, -44.36, 43

 

CMYK 29 / 0 / 37 / 23

HEX #8BC57C

RGB 139 197 124

HSL 107.67, 0.39%, 0.63%

LAB 74.11, -32.6, 30.79

 

CMYK 19 / 0 / 24 / 29

HEX #94B68B

RGB 148 182 139

HSL 107.44, 0.23%, 0.63%

LAB 70.61, -19.76, 18.19

 

CMYK 6 / 0 / 7 / 35

HEX #9DA79B

RGB 157 167 155

HSL 110, 0.06%, 0.63%

LAB 67.41, -5.83, 4.98

 

CMYK 15 / 0 / 59 / 11

HEX #C2E45E

RGB 194 228 94

HSL 75.22, 0.71%, 0.63%

LAB 85.89, -30.2, 60.25

 

CMYK 31 / 0 / 59 / 11

HEX #9EE45E

RGB 158 228 94

HSL 91.34, 0.71%, 0.63%

LAB 83.74, -43.51, 57.25

 

CMYK 46 / 0 / 59 / 11

HEX #7BE45E

RGB 123 228 94

HSL 107.01, 0.71%, 0.63%

LAB 82.11, -54.78, 54.96

 

CMYK 59 / 0 / 56 / 11

HEX #5EE464

RGB 94 228 100

HSL 122.69, 0.71%, 0.63%

LAB 81.17, -61.64, 50.94

 

CMYK 59 / 0 / 40 / 11

HEX #5EE488

RGB 94 228 136

HSL 138.81, 0.71%, 0.63%

LAB 81.64, -56.45, 34.19

 

CMYK 66 / 0 / 83 / 20

HEX #46CC23

RGB 70 204 35

HSL 107.57, 0.71%, 0.47%

LAB 72.63, -64.17, 65.98

 

CMYK 59 / 0 / 74 / 13

HEX #5CDE3A

RGB 92 222 58

HSL 107.56, 0.71%, 0.55%

LAB 78.94, -63.95, 65.37

 

CMYK 47 / 0 / 59 / 11

HEX #79E45E

RGB 121 228 94

HSL 107.91, 0.71%, 0.63%

LAB 82.03, -55.35, 54.85

 

CMYK 35 / 0 / 45 / 8

HEX #97EA81

RGB 151 234 129

HSL 107.43, 0.71%, 0.71%

LAB 85.51, -44.56, 43.06

 

CMYK 25 / 0 / 32 / 6

HEX #B4F0A4

RGB 180 240 164

HSL 107.37, 0.72%, 0.79%

LAB 89.25, -32.82, 30.8

 

CMYK 47 / 0 / 59 / 11

HEX #79E45D

RGB 121 228 93

HSL 107.56, 0.71%, 0.63%

LAB 82.02, -55.46, 55.28

 

CMYK 59 / 0 / 1 / 11

HEX #5EE4E1

RGB 94 228 225

HSL 178.66, 0.71%, 0.63%

LAB 83.6, -36.89, -9.52

 

CMYK 0 / 59 / 23 / 11

HEX #E45EB0

RGB 228 94 176

HSL 323.28, 0.71%, 0.63%

LAB 59.56, 60.63, -17.7

 

CMYK 47 / 0 / 59 / 11

HEX #79E45D

RGB 121 228 93

HSL 107.56, 0.71%, 0.63%

LAB 82.02, -55.46, 55.28

 

CMYK 59 / 46 / 0 / 11

HEX #5E7BE4

RGB 94 123 228

HSL 227.01, 0.71%, 0.63%

LAB 54.18, 20.82, -56.65

 

CMYK 0 / 59 / 46 / 11

HEX #E45E7B

RGB 228 94 123

HSL 347.01, 0.71%, 0.63%

LAB 57.97, 54.52, 10.79

 

CMYK 47 / 0 / 59 / 11

HEX #79E45D

RGB 121 228 93

HSL 107.56, 0.71%, 0.63%

LAB 82.02, -55.46, 55.28

 

CMYK 59 / 0 / 1 / 11

HEX #5EE4E1

RGB 94 228 225

HSL 178.66, 0.71%, 0.63%

LAB 83.6, -36.89, -9.52

 

CMYK 13 / 59 / 0 / 11

HEX #C75EE4

RGB 199 94 228

HSL 287.01, 0.71%, 0.63%

LAB 57.8, 61.41, -50.31

 

CMYK 0 / 59 / 58 / 11

HEX #E45E60

RGB 228 94 96

HSL 359.1, 0.71%, 0.63%

LAB 57.41, 52.28, 25.74

 

CMYK 47 / 0 / 59 / 11

HEX #79E45D

RGB 121 228 93

HSL 107.56, 0.71%, 0.63%

LAB 82.02, -55.46, 55.28

 

CMYK 59 / 17 / 0 / 11

HEX #5EBEE4

RGB 94 190 228

HSL 197.01, 0.71%, 0.63%

LAB 72.77, -17.42, -27.5

 

CMYK 13 / 59 / 0 / 11

HEX #C75EE4

RGB 199 94 228

HSL 287.01, 0.71%, 0.63%

LAB 57.8, 61.41, -50.31

 

CMYK 0 / 42 / 59 / 11

HEX #E4845E

RGB 228 132 94

HSL 17.01, 0.71%, 0.63%

LAB 64.81, 33.33, 36.29

 

Description

Color code: HEX #79E45D | qconv.com Color code: HEX #79E45D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 228 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 228 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 59 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 59% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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