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Color name
HEX #79DD2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79DD2D it is the complementary color #8622D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79DD2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79DD2D shade: #7EDD28, #8FEF3B, #A0FF4E, #B1FF61 and #C2FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79DD2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79DD2D shade: #79DD2D, #68CB1A, #57B907, #46A700 and #359500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79DD2D shade: #79DD2C, #A8DD2C, #D8DD2C, #DDB22C and #DD832C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79DD2D shade: #79DD2C, #49DD2C, #2CDD3F, #2CDD6F and #2CDD9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79DD2D shade matches the following richer shades: #79DD2C and #76F119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79DD2D shade: #79DD2C, #7BC940, #7EB554, #81A168 and #838E7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79DD2D shade: #D7DD2C, #A8DD2C, #79DD2C, #4ADD2C and #2CDD3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79DD2D shade: #529D1A, #65C11F, #79DD2C, #8FE350 and #A6E873

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79DD2D shade: #79DD2D, #2CDDB4 and #DD2CBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79DD2D shade: #79DD2D, #2C79DD and #DD2C79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79DD2D shade: #79DD2D, #2CDDB4, #902CDD and #DD2C56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79DD2D shade: #79DD2D, #2CD1DD, #902CDD and #DD382C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 80 / 13

HEX #79DD2D

RGB 121 221 45

HSL 94.09, 0.72%, 0.52%

LAB 79.6, -56.36, 70.33

 

Complementary color

CMYK 36 / 84 / 0 / 18

HEX #8622D2

RGB 134 34 210

HSL 274.09, 0.72%, 0.48%

LAB 39.35, 68.57, -70.25

 

CMYK 43 / 0 / 82 / 13

HEX #7EDD28

RGB 126 221 40

HSL 91.49, 0.73%, 0.51%

LAB 79.79, -55.02, 71.89

 

CMYK 40 / 0 / 75 / 6

HEX #8FEF3B

RGB 143 239 59

HSL 92, 0.85%, 0.58%

LAB 85.95, -55.65, 72.54

 

CMYK 37 / 0 / 69 / 0

HEX #A0FF4E

RGB 160 255 78

HSL 92.2, 1%, 0.65%

LAB 91.48, -55.3, 71.92

 

CMYK 31 / 0 / 62 / 0

HEX #B1FF61

RGB 177 255 97

HSL 89.62, 1%, 0.69%

LAB 92.46, -48.19, 65.96

 

CMYK 24 / 0 / 55 / 0

HEX #C2FF74

RGB 194 255 116

HSL 86.33, 1%, 0.73%

LAB 93.56, -40.57, 59.39

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2D

RGB 121 221 45

HSL 94.09, 0.72%, 0.52%

LAB 79.6, -56.36, 70.33

 

CMYK 49 / 0 / 87 / 20

HEX #68CB1A

RGB 104 203 26

HSL 93.56, 0.77%, 0.45%

LAB 73.37, -55.51, 69.05

 

CMYK 53 / 0 / 96 / 27

HEX #57B907

RGB 87 185 7

HSL 93.03, 0.93%, 0.38%

LAB 67.08, -54.32, 66.43

 

CMYK 58 / 0 / 100 / 35

HEX #46A700

RGB 70 167 0

HSL 94.85, 1%, 0.33%

LAB 60.73, -52.68, 62.01

 

CMYK 64 / 0 / 100 / 42

HEX #359500

RGB 53 149 0

HSL 98.66, 1%, 0.29%

LAB 54.29, -50.66, 56.7

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2C

RGB 121 221 44

HSL 93.9, 0.72%, 0.52%

LAB 79.59, -56.41, 70.6

 

CMYK 24 / 0 / 80 / 13

HEX #A8DD2C

RGB 168 221 44

HSL 77.97, 0.72%, 0.52%

LAB 81.96, -40.01, 73.62

 

CMYK 2 / 0 / 80 / 13

HEX #D8DD2C

RGB 216 221 44

HSL 61.69, 0.72%, 0.52%

LAB 85.25, -20.69, 77.78

 

CMYK 0 / 19 / 80 / 13

HEX #DDB22C

RGB 221 178 44

HSL 45.42, 0.72%, 0.52%

LAB 74.44, 3.28, 68.5

 

CMYK 0 / 41 / 80 / 13

HEX #DD832C

RGB 221 131 44

HSL 29.49, 0.72%, 0.52%

LAB 63.17, 28.36, 58.35

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2C

RGB 121 221 44

HSL 93.9, 0.72%, 0.52%

LAB 79.59, -56.41, 70.6

 

CMYK 67 / 0 / 80 / 13

HEX #49DD2C

RGB 73 221 44

HSL 110.17, 0.72%, 0.52%

LAB 78.06, -68.59, 68.62

 

CMYK 80 / 0 / 71 / 13

HEX #2CDD3F

RGB 44 221 63

HSL 126.44, 0.72%, 0.52%

LAB 77.64, -71.76, 61.99

 

CMYK 80 / 0 / 50 / 13

HEX #2CDD6F

RGB 44 221 111

HSL 142.71, 0.72%, 0.52%

LAB 78.11, -66.1, 41.82

 

CMYK 80 / 0 / 29 / 13

HEX #2CDD9E

RGB 44 221 158

HSL 158.64, 0.72%, 0.52%

LAB 78.88, -57.3, 18.96

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2C

RGB 121 221 44

HSL 93.9, 0.72%, 0.52%

LAB 79.59, -56.41, 70.6

 

CMYK 51 / 0 / 90 / 5

HEX #76F119

RGB 118 241 25

HSL 94.17, 0.89%, 0.52%

LAB 85.42, -65.28, 79.62

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2C

RGB 121 221 44

HSL 93.9, 0.72%, 0.52%

LAB 79.59, -56.41, 70.6

 

CMYK 39 / 0 / 68 / 21

HEX #7BC940

RGB 123 201 64

HSL 94.16, 0.56%, 0.52%

LAB 73.77, -46.6, 58.32

 

CMYK 30 / 0 / 54 / 29

HEX #7EB554

RGB 126 181 84

HSL 94.02, 0.4%, 0.52%

LAB 68.11, -34.97, 43.27

 

CMYK 20 / 0 / 35 / 37

HEX #81A168

RGB 129 161 104

HSL 93.68, 0.23%, 0.52%

LAB 62.64, -21.64, 26.17

 

CMYK 8 / 0 / 13 / 44

HEX #838E7C

RGB 131 142 124

HSL 96.67, 0.07%, 0.52%

LAB 57.68, -7.5, 8.24

 

CMYK 3 / 0 / 80 / 13

HEX #D7DD2C

RGB 215 221 44

HSL 62.03, 0.72%, 0.52%

LAB 85.17, -21.11, 77.69

 

CMYK 24 / 0 / 80 / 13

HEX #A8DD2C

RGB 168 221 44

HSL 77.97, 0.72%, 0.52%

LAB 81.96, -40.01, 73.62

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2C

RGB 121 221 44

HSL 93.9, 0.72%, 0.52%

LAB 79.59, -56.41, 70.6

 

CMYK 67 / 0 / 80 / 13

HEX #4ADD2C

RGB 74 221 44

HSL 109.83, 0.72%, 0.52%

LAB 78.08, -68.39, 68.65

 

CMYK 80 / 0 / 72 / 13

HEX #2CDD3E

RGB 44 221 62

HSL 126.1, 0.72%, 0.52%

LAB 77.64, -71.85, 62.34

 

CMYK 48 / 0 / 83 / 38

HEX #529D1A

RGB 82 157 26

HSL 94.35, 0.72%, 0.36%

LAB 58.02, -44.58, 55.23

 

CMYK 48 / 0 / 84 / 24

HEX #65C11F

RGB 101 193 31

HSL 94.07, 0.72%, 0.44%

LAB 70.18, -52.46, 65.13

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2C

RGB 121 221 44

HSL 93.9, 0.72%, 0.52%

LAB 79.59, -56.41, 70.6

 

CMYK 37 / 0 / 65 / 11

HEX #8FE350

RGB 143 227 80

HSL 94.29, 0.72%, 0.6%

LAB 82.57, -49.41, 61.6

 

CMYK 28 / 0 / 50 / 9

HEX #A6E873

RGB 166 232 115

HSL 93.85, 0.72%, 0.68%

LAB 85.53, -40.37, 49.95

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2D

RGB 121 221 45

HSL 94.09, 0.72%, 0.52%

LAB 79.6, -56.36, 70.33

 

CMYK 80 / 0 / 19 / 13

HEX #2CDDB4

RGB 44 221 180

HSL 166.1, 0.72%, 0.52%

LAB 79.35, -52.17, 8.02

 

CMYK 0 / 80 / 14 / 13

HEX #DD2CBF

RGB 221 44 191

HSL 310.17, 0.72%, 0.52%

LAB 52.88, 78.19, -36.79

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2D

RGB 121 221 45

HSL 94.09, 0.72%, 0.52%

LAB 79.6, -56.36, 70.33

 

CMYK 80 / 45 / 0 / 13

HEX #2C79DD

RGB 44 121 221

HSL 213.9, 0.72%, 0.52%

LAB 51.19, 12.32, -57.64

 

CMYK 0 / 80 / 45 / 13

HEX #DD2C79

RGB 221 44 121

HSL 333.9, 0.72%, 0.52%

LAB 50.16, 70.35, 0.63

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2D

RGB 121 221 45

HSL 94.09, 0.72%, 0.52%

LAB 79.6, -56.36, 70.33

 

CMYK 80 / 0 / 19 / 13

HEX #2CDDB4

RGB 44 221 180

HSL 166.1, 0.72%, 0.52%

LAB 79.35, -52.17, 8.02

 

CMYK 35 / 80 / 0 / 13

HEX #902CDD

RGB 144 44 221

HSL 273.9, 0.72%, 0.52%

LAB 42.69, 69.31, -71.07

 

CMYK 0 / 80 / 61 / 13

HEX #DD2C56

RGB 221 44 86

HSL 345.76, 0.72%, 0.52%

LAB 49.31, 67.78, 20.77

 

CMYK 45 / 0 / 80 / 13

HEX #79DD2D

RGB 121 221 45

HSL 94.09, 0.72%, 0.52%

LAB 79.6, -56.36, 70.33

 

CMYK 80 / 5 / 0 / 13

HEX #2CD1DD

RGB 44 209 221

HSL 184.07, 0.72%, 0.52%

LAB 76.89, -35.69, -17.54

 

CMYK 35 / 80 / 0 / 13

HEX #902CDD

RGB 144 44 221

HSL 273.9, 0.72%, 0.52%

LAB 42.69, 69.31, -71.07

 

CMYK 0 / 75 / 80 / 13

HEX #DD382C

RGB 221 56 44

HSL 4.07, 0.72%, 0.52%

LAB 49.96, 62.4, 45.82

 

Description

Color code: HEX #79DD2D | qconv.com Color code: HEX #79DD2D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 221 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 221 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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