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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79DC1D it is the complementary color #8623E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79DC1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79DC1D shade: #7EDC18, #8FEE2B, #A0FF3E, #B1FF51 and #C2FF64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79DC1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79DC1D shade: #79DC1D, #68CA0A, #57B800, #46A600 and #359400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79DC1D shade: #79DD1D, #ADDD1D, #DDD91D, #DDA51D and #DD711D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79DC1D shade: #79DD1D, #46DD1D, #1DDD28, #1DDD5C and #1DDD90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79DC1D shade matches the following richer shades: #79DD1D and #79F109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79DC1D shade: #79DD1D, #7AC931, #7BB545, #7CA159 and #7C8C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79DC1D shade: #DDDA1D, #ADDD1D, #7ADD1D, #46DD1D and #1DDD26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79DC1D shade: #519413, #65B918, #79DD1D, #8EE63D and #A4EB62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79DC1D shade: #79DC1D, #1DDDA7 and #DD1DC7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79DC1D shade: #79DC1D, #1D7ADD and #DD1D7A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79DC1D shade: #79DC1D, #1DDDA7, #801DDD and #DD1D53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79DC1D shade: #79DC1D, #1DDADD, #801DDD and #DD201D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 87 / 14

HEX #79DC1D

RGB 121 220 29

HSL 91.1, 0.77%, 0.49%

LAB 79.24, -56.61, 73.76

 

Complementary color

CMYK 41 / 85 / 0 / 11

HEX #8623E2

RGB 134 35 226

HSL 271.1, 0.77%, 0.51%

LAB 40.83, 71.75, -77.01

 

CMYK 43 / 0 / 89 / 14

HEX #7EDC18

RGB 126 220 24

HSL 88.78, 0.8%, 0.48%

LAB 79.44, -55.17, 74.91

 

CMYK 40 / 0 / 82 / 7

HEX #8FEE2B

RGB 143 238 43

HSL 89.23, 0.85%, 0.55%

LAB 85.59, -56.01, 76.62

 

CMYK 37 / 0 / 76 / 0

HEX #A0FF3E

RGB 160 255 62

HSL 89.53, 1%, 0.62%

LAB 91.39, -56.25, 77.09

 

CMYK 31 / 0 / 68 / 0

HEX #B1FF51

RGB 177 255 81

HSL 86.9, 1%, 0.66%

LAB 92.34, -49.36, 71.99

 

CMYK 24 / 0 / 61 / 0

HEX #C2FF64

RGB 194 255 100

HSL 83.61, 1%, 0.7%

LAB 93.41, -41.95, 66.05

 

CMYK 45 / 0 / 87 / 14

HEX #79DC1D

RGB 121 220 29

HSL 91.1, 0.77%, 0.49%

LAB 79.24, -56.61, 73.76

 

CMYK 49 / 0 / 95 / 21

HEX #68CA0A

RGB 104 202 10

HSL 90.63, 0.91%, 0.42%

LAB 73.03, -55.53, 71.16

 

CMYK 53 / 0 / 100 / 28

HEX #57B800

RGB 87 184 0

HSL 91.63, 1%, 0.36%

LAB 66.75, -54.09, 67.01

 

CMYK 58 / 0 / 100 / 35

HEX #46A600

RGB 70 166 0

HSL 94.7, 1%, 0.33%

LAB 60.4, -52.32, 61.76

 

CMYK 64 / 0 / 100 / 42

HEX #359400

RGB 53 148 0

HSL 98.51, 1%, 0.29%

LAB 53.96, -50.31, 56.44

 

CMYK 45 / 0 / 87 / 13

HEX #79DD1D

RGB 121 221 29

HSL 91.25, 0.77%, 0.49%

LAB 79.54, -56.99, 74.02

 

CMYK 22 / 0 / 87 / 13

HEX #ADDD1D

RGB 173 221 29

HSL 75, 0.77%, 0.49%

LAB 82.21, -38.55, 77.34

 

CMYK 0 / 2 / 87 / 13

HEX #DDD91D

RGB 221 217 29

HSL 58.75, 0.77%, 0.49%

LAB 84.53, -17.03, 80.65

 

CMYK 0 / 25 / 87 / 13

HEX #DDA51D

RGB 221 165 29

HSL 42.5, 0.77%, 0.49%

LAB 71.13, 9.76, 69.91

 

CMYK 0 / 49 / 87 / 13

HEX #DD711D

RGB 221 113 29

HSL 26.25, 0.77%, 0.49%

LAB 59.22, 37.34, 60.39

 

CMYK 45 / 0 / 87 / 13

HEX #79DD1D

RGB 121 221 29

HSL 91.25, 0.77%, 0.49%

LAB 79.54, -56.99, 74.02

 

CMYK 68 / 0 / 87 / 13

HEX #46DD1D

RGB 70 221 29

HSL 107.19, 0.77%, 0.49%

LAB 77.94, -69.83, 72.01

 

CMYK 87 / 0 / 82 / 13

HEX #1DDD28

RGB 29 221 40

HSL 123.44, 0.77%, 0.49%

LAB 77.36, -74.75, 68.78

 

CMYK 87 / 0 / 58 / 13

HEX #1DDD5C

RGB 29 221 92

HSL 139.69, 0.77%, 0.49%

LAB 77.73, -70.13, 50.2

 

CMYK 87 / 0 / 35 / 13

HEX #1DDD90

RGB 29 221 144

HSL 155.94, 0.77%, 0.49%

LAB 78.45, -61.49, 25.65

 

CMYK 45 / 0 / 87 / 13

HEX #79DD1D

RGB 121 221 29

HSL 91.25, 0.77%, 0.49%

LAB 79.54, -56.99, 74.02

 

CMYK 50 / 0 / 96 / 5

HEX #79F109

RGB 121 241 9

HSL 91.03, 0.93%, 0.49%

LAB 85.5, -64.73, 81.53

 

CMYK 45 / 0 / 87 / 13

HEX #79DD1D

RGB 121 221 29

HSL 91.25, 0.77%, 0.49%

LAB 79.54, -56.99, 74.02

 

CMYK 39 / 0 / 76 / 21

HEX #7AC931

RGB 122 201 49

HSL 91.18, 0.61%, 0.49%

LAB 73.63, -47.94, 63.53

 

CMYK 32 / 0 / 62 / 29

HEX #7BB545

RGB 123 181 69

HSL 91.07, 0.45%, 0.49%

LAB 67.79, -37.57, 49.8

 

CMYK 23 / 0 / 45 / 37

HEX #7CA159

RGB 124 161 89

HSL 90.83, 0.29%, 0.49%

LAB 62.08, -25.61, 33.36

 

CMYK 11 / 0 / 21 / 45

HEX #7C8C6E

RGB 124 140 110

HSL 92, 0.12%, 0.49%

LAB 56.25, -11.57, 14.13

 

CMYK 0 / 1 / 87 / 13

HEX #DDDA1D

RGB 221 218 29

HSL 59.06, 0.77%, 0.49%

LAB 84.79, -17.52, 80.86

 

CMYK 22 / 0 / 87 / 13

HEX #ADDD1D

RGB 173 221 29

HSL 75, 0.77%, 0.49%

LAB 82.21, -38.55, 77.34

 

CMYK 45 / 0 / 87 / 13

HEX #7ADD1D

RGB 122 221 29

HSL 90.94, 0.77%, 0.49%

LAB 79.58, -56.68, 74.07

 

CMYK 68 / 0 / 87 / 13

HEX #46DD1D

RGB 70 221 29

HSL 107.19, 0.77%, 0.49%

LAB 77.94, -69.83, 72.01

 

CMYK 87 / 0 / 83 / 13

HEX #1DDD26

RGB 29 221 38

HSL 122.81, 0.77%, 0.49%

LAB 77.35, -74.85, 69.28

 

CMYK 45 / 0 / 87 / 42

HEX #519413

RGB 81 148 19

HSL 91.16, 0.77%, 0.33%

LAB 55.05, -41.55, 54.35

 

CMYK 45 / 0 / 87 / 27

HEX #65B918

RGB 101 185 24

HSL 91.3, 0.77%, 0.41%

LAB 67.67, -49.62, 64.52

 

CMYK 45 / 0 / 87 / 13

HEX #79DD1D

RGB 121 221 29

HSL 91.25, 0.77%, 0.49%

LAB 79.54, -56.99, 74.02

 

CMYK 38 / 0 / 73 / 10

HEX #8EE63D

RGB 142 230 61

HSL 91.24, 0.77%, 0.57%

LAB 83.27, -52.3, 69.29

 

CMYK 30 / 0 / 58 / 8

HEX #A4EB62

RGB 164 235 98

HSL 91.09, 0.77%, 0.65%

LAB 86.1, -44.08, 58.27

 

CMYK 45 / 0 / 87 / 14

HEX #79DC1D

RGB 121 220 29

HSL 91.1, 0.77%, 0.49%

LAB 79.24, -56.61, 73.76

 

CMYK 87 / 0 / 24 / 13

HEX #1DDDA7

RGB 29 221 167

HSL 163.13, 0.77%, 0.49%

LAB 78.91, -56.46, 14.24

 

CMYK 0 / 87 / 10 / 13

HEX #DD1DC7

RGB 221 29 199

HSL 306.88, 0.77%, 0.49%

LAB 52.26, 82.24, -42.39

 

CMYK 45 / 0 / 87 / 14

HEX #79DC1D

RGB 121 220 29

HSL 91.1, 0.77%, 0.49%

LAB 79.24, -56.61, 73.76

 

CMYK 87 / 45 / 0 / 13

HEX #1D7ADD

RGB 29 122 221

HSL 210.94, 0.77%, 0.49%

LAB 51.15, 10.49, -57.71

 

CMYK 0 / 87 / 45 / 13

HEX #DD1D7A

RGB 221 29 122

HSL 330.94, 0.77%, 0.49%

LAB 49.08, 73.64, -1.57

 

CMYK 45 / 0 / 87 / 14

HEX #79DC1D

RGB 121 220 29

HSL 91.1, 0.77%, 0.49%

LAB 79.24, -56.61, 73.76

 

CMYK 87 / 0 / 24 / 13

HEX #1DDDA7

RGB 29 221 167

HSL 163.13, 0.77%, 0.49%

LAB 78.91, -56.46, 14.24

 

CMYK 42 / 87 / 0 / 13

HEX #801DDD

RGB 128 29 221

HSL 270.94, 0.77%, 0.49%

LAB 39.05, 71.52, -77.11

 

CMYK 0 / 87 / 62 / 13

HEX #DD1D53

RGB 221 29 83

HSL 343.13, 0.77%, 0.49%

LAB 48.1, 70.88, 21

 

CMYK 45 / 0 / 87 / 14

HEX #79DC1D

RGB 121 220 29

HSL 91.1, 0.77%, 0.49%

LAB 79.24, -56.61, 73.76

 

CMYK 87 / 1 / 0 / 13

HEX #1DDADD

RGB 29 218 221

HSL 180.94, 0.77%, 0.49%

LAB 79.4, -40.84, -13.79

 

CMYK 42 / 87 / 0 / 13

HEX #801DDD

RGB 128 29 221

HSL 270.94, 0.77%, 0.49%

LAB 39.05, 71.52, -77.11

 

CMYK 0 / 86 / 87 / 13

HEX #DD201D

RGB 221 32 29

HSL 0.94, 0.77%, 0.49%

LAB 47.62, 68.32, 51.11

 

Description

Color code: HEX #79DC1D | qconv.com Color code: HEX #79DC1D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 220 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 220 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 87 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 87% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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