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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79D92D it is the complementary color #8626D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79D92D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79D92D shade: #7ED928, #8FEB3B, #A0FD4E, #B1FF61 and #C2FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79D92D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79D92D shade: #79D92D, #68C71A, #57B507, #46A300 and #359100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79D92D shade: #78D82C, #A7D82C, #D5D82C, #D8AD2C and #D87F2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79D92D shade: #78D82C, #4AD82C, #2CD83D, #2CD86B and #2CD89A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79D92D shade matches the following richer shades: #78D82C and #76EC18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79D92D shade: #78D82C, #7AC440, #7DB054, #7F9C68 and #81877D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79D92D shade: #D5D82C, #A7D82C, #79D82C, #4BD82C and #2CD83A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79D92D shade: #52961C, #65B922, #78D82C, #8EDF4F and #A5E572

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79D92D shade: #79D92D, #2CD8AD and #D82CBE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79D92D shade: #79D92D, #2C79D8 and #D82C79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79D92D shade: #79D92D, #2CD8AD, #8B2CD8 and #D82C57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79D92D shade: #79D92D, #2CD0D8, #8B2CD8 and #D8342C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 79 / 15

HEX #79D92D

RGB 121 217 45

HSL 93.49, 0.69%, 0.51%

LAB 78.39, -54.83, 69.22

 

Complementary color

CMYK 36 / 82 / 0 / 18

HEX #8626D2

RGB 134 38 210

HSL 273.49, 0.69%, 0.49%

LAB 39.76, 67.38, -69.58

 

CMYK 42 / 0 / 82 / 15

HEX #7ED928

RGB 126 217 40

HSL 90.85, 0.7%, 0.5%

LAB 78.59, -53.46, 70.81

 

CMYK 39 / 0 / 75 / 8

HEX #8FEB3B

RGB 143 235 59

HSL 91.36, 0.81%, 0.58%

LAB 84.78, -54.08, 71.41

 

CMYK 37 / 0 / 69 / 1

HEX #A0FD4E

RGB 160 253 78

HSL 91.89, 0.98%, 0.65%

LAB 90.9, -54.5, 71.34

 

CMYK 31 / 0 / 62 / 0

HEX #B1FF61

RGB 177 255 97

HSL 89.62, 1%, 0.69%

LAB 92.46, -48.19, 65.96

 

CMYK 24 / 0 / 55 / 0

HEX #C2FF74

RGB 194 255 116

HSL 86.33, 1%, 0.73%

LAB 93.56, -40.57, 59.39

 

CMYK 44 / 0 / 79 / 15

HEX #79D92D

RGB 121 217 45

HSL 93.49, 0.69%, 0.51%

LAB 78.39, -54.83, 69.22

 

CMYK 48 / 0 / 87 / 22

HEX #68C71A

RGB 104 199 26

HSL 92.95, 0.77%, 0.44%

LAB 72.14, -54.01, 68

 

CMYK 52 / 0 / 96 / 29

HEX #57B507

RGB 87 181 7

HSL 92.41, 0.93%, 0.37%

LAB 65.82, -52.85, 65.41

 

CMYK 57 / 0 / 100 / 36

HEX #46A300

RGB 70 163 0

HSL 94.23, 1%, 0.32%

LAB 59.43, -51.24, 60.99

 

CMYK 63 / 0 / 100 / 43

HEX #359100

RGB 53 145 0

HSL 98.07, 1%, 0.28%

LAB 52.96, -49.26, 55.64

 

CMYK 44 / 0 / 80 / 15

HEX #78D82C

RGB 120 216 44

HSL 93.49, 0.69%, 0.51%

LAB 78.04, -54.81, 69.16

 

CMYK 23 / 0 / 80 / 15

HEX #A7D82C

RGB 167 216 44

HSL 77.09, 0.69%, 0.51%

LAB 80.47, -38.17, 72.26

 

CMYK 1 / 0 / 80 / 15

HEX #D5D82C

RGB 213 216 44

HSL 61.05, 0.69%, 0.51%

LAB 83.67, -19.51, 76.33

 

CMYK 0 / 20 / 80 / 15

HEX #D8AD2C

RGB 216 173 44

HSL 45, 0.69%, 0.51%

LAB 72.67, 3.75, 66.74

 

CMYK 0 / 41 / 80 / 15

HEX #D87F2C

RGB 216 127 44

HSL 28.95, 0.69%, 0.51%

LAB 61.62, 28.41, 56.68

 

CMYK 44 / 0 / 80 / 15

HEX #78D82C

RGB 120 216 44

HSL 93.49, 0.69%, 0.51%

LAB 78.04, -54.81, 69.16

 

CMYK 66 / 0 / 80 / 15

HEX #4AD82C

RGB 74 216 44

HSL 109.53, 0.69%, 0.51%

LAB 76.53, -66.79, 67.2

 

CMYK 80 / 0 / 72 / 15

HEX #2CD83D

RGB 44 216 61

HSL 125.93, 0.69%, 0.51%

LAB 76.06, -70.43, 61.08

 

CMYK 80 / 0 / 50 / 15

HEX #2CD86B

RGB 44 216 107

HSL 141.98, 0.69%, 0.51%

LAB 76.5, -65.04, 41.76

 

CMYK 80 / 0 / 29 / 15

HEX #2CD89A

RGB 44 216 154

HSL 158.37, 0.69%, 0.51%

LAB 77.27, -56.27, 18.84

 

CMYK 44 / 0 / 80 / 15

HEX #78D82C

RGB 120 216 44

HSL 93.49, 0.69%, 0.51%

LAB 78.04, -54.81, 69.16

 

CMYK 50 / 0 / 90 / 7

HEX #76EC18

RGB 118 236 24

HSL 93.4, 0.85%, 0.51%

LAB 83.92, -63.53, 78.52

 

CMYK 44 / 0 / 80 / 15

HEX #78D82C

RGB 120 216 44

HSL 93.49, 0.69%, 0.51%

LAB 78.04, -54.81, 69.16

 

CMYK 38 / 0 / 67 / 23

HEX #7AC440

RGB 122 196 64

HSL 93.64, 0.53%, 0.51%

LAB 72.22, -44.85, 56.67

 

CMYK 29 / 0 / 52 / 31

HEX #7DB054

RGB 125 176 84

HSL 93.26, 0.37%, 0.51%

LAB 66.56, -33.03, 41.4

 

CMYK 19 / 0 / 33 / 39

HEX #7F9C68

RGB 127 156 104

HSL 93.46, 0.21%, 0.51%

LAB 61.04, -19.84, 24.02

 

CMYK 4 / 0 / 7 / 47

HEX #81877D

RGB 129 135 125

HSL 96, 0.04%, 0.51%

LAB 55.56, -4.18, 4.61

 

CMYK 1 / 0 / 80 / 15

HEX #D5D82C

RGB 213 216 44

HSL 61.05, 0.69%, 0.51%

LAB 83.67, -19.51, 76.33

 

CMYK 23 / 0 / 80 / 15

HEX #A7D82C

RGB 167 216 44

HSL 77.09, 0.69%, 0.51%

LAB 80.47, -38.17, 72.26

 

CMYK 44 / 0 / 80 / 15

HEX #79D82C

RGB 121 216 44

HSL 93.14, 0.69%, 0.51%

LAB 78.09, -54.49, 69.22

 

CMYK 65 / 0 / 80 / 15

HEX #4BD82C

RGB 75 216 44

HSL 109.19, 0.69%, 0.51%

LAB 76.55, -66.58, 67.23

 

CMYK 80 / 0 / 73 / 15

HEX #2CD83A

RGB 44 216 58

HSL 124.88, 0.69%, 0.51%

LAB 76.04, -70.67, 62.12

 

CMYK 45 / 0 / 81 / 41

HEX #52961C

RGB 82 150 28

HSL 93.44, 0.69%, 0.35%

LAB 55.78, -41.63, 52.6

 

CMYK 45 / 0 / 82 / 27

HEX #65B922

RGB 101 185 34

HSL 93.38, 0.69%, 0.43%

LAB 67.71, -49.22, 62.14

 

CMYK 44 / 0 / 80 / 15

HEX #78D82C

RGB 120 216 44

HSL 93.49, 0.69%, 0.51%

LAB 78.04, -54.81, 69.16

 

CMYK 36 / 0 / 65 / 13

HEX #8EDF4F

RGB 142 223 79

HSL 93.75, 0.69%, 0.59%

LAB 81.34, -48.17, 60.67

 

CMYK 28 / 0 / 50 / 10

HEX #A5E572

RGB 165 229 114

HSL 93.39, 0.69%, 0.67%

LAB 84.61, -39.49, 49.3

 

CMYK 44 / 0 / 79 / 15

HEX #79D92D

RGB 121 217 45

HSL 93.49, 0.69%, 0.51%

LAB 78.39, -54.83, 69.22

 

CMYK 80 / 0 / 20 / 15

HEX #2CD8AD

RGB 44 216 173

HSL 165, 0.69%, 0.51%

LAB 77.68, -51.87, 9.34

 

CMYK 0 / 80 / 12 / 15

HEX #D82CBE

RGB 216 44 190

HSL 309.07, 0.69%, 0.51%

LAB 51.97, 77.02, -37.69

 

CMYK 44 / 0 / 79 / 15

HEX #79D92D

RGB 121 217 45

HSL 93.49, 0.69%, 0.51%

LAB 78.39, -54.83, 69.22

 

CMYK 80 / 44 / 0 / 15

HEX #2C79D8

RGB 44 121 216

HSL 213.14, 0.69%, 0.51%

LAB 50.88, 10.44, -55.3

 

CMYK 0 / 80 / 44 / 15

HEX #D82C79

RGB 216 44 121

HSL 333.14, 0.69%, 0.51%

LAB 49.23, 69.09, -0.84

 

CMYK 44 / 0 / 79 / 15

HEX #79D92D

RGB 121 217 45

HSL 93.49, 0.69%, 0.51%

LAB 78.39, -54.83, 69.22

 

CMYK 80 / 0 / 20 / 15

HEX #2CD8AD

RGB 44 216 173

HSL 165, 0.69%, 0.51%

LAB 77.68, -51.87, 9.34

 

CMYK 36 / 80 / 0 / 15

HEX #8B2CD8

RGB 139 44 216

HSL 273.14, 0.69%, 0.51%

LAB 41.61, 67.47, -70

 

CMYK 0 / 80 / 60 / 15

HEX #D82C57

RGB 216 44 87

HSL 345, 0.69%, 0.51%

LAB 48.37, 66.49, 18.74

 

CMYK 44 / 0 / 79 / 15

HEX #79D92D

RGB 121 217 45

HSL 93.49, 0.69%, 0.51%

LAB 78.39, -54.83, 69.22

 

CMYK 80 / 4 / 0 / 15

HEX #2CD0D8

RGB 44 208 216

HSL 182.79, 0.69%, 0.51%

LAB 76.44, -36.72, -15.54

 

CMYK 36 / 80 / 0 / 15

HEX #8B2CD8

RGB 139 44 216

HSL 273.14, 0.69%, 0.51%

LAB 41.61, 67.47, -70

 

CMYK 0 / 76 / 80 / 15

HEX #D8342C

RGB 216 52 44

HSL 2.79, 0.69%, 0.51%

LAB 48.56, 62.18, 44.11

 

Description

Color code: HEX #79D92D | qconv.com Color code: HEX #79D92D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 217 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 217 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 79% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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