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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79D7FECE it is the complementary color #862801CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79D7FECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79D7FECE shade: #7ED7F9CE, #8FE9FFCE, #A0FBFFCE, #B1FFFFCE and #C2FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79D7FECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79D7FECE shade: #79D7FECE, #68C5EBCE, #57B3D8CE, #46A1C5CE and #358FB2CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79D7FECE shade: #7BD8FE, #7BB4FE, #7B91FE, #887BFE and #AC7BFE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79D7FECE shade: #7BD8FE, #7BB4FE, #7B91FE and #7B7BFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79D7FECE shade matches the following richer shades: #7BD8FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79D7FECE shade: #7BD8FE, #86D3F4, #91CFE9, #9BCBDE and #A6C6D3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79D7FECE shade: #7BFEDE, #7BFCFE, #7BD9FE, #7BB6FE and #7B93FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79D7FECE shade: #29BFFE, #52CCFE, #7BD8FE, #A4E4FF and #CDF0FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79D7FECE shade: #79D7FE, #BB7BFE and #FEEF7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79D7FECE shade: #79D7FE, #FE7BD9 and #D9FE7B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79D7FECE shade: #79D7FE, #BB7BFE, #FEA07B and #BFFE7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79D7FECE shade: #79D7FE, #E27BFE, #FEA07B and #98FE7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 12 / 0 / 0

HEX #79D7FECE

RGBA 121 215 254 0.81

HSLA 197.59, 0.99%, 0.74%, 0.81

LABA 81.74, -17.47, -27.6, 0.81

 

Complementary color

CMYK 0 / 57 / 80 / 38

HEX #862801CE

RGBA 134 40 1 0.81

HSLA 17.59, 0.99%, 0.26%, 0.81

LABA 30.85, 38.7, 42.58, 0.81

 

CMYK 40 / 11 / 0 / 2

HEX #7ED7F9CE

RGBA 126 215 249 0.81

HSLA 196.59, 0.91%, 0.74%, 0.81

LABA 81.77, -17.79, -24.89, 0.81

 

CMYK 36 / 7 / 0 / 0

HEX #8FE9FFCE

RGBA 143 233 255 0.81

HSLA 191.79, 1%, 0.78%, 0.81

LABA 87.65, -21.41, -19.07, 0.81

 

CMYK 30 / 1 / 0 / 0

HEX #A0FBFFCE

RGBA 160 251 255 0.81

HSLA 182.53, 1%, 0.81%, 0.81

LABA 93.31, -26.1, -10.51, 0.81

 

CMYK 25 / 0 / 0 / 0

HEX #B1FFFFCE

RGBA 177 255 255 0.81

HSLA 180, 1%, 0.85%, 0.81

LABA 95.2, -23.63, -7.63, 0.81

 

CMYK 19 / 0 / 0 / 0

HEX #C2FFFFCE

RGBA 194 255 255 0.81

HSLA 180, 1%, 0.88%, 0.81

LABA 96.08, -18.92, -6.22, 0.81

 

CMYK 42 / 12 / 0 / 0

HEX #79D7FECE

RGBA 121 215 254 0.81

HSLA 197.59, 0.99%, 0.74%, 0.81

LABA 81.74, -17.47, -27.6, 0.81

 

CMYK 45 / 13 / 0 / 6

HEX #68C5EBCE

RGBA 104 197 235 0.81

HSLA 197.4, 0.77%, 0.66%, 0.81

LABA 75.37, -17.07, -27.25, 0.81

 

CMYK 48 / 14 / 0 / 12

HEX #57B3D8CE

RGBA 87 179 216 0.81

HSLA 197.21, 0.62%, 0.59%, 0.81

LABA 68.91, -16.56, -26.89, 0.81

 

CMYK 52 / 15 / 0 / 18

HEX #46A1C5CE

RGBA 70 161 197 0.81

HSLA 197.01, 0.52%, 0.52%, 0.81

LABA 62.36, -15.91, -26.5, 0.81

 

CMYK 57 / 16 / 0 / 24

HEX #358FB2CE

RGBA 53 143 178 0.81

HSLA 196.8, 0.54%, 0.45%, 0.81

LABA 55.7, -15.04, -26.08, 0.81

 

CMYK 52 / 15 / 0 / 0

HEX #7BD8FE

RGB 123 216 254

HSL 197.4, 0.98%, 0.74%

LAB 82.1, -17.56, -27.05

 

CMYK 52 / 29 / 0 / 0

HEX #7BB4FE

RGB 123 180 254

HSL 213.89, 0.98%, 0.74%

LAB 72.23, 1.66, -42.29

 

CMYK 52 / 43 / 0 / 0

HEX #7B91FE

RGB 123 145 254

HSL 229.92, 0.98%, 0.74%

LAB 63.03, 21.75, -56.83

 

CMYK 46 / 52 / 0 / 0

HEX #887BFE

RGB 136 123 254

HSL 245.95, 0.98%, 0.74%

LAB 58.56, 37.43, -63.92

 

CMYK 32 / 52 / 0 / 0

HEX #AC7BFE

RGB 172 123 254

HSL 262.44, 0.98%, 0.74%

LAB 61.73, 45.74, -58.66

 

CMYK 52 / 15 / 0 / 0

HEX #7BD8FE

RGB 123 216 254

HSL 197.4, 0.98%, 0.74%

LAB 82.1, -17.56, -27.05

 

CMYK 52 / 29 / 0 / 0

HEX #7BB4FE

RGB 123 180 254

HSL 213.89, 0.98%, 0.74%

LAB 72.23, 1.66, -42.29

 

CMYK 52 / 43 / 0 / 0

HEX #7B91FE

RGB 123 145 254

HSL 229.92, 0.98%, 0.74%

LAB 63.03, 21.75, -56.83

 

CMYK 52 / 52 / 0 / 0

HEX #7B7BFE

RGB 123 123 254

HSL 240, 0.98%, 0.74%

LAB 57.59, 34.72, -65.53

 

CMYK 52 / 15 / 0 / 0

HEX #7BD8FE

RGB 123 216 254

HSL 197.4, 0.98%, 0.74%

LAB 82.1, -17.56, -27.05

 

CMYK 52 / 15 / 0 / 0

HEX #7BD8FE

RGB 123 216 254

HSL 197.4, 0.98%, 0.74%

LAB 82.1, -17.56, -27.05

 

CMYK 45 / 14 / 0 / 4

HEX #86D3F4

RGB 134 211 244

HSL 198, 0.83%, 0.74%

LAB 80.84, -15.27, -23.61

 

CMYK 38 / 11 / 0 / 9

HEX #91CFE9

RGB 145 207 233

HSL 197.73, 0.67%, 0.74%

LAB 79.91, -13.33, -19.1

 

CMYK 30 / 9 / 0 / 13

HEX #9BCBDE

RGB 155 203 222

HSL 197.01, 0.5%, 0.74%

LAB 79.01, -11.21, -14.51

 

CMYK 21 / 6 / 0 / 17

HEX #A6C6D3

RGB 166 198 211

HSL 197.33, 0.34%, 0.74%

LAB 77.99, -7.86, -10.05

 

CMYK 52 / 0 / 13 / 0

HEX #7BFEDE

RGB 123 254 222

HSL 165.34, 0.98%, 0.74%

LAB 91.85, -43.73, 4.26

 

CMYK 52 / 1 / 0 / 0

HEX #7BFCFE

RGB 123 252 254

HSL 180.92, 0.98%, 0.74%

LAB 92.13, -35.08, -11.91

 

CMYK 52 / 15 / 0 / 0

HEX #7BD9FE

RGB 123 217 254

HSL 196.95, 0.98%, 0.74%

LAB 82.37, -18.07, -26.63

 

CMYK 52 / 28 / 0 / 0

HEX #7BB6FE

RGB 123 182 254

HSL 212.98, 0.98%, 0.74%

LAB 72.77, 0.55, -41.45

 

CMYK 52 / 42 / 0 / 0

HEX #7B93FE

RGB 123 147 254

HSL 229.01, 0.98%, 0.74%

LAB 63.54, 20.58, -56.01

 

CMYK 84 / 25 / 0 / 0

HEX #29BFFE

RGB 41 191 254

HSL 197.75, 0.99%, 0.58%

LAB 72.82, -16.33, -41.57

 

CMYK 68 / 20 / 0 / 0

HEX #52CCFE

RGB 82 204 254

HSL 197.44, 0.99%, 0.66%

LAB 77.36, -18.7, -34.45

 

CMYK 52 / 15 / 0 / 0

HEX #7BD8FE

RGB 123 216 254

HSL 197.4, 0.98%, 0.74%

LAB 82.1, -17.56, -27.05

 

CMYK 36 / 11 / 0 / 0

HEX #A4E4FF

RGB 164 228 255

HSL 197.8, 1%, 0.82%

LAB 87.29, -13.68, -19.52

 

CMYK 20 / 6 / 0 / 0

HEX #CDF0FF

RGB 205 240 255

HSL 198, 1%, 0.9%

LAB 92.8, -8.21, -11.01

 

CMYK 52 / 15 / 0 / 0

HEX #79D7FE

RGB 121 215 254

HSL 197.59, 0.99%, 0.74%

LAB 81.74, -17.47, -27.6

 

CMYK 26 / 52 / 0 / 0

HEX #BB7BFE

RGB 187 123 254

HSL 269.31, 0.98%, 0.74%

LAB 63.25, 49.45, -56.15

 

CMYK 0 / 6 / 52 / 0

HEX #FEEF7B

RGB 254 239 123

HSL 53.13, 0.98%, 0.74%

LAB 93.55, -9.52, 57.27

 

CMYK 52 / 15 / 0 / 0

HEX #79D7FE

RGB 121 215 254

HSL 197.59, 0.99%, 0.74%

LAB 81.74, -17.47, -27.6

 

CMYK 0 / 52 / 15 / 0

HEX #FE7BD9

RGB 254 123 217

HSL 316.95, 0.98%, 0.74%

LAB 69.64, 60.9, -25.14

 

CMYK 15 / 0 / 52 / 0

HEX #D9FE7B

RGB 217 254 123

HSL 76.95, 0.98%, 0.74%

LAB 94.77, -31.06, 58.03

 

CMYK 52 / 15 / 0 / 0

HEX #79D7FE

RGB 121 215 254

HSL 197.59, 0.99%, 0.74%

LAB 81.74, -17.47, -27.6

 

CMYK 26 / 52 / 0 / 0

HEX #BB7BFE

RGB 187 123 254

HSL 269.31, 0.98%, 0.74%

LAB 63.25, 49.45, -56.15

 

CMYK 0 / 37 / 52 / 0

HEX #FEA07B

RGB 254 160 123

HSL 16.95, 0.98%, 0.74%

LAB 74.6, 31.18, 33.85

 

CMYK 25 / 0 / 52 / 0

HEX #BFFE7B

RGB 191 254 123

HSL 88.85, 0.98%, 0.74%

LAB 93.18, -40.51, 55.77

 

CMYK 52 / 15 / 0 / 0

HEX #79D7FE

RGB 121 215 254

HSL 197.59, 0.99%, 0.74%

LAB 81.74, -17.47, -27.6

 

CMYK 11 / 52 / 0 / 0

HEX #E27BFE

RGB 226 123 254

HSL 287.18, 0.98%, 0.74%

LAB 67.64, 59.47, -48.91

 

CMYK 0 / 37 / 52 / 0

HEX #FEA07B

RGB 254 160 123

HSL 16.95, 0.98%, 0.74%

LAB 74.6, 31.18, 33.85

 

CMYK 40 / 0 / 52 / 0

HEX #98FE7B

RGB 152 254 123

HSL 106.72, 0.98%, 0.74%

LAB 91.23, -53.35, 52.96

 

Description

Color code: HEX #79D7FECE | qconv.com Color code: HEX #79D7FECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 215 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 215 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 12 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 12% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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