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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79D602 it is the complementary color #8629FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79D602. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79D602 shade: #7ED600, #8FE810, #A0FA23, #B1FF36 and #C2FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79D602. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79D602 shade: #79D602, #68C400, #57B200, #46A000 and #358E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79D602 shade: #78D402, #B1D402, #D4BF02, #D48602 and #D44E02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79D602 shade: #78D402, #3FD402, #07D402, #02D436 and #02D46F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79D602 shade matches the following richer shades: #78D402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79D602 shade: #78D402, #76C313, #74B125, #72A036 and #6F8F47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79D602 shade: #D4BF02, #B1D402, #79D402, #41D402 and #09D402

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79D602 shade: #4A8201, #61AB02, #78D402, #8FFC03 and #A1FD2C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79D602 shade: #79D602, #02D487 and #D402CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79D602 shade: #79D602, #0279D4 and #D40279

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79D602 shade: #79D602, #02D487, #5D02D4 and #D4024F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79D602 shade: #79D602, #02D4C6, #5D02D4 and #D40210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 99 / 16

HEX #79D602

RGB 121 214 2

HSL 86.32, 0.98%, 0.42%

LAB 77.38, -54.86, 75.71

 

Complementary color

CMYK 47 / 84 / 0 / 1

HEX #8629FD

RGB 134 41 253

HSL 266.32, 0.98%, 0.58%

LAB 43.87, 76.04, -87.28

 

CMYK 41 / 0 / 100 / 16

HEX #7ED600

RGB 126 214 0

HSL 84.67, 1%, 0.42%

LAB 77.6, -53.25, 76.17

 

CMYK 38 / 0 / 93 / 9

HEX #8FE810

RGB 143 232 16

HSL 84.72, 0.87%, 0.49%

LAB 83.75, -54.41, 79.86

 

CMYK 36 / 0 / 86 / 2

HEX #A0FA23

RGB 160 250 35

HSL 85.12, 0.96%, 0.56%

LAB 89.84, -55.34, 82.34

 

CMYK 31 / 0 / 79 / 0

HEX #B1FF36

RGB 177 255 54

HSL 83.28, 1%, 0.61%

LAB 92.19, -50.81, 80.4

 

CMYK 24 / 0 / 71 / 0

HEX #C2FF49

RGB 194 255 73

HSL 80.11, 1%, 0.64%

LAB 93.22, -43.75, 75.97

 

CMYK 43 / 0 / 99 / 16

HEX #79D602

RGB 121 214 2

HSL 86.32, 0.98%, 0.42%

LAB 77.38, -54.86, 75.71

 

CMYK 47 / 0 / 100 / 23

HEX #68C400

RGB 104 196 0

HSL 88.16, 1%, 0.38%

LAB 71.16, -53.43, 70.75

 

CMYK 51 / 0 / 100 / 30

HEX #57B200

RGB 87 178 0

HSL 90.67, 1%, 0.35%

LAB 64.86, -51.87, 65.52

 

CMYK 56 / 0 / 100 / 37

HEX #46A000

RGB 70 160 0

HSL 93.75, 1%, 0.31%

LAB 58.46, -50.15, 60.22

 

CMYK 63 / 0 / 100 / 44

HEX #358E00

RGB 53 142 0

HSL 97.61, 1%, 0.28%

LAB 51.95, -48.2, 54.85

 

CMYK 43 / 0 / 99 / 17

HEX #78D402

RGB 120 212 2

HSL 86.29, 0.98%, 0.42%

LAB 76.73, -54.42, 75.19

 

CMYK 17 / 0 / 99 / 17

HEX #B1D402

RGB 177 212 2

HSL 70, 0.98%, 0.42%

LAB 79.86, -33.32, 78.96

 

CMYK 0 / 10 / 99 / 17

HEX #D4BF02

RGB 212 191 2

HSL 54, 0.98%, 0.42%

LAB 76.84, -8.19, 77.94

 

CMYK 0 / 37 / 99 / 17

HEX #D48602

RGB 212 134 2

HSL 37.71, 0.98%, 0.42%

LAB 62.55, 22.13, 68.02

 

CMYK 0 / 63 / 99 / 17

HEX #D44E02

RGB 212 78 2

HSL 21.71, 0.98%, 0.42%

LAB 51.21, 50.31, 61.11

 

CMYK 43 / 0 / 99 / 17

HEX #78D402

RGB 120 212 2

HSL 86.29, 0.98%, 0.42%

LAB 76.73, -54.42, 75.19

 

CMYK 70 / 0 / 99 / 17

HEX #3FD402

RGB 63 212 2

HSL 102.57, 0.98%, 0.42%

LAB 74.92, -68.97, 72.98

 

CMYK 97 / 0 / 99 / 17

HEX #07D402

RGB 7 212 2

HSL 118.57, 0.98%, 0.42%

LAB 74.28, -74.67, 72.2

 

CMYK 99 / 0 / 75 / 17

HEX #02D436

RGB 2 212 54

HSL 134.86, 0.98%, 0.42%

LAB 74.42, -72.7, 61.76

 

CMYK 99 / 0 / 48 / 17

HEX #02D46F

RGB 2 212 111

HSL 151.14, 0.98%, 0.42%

LAB 74.98, -65.77, 37.82

 

CMYK 43 / 0 / 99 / 17

HEX #78D402

RGB 120 212 2

HSL 86.29, 0.98%, 0.42%

LAB 76.73, -54.42, 75.19

 

CMYK 43 / 0 / 99 / 17

HEX #78D402

RGB 120 212 2

HSL 86.29, 0.98%, 0.42%

LAB 76.73, -54.42, 75.19

 

CMYK 39 / 0 / 90 / 24

HEX #76C313

RGB 118 195 19

HSL 86.25, 0.82%, 0.42%

LAB 71.51, -48.08, 68.99

 

CMYK 34 / 0 / 79 / 31

HEX #74B125

RGB 116 177 37

HSL 86.14, 0.65%, 0.42%

LAB 65.97, -40.6, 59.95

 

CMYK 29 / 0 / 66 / 37

HEX #72A036

RGB 114 160 54

HSL 86.04, 0.5%, 0.42%

LAB 60.77, -32.63, 48.52

 

CMYK 22 / 0 / 50 / 44

HEX #6F8F47

RGB 111 143 71

HSL 86.67, 0.34%, 0.42%

LAB 55.56, -23.93, 34.46

 

CMYK 0 / 10 / 99 / 17

HEX #D4BF02

RGB 212 191 2

HSL 54, 0.98%, 0.42%

LAB 76.84, -8.19, 77.94

 

CMYK 17 / 0 / 99 / 17

HEX #B1D402

RGB 177 212 2

HSL 70, 0.98%, 0.42%

LAB 79.86, -33.32, 78.96

 

CMYK 43 / 0 / 99 / 17

HEX #79D402

RGB 121 212 2

HSL 86, 0.98%, 0.42%

LAB 76.77, -54.09, 75.24

 

CMYK 69 / 0 / 99 / 17

HEX #41D402

RGB 65 212 2

HSL 102, 0.98%, 0.42%

LAB 74.96, -68.6, 73.03

 

CMYK 96 / 0 / 99 / 17

HEX #09D402

RGB 9 212 2

HSL 118, 0.98%, 0.42%

LAB 74.29, -74.6, 72.21

 

CMYK 43 / 0 / 99 / 49

HEX #4A8201

RGB 74 130 1

HSL 86.05, 0.98%, 0.26%

LAB 48.79, -37, 52.52

 

CMYK 43 / 0 / 99 / 33

HEX #61AB02

RGB 97 171 2

HSL 86.27, 0.98%, 0.34%

LAB 63.07, -45.91, 64.03

 

CMYK 43 / 0 / 99 / 17

HEX #78D402

RGB 120 212 2

HSL 86.29, 0.98%, 0.42%

LAB 76.73, -54.42, 75.19

 

CMYK 43 / 0 / 99 / 1

HEX #8FFC03

RGB 143 252 3

HSL 86.27, 0.98%, 0.5%

LAB 89.61, -62.22, 85.62

 

CMYK 36 / 0 / 83 / 1

HEX #A1FD2C

RGB 161 253 44

HSL 86.41, 0.98%, 0.58%

LAB 90.78, -55.9, 81.3

 

CMYK 43 / 0 / 99 / 16

HEX #79D602

RGB 121 214 2

HSL 86.32, 0.98%, 0.42%

LAB 77.38, -54.86, 75.71

 

CMYK 99 / 0 / 36 / 17

HEX #02D487

RGB 2 212 135

HSL 158, 0.98%, 0.42%

LAB 75.36, -61.32, 26.11

 

CMYK 0 / 99 / 3 / 17

HEX #D402CD

RGB 212 2 205

HSL 302, 0.98%, 0.42%

LAB 50.04, 84.33, -49.48

 

CMYK 43 / 0 / 99 / 16

HEX #79D602

RGB 121 214 2

HSL 86.32, 0.98%, 0.42%

LAB 77.38, -54.86, 75.71

 

CMYK 99 / 43 / 0 / 17

HEX #0279D4

RGB 2 121 212

HSL 206, 0.98%, 0.42%

LAB 50.03, 6.45, -54.44

 

CMYK 0 / 99 / 43 / 17

HEX #D40279

RGB 212 2 121

HSL 326, 0.98%, 0.42%

LAB 46.21, 74.65, -5.39

 

CMYK 43 / 0 / 99 / 16

HEX #79D602

RGB 121 214 2

HSL 86.32, 0.98%, 0.42%

LAB 77.38, -54.86, 75.71

 

CMYK 99 / 0 / 36 / 17

HEX #02D487

RGB 2 212 135

HSL 158, 0.98%, 0.42%

LAB 75.36, -61.32, 26.11

 

CMYK 56 / 99 / 0 / 17

HEX #5D02D4

RGB 93 2 212

HSL 266, 0.98%, 0.42%

LAB 32.09, 71.2, -83.57

 

CMYK 0 / 99 / 63 / 17

HEX #D4024F

RGB 212 2 79

HSL 338, 0.98%, 0.42%

LAB 45.09, 71.68, 19.15

 

CMYK 43 / 0 / 99 / 16

HEX #79D602

RGB 121 214 2

HSL 86.32, 0.98%, 0.42%

LAB 77.38, -54.86, 75.71

 

CMYK 99 / 0 / 7 / 17

HEX #02D4C6

RGB 2 212 198

HSL 176, 0.98%, 0.42%

LAB 76.79, -45.84, -5.37

 

CMYK 56 / 99 / 0 / 17

HEX #5D02D4

RGB 93 2 212

HSL 266, 0.98%, 0.42%

LAB 32.09, 71.2, -83.57

 

CMYK 0 / 99 / 92 / 17

HEX #D40210

RGB 212 2 16

HSL 356, 0.98%, 0.42%

LAB 44.34, 69.66, 53.37

 

Description

Color code: HEX #79D602 | qconv.com Color code: HEX #79D602 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 214 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 214 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 99 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 99% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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