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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79D589 it is the complementary color #862A76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79D589. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79D589 shade: #7ED584, #8FE797, #A0F9AA, #B1FFBD and #C2FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79D589. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79D589 shade: #79D589, #68C376, #57B163, #469F50 and #358D3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79D589 shade: #77D487, #80D477, #99D477, #B2D477 and #CBD477

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79D589 shade: #77D487, #77D4A1, #77D4BA, #77D4D3 and #77BDD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79D589 shade matches the following richer shades: #77D487, #69E37E and #5AF175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79D589 shade: #77D487, #86C691, #94B79A, #A3A9A4 and #B19AAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79D589 shade: #99D477, #81D477, #77D487, #77D4A0 and #77D4B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79D589 shade: #3CBD52, #58CA6C, #77D487, #97DEA3 and #B6E8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79D589 shade: #79D589, #77B2D4 and #D4778D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79D589 shade: #79D589, #8777D4 and #D48777

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79D589 shade: #79D589, #77B2D4, #D477C5 and #D49977

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79D589 shade: #79D589, #7796D4, #D477C5 and #D4B577

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 36 / 16

HEX #79D589

RGB 121 213 137

HSL 130.43, 0.52%, 0.65%

LAB 78.15, -43.39, 29.24

 

Complementary color

CMYK 0 / 69 / 12 / 47

HEX #862A76

RGB 134 42 118

HSL 310.43, 0.52%, 0.35%

LAB 34.05, 47.88, -23.38

 

CMYK 41 / 0 / 38 / 16

HEX #7ED584

RGB 126 213 132

HSL 124.14, 0.51%, 0.66%

LAB 78.28, -42.74, 32.03

 

CMYK 38 / 0 / 35 / 9

HEX #8FE797

RGB 143 231 151

HSL 125.45, 0.65%, 0.73%

LAB 84.6, -42.51, 30.84

 

CMYK 36 / 0 / 32 / 2

HEX #A0F9AA

RGB 160 249 170

HSL 126.74, 0.88%, 0.8%

LAB 90.84, -42.27, 29.72

 

CMYK 31 / 0 / 26 / 0

HEX #B1FFBD

RGB 177 255 189

HSL 129.23, 1%, 0.85%

LAB 93.69, -36.65, 24.11

 

CMYK 24 / 0 / 18 / 0

HEX #C2FFD0

RGB 194 255 208

HSL 133.77, 1%, 0.88%

LAB 94.97, -28.09, 16.35

 

CMYK 43 / 0 / 36 / 16

HEX #79D589

RGB 121 213 137

HSL 130.43, 0.52%, 0.65%

LAB 78.15, -43.39, 29.24

 

CMYK 47 / 0 / 39 / 24

HEX #68C376

RGB 104 195 118

HSL 129.23, 0.43%, 0.59%

LAB 71.75, -43.58, 30.49

 

CMYK 51 / 0 / 44 / 31

HEX #57B163

RGB 87 177 99

HSL 128, 0.37%, 0.52%

LAB 65.26, -43.69, 31.81

 

CMYK 56 / 0 / 50 / 38

HEX #469F50

RGB 70 159 80

HSL 126.74, 0.39%, 0.45%

LAB 58.67, -43.67, 33.19

 

CMYK 62 / 0 / 57 / 45

HEX #358D3D

RGB 53 141 61

HSL 125.45, 0.45%, 0.38%

LAB 52, -43.42, 34.61

 

CMYK 44 / 0 / 36 / 17

HEX #77D487

RGB 119 212 135

HSL 130.32, 0.52%, 0.65%

LAB 77.73, -43.85, 29.71

 

CMYK 40 / 0 / 44 / 17

HEX #80D477

RGB 128 212 119

HSL 114.19, 0.52%, 0.65%

LAB 77.88, -43.64, 38.1

 

CMYK 28 / 0 / 44 / 17

HEX #99D477

RGB 153 212 119

HSL 98.06, 0.52%, 0.65%

LAB 79.15, -35.41, 39.98

 

CMYK 16 / 0 / 44 / 17

HEX #B2D477

RGB 178 212 119

HSL 81.94, 0.52%, 0.65%

LAB 80.67, -26.33, 42.22

 

CMYK 4 / 0 / 44 / 17

HEX #CBD477

RGB 203 212 119

HSL 65.81, 0.52%, 0.65%

LAB 82.44, -16.68, 44.8

 

CMYK 44 / 0 / 36 / 17

HEX #77D487

RGB 119 212 135

HSL 130.32, 0.52%, 0.65%

LAB 77.73, -43.85, 29.71

 

CMYK 44 / 0 / 24 / 17

HEX #77D4A1

RGB 119 212 161

HSL 147.1, 0.52%, 0.65%

LAB 78.22, -39.12, 16.76

 

CMYK 44 / 0 / 12 / 17

HEX #77D4BA

RGB 119 212 186

HSL 163.23, 0.52%, 0.65%

LAB 78.78, -33.81, 4.26

 

CMYK 44 / 0 / 0 / 17

HEX #77D4D3

RGB 119 212 211

HSL 179.35, 0.52%, 0.65%

LAB 79.45, -27.85, -8.14

 

CMYK 44 / 11 / 0 / 17

HEX #77BDD4

RGB 119 189 212

HSL 194.84, 0.52%, 0.65%

LAB 72.94, -16.02, -18.45

 

CMYK 44 / 0 / 36 / 17

HEX #77D487

RGB 119 212 135

HSL 130.32, 0.52%, 0.65%

LAB 77.73, -43.85, 29.71

 

CMYK 54 / 0 / 44 / 11

HEX #69E37E

RGB 105 227 126

HSL 130.33, 0.69%, 0.65%

LAB 81.54, -55.14, 39.1

 

CMYK 63 / 0 / 51 / 5

HEX #5AF175

RGB 90 241 117

HSL 130.73, 0.84%, 0.65%

LAB 85.18, -64.97, 47.89

 

CMYK 44 / 0 / 36 / 17

HEX #77D487

RGB 119 212 135

HSL 130.32, 0.52%, 0.65%

LAB 77.73, -43.85, 29.71

 

CMYK 32 / 0 / 27 / 22

HEX #86C691

RGB 134 198 145

HSL 130.31, 0.36%, 0.65%

LAB 74.51, -31.28, 20.22

 

CMYK 19 / 0 / 16 / 28

HEX #94B79A

RGB 148 183 154

HSL 130.29, 0.2%, 0.65%

LAB 71.21, -17.6, 10.89

 

CMYK 4 / 0 / 3 / 34

HEX #A3A9A4

RGB 163 169 164

HSL 130, 0.03%, 0.65%

LAB 68.64, -3.08, 1.83

 

CMYK 0 / 13 / 2 / 31

HEX #B19AAD

RGB 177 154 173

HSL 310.43, 0.13%, 0.65%

LAB 66.12, 11.88, -6.75

 

CMYK 28 / 0 / 44 / 17

HEX #99D477

RGB 153 212 119

HSL 98.06, 0.52%, 0.65%

LAB 79.15, -35.41, 39.98

 

CMYK 39 / 0 / 44 / 17

HEX #81D477

RGB 129 212 119

HSL 113.55, 0.52%, 0.65%

LAB 77.93, -43.34, 38.17

 

CMYK 44 / 0 / 36 / 17

HEX #77D487

RGB 119 212 135

HSL 130.32, 0.52%, 0.65%

LAB 77.73, -43.85, 29.71

 

CMYK 44 / 0 / 25 / 17

HEX #77D4A0

RGB 119 212 160

HSL 146.45, 0.52%, 0.65%

LAB 78.2, -39.31, 17.26

 

CMYK 44 / 0 / 13 / 17

HEX #77D4B8

RGB 119 212 184

HSL 161.94, 0.52%, 0.65%

LAB 78.73, -34.26, 5.26

 

CMYK 68 / 0 / 57 / 26

HEX #3CBD52

RGB 60 189 82

HSL 130.23, 0.52%, 0.49%

LAB 67.99, -57, 43.46

 

CMYK 56 / 0 / 47 / 21

HEX #58CA6C

RGB 88 202 108

HSL 130.53, 0.52%, 0.57%

LAB 73.15, -52.18, 37.28

 

CMYK 44 / 0 / 36 / 17

HEX #77D487

RGB 119 212 135

HSL 130.32, 0.52%, 0.65%

LAB 77.73, -43.85, 29.71

 

CMYK 32 / 0 / 27 / 13

HEX #97DEA3

RGB 151 222 163

HSL 130.14, 0.52%, 0.73%

LAB 82.63, -34, 22.06

 

CMYK 22 / 0 / 18 / 9

HEX #B6E8BF

RGB 182 232 191

HSL 130.8, 0.52%, 0.81%

LAB 87.69, -23.93, 14.77

 

CMYK 43 / 0 / 36 / 16

HEX #79D589

RGB 121 213 137

HSL 130.43, 0.52%, 0.65%

LAB 78.15, -43.39, 29.24

 

CMYK 44 / 16 / 0 / 17

HEX #77B2D4

RGB 119 178 212

HSL 201.94, 0.52%, 0.65%

LAB 69.84, -10.2, -23.16

 

CMYK 0 / 44 / 33 / 17

HEX #D4778D

RGB 212 119 141

HSL 345.81, 0.52%, 0.65%

LAB 60.88, 38.74, 4.19

 

CMYK 43 / 0 / 36 / 16

HEX #79D589

RGB 121 213 137

HSL 130.43, 0.52%, 0.65%

LAB 78.15, -43.39, 29.24

 

CMYK 36 / 44 / 0 / 17

HEX #8777D4

RGB 135 119 212

HSL 250.32, 0.52%, 0.65%

LAB 55.17, 27.77, -45.9

 

CMYK 0 / 36 / 44 / 17

HEX #D48777

RGB 212 135 119

HSL 10.32, 0.52%, 0.65%

LAB 63.88, 27.69, 20.92

 

CMYK 43 / 0 / 36 / 16

HEX #79D589

RGB 121 213 137

HSL 130.43, 0.52%, 0.65%

LAB 78.15, -43.39, 29.24

 

CMYK 44 / 16 / 0 / 17

HEX #77B2D4

RGB 119 178 212

HSL 201.94, 0.52%, 0.65%

LAB 69.84, -10.2, -23.16

 

CMYK 0 / 44 / 7 / 17

HEX #D477C5

RGB 212 119 197

HSL 309.68, 0.52%, 0.65%

LAB 62.69, 47.08, -25.07

 

CMYK 0 / 28 / 44 / 17

HEX #D49977

RGB 212 153 119

HSL 21.94, 0.52%, 0.65%

LAB 68.1, 17.94, 26.58

 

CMYK 43 / 0 / 36 / 16

HEX #79D589

RGB 121 213 137

HSL 130.43, 0.52%, 0.65%

LAB 78.15, -43.39, 29.24

 

CMYK 44 / 29 / 0 / 17

HEX #7796D4

RGB 119 150 212

HSL 220, 0.52%, 0.65%

LAB 62.07, 5.41, -35.14

 

CMYK 0 / 44 / 7 / 17

HEX #D477C5

RGB 212 119 197

HSL 309.68, 0.52%, 0.65%

LAB 62.69, 47.08, -25.07

 

CMYK 0 / 15 / 44 / 17

HEX #D4B577

RGB 212 181 119

HSL 40, 0.52%, 0.65%

LAB 75.06, 2.89, 35.67

 

Description

Color code: HEX #79D589 | qconv.com Color code: HEX #79D589 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 213 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 213 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 36 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 36% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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