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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #79D56E it is the complementary color #862A91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #79D56E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #79D56E shade: #7ED569, #8FE77C, #A0F98F, #B1FFA2 and #C2FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #79D56E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #79D56E shade: #79D56E, #68C35B, #57B148, #469F35 and #358D22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #79D56E shade: #78D56D, #94D56D, #B0D56D, #CCD56D and #D5C16D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #79D56E shade: #78D56D, #6DD57E, #6DD59A, #6DD5B6 and #6DD5D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #79D56E shade matches the following richer shades: #78D56D, #6CE45D and #60F34E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #79D56E shade: #78D56D, #84C57C, #90B68B, #9CA79B and #A897AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #79D56E shade: #B0D56D, #95D56D, #79D56D, #6DD57C and #6DD598

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #79D56E shade: #44B936, #5ACB4D, #78D56D, #95DE8D and #B3E7AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #79D56E shade: #79D56E, #6DCCD5 and #D56DA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #79D56E shade: #79D56E, #6D79D5 and #D56D79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #79D56E shade: #79D56E, #6DCCD5, #C86DD5 and #D5756D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #79D56E shade: #79D56E, #6DADD5, #C86DD5 and #D5956D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 48 / 16

HEX #79D56E

RGB 121 213 110

HSL 113.59, 0.55%, 0.63%

LAB 77.74, -47.42, 42.31

 

Complementary color

CMYK 8 / 71 / 0 / 43

HEX #862A91

RGB 134 42 145

HSL 293.59, 0.55%, 0.37%

LAB 35.53, 52.62, -37.8

 

CMYK 41 / 0 / 51 / 16

HEX #7ED569

RGB 126 213 105

HSL 108.33, 0.56%, 0.62%

LAB 77.9, -46.54, 44.97

 

CMYK 38 / 0 / 46 / 9

HEX #8FE77C

RGB 143 231 124

HSL 109.35, 0.69%, 0.7%

LAB 84.2, -46.45, 43.76

 

CMYK 36 / 0 / 43 / 2

HEX #A0F98F

RGB 160 249 143

HSL 110.38, 0.9%, 0.77%

LAB 90.42, -46.3, 42.57

 

CMYK 31 / 0 / 36 / 0

HEX #B1FFA2

RGB 177 255 162

HSL 110.32, 1%, 0.82%

LAB 93.22, -40.89, 37.05

 

CMYK 24 / 0 / 29 / 0

HEX #C2FFB5

RGB 194 255 181

HSL 109.46, 1%, 0.85%

LAB 94.45, -32.54, 29.36

 

CMYK 43 / 0 / 48 / 16

HEX #79D56E

RGB 121 213 110

HSL 113.59, 0.55%, 0.63%

LAB 77.74, -47.42, 42.31

 

CMYK 47 / 0 / 53 / 24

HEX #68C35B

RGB 104 195 91

HSL 112.5, 0.46%, 0.56%

LAB 71.37, -47.46, 43.55

 

CMYK 51 / 0 / 59 / 31

HEX #57B148

RGB 87 177 72

HSL 111.43, 0.42%, 0.49%

LAB 64.91, -47.35, 44.74

 

CMYK 56 / 0 / 67 / 38

HEX #469F35

RGB 70 159 53

HSL 110.38, 0.5%, 0.42%

LAB 58.37, -47.01, 45.76

 

CMYK 62 / 0 / 76 / 45

HEX #358D22

RGB 53 141 34

HSL 109.35, 0.61%, 0.34%

LAB 51.75, -46.3, 46.33

 

CMYK 44 / 0 / 49 / 16

HEX #78D56D

RGB 120 213 109

HSL 113.65, 0.55%, 0.63%

LAB 77.69, -47.85, 42.72

 

CMYK 31 / 0 / 49 / 16

HEX #94D56D

RGB 148 213 109

HSL 97.5, 0.55%, 0.63%

LAB 79.03, -38.83, 44.68

 

CMYK 17 / 0 / 49 / 16

HEX #B0D56D

RGB 176 213 109

HSL 81.35, 0.55%, 0.63%

LAB 80.7, -28.66, 47.08

 

CMYK 4 / 0 / 49 / 16

HEX #CCD56D

RGB 204 213 109

HSL 65.19, 0.55%, 0.63%

LAB 82.66, -17.76, 49.92

 

CMYK 0 / 9 / 49 / 16

HEX #D5C16D

RGB 213 193 109

HSL 48.46, 0.55%, 0.63%

LAB 78.1, -3.97, 44.58

 

CMYK 44 / 0 / 49 / 16

HEX #78D56D

RGB 120 213 109

HSL 113.65, 0.55%, 0.63%

LAB 77.69, -47.85, 42.72

 

CMYK 49 / 0 / 41 / 16

HEX #6DD57E

RGB 109 213 126

HSL 129.81, 0.55%, 0.63%

LAB 77.49, -48.49, 33.91

 

CMYK 49 / 0 / 28 / 16

HEX #6DD59A

RGB 109 213 154

HSL 145.96, 0.55%, 0.63%

LAB 77.98, -43.53, 20.06

 

CMYK 49 / 0 / 15 / 16

HEX #6DD5B6

RGB 109 213 182

HSL 162.12, 0.55%, 0.63%

LAB 78.59, -37.61, 6.06

 

CMYK 49 / 0 / 1 / 16

HEX #6DD5D2

RGB 109 213 210

HSL 178.27, 0.55%, 0.63%

LAB 79.32, -30.85, -7.84

 

CMYK 44 / 0 / 49 / 16

HEX #78D56D

RGB 120 213 109

HSL 113.65, 0.55%, 0.63%

LAB 77.69, -47.85, 42.72

 

CMYK 53 / 0 / 59 / 11

HEX #6CE45D

RGB 108 228 93

HSL 113.33, 0.71%, 0.63%

LAB 81.55, -59.02, 54.61

 

CMYK 60 / 0 / 68 / 5

HEX #60F34E

RGB 96 243 78

HSL 113.45, 0.87%, 0.63%

LAB 85.57, -68.67, 65.06

 

CMYK 44 / 0 / 49 / 16

HEX #78D56D

RGB 120 213 109

HSL 113.65, 0.55%, 0.63%

LAB 77.69, -47.85, 42.72

 

CMYK 33 / 0 / 37 / 23

HEX #84C57C

RGB 132 197 124

HSL 113.42, 0.39%, 0.63%

LAB 73.74, -34.94, 30.23

 

CMYK 21 / 0 / 24 / 29

HEX #90B68B

RGB 144 182 139

HSL 113.02, 0.23%, 0.63%

LAB 70.35, -21.17, 17.8

 

CMYK 7 / 0 / 7 / 35

HEX #9CA79B

RGB 156 167 155

HSL 115, 0.06%, 0.63%

LAB 67.33, -6.19, 4.86

 

CMYK 1 / 11 / 0 / 33

HEX #A897AA

RGB 168 151 170

HSL 293.68, 0.1%, 0.63%

LAB 64.45, 9.79, -7.63

 

CMYK 17 / 0 / 49 / 16

HEX #B0D56D

RGB 176 213 109

HSL 81.35, 0.55%, 0.63%

LAB 80.7, -28.66, 47.08

 

CMYK 30 / 0 / 49 / 16

HEX #95D56D

RGB 149 213 109

HSL 96.92, 0.55%, 0.63%

LAB 79.09, -38.48, 44.75

 

CMYK 43 / 0 / 49 / 16

HEX #79D56D

RGB 121 213 109

HSL 113.08, 0.55%, 0.63%

LAB 77.73, -47.56, 42.78

 

CMYK 49 / 0 / 42 / 16

HEX #6DD57C

RGB 109 213 124

HSL 128.65, 0.55%, 0.63%

LAB 77.46, -48.81, 34.89

 

CMYK 49 / 0 / 29 / 16

HEX #6DD598

RGB 109 213 152

HSL 144.81, 0.55%, 0.63%

LAB 77.94, -43.92, 21.06

 

CMYK 63 / 0 / 71 / 27

HEX #44B936

RGB 68 185 54

HSL 113.59, 0.55%, 0.47%

LAB 66.67, -56.97, 54.13

 

CMYK 56 / 0 / 62 / 20

HEX #5ACB4D

RGB 90 203 77

HSL 113.81, 0.55%, 0.55%

LAB 73.17, -56.02, 51.91

 

CMYK 44 / 0 / 49 / 16

HEX #78D56D

RGB 120 213 109

HSL 113.65, 0.55%, 0.63%

LAB 77.69, -47.85, 42.72

 

CMYK 33 / 0 / 36 / 13

HEX #95DE8D

RGB 149 222 141

HSL 114.07, 0.55%, 0.71%

LAB 82.14, -38.22, 32.72

HEX #95DE8D

CMYK 23 / 0 / 25 / 9

HEX #B3E7AD

RGB 179 231 173

HSL 113.79, 0.55%, 0.79%

LAB 86.88, -27.51, 22.95

HEX #B3E7AD

CMYK 43 / 0 / 48 / 16

HEX #79D56E

RGB 121 213 110

HSL 113.59, 0.55%, 0.63%

LAB 77.74, -47.42, 42.31

 

CMYK 49 / 4 / 0 / 16

HEX #6DCCD5

RGB 109 204 213

HSL 185.19, 0.55%, 0.63%

LAB 76.82, -25.69, -13.18

 

CMYK 0 / 49 / 24 / 16

HEX #D56DA2

RGB 213 109 162

HSL 329.42, 0.55%, 0.63%

LAB 59.61, 47.01, -9.77

 

CMYK 43 / 0 / 48 / 16

HEX #79D56E

RGB 121 213 110

HSL 113.59, 0.55%, 0.63%

LAB 77.74, -47.42, 42.31

 

CMYK 49 / 43 / 0 / 16

HEX #6D79D5

RGB 109 121 213

HSL 233.08, 0.55%, 0.63%

LAB 53.74, 20.42, -48.87

 

CMYK 0 / 49 / 43 / 16

HEX #D56D79

RGB 213 109 121

HSL 353.08, 0.55%, 0.63%

LAB 58.47, 41.95, 12.34

 

CMYK 43 / 0 / 48 / 16

HEX #79D56E

RGB 121 213 110

HSL 113.59, 0.55%, 0.63%

LAB 77.74, -47.42, 42.31

 

CMYK 49 / 4 / 0 / 16

HEX #6DCCD5

RGB 109 204 213

HSL 185.19, 0.55%, 0.63%

LAB 76.82, -25.69, -13.18

 

CMYK 6 / 49 / 0 / 16

HEX #C86DD5

RGB 200 109 213

HSL 292.5, 0.55%, 0.63%

LAB 59.91, 51.52, -38.54

 

CMYK 0 / 45 / 49 / 16

HEX #D5756D

RGB 213 117 109

HSL 4.62, 0.55%, 0.63%

LAB 59.86, 36.64, 21.16

 

CMYK 43 / 0 / 48 / 16

HEX #79D56E

RGB 121 213 110

HSL 113.59, 0.55%, 0.63%

LAB 77.74, -47.42, 42.31

 

CMYK 49 / 19 / 0 / 16

HEX #6DADD5

RGB 109 173 213

HSL 203.08, 0.55%, 0.63%

LAB 67.98, -9.63, -26.6

 

CMYK 6 / 49 / 0 / 16

HEX #C86DD5

RGB 200 109 213

HSL 292.5, 0.55%, 0.63%

LAB 59.91, 51.52, -38.54

 

CMYK 0 / 30 / 49 / 16

HEX #D5956D

RGB 213 149 109

HSL 23.08, 0.55%, 0.63%

LAB 67.09, 19.51, 30.71

 

Description

Color code: HEX #79D56E | qconv.com Color code: HEX #79D56E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 213 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 213 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 48 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 48% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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